User:Hetcenus: Difference between revisions
Undid revision 316712384 by 146.164.35.2 (talk) |
mNo edit summary |
||
Line 256: | Line 256: | ||
| An Absence of Empathy |
| An Absence of Empathy |
||
| Human Grain - Part I<ref name="empathy">The title and subtitle for this song might be inverted, since some sources show otherwise. I'll have the definition for this when my copy of the album arrives.</ref> |
| Human Grain - Part I<ref name="empathy">The title and subtitle for this song might be inverted, since some sources show otherwise. I'll have the definition for this when my copy of the album arrives.</ref> |
||
| |
| {{sort|441|4:41}} |
||
|- |
|- |
||
| align="right"| 2. |
| align="right"| 2. |
||
| Just One More |
| Just One More |
||
| Murder I - Serial Killer |
| Murder I - Serial Killer |
||
| |
| {{sort|549|5:49}} |
||
|- |
|- |
||
| align="right"| 3. |
| align="right"| 3. |
||
| Miseducation |
| Miseducation |
||
| Violence in Schools I - The Teacher |
| Violence in Schools I - The Teacher |
||
| |
| {{sort|541|5:41}} |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| I Killed You |
| I Killed You |
||
| Murder II - Impulse Killer |
| Murder II - Impulse Killer |
||
| |
| {{sort|901|9:01}} |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| This Is Gonna Hurt |
| This Is Gonna Hurt |
||
| Torture I - Torturing |
| Torture I - Torturing |
||
| |
| {{sort|434|4:34}} |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| Push the Button |
| Push the Button |
||
| War I - Modern War / Impersonal |
| War I - Modern War / Impersonal |
||
| |
| {{sort|610|6:10}} |
||
|- |
|- |
||
| align="right"| 7. |
| align="right"| 7. |
||
| In An Empty Room |
| In An Empty Room |
||
| Rape I - The Victim |
| Rape I - The Victim |
||
| |
| {{sort|552|5:52}} |
||
|- |
|- |
||
| align="right"| 8. |
| align="right"| 8. |
||
| Outcast |
| Outcast |
||
| Violence in Schools II - School Shooting |
| Violence in Schools II - School Shooting |
||
| |
| {{sort|532|5:32}} |
||
|- |
|- |
||
| align="right"| 9. |
| align="right"| 9. |
||
| Blade |
| Blade |
||
| War II - Historical War / Personal |
| War II - Historical War / Personal |
||
| |
| {{sort|923|9:23}} |
||
|- |
|- |
||
| align="right"| 10. |
| align="right"| 10. |
||
| How Long Can I Resist |
| How Long Can I Resist |
||
| Rape II - The Assailant |
| Rape II - The Assailant |
||
| |
| {{sort|605|6:05}} |
||
|- |
|- |
||
| align="right"| 11. |
| align="right"| 11. |
||
| When I Look Into My Eyes |
| When I Look Into My Eyes |
||
| Torture II - Being Tortured |
| Torture II - Being Tortured |
||
| |
| {{sort|513|5:13}} |
||
|- |
|- |
||
| align="right"| 12. |
| align="right"| 12. |
||
| What Kind of Animal |
| What Kind of Animal |
||
| Human Grain - Part II |
| Human Grain - Part II |
||
| |
| {{sort|557|5:57}} |
||
|} |
|} |
||
|} |
|} |
||
Line 335: | Line 335: | ||
| align="right"| 1. |
| align="right"| 1. |
||
| [[Funeral for a Friend/Love Lies Bleeding]] |
| [[Funeral for a Friend/Love Lies Bleeding]] |
||
| |
| 1{{sort|1105|1:05}} |
||
|- |
|- |
||
| align="right"| 2. |
| align="right"| 2. |
||
| [[Candle in the Wind]] |
| [[Candle in the Wind]] |
||
| |
| {{sort|341|3:41}} |
||
|- |
|- |
||
| align="right"| 3. |
| align="right"| 3. |
||
| [[Bennie and the Jets]] |
| [[Bennie and the Jets]] |
||
| |
| {{sort|523|5:23}} |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| [[Goodbye Yellow Brick Road (song)|Goodbye Yellow Brick Road]] |
| [[Goodbye Yellow Brick Road (song)|Goodbye Yellow Brick Road]] |
||
| |
| {{sort|314|3:14}} |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| This Song Has No Title |
| This Song Has No Title |
||
| |
| {{sort|223|2:23}} |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| Grey Seal |
| Grey Seal |
||
| |
| {{sort|358|3:58}} |
||
|- |
|- |
||
| align="right"| 7. |
| align="right"| 7. |
||
| Jamaica Jerk Off |
| Jamaica Jerk Off |
||
| |
| {{sort|339|3:39}} |
||
|- |
|- |
||
| align="right"| 8. |
| align="right"| 8. |
||
| I've Seen That Movie Too |
| I've Seen That Movie Too |
||
| |
| {{sort|559|5:59}} |
||
|- |
|- |
||
| align="right"| 9. |
| align="right"| 9. |
||
| Sweet Painted Lady |
| Sweet Painted Lady |
||
| |
| {{sort|352|3:52}} |
||
|- |
|- |
||
| align="right"| 10. |
| align="right"| 10. |
||
| The Ballad of Danny Bailey (1909-34) |
| The Ballad of Danny Bailey (1909-34) |
||
| |
| {{sort|424|4:24}} |
||
|- |
|- |
||
| align="right"| 11. |
| align="right"| 11. |
||
| Dirty Little Girl |
| Dirty Little Girl |
||
| |
| {{sort|501|5:01}} |
||
|- |
|- |
||
| align="right"| 12. |
| align="right"| 12. |
||
| All the Girls Love Alice |
| All the Girls Love Alice |
||
| |
| {{sort|508|5:08}} |
||
|- |
|- |
||
| align="right"| 13. |
| align="right"| 13. |
||
| Your Sister Can't Twist (But She Can Rock 'n Roll) |
| Your Sister Can't Twist (But She Can Rock 'n Roll) |
||
| |
| {{sort|242|2:42}} |
||
|- |
|- |
||
| align="right"| 14. |
| align="right"| 14. |
||
| [[Saturday Night's Alright for Fighting]] |
| [[Saturday Night's Alright for Fighting]] |
||
| |
| {{sort|454|4:54}} |
||
|- |
|- |
||
| align="right"| 15. |
| align="right"| 15. |
||
| Roy Rogers |
| Roy Rogers |
||
| |
| {{sort|408|4:08}} |
||
|- |
|- |
||
| align="right"| 16. |
| align="right"| 16. |
||
| Social Disease |
| Social Disease |
||
| |
| {{sort|344|3:44}} |
||
|- |
|- |
||
| align="right"| 17. |
| align="right"| 17. |
||
| Harmony |
| Harmony |
||
| |
| {{sort|245|2:45}} |
||
|} |
|} |
||
|} |
|} |
||
Line 421: | Line 421: | ||
| Scene One: |
| Scene One: |
||
| Regression |
| Regression |
||
| |
| {{sort|206|2:06}} |
||
|- |
|- |
||
| align="right"| 2. |
| align="right"| 2. |
||
| Scene Two: I. |
| Scene Two: I. |
||
| [[Overture 1928]] |
| [[Overture 1928]] |
||
| |
| {{sort|337|3:37}}<ref name="metropolis2">On the album, lengths apply to scenes instead of songs. For multisong scenes, lengths are listed as follows: |
||
* Scene Two (8:49) |
* Scene Two (8:49) |
||
* Scene Three (7:51) |
* Scene Three (7:51) |
||
Line 434: | Line 434: | ||
| Scene Two: II. |
| Scene Two: II. |
||
| Strange Deja Vu |
| Strange Deja Vu |
||
| |
| {{sort|512|5:12}} |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| Scene Three: I. |
| Scene Three: I. |
||
| Through My Words |
| Through My Words |
||
| |
| {{sort|102|1:02}}<ref name="metropolis2"/> |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| Scene Three: II. |
| Scene Three: II. |
||
| Fatal Tragedy |
| Fatal Tragedy |
||
| |
| {{sort|649|6:49}} |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| Scene Four: |
| Scene Four: |
||
| [[Beyond This Life]] |
| [[Beyond This Life]] |
||
| |
| 1{{sort|1122|1:22}} |
||
|- |
|- |
||
| align="right"| 7. |
| align="right"| 7. |
||
| Scene Five: |
| Scene Five: |
||
| [[Through Her Eyes]] |
| [[Through Her Eyes]] |
||
| |
| {{sort|529|5:29}} |
||
|- |
|- |
||
| align="right"| 8. |
| align="right"| 8. |
||
| Scene Six: |
| Scene Six: |
||
| Home |
| Home |
||
| |
| 1{{sort|1253|2:53}} |
||
|- |
|- |
||
| align="right"| 9. |
| align="right"| 9. |
||
| Scene Seven: I. |
| Scene Seven: I. |
||
| [[The Dance of Eternity]] |
| [[The Dance of Eternity]] |
||
| |
| {{sort|614|6:14}}<ref name="metropolis2"/> |
||
|- |
|- |
||
| align="right"| 10. |
| align="right"| 10. |
||
| Scene Seven: II. |
| Scene Seven: II. |
||
| One Last Time |
| One Last Time |
||
| |
| {{sort|346|3:46}} |
||
|- |
|- |
||
| align="right"| 11. |
| align="right"| 11. |
||
| Scene Eight: |
| Scene Eight: |
||
| The Spirit Carries On |
| The Spirit Carries On |
||
| |
| {{sort|638|6:38}} |
||
|- |
|- |
||
| align="right"| 12. |
| align="right"| 12. |
||
| Scene Nine: |
| Scene Nine: |
||
| Finally Free |
| Finally Free |
||
| |
| 1{{sort|1200|2:00}} |
||
|} |
|} |
||
|} |
|} |
||
Line 505: | Line 505: | ||
* VI. Ready |
* VI. Ready |
||
* VII. Remove |
* VII. Remove |
||
| |
| {{sort|825|8:25}}<ref name="octavarium">Between some pairs of songs, a transition, counted as negative time prior to the second song, occurs. Here, this transition is considered as an extension of the first song, therefore some of these lengths differ from the ones listed on the album. These are the tracks in which this applies and the listed length for each of them: |
||
* The Root of All Evil (8:07) |
* The Root of All Evil (8:07) |
||
* The Answer Lies Within (5:26) |
* The Answer Lies Within (5:26) |
||
Line 514: | Line 514: | ||
| align="right"| 2. |
| align="right"| 2. |
||
| The Answer Lies Within |
| The Answer Lies Within |
||
| |
| {{sort|533|5:33}}<ref name="octavarium"/> |
||
|- |
|- |
||
| align="right"| 3. |
| align="right"| 3. |
||
| These Walls |
| These Walls |
||
| |
| {{sort|736|7:36}}<ref name="octavarium"/> |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| I Walk Beside You |
| I Walk Beside You |
||
| |
| {{sort|429|4:29}} |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| Panic Attack |
| Panic Attack |
||
| |
| {{sort|813|8:13}}<ref name="octavarium"/> |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| Never Enough |
| Never Enough |
||
| |
| {{sort|646|6:46}}<ref name="octavarium"/> |
||
|- |
|- |
||
| align="right"| 7. |
| align="right"| 7. |
||
| [[Sacrificed Sons]] |
| [[Sacrificed Sons]] |
||
| |
| 1{{sort|1042|0:42}} |
||
|-valign="top" |
|-valign="top" |
||
| align="right"| 8. |
| align="right"| 8. |
||
Line 543: | Line 543: | ||
* Intervals |
* Intervals |
||
* Razor's Edge |
* Razor's Edge |
||
| |
| 2{{sort|2400|4:00}} |
||
|} |
|} |
||
|} |
|} |
||
Line 564: | Line 564: | ||
| align="right"| 1. |
| align="right"| 1. |
||
| Of Sins and Shadows |
| Of Sins and Shadows |
||
| |
| {{sort|458|4:58}} |
||
|- |
|- |
||
| align="right"| 2. |
| align="right"| 2. |
||
| Sea of Lies |
| Sea of Lies |
||
| |
| {{sort|418|4:18}} |
||
|- |
|- |
||
| align="right"| 3. |
| align="right"| 3. |
||
| Out of the Ashes |
| Out of the Ashes |
||
| |
| {{sort|339|3:39}} |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| The Accolade |
| The Accolade |
||
| |
| {{sort|951|9:51}} |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| Pharaoh |
| Pharaoh |
||
| |
| {{sort|530|5:30}} |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| The Eyes of Medusa |
| The Eyes of Medusa |
||
| |
| {{sort|527|5:27}} |
||
|- |
|- |
||
| align="right"| 7. |
| align="right"| 7. |
||
| The Witching Hour |
| The Witching Hour |
||
| |
| {{sort|415|4:15}} |
||
|-valign="top" |
|-valign="top" |
||
| align="right"| 8. |
| align="right"| 8. |
||
Line 602: | Line 602: | ||
** C. Dies Irae |
** C. Dies Irae |
||
* VII. Paradise Regained |
* VII. Paradise Regained |
||
| |
| 2{{sort|2041|0:41}} |
||
|- |
|- |
||
| align="right"| 9. |
| align="right"| 9. |
||
| Candlelight Fantasia |
| Candlelight Fantasia |
||
| |
| {{sort|645|6:45}} |
||
|} |
|} |
||
|} |
|} |
||
Line 631: | Line 631: | ||
| Day One: |
| Day One: |
||
| Vigil |
| Vigil |
||
| |
| {{sort|133|1:33}} |
||
|- |
|- |
||
| align="right"| 2. |
| align="right"| 2. |
||
| Day Two: |
| Day Two: |
||
| Isolation |
| Isolation |
||
| |
| {{sort|842|8:42}} |
||
|- |
|- |
||
| align="right"| 3. |
| align="right"| 3. |
||
| Day Three: |
| Day Three: |
||
| Pain |
| Pain |
||
| |
| {{sort|458|4:58}} |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| Day Four: |
| Day Four: |
||
| Mystery |
| Mystery |
||
| |
| {{sort|537|5:37}} |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| Day Five: |
| Day Five: |
||
| Voices |
| Voices |
||
| |
| {{sort|709|7:09}} |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| Day Six: |
| Day Six: |
||
| Childhood |
| Childhood |
||
| |
| {{sort|505|5:05}} |
||
|- |
|- |
||
| align="right"| 7. |
| align="right"| 7. |
||
| Day Seven: |
| Day Seven: |
||
| Hope |
| Hope |
||
| |
| {{sort|247|2:47}} |
||
|- |
|- |
||
| align="right"| 8. |
| align="right"| 8. |
||
| Day Eight: |
| Day Eight: |
||
| School |
| School |
||
| |
| {{sort|422|4:22}} |
||
|- |
|- |
||
| align="right"| 9. |
| align="right"| 9. |
||
| Day Nine: |
| Day Nine: |
||
| Playground |
| Playground |
||
| |
| {{sort|215|2:15}} |
||
|- |
|- |
||
| align="right"| 10. |
| align="right"| 10. |
||
| Day Ten: |
| Day Ten: |
||
| Memories |
| Memories |
||
| |
| {{sort|357|3:57}} |
||
|- |
|- |
||
| align="right"| 11. |
| align="right"| 11. |
||
| Day Eleven: |
| Day Eleven: |
||
| Love |
| Love |
||
| |
| {{sort|418|4:18}} |
||
|- |
|- |
||
| align="right"| 12. |
| align="right"| 12. |
||
| Day Twelve: |
| Day Twelve: |
||
| Trauma |
| Trauma |
||
| |
| {{sort|948|9:48}}<ref name="ayreon">This is the first song from the second CD of the album; it is preceded, though, by 49 seconds of flashbacks from the first CD, spanning through eleven tracks. The length listed on the album, which corresponds to the length of the twelfth track (therefore, not including these flashbacks), is 8:59.</ref> |
||
|- |
|- |
||
| align="right"| 13. |
| align="right"| 13. |
||
| Day Thirteen: |
| Day Thirteen: |
||
| Sign |
| Sign |
||
| |
| {{sort|447|4:47}} |
||
|- |
|- |
||
| align="right"| 14. |
| align="right"| 14. |
||
| Day Fourteen: |
| Day Fourteen: |
||
| Pride |
| Pride |
||
| |
| {{sort|442|4:42}} |
||
|- |
|- |
||
| align="right"| 15. |
| align="right"| 15. |
||
| Day Fifteen: |
| Day Fifteen: |
||
| Betrayal |
| Betrayal |
||
| |
| {{sort|524|5:24}} |
||
|- |
|- |
||
| align="right"| 16. |
| align="right"| 16. |
||
| Day Sixteen: |
| Day Sixteen: |
||
| Loser |
| Loser |
||
| |
| {{sort|446|4:46}} |
||
|- |
|- |
||
| align="right"| 17. |
| align="right"| 17. |
||
| Day Seventeen: |
| Day Seventeen: |
||
| Accident? |
| Accident? |
||
| |
| {{sort|524|5:42}} |
||
|- |
|- |
||
| align="right"| 18. |
| align="right"| 18. |
||
| Day Eighteen: |
| Day Eighteen: |
||
| Realization |
| Realization |
||
| |
| {{sort|431|4:31}} |
||
|- |
|- |
||
| align="right"| 19. |
| align="right"| 19. |
||
| Day Nineteen: |
| Day Nineteen: |
||
| Disclosure |
| Disclosure |
||
| |
| {{sort|442|4:42}} |
||
|- |
|- |
||
| align="right"| 20. |
| align="right"| 20. |
||
| Day Twenty: |
| Day Twenty: |
||
| Confrontation |
| Confrontation |
||
| |
| {{sort|703|7:03}} |
||
|} |
|} |
||
|} |
|} |
||
Line 747: | Line 747: | ||
| align="right"| 1. |
| align="right"| 1. |
||
| Catherine of Aragon |
| Catherine of Aragon |
||
| |
| {{sort|344|3:44}} |
||
|- |
|- |
||
| align="right"| 2. |
| align="right"| 2. |
||
| Anne of Cleves |
| Anne of Cleves |
||
| |
| {{sort|753|7:53}} |
||
|- |
|- |
||
| align="right"| 3. |
| align="right"| 3. |
||
| Catherine Howard |
| Catherine Howard |
||
| |
| {{sort|635|6:35}} |
||
|- |
|- |
||
| align="right"| 4. |
| align="right"| 4. |
||
| Jane Seymour |
| Jane Seymour |
||
| |
| {{sort|446|4:46}} |
||
|- |
|- |
||
| align="right"| 5. |
| align="right"| 5. |
||
| Anne Boleyn / The Day Thou Gavest Lord Hath Ended |
| Anne Boleyn / The Day Thou Gavest Lord Hath Ended |
||
| |
| {{sort|632|6:32}} |
||
|- |
|- |
||
| align="right"| 6. |
| align="right"| 6. |
||
| Catherine Parr |
| Catherine Parr |
||
| |
| {{sort|706|7:06}} |
||
|} |
|} |
||
|} |
|} |
Revision as of 16:29, 17 May 2012
This is a Wikipedia user page. This is not an encyclopedia article or the talk page for an encyclopedia article. If you find this page on any site other than Wikipedia, you are viewing a mirror site. Be aware that the page may be outdated and that the user whom this page is about may have no personal affiliation with any site other than Wikipedia. The original page is located at https://en.wikipedia.org/wiki/User:Hetcenus. |
— Wikipedian ♂ — | |
Name | Jefferson Elbert Simões |
---|---|
Born | June 25, 1988 |
Current location | Petrópolis, Rio de Janeiro, Brazil |
Family and friends | |
Marital status | Single |
Education and employment | |
Occupation | Student |
University | Universidade Federal do Rio de Janeiro |
Contact info | |
Website | http://hetcenus.vgpiano.com |
hetcenus@yahoo.com.br |
- Recommended screen resolution: 1024x768.
- This page uses TimR's sortable table extensions. For more information, see User:TimR/Tables.
WIPs
DT discography v2.0
AA Suite template
Music
Bands/Artists/Composers
|
| ||||||||||||||||||||||||
|
| ||||||||||||||||||||||||
|
| ||||||||||||||||||||||||
|
Albums
|
|
|
|
|
|
|
Songs
|
|
|
|
|
|
|
Notes
- ^ The title and subtitle for this song might be inverted, since some sources show otherwise. I'll have the definition for this when my copy of the album arrives.
- ^ Scenes are grouped into two acts: Act 1 comprises scenes One to Five, and scenes Six to Nine form Act 2.
- ^ a b c On the album, lengths apply to scenes instead of songs. For multisong scenes, lengths are listed as follows:
- Scene Two (8:49)
- Scene Three (7:51)
- Scene Seven (10:00)
- ^ a b c d e Between some pairs of songs, a transition, counted as negative time prior to the second song, occurs. Here, this transition is considered as an extension of the first song, therefore some of these lengths differ from the ones listed on the album. These are the tracks in which this applies and the listed length for each of them:
- The Root of All Evil (8:07)
- The Answer Lies Within (5:26)
- These Walls (6:59)
- Panic Attack (7:16)
- Never Enough (6:33)
- ^ This is the first song from the second CD of the album; it is preceded, though, by 49 seconds of flashbacks from the first CD, spanning through eleven tracks. The length listed on the album, which corresponds to the length of the twelfth track (therefore, not including these flashbacks), is 8:59.
Userboxes
Intro | |||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
|
|
||||||||||
|
|||||||||||
Myself | |||||||||||
|
|
| |||||||||
|
| ||||||||||
|
|
| |||||||||
|
|
||||||||||
Wikipedia | |||||||||||
|
|
| |||||||||
|
|
||||||||||
Music | |||||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
| ||||||||||
|
|
||||||||||
Computers and Internet | |||||||||||
|
|
| |||||||||
|
|
||||||||||
|
|
| |||||||||
|
| ||||||||||
|
| ||||||||||
|
|||||||||||
Sports, games and videogames | |||||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|||||||||||
TV and radio | |||||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
| |||||||||
|
|
||||||||||
Food | |||||||||||
|
|
||||||||||
|
| ||||||||||
Knowledge | |||||||||||
|
|
||||||||||
- Male Wikipedians
- Wikipedians in Brazil
- Wikipedians in Rio de Janeiro (state)
- User en-us
- Wikipedians who contribute to the Portuguese Wikipedia
- Wikipedian pianists
- Wikipedian keyboardists
- Wikipedians who listen to progressive rock
- Wikipedians who listen to video game music
- User c-2
- User c++-2
- Wikipedians who use Mozilla Firefox
- Wikipedian footballers
- Wikipedian futsal players
- Wikipedian billiards players
- Wikipedian bowlers
- Wikipedians interested in chess
- Wikipedians who like Pokémon
- Wikipedians who like Scrubs (TV series)
- Wikipedians who like CSI (franchise)
- Wikipedians who like Seinfeld
- Wikipedians who like The IT Crowd
- Wikipedian university students
- Wikipedian mathematicians