Rio Bravo (film)

Rio Bravo
File:Riobravoposter.jpg Theatrical release poster
Directed by	Howard Hawks
Written by	B.H. McCampbell (short story) Jules Furthman Leigh Brackett
Produced by	Howard Hawks
Starring	John Wayne Dean Martin Ricky Nelson Angie Dickinson Walter Brennan Ward Bond John Russell
Cinematography	Russell Harlan
Edited by	Folmar Blangsted
Music by	Dimitri Tiomkin
Distributed by	Warner Bros.
Release dates	March 18, 1959 (U.S. release)
Running time	141 minutes
Country	United States
Language	English

Rio Bravo is a 1959 American Western film, directed by Howard Hawks. The script was written by Jules Furthman and Leigh Brackett, based on a short story by B.H. McCampbell. The film is considered one of the masterpieces of American cinema.

The movie stars John Wayne, Dean Martin, and Ricky Nelson, with Angie Dickinson, Walter Brennan, and Ward Bond.

Plot

In the town of Rio Bravo, Texas, sheriff's deputy Dude (Dean Martin), who has acquired the contemptuous nickname "Borrachón", enters a saloon to get a drink. Joe Burdette (Claude Akins), brother of rancher Nathan Burdette, tosses a silver dollar into a spittoon at Dude's feet. As Dude reaches for the spittoon, Presidio County, Texas Sheriff John T. Chance (John Wayne) appears and kicks the spittoon away, looking at Dude with pity. Dude whacks Chance with a piece of wood, knocking the sheriff out cold. With two men holding Dude upright, Joe begins punching him, then shoots an unarmed bystander dead when he tries to intervene.

Joe leaves the saloon and heads to his brother's saloon, where a bloody Chance arrests Joe for the murder of the bystander. When another patron draws his gun on Chance, causing a stalemate, Dude shoots the gun out of the patron's hand, Chance slugs Joe with his rifle, and the sheriff and his deputy drag Joe off to jail.

While the funeral for the unarmed man is being held, Chance's friend Pat Wheeler (Ward Bond) and his supply train arrive, with him is a young gunslinger, Colorado Ryan (Rick Nelson), riding guard. Wheeler informs Chance that Nathan Burdette's men stopped him before entering the town, meaning that the town is "bottled up" to prevent Chance from getting Joe to Presidio or any assistance in. Inside the jail, Stumpy (Walter Brennan), Chance's other deputy, keeps watch over the jail and Joe. Chance takes a package to the proprietor of the hotel, Carlos Robante (red lingerie for his wife, Consuela (Estelita Rodriguez). A mysterious woman, Feathers (Angie Dickinson) arrives for a night. Chance tries to help her leave town the next day but a wheel on the stage coach is found to be broken (possibly by Burdette men) preventing its departure.

Dude and Chance patrol the town, Dude trying to get off the bottle, when Carlos stops the sheriff, saying Wheeler was talking too much about Chance needing help. Chance implores Wheeler to stop, as it will draw attention from the wrong people. Wheeler and Chance discuss Dude; about three years earlier Dude was a top-notch gunman until he "met a girl on the stage", who was no good (Chance was nearly killed when he tried to tell Dude) and they left together. Six months later Dude came back without her, drunk (hence his name, "Borrachón"), but Dude has stopped drinking due to the crisis. Wheeler offers Colorado for assistance but Colorado politely declines, saying he wants to "mind his own business". Wheeler plans to leave town. Feathers leaves a poker game a winner, Chance follows her up to her room and confronts her as a card cheat, with his evidence four missing aces from the cards being used, and a handbill indicating she was wanted for card cheating. Feathers confesses she is the girl in the poster but denies cheating, and challenges Chance to search her for the missing cards. Colorado arrives saying another participant in the game is the real cheater and plans to confront him, with Chance's acquiesence. Colorado is proven right, and the real card cheat is sent out on the next stage. Chance admits he was wrong but refuses to apologize, saying Feathers is still wanted and wants her out of town. Wheeler is walking toward his room but is shot dead by a Burdette man hiding in the stable. Colorado offers to help but is angrily turned away by Chance, saying "you had a chance to get in this and you didn't want it". Chance and Dude flush out the shooter, who escapes into Nathan's saloon. Dude noticed the man had muddy boots, but everyone in the bar had clean boots, making them think Dude's drinking had clouded his mind, prompting one patron to throw another silver dollar into a spittoon. Dude notices blood dripping into a drink on the bar and takes one shot into the loft, killing Wheeler's murderer. Dude then gets retribution on the patron who threw the dollar in the spittoon by making him go get it.

Chance goes to the hotel to sleep, insisting Carlos wake him up, unbeknown to him, Feathers stands guard at the door to keep him safe, then runs into her room when he awakens. Chance sees Feathers and asks why she did that but she wouldn't say, then Chance tries to get her on the stage. Meanwhile, Nathan (John Russell) arrives in town with his men, intent on seeing Joe. After one of his men tries to get past Dude, who was confiscating all guns before entering, Dude shoots one of his horses's reins and Nathan agrees to turn in their guns until they leave. Nathan sees Joe, and after a few angry words between the land baron and Chance, is told in no uncertain terms if he attempts to overrun the jail his brother would be shot before they reached him. Nathan then leaves to visit his bar, instructing the band there to play the Deguello (the "cut-throat" song) non-stop.

Carlos says Feathers still will not get on the stage, and when Chance goes to see her she tells the sheriff that she does not want to leave, then gives Chance a kiss. After Colorado visits the jail to tell Chance the meaning of the song Nathan is playing, Chance gives Dude his guns back (the ones he had before he left town, sold by Dude but bought by Chance) as well as some clothes he left behind. Dude gets a bath and a shave, then returns to the jail while Chance and Feathers get better acquainted. Suddenly a shot rings out and Chance races to the jail, only to find Stumpy had shot at a shadow (Dude) in front of the jail. Dude and Stumpy exchange angry words, then Chance tells Dude they've been "pampering him too much" and to get some sleep.

The next morning, Dude is standing guard when four Burdette men stick his head in a water trough, then tie him up in a stable. Approaching Chance on the street in front of the hotel with a fake injury, they draw guns and corner him (Chance's rifle is out of reach), and demand that he release Joe. Inside the hotel, acting on Colorado's instructions, Feathers throws a flowerpot through a window a moment after Colorado steps out on the porch, distracting the Burdette men. Colorado throws Chance's rifle to him and the two men shoot the four Burdette hands. Chance races down the street, finds Dude tied up in the stable and frees him. Dude, frustrated by his performance and recovering from his extended drunkenness, resigns as deputy, then slaps Chance when he tells Dude he will have to get his own silver dollars out of the spittoon the next time. Colorado agrees to join Chance as deputy and then Dude reconsiders quitting after hearing the Deguello song, reminding him why he was there. The group decides to hole up in the jail, as it will take six days for the United States Marshal to arrive to take Joe to Presidio. Dude and Chance go to the hotel to round up the supplies, but Carlos and Consuela are captured by Burdette men, and trick Chance into charging down the stairs, falling over a trip-wire, knocking out the sheriff. Dude and Feathers are also captured. Chance is given a choice--take the men to the jail to let Joe out, or the men will arrange a trade with Stumpy for Dude and Chance. Dude implores Chance to let Joe out, saying that Stumpy has no food or water to hold out very long. Chance agrees, and three men go to the jail. Dude's story was a ruse, as Colorado is with Stumpy and the three of them shoot the three Burdette men. The remaining Burdette men at the hotel take Dude and offer to trade him for Joe. Chance agrees, and the trade is made at a warehouse. But Dude bum-rushes Joe and they fight while a gunfight erupts; Dude takes Joe out and Stumpy (who followed them over after being told to stay behind) finds some dynamite in one of Wheeler's wagons, and throws it at the building Burdette's men are in, eventually exploding the front of the building and forcing Burdette to surrender. With the Burdette men in jail, Chance goes to see Feathers, who is working at the hotel and wearing black tights. Chance objects to the tights, saying that only he should see her in them, and as they kiss Feathers throws the tights out the window, at the feet of Dude and Stumpy, who say nothing.

Ending scene correction

This edit/additino is rather long because the previous one was thrown out for lack of support. It may seem minor but let's get it right! It's also an interesting insight into the making of movies when changes from the script are made at the artistic whim of the director and actors.

The confusion in the ending is probably because there are several versions in existence. At least one cuts (very noisily and obviously) the brief conversation between Dude and Stumpy. The movie also differs slightly from the screenplay when Wayne throws the tights instead of Dickinson. Wayne and Angie are in her room after she changed out of tights

Angie D - You're getting better already.Shall I save them and wear them just for you? Wayne flips tights out window. (Screenplay has Dickinson throwing them but the movie scene shows Wayne flipping them out the window) to lend at the feet of Stumpy and Dude.

Brennan and Martin are walking in street below and Stumpy draps them around his neck Stumpy -Do you think I'll ever get to be a sheriff?. Dude-Not unless you mind your own business. Stumpy cackles. from: http://www.script-o-rama.com/movie_scripts/r/rio-bravo-script-transcript-hawks.html and http://www.scribd.com/doc/18500890/Screenplay-by-Jules-Furthman-and-Leigh-Brackett-Directed-by-Howard From screenplay: CHANCE:I didn’t want anyone but me to see you in them.FEATHERS:Oh, I like that. You’re getting better already. Should I save these and wear them just for you? I’ll just keep talking unless you stop me.CHANCE:I only know one way to do that.Chance reaches for her and as his arms go around her she throws the tights out of the window.179. EXT. HOTEL SUNSETIn the street the tights fall in front of Dude and Stumpy. Stumpy holds them up and looks up at thewindow.STUMPY:Think I’ll ever get to be a sheriff?DUDE:Not unless you mind your own business!Stumpy wraps the tights around his neck like a muffler and they walk away down the street as weFADE OUT.

Cast

• John Wayne as Sheriff John T. Chance
• Dean Martin as Dude ('Borrachón')
• Ricky Nelson as Colorado Ryan
• Angie Dickinson as Feathers
• Walter Brennan as Stumpy
• Ward Bond as Pat Wheeler
• John Russell as Nathan Burdette
• Pedro Gonzalez-Gonzalez as Carlos Robante
• Estelita Rodriguez as Consuela Robante
• Claude Akins as Joe Burdette
• Malcolm Atterbury as Jake (stage driver)
• Harry Carey Jr. as Harold (scenes deleted)

Production

The film was shot at Old Tucson Studios, just outside Tucson, Arizona.

Rio Bravo is generally regarded as one of Hawks' best, and is notable for its scarcity of close-up shots. Only four appear in Rio Bravo. In the opening scene, wherein Joe shoots an unarmed man: Joe's revolver is shown in close-up, when he rolls a cigarette, when Dude pours a shot of whiskey back into the bottle; and a close-up of a beer glass where a drop of blood falls in, alerting Dude to a gunman in the bar waiting above him in ambush. The long opening scene has no dialogue. The film received favorable reviews, and was successful, taking in over US$5.5 million.

The musical score was composed by Dimitri Tiomkin. His score includes the hauntingly ominous "El Degüello" theme, which is heard several times. The Colorado character identifies the tune as "The Cutthroat Song". He relates that the song was played on the orders of General Antonio López de Santa Anna to the Texans holed up in the Alamo, to signify that no quarter would be given to them. The tune was used in the following year, over the opening credits of Wayne's film, The Alamo. Composer Ennio Morricone recalled that director Sergio Leone asked him to write "Dimitri Tiomkin music" for A Fistful of Dollars. The trumpet theme is similar to Tiomkin's "Deguella" (the Italian title of Rio Bravo was Un dollaro d'onore, "A Dollar of Honor").

Because the film starred a crooner, Martin, and a teen idol, Nelson, Hawks included three songs in the soundtrack. Before the big showdown, in the jail house, Martin sings "My Rifle, My Pony, and Me" (which contained new lyrics to a Tiomkin tune that appeared in Red River) accompanied by Nelson, after which Nelson sings a brief version of "Get Along Home, Cindy", accompanied by Martin and Brennan. Over the closing credits, Martin, backed by the Nelson Riddle Orchestra, sings a specially composed song, "Rio Bravo." Nelson later paid homage to both the film and his character, Colorado, by including the song "Restless Kid" on his 1959 LP, Ricky Sings Again.

A brief clip from Rio Bravo was among the archive footage later incorporated into the opening sequence of Wayne's last film, The Shootist, to illustrate the backstory of Wayne's character.

High Noon debate

The film was made as a response to High Noon, which is sometimes thought to be an allegory for blacklisting in Hollywood, as well as a critique of McCarthyism. Wayne would later call High Noon "un-American" and say he did not regret helping run the writer, Carl Foreman, out of the country. Wayne teamed up with director Howard Hawks to tell the story his way. In Rio Bravo, Chance is surrounded by allies—a deputy recovering from alcoholism (Dude), a young gunfighter (Colorado), an old man (Stumpy), a Mexican innkeeper (Pedro Gonzalez-Gonzalez), his wife (Estelita Rodriguez), and an attractive young woman—and repeatedly turns down aid from anyone he doesn't think is capable of helping him, though in the final shootout they come to help him anyway. "Who'll turn up next?" Wayne asks amid the gunfire, to which Colorado replies: "Maybe the girl with another flower pot."

Remakes and inspirations

Remakes

Howard Hawks went on to make two loose variations of Rio Bravo, on both occasions under a different title. Both of these remakes were directed by Hawks, both starred John Wayne and in each case, the script was written by Leigh Brackett. All involve lawmen working against an entrenched criminal element, partially by "holing up" in their jailhouse.

• The first remake, El Dorado, was released in 1966. In this film, Robert Mitchum played the Dean Martin role, Arthur Hunnicutt the Walter Brennan character and James Caan the Ricky Nelson role. Hawks again named the Nelson/Caan character after a state (in this case, Mississippi) and in a wry, humorous twist on the original film, Hawks made him inept with firearms, but skilled with a knife.
• The second remake, Rio Lobo, was made in 1970 with a plot much further off the original mold, starting with the absence of a lawman-turned-drunkard character. This began with a Confederate train robbery of a Union gold shipment during the American Civil War, then moved to a post-war Texas county thoroughly controlled by a rich, arrogant rancher. The heroes, with the exception of an old man similar to Brennan's and Hunnicutt's characters in the previous pictures (Jack Elam here), were complete outsiders. Along with Wayne and Elam, this movie starred Mexican film star Jorge Rivero (as Frenchie), Christopher Mitchum (Robert Mitchum's son) and Jennifer O'Neill.

Inspirations

• L'homme à l'étoile d'argent (The Man with the Silver Star), a 1969 comic from the French comic series Lt. Blueberry was directly inspired by Rio Bravo. The plot is virtually the same. Blueberry plays the role of sheriff John T. Chance; McClure, a whiskey-adoring old man, combines the roles of Dude and Stumpy; Dusty plays the role of Colorado; Miss March, the teacher, plays the role of a less morally challenged Feathers; and instead of the Burdettes, here we have the Bass brothers.
• John Carpenter's 1976 film Assault on Precinct 13, though not a remake of Rio Bravo, was inspired by the film. Carpenter borrowed some elements from the earlier film's plot but set it in 1970s Los Angeles. He also paid homage to the original film by using the pseudonym "John T. Chance," the name of Wayne's character, for his editing credit. This film was also remade in 2005 by Jean-Francois Richet, starring Ethan Hawke, Laurence Fishburne, Gabriel Byrne, Maria Bello, Drea de Matteo, John Leguizamo, Brian Dennehy, and Ja Rule, moving the film's setting to Detroit.
• Ghosts of Mars, a 2001 film also by Carpenter, retains many of the elements that were developed in Rio Bravo and Assault on Precinct 13 but takes place in a science fiction setting.
• The Nest a 2002 film by Florent Emilio Siri, starred Samy Naceri, Benoît Magimel, Nadia Farès, Pascal Greggory, and Sami Bouajila.

See also

• El Dorado (1966)
• Rio Lobo (1970)
• Assault on Precinct 13 (1976)
• The Nest (2002)
• Assault on Precinct 13 (2005)

References

• Byman, Jeremy (2004). Showdown at High Noon. Metuchen: Scarecrow Press. ISBN 0810849984.
• McCarthy, Todd (2000). Howard Hawks. New York: Grove Press. ISBN 0802137407.
• Roberts, Randy (1997). John Wayne. Lincoln: University of Nebraska Press. ISBN 0803289707.
• Wood, Robin (2006). Howard Hawks. Detroit: Wayne State University Press. ISBN 0814332765.
• Wood, Robin (2003). Rio Bravo. London: BFI Pub. ISBN 0851709664.

External links

• Rio Bravo at IMDb
• Template:Amg movie
• Rio Bravo at the TCM Movie Database
• Rio Bravo at Rotten Tomatoes