Art Gallery of Ontario

"AGO" redirects here. For other uses, see AGO (disambiguation).

Art Gallery of Ontario

Established	1900
Location	317 Dundas Street West, Toronto, Ontario, Canada
Type	Art museum
Visitors	878,478 (2009-10) Ranked 1st nationally Ranked 56th globally
Director	Matthew Teitelbaum
President	Tony Gagliano
Curator	Dennis Reid
Public transit access	■ St. Patrick 505 Dundas Alternate: 501 Queen 502 Downtowner
Website	Art Gallery of Ontario

The Art Gallery of Ontario (AGO) (Template:Lang-fr) is an art museum in Toronto's Downtown Grange Park district, on Dundas Street West between McCaul Street and Beverley Street.

Its collection includes more than 80,000 works spanning the 1st century to the present-day. The gallery has 45,000 square metres (480,000 sq ft) of physical space, making it one of the largest galleries in North America.

Significant collection include the largest collection of Canadian art, an expansive body of works from the Renaissance and the Baroque eras, European art, African and Oceanic art, and a modern and contemporary collection. The photography collection is a large part of the collection, as well as an extensive drawing and prints collection. The museum contains many significant sculptures, such as in the Henry Moore sculpture centre, and represents other forms of art like film and video art, graphic art, installations, architecture, and ship models. Much of the collection is not on display.

During the AGO's history, it has hosted some of the world's most renowned and significant exhibitions, and continues to do so, to this day.

Over the last three decades, the gallery has seen four major expansions and renovations, typically considered a high amount and unseen by most galleries of the world, and continues to add spaces today. The gallery recently built the Weston Family Learning Centre, and is building a David Milne Research Centre, designed by Hariri Pontarini Architects. It's last major renovations have seen architects like John Andrews, Barton Myers, KPMB Architects, and most recently, Frank Gehry.

There is a extensive library, student spaces, gallery workshop space, artist-in-residence, a high-end restaurant, cafe, espresso bar, research centre, Gehry-designed gift shop, and an event space called the Baillie Court, taking up the entirety of the 3rd floor.

History

A south view of the first gallery building in 1922

The museum was founded in 1900 by a group of private citizens, who incorporated the institution as the Art Museum of Toronto. The Legislative Assembly of Ontario subsequently enacted An Act respecting the Art Museum of Toronto in 1903. The museum was renamed the Art Gallery of Toronto in 1919, and subsequently the Art Gallery of Ontario in 1966.

The current location of the AGO dates to 1910, when the gallery was willed the estate known as the Grange, a historic Georgian manor built in 1817, upon the death of Goldwin Smith. In 1911, the museum leased lands to the south of the manor to the City of Toronto in perpetuity so as to create Grange Park. In 1920, the museum also allowed the Ontario College of Art to construct a building on the grounds.

The museum's first formal exhibitions were opened in the Grange in 1913. In 1916, the museum decided to begin construction of a small portion of a planned new gallery building. Designed by Pearson and Darling in the Beaux-Arts style, excavation of the new facility began in 1916, and the first galleries opened in 1918. Expansion throughout the 20th century added various galleries, culminating in 1993, which left the AGO with 38,400 square metres (413,000 sq ft) of interior space.

The AGO was and continues to be a major supporter of local arts, which have included shows for the Group of Seven, Betty Goodwin, David Milne, and Shary Boyle.

As the institution and its collections grew, major benefactors included Henry Moore, Harris Henry Fudger, Walter C. Laidlaw, Joey Tanenbaum, George Weston, Frank Porter Wood, Edward Rogers Wood, Ayala Zacks, Ken Thomson, the Massey family, and the Eaton family.

Transformation AGO

The newly constructed façade of the AGO along Dundas Street

The titanium and glass south wing overlooking the Grange and Grange Park

Under the direction of its CEO Matthew Teitelbaum, the AGO embarked on a $254 million (later increased to $276 million) redevelopment plan by architect Frank Gehry in 2004, called Transformation AGO. The new addition would require demolition of the 1992 Post-Modernist wing by Barton Myers and Kuwabara Payne McKenna Blumberg Architects (KPMB). Although Gehry was born in Toronto, and as a child had lived in the same neighbourhood as the AGO, the expansion of the gallery represented his first work in Canada. Gehry was commissioned to expand and revitalize the AGO, not to design a new building; as such, one of the challenges he faced was to unite the disparate areas of the building that had become a bit of a "hodgepodge" after six previous expansions dating back to the 1920s.

Kenneth Thomson was a major benefactor of Transformation AGO, donating much of his art collection to the gallery (much of which make up the European and Canadian collections]] as well as providing $50 million towards the renovation. Thomson died in 2006, two years before the project was complete.

The project initially drew some criticism. As an expansion, rather than a new creation, concerns were raised that the new AGO would not look like a Gehry signature building, and that the opportunity to build an entirely new gallery, perhaps on Toronto's waterfront, was being squandered. During the course of the redevelopment planning, board member and patron Joey Tanenbaum temporarily resigned his position due to concerns over donor recognition, design issues surrounding the new building, as well as the cost of the project. The public rift was subsequently healed.

The Gehry-designed spiral stairwell in Walker Court

Galleria Italia

The AGO reopened in November 2008, with the transformation project having increased the art viewing space by 47%. Notable elements of the expanded building include a new entrance aligned with the gallery's historic Walker Court and the Grange, and a new four-storey south wing, clad in glass and blue titanium, overlooking both the Grange and Grange Park. The outwardly most characteristic element of the design however is a new glass and wood façade - the Galleria Italia - spanning 180 metres (590 ft) along Dundas Street; it was named in recognition of a $13million contribution by 26 Italian-Canadian families of Toronto, a funding consortium led by Tony Gagliano, who currently serves as the President of the AGO's Board of Trustees.

The completed expansion received wide acclaim, notably for the restraint of its design. An editorial in the Globe and Mail called it a "restrained masterpiece", noting: "The proof of Mr. Gehry's genius lies in his deft adaptation to unusual circumstances. By his standards, it was to be done on the cheap, for a mere $276-million. The museum's administrators and neighbours were adamant that the architect, who is used to being handed whole city blocks for over-the-top titanium confections, produce a lower-key design, sensitive to its context and the gallery's long history." The Toronto Star called it "the easiest, most effortless and relaxed architectural masterpiece this city has seen", with the Washington Post commenting: "Gehry's real accomplishment in Toronto is the reprogramming of a complicated amalgam of old spaces. That's not sexy, like titanium curves, but it's essential to the project." The architecture critic of the New York Times wrote: "Rather than a tumultuous creation, this may be one of Mr. Gehry’s most gentle and self-possessed designs. It is not a perfect building, yet its billowing glass facade, which evokes a crystal ship drifting through the city, is a masterly example of how to breathe life into a staid old structure. And its interiors underscore one of the most underrated dimensions of Mr. Gehry’s immense talent: a supple feel for context and an ability to balance exuberance with delicious moments of restraint. Instead of tearing apart the old museum, Mr. Gehry carefully threaded new ramps, walkways and stairs through the original."

Permanent Collection

The AGO's permanent collection holds over 80,000 pieces, representing many artistic movements and eras of art history.

It includes the world's largest collection of Canadian art, which depicts the development of Canada's heritage from pre-Confederation to the present. Indeed, works by Canadian artists make up more than half of the AGO's collection, with works from Tom Thomson, Group of Seven, Emily Carr, and Cornelius Krieghoff, among others. This collection also includes Inuit and Native art from the past and present, with artists such as Kenojuak Ashevak, Norval Morrisseau, and Jackson Beardy.

The museum has an impressive collection of European art, including a highly important collection of miniatures, sculptures, Medieval and Renaissance decorative arts, and major works by Tintoretto, Gian Lorenzo Bernini, Peter Paul Rubens, Rembrandt van Rijn, Thomas Gainsborough, Anthony van Dyck, Francisco Goya, Emile Antoine Bourdelle, and Frans Hals, and works by other renowned artists such as Pablo Picasso, Auguste Rodin, Camille Pissarro, Claude Monet, Henri de Toulouse-Lautrec, Pierre Bonnard, Raoul Dufy, Paul Cézanne, James Tissot, Alfred Sisley, and Edgar Degas.

Art Gallery of Ontario sculpture court, 1929

In addition to these, the AGO also has one of the most significant collections of African art in North America, as well as the largest collection of Oceanic art and artifacts in Canada. A key feature to the gallery is a modern and contemporary art collection illustrating the evolution of modern artistic movements in Canada, the United States, and Europe, including works by Franz Kline, Mark Rothko, Arshile Gorky, David Smith, Hans Hoffmann, Joan Miro, Marc Chagall, Amedeo Modigliani, Yves Tanguy, Giorgio de Chirico, Salvador Dalí, Michael Snow, General Idea, Paul-Emile Borduas, Barbara Hepworth, Georgia O'Keefe, Andy Warhol, and Jack Chambers, Other contemporary artists include Shary Boyle, Claes Oldenburg, Jenny Holzer, Gerhard Richter, Micah Lexier, Brian Jungen, and Richard Serra. The collection also extends to installations, photography, graphic art (such as concert, film, and historic posters), film and video art.

The photography collection contains over 40,000 works mainly from Europe and North America, from historic prints to modernists to contemporary works. Contemporary photographers like Brassai, Edward Burtynsky, Julia Margaret Cameron, Walker Evans, Larry Fink, Robert Flaherty can be found in this collection. Another significant collection at the gallery are the print and drawings, including one of the biggest holdings of Robert Motherwell drawings in the world. It also includes sketches from the Renaissance era such as Michelangelo, as well as works from Betty Goodwin, Egon Schiele, Jackson Pollock, David Milne, Vincent van Gogh, Paul Klee, Henri Matisse, Wassily Kandinsky, Théodore Géricault, James Gillray, and Paul Gauguin. Also present are old English and French caricatures, Victorian etchings, and prints from James McNeill Whistler. There is also an extensive historic ship models collection located below ground level, in new spaces designed by Frank Gehry.

Other collections include the David Milne Research Centre, visible Inuit art storage, library, the TDSB collection, and free-entry space that displays art temporarily from local artists.

Finally, the AGO is home to the Henry Moore Sculpture Centre, which houses the largest public collection of works by this British sculptor. Moore's bronze work, Two Large Forms (1966–1969) greets visitors at the museum's north façade, at the intersection of Dundas and McCaul Streets.

Gallery displays

Floor	Type of art
Lower	Visible Inuit storage, Thomson Collection ship models
1	Rennaissance, Baroque, European, modern, photography, the Thomson Collection, Walker Court, sculpture court
2	Canadian art, Inuit & Native art, Galleria Italia, Henry Moore sculpture centre, dedicated exhibition space
3	Baillie Court (closed to public)
4	Contemporary (exhibition space)
5	Contemporary (exhibition space)

Collection X

In keeping with web 2.0 trends, the AGO has initiated a social media website called Collection X, which provides users with a space to share ideas about life and art. Collection X showcases the work of contemporary photographers and visual artists and gives users the ability to discuss the works, create online exhibitions and upload their own content.

Selected major works from the collection

The West Wind by Tom Thomson

Massacre of the Innocents by Peter Paul Rubens, donated to the AGO by Kenneth Thomson

The Harvest Wagon by Thomas Gainsborough

• Carel Fabritius - Portrait of a Seated Woman with a Handkerchief
• Thomas Gainsborough - The Harvest Wagon
• Frans Hals - Portrait of Isaak Abrahamsz. Massa
• Augustus John - Marchesa Casati
• Paul Kane - Scene in the Northwest: Portrait of John Henry Lefroy
• Camille Pissarro - Pont Boieldieu in Rouen, Rainy Weather
• Peter Paul Rubens - Massacre of the Innocents
• Tom Thomson - The West Wind
• James Tissot - The Shop Girl
• Tintoretto - Christ Washing the Disciples' Feet
• After Hans Holbein the Younger - Portrait of Henry VIII

See also

• Ontario Association of Art Galleries
• Royal Ontario Museum

External links

• Art Gallery of Ontario
• Collection areas at the AGO
• Collection X
• The Canadian Encyclopedia entry for the AGO