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Although the movie was completed in February 1941, Hughes had considerable trouble getting it approved by [[Production Code|Hollywood Production Code Administration]] due to its heavy emphasis on and prominent display of Russell's breasts. The Production Administration set the standard for morally acceptable content in motion pictures and they ordered cuts to the film. Hughes reluctantly removed about 40 feet, or a half-minute, of footage that prominently featured Russell's bosom. However, Century-Fox cancelled their agreement with Hughes to release ''The Outlaw''. Hughes stood to lose millions of dollars. Ever the resourceful businessman, he schemed to create a public outcry for his film to be banned. Hughes had all his managers call ministers, women's clubs and housewives telling them about the 'lewd picture' Hughes was about to release starring Jane Russell. The public responded by protesting and trying to have the film banned, which turned into just the publicity Hughes needed to create demand for the film and get it released. The resulting controversy generated enough interest to get ''The Outlaw'' into the theaters for one week in 1943, when it was pulled due to violations of the [[Production Code]]. It was finally released widely on April 23, 1946, when [[United Artists]] premiered the film in [[San Francisco]], when it became a box office hit.
Although the movie was completed in February 1941, Hughes had considerable trouble getting it approved by [[Production Code|Hollywood Production Code Administration]] due to its heavy emphasis on and prominent display of Russell's breasts. The Production Administration set the standard for morally acceptable content in motion pictures and they ordered cuts to the film. Hughes reluctantly removed about 40 feet, or a half-minute, of footage that prominently featured Russell's bosom. However, Century-Fox cancelled their agreement with Hughes to release ''The Outlaw''. Hughes stood to lose millions of dollars. Ever the resourceful businessman, he schemed to create a public outcry for his film to be banned. Hughes had all his managers call ministers, women's clubs and housewives telling them about the 'lewd picture' Hughes was about to release starring Jane Russell. The public responded by protesting and trying to have the film banned, which turned into just the publicity Hughes needed to create demand for the film and get it released. The resulting controversy generated enough interest to get ''The Outlaw'' into the theaters for one week in 1943, when it was pulled due to violations of the [[Production Code]]. It was finally released widely on April 23, 1946, when [[United Artists]] premiered the film in [[San Francisco]], when it became a box office hit.


Hughes' lawyers sued Classic Film Museum, Inc. and Alan J. Taylor for unlawful distribution of ''Hell's Angels'', ''Scarface'' and ''The Outlaw''. When it emerged that ''The Outlaw'' had fallen into the [[public domain]] in 1971 for lack of renewal, the case was quickly settled, with Classic Film Museum agreeing to stop any distribution of the two copyrighted titles, and Hughes withdrawing its claim on ''The Outlaw''.<ref>Court case: Agreement, Summa Corporation v. Classic Film Museum, Inc., Civil Action No. 75-81 N.D. Howard Hughes Files collection, Archives Division, Texas State Library.</ref><ref>{{cite journal |last=Pierce |first=David |year=2007 |month=June |title=Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain |journal=Film History: An International Journal |volume=19 |issue=2 |pages=125–43 |issn=0892-2160 |oclc=15122313 |url=http://www.jstor.org/stable/25165419 |accessdate=2012-01-05 | |doi=10.2979/FIL.2007.19.2.125 }}. See note #17.</ref>
Hughes' lawyers sued Classic Film Museum, Inc. and Alan J. Taylor for unlawful distribution of ''Hell's Angels'', ''Scarface'', and ''The Outlaw''. When it emerged that ''The Outlaw'' had fallen into the [[public domain]] in 1971 for lack of renewal, the case was quickly settled, with Classic Film Museum agreeing to stop any distribution of the two copyrighted titles, and Hughes withdrawing its claim on ''The Outlaw''.<ref>Court case: Agreement, Summa Corporation v. Classic Film Museum, Inc., Civil Action No. 75-81 N.D. Howard Hughes Files collection, Archives Division, Texas State Library.</ref><ref>{{cite journal |last=Pierce |first=David |year=2007 |month=June |title=Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain |journal=Film History: An International Journal |volume=19 |issue=2 |pages=125–43 |issn=0892-2160 |oclc=15122313 |url=http://www.jstor.org/stable/25165419 |accessdate=2012-01-05 | |doi=10.2979/FIL.2007.19.2.125 }}. See note #17.</ref>


The film was [[film colorization|colorized]] twice. The first colorization was released by [[Hal Roach Studios]] in 1988. The second colorized version, produced by [[Legend Films]], was released to [[DVD]] on June 16, 2009 and features both a newly colorized and a restored black & white versions of the film. This version features an audio commentary by Jane Russell and Hughes' alleged wife, actress [[Terry Moore (actress)|Terry Moore]]. Russell approved of the colorization, stating, "The color looked great. It was not too strong, like in many of the early colorized movies that made the films look cheap."
The film was [[film colorization|colorized]] twice. The first colorization was released by [[Hal Roach Studios]] in 1988. The second colorized version, produced by [[Legend Films]], was released to [[DVD]] on June 16, 2009 and features both a newly colorized and a restored black & white versions of the film. This version features an audio commentary by Jane Russell and Hughes' alleged wife, actress [[Terry Moore (actress)|Terry Moore]]. Russell approved of the colorization, stating, "The color looked great. It was not too strong, like in many of the early colorized movies that made the films look cheap."

Revision as of 00:02, 10 March 2012

For other uses of "Outlaw", see Outlaw (disambiguation).
The Outlaw
Theatrical Poster
Directed byHoward Hughes
Howard Hawks (uncredited)
Written byJules Furthman
Uncredited:
Howard Hawks
Ben Hecht
Produced byHoward Hughes
StarringJack Buetel
Jane Russell
Walter Huston
Thomas Mitchell
CinematographyGregg Toland
Lucien Ballard (uncredited)
Edited byWallace Grissell
Music byVictor Young (uncredited)
Distributed byHoward Hughes Prod.
Release date
  • February 5, 1943 (1943-02-05)
Running time
116 minutes
CountryTemplate:Film US
LanguageEnglish

The Outlaw is a 1943 American Western film, directed by Howard Hughes and starring Jane Russell. The supporting cast includes Jack Buetel, Thomas Mitchell, and Walter Huston. Hughes also produced the film, while Howard Hawks served as an uncredited co-director. The film is notable as Russell's breakthrough role, largely due to the costuming, turning the young actress into a sex symbol and a Hollywood icon.

Plot

The film revolves around a fictional relationship between Doc Holliday (Walter Huston) and Billy the Kid (Jack Buetel), and their feud over a woman named Rio McDonald (Jane Russell). The film also includes Pat Garrett (Thomas Mitchell), the Kid's nemesis.

Cast

Production

In 1941, while filming The Outlaw, Hughes felt that the camera did not do justice to Jane Russell's large bust. He employed his engineering skills to design a new cantilevered underwire bra to emphasize her assets. Hughes added curved structural steel rods that were sewn into the brassiere under each breast cup. The rods were connected to the bra's shoulder straps. The arrangement allowed the breasts to be pulled upward and made it possible to move the shoulder straps away from the neck. The design allowed for a larger amount of bosom to be freely exposed. Contrary to many media reports afterward, Russell did not wear the bra during filming. According to her 1988 autobiography, she said the bra was so uncomfortable that she secretly discarded it.[1][2] She wrote that the "ridiculous" contraption hurt so much that she wore it only a few minutes. She instead wore her own bra, padded the cups with tissue, tightened the shoulder straps, and returned to the set. She later said, "I never wore it in The Outlaw, and he never knew. He wasn’t going to take my clothes off to check if I had it on. I just told him I did."[3] The famed bra ended up in a Hollywood museum—a false witness to the push-up myth.[4]

Although the movie was completed in February 1941, Hughes had considerable trouble getting it approved by Hollywood Production Code Administration due to its heavy emphasis on and prominent display of Russell's breasts. The Production Administration set the standard for morally acceptable content in motion pictures and they ordered cuts to the film. Hughes reluctantly removed about 40 feet, or a half-minute, of footage that prominently featured Russell's bosom. However, Century-Fox cancelled their agreement with Hughes to release The Outlaw. Hughes stood to lose millions of dollars. Ever the resourceful businessman, he schemed to create a public outcry for his film to be banned. Hughes had all his managers call ministers, women's clubs and housewives telling them about the 'lewd picture' Hughes was about to release starring Jane Russell. The public responded by protesting and trying to have the film banned, which turned into just the publicity Hughes needed to create demand for the film and get it released. The resulting controversy generated enough interest to get The Outlaw into the theaters for one week in 1943, when it was pulled due to violations of the Production Code. It was finally released widely on April 23, 1946, when United Artists premiered the film in San Francisco, when it became a box office hit.

Hughes' lawyers sued Classic Film Museum, Inc. and Alan J. Taylor for unlawful distribution of Hell's Angels, Scarface, and The Outlaw. When it emerged that The Outlaw had fallen into the public domain in 1971 for lack of renewal, the case was quickly settled, with Classic Film Museum agreeing to stop any distribution of the two copyrighted titles, and Hughes withdrawing its claim on The Outlaw.[5][6]

The film was colorized twice. The first colorization was released by Hal Roach Studios in 1988. The second colorized version, produced by Legend Films, was released to DVD on June 16, 2009 and features both a newly colorized and a restored black & white versions of the film. This version features an audio commentary by Jane Russell and Hughes' alleged wife, actress Terry Moore. Russell approved of the colorization, stating, "The color looked great. It was not too strong, like in many of the early colorized movies that made the films look cheap."

See also

Notes

  1. ^ "Jane Russell". The Economist. 12 March 2011. p. 101.
  2. ^ "Jane Russell". 1 Mar 2011. Retrieved December 30, 2011. A joke at that time was that "Culture is the ability to describe Jane Russell without moving your hands."
  3. ^ Thornton, Michael (March 2, 2011). "The siren with the TWO greatest assets in Tinseltown: Behind the sex-goddess image of Jane Russell was a very different woman". Daily Mail Online. Retrieved 28 December 2011.
  4. ^ "The Cups Runneth Over". New York Times. February 13, 2004.
  5. ^ Court case: Agreement, Summa Corporation v. Classic Film Museum, Inc., Civil Action No. 75-81 N.D. Howard Hughes Files collection, Archives Division, Texas State Library.
  6. ^ Pierce, David (2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. OCLC 15122313. Retrieved 2012-01-05. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |month= ignored (help). See note #17.
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