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'''Goat Island''' is a [[Collaboration|collaborative]] [[Performance art|performance]] group based in [[Chicago]], USA.<ref name=c133>Cull (2009, 133).</ref> It was founded in 1987 and consists of the core group members Matthew Goulish, Bryan Saner, Karen Christopher, Mark Jeffrey and Litó Walkey.<ref name=c133/> The group is directed by Lin Hixson.<ref name=c133/> In 2006, Goat Island announced that their ninth performance, ''The Lastmaker'' (2007), would be the last work that they would create as a company, before individual members went on to pursue new projects and collaborations—such as Goulish and Hixson’s new initiative: ''Every house has a door.''<ref>Hixson and Goulish (2007, 2).</ref>
'''Goat Island''' was a [[Collaboration|collaborative]] [[Performance art|performance]] group based in [[Chicago]], USA.<ref name=c133>Cull (2009, 133).</ref> It was founded in 1987 and consisted of the core group members Karen Christopher, Matthew Goulish, Lin Hixson (director), Mark Jeffery, Bryan Saner and Litó Walkey. In 2006, Goat Island announced that their ninth performance, ''The Lastmaker'' (2007), would be the last work that they would create as a company. Goat Island ended with final performances of The Lastmaker at Swain Hall, University of North Carolina, Chapel Hill, February 2009. Individual members went on to pursue new projects and collaborations: Goulish and Hixson’s ''Every house has a door.''<ref>Hixson and Goulish (2007, 2).</ref>


==References==
==References==

Revision as of 09:30, 6 March 2012

Goat Island was a collaborative performance group based in Chicago, USA.[1] It was founded in 1987 and consisted of the core group members Karen Christopher, Matthew Goulish, Lin Hixson (director), Mark Jeffery, Bryan Saner and Litó Walkey. In 2006, Goat Island announced that their ninth performance, The Lastmaker (2007), would be the last work that they would create as a company. Goat Island ended with final performances of The Lastmaker at Swain Hall, University of North Carolina, Chapel Hill, February 2009. Individual members went on to pursue new projects and collaborations: Goulish and Hixson’s Every house has a door.[2]

References

  1. ^ Cull (2009, 133).
  2. ^ Hixson and Goulish (2007, 2).

Sources

  • Bottoms, Stephen J., and Matthew Goulish, eds. 2007. Small Acts of Repair: Performance, Ecology, and Goat Island. London and New York: Routledge. ISBN 9780415365154.
  • Cull, Laura. 2009. "Goat Island, Deleuze's Bergonism and the Experience of Duration." In Deleuze and Performance. Ed. Laura Cull. Deleuze Connections ser. Edinburgh: Edinburgh UP. ISBN 9780748635047. 132-146.
  • Goulish, Matthew. 2000. 39 Microlectures: In Proximity of Performance. London and New York: Routledge. ISBN 9780415213936.
  • Hixson, Lin and Goulish, Matthew. 2007. "A Lasting Provocation". TDR: The Drama Review 51.4 (T 196 Winter): 2-3.