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[[Image:Hirosada - Nakamura Utaemon IV as Katô Masakiyo & Nakamura Tomosa II as the boatman Yojibei in 'Keisei Kiyome no Funauta', (1)1851.jpg|thumb|right|300px|Woddblock diptych by Hirosada I showing actors Nakamura Utaemon IV as Katô Masakiyo (right) and Nakamura Tomosa II as the boatman Yojibei (left) in the kabuki play ''Keisei Kiyome no Funauta'', (1)1851]]
[[Image:Hirosada - Nakamura Utaemon IV as Katô Masakiyo & Nakamura Tomosa II as the boatman Yojibei in 'Keisei Kiyome no Funauta', (1)1851.jpg|thumb|right|300px|Woodblock diptych by Hirosada I showing actors Nakamura Utaemon IV as Katô Masakiyo (right) and Nakamura Tomosa II as the boatman Yojibei (left) in the kabuki play ''Keisei Kiyome no Funauta'', (1)1851]]


'''Konishi Hirosada''' (ca. 1810-1864) (Japanese: 小西 廣貞), also known as '''Gosōtei Hirosada''', was a designer of [[ukiyo-e]] [[woodblock printing in Japan|Japanese woodblock prints]] in [[Osaka]]. His artist name was originally Sadahiro (貞廣), but he changed the sequence of syllables in 1847. One theory suggests he did this to evade censorship, but it was not unheard of for Japanese artists to change their art names for more whimsical reasons.
'''Konishi Hirosada''' (ca. 1810-1864) (Japanese: 小西 廣貞), also known as '''Gosōtei Hirosada''', was a designer of [[ukiyo-e]] [[woodblock printing in Japan|Japanese woodblock prints]] in [[Osaka]]. His artist name was originally Sadahiro (貞廣), but he changed the sequence of syllables in 1847. One theory suggests he did this to evade censorship, but it was not unheard of for Japanese artists to change their art names for more whimsical reasons.

Revision as of 21:53, 26 February 2012

Woodblock diptych by Hirosada I showing actors Nakamura Utaemon IV as Katô Masakiyo (right) and Nakamura Tomosa II as the boatman Yojibei (left) in the kabuki play Keisei Kiyome no Funauta, (1)1851

Konishi Hirosada (ca. 1810-1864) (Japanese: 小西 廣貞), also known as Gosōtei Hirosada, was a designer of ukiyo-e Japanese woodblock prints in Osaka. His artist name was originally Sadahiro (貞廣), but he changed the sequence of syllables in 1847. One theory suggests he did this to evade censorship, but it was not unheard of for Japanese artists to change their art names for more whimsical reasons.

Hirosada was a member of the Osaka school of artists, which specialized in prints of actors. In the late 1840s and early 1850s, he was the leading figure in the Osaka school. For unknown reasons, Hirosada ceased designing prints in 1853 and gave the his name to his protégé, who is now known as Hirosada II.

References

  • Keyes, Roger S., and Susumu Matsudaira, Hirosada, Ōsaka Printmaker, Long Beach, CA, University Art Museum, California State University, Long Beach, 1984.
  • Keyes, Roger S. and Keiko Mizushima, The Theatrical World of Osaka Prints, Philadelphia, Philadelphia Museum of Art, 1973, 182-9, 264.
  • Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. 10-ISBN 0192114476/13-ISBN 9780192114471; OCLC 5246796
  • Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei. 10-ISBN 9074822657/13-ISBN 9789074822657; OCLC 61666175

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