Moe Koffman: Difference between revisions
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'''Moe Koffman''' ([[December 28]] [[1928]]-[[March 28]] [[2001]]) was a [[Canada|Canadian]] [[jazz]] musician and composer. He played the [[flute]], alto and tenor [[saxophone]] and [[clarinet]]. |
'''Moe Koffman''' ([[December 28]] [[1928]]-[[March 28]] [[2001]]) was a [[Canada|Canadian]] [[jazz]] musician and composer. He played the [[flute]], alto and tenor [[saxophone]] and [[clarinet]]. |
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He was born '''Morris Koffman''' in [[Toronto]] in 1928. He attended the Toronto Conservatory of Music, now the [[Royal Conservatory of Music of Toronto]] but later dropped out of school to perform in dance bands. In 1950, he moved to the [[United States]], where he played with [[big band]]s including those of [[Sonny Durham]] and [[Jimmy Dorsey]]. In 1955, he returned to Toronto where he formed a quartet and later a quintet. He recorded ''[[Swinging Shepherd Blues]]'' in 1958 which helped establish his reputation as a flutist. |
He was born '''Morris Koffman''' in [[Toronto]] in 1928. He attended the Toronto Conservatory of Music, now the [[Royal Conservatory of Music of Toronto]] but later dropped out of school to perform in dance bands. In 1950, he moved to the [[United States]], where he played with [[big band]]s including those of [[Sonny Durham]] and [[Jimmy Dorsey]]. In 1955, he returned to Toronto where he formed a quartet and later a quintet. He recorded ''[[Swinging Shepherd Blues]]'' in 1958 which helped establish his reputation as a flutist and ranked him alongside [[Herbie Mann]] and [[Yusef Lateef]] and later [[Jeremy Steig]] as great influential jazz flute players. |
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Koffman was inspired by [[Roland Kirk]] to play multiple instruments at once; and had a modified set of straps to hold a tenor and an alto saxophone so that he could put forward incredible chords and improvise at the same time. One of the more famous session musicians in Toronto he appeared in countless commercials, background music, and film and tv soundtracks. Most work on bass flute in Canadian soundtracks from 1950 to 1990 in Toronto sessions was done by Koffman on this rare instrument. |
Koffman was inspired by [[Roland Kirk]] to play multiple instruments at once; and had a modified set of straps to hold a tenor and an alto saxophone so that he could put forward incredible chords and improvise at the same time. One of the more famous session musicians in Toronto he appeared in countless commercials, background music, and film and tv soundtracks. Most work on bass flute in Canadian soundtracks from 1950 to 1990 in Toronto sessions was done by Koffman on this rare instrument. |
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respectively for the [[Canadian Broadcasting Corporation|CBC]] radio show ''[[As It Happens]]''. |
respectively for the [[Canadian Broadcasting Corporation|CBC]] radio show ''[[As It Happens]]''. |
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He died of [[cancer]] in [[Orangeville, Ontario]] in 2001 at the age of 72. He had been diagnosed with [[non-Hodgkin's lymphoma]] about a year earlier. Koffman's flutes - including his famous solid gold flute - were auctioned off at Waddington's in Toronto with other of his possessions, and |
He died of [[cancer]] in [[Orangeville, Ontario]] in 2001 at the age of 72. He had been diagnosed with [[non-Hodgkin's lymphoma]] about a year earlier. Koffman's flutes - including his famous solid gold flute - were auctioned off at Waddington's in Toronto with other of his possessions, and unfortunately did not go to the National Gallery of Canada. |
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Although some jazz purists did not appreciate his sensitivity to popular tastes, his ability to adapt to changing styles reflected his technical skill as a musician and diverse musical interests. |
Although some jazz purists did not appreciate his sensitivity to popular tastes, his ability to adapt to changing styles reflected his technical skill as a musician and diverse musical interests. |
Revision as of 23:59, 4 April 2006
Moe Koffman (December 28 1928-March 28 2001) was a Canadian jazz musician and composer. He played the flute, alto and tenor saxophone and clarinet.
He was born Morris Koffman in Toronto in 1928. He attended the Toronto Conservatory of Music, now the Royal Conservatory of Music of Toronto but later dropped out of school to perform in dance bands. In 1950, he moved to the United States, where he played with big bands including those of Sonny Durham and Jimmy Dorsey. In 1955, he returned to Toronto where he formed a quartet and later a quintet. He recorded Swinging Shepherd Blues in 1958 which helped establish his reputation as a flutist and ranked him alongside Herbie Mann and Yusef Lateef and later Jeremy Steig as great influential jazz flute players.
Koffman was inspired by Roland Kirk to play multiple instruments at once; and had a modified set of straps to hold a tenor and an alto saxophone so that he could put forward incredible chords and improvise at the same time. One of the more famous session musicians in Toronto he appeared in countless commercials, background music, and film and tv soundtracks. Most work on bass flute in Canadian soundtracks from 1950 to 1990 in Toronto sessions was done by Koffman on this rare instrument.
During the 1970s, Koffman recorded several popular albums with arrangements of works by classical composers including Bach, Mozart and Vivaldi. He also was a guest performer with a number of symphony orchestras across Canada.
He performed with Dizzy Gillespie and Peter Appleyard during the 1980s. He often performed with Rob McConnell's Boss Brass. From 1956 to 1990, Koffman booked performers for George's Spaghetti House in Toronto, where he performed weekly.
He was named to the Order of Canada in 1993 and inducted into the Canadian Music Hall of Fame in 1997. His compositions "Curried Soul" and "Koff Drops" are used as the opening and closing themes respectively for the CBC radio show As It Happens.
He died of cancer in Orangeville, Ontario in 2001 at the age of 72. He had been diagnosed with non-Hodgkin's lymphoma about a year earlier. Koffman's flutes - including his famous solid gold flute - were auctioned off at Waddington's in Toronto with other of his possessions, and unfortunately did not go to the National Gallery of Canada.
Although some jazz purists did not appreciate his sensitivity to popular tastes, his ability to adapt to changing styles reflected his technical skill as a musician and diverse musical interests.