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| An Absence of Empathy
| An Absence of Empathy
| Human Grain - Part I<ref name="empathy">The title and subtitle for this song might be inverted, since some sources show otherwise. I'll have the definition for this when my copy of the album arrives.</ref>
| Human Grain - Part I<ref name="empathy">The title and subtitle for this song might be inverted, since some sources show otherwise. I'll have the definition for this when my copy of the album arrives.</ref>
| 4:41{{hiddenkey|441}}
| {{sort|441|4:41}}
|-
|-
| align="right"| 2.
| align="right"| 2.
| Just One More
| Just One More
| Murder I - Serial Killer
| Murder I - Serial Killer
| 5:49{{hiddenkey|549}}
| {{sort|549|5:49}}
|-
|-
| align="right"| 3.
| align="right"| 3.
| Miseducation
| Miseducation
| Violence in Schools I - The Teacher
| Violence in Schools I - The Teacher
| 5:41{{hiddenkey|541}}
| {{sort|541|5:41}}
|-
|-
| align="right"| 4.
| align="right"| 4.
| I Killed You
| I Killed You
| Murder II - Impulse Killer
| Murder II - Impulse Killer
| 9:01{{hiddenkey|901}}
| {{sort|901|9:01}}
|-
|-
| align="right"| 5.
| align="right"| 5.
| This Is Gonna Hurt
| This Is Gonna Hurt
| Torture I - Torturing
| Torture I - Torturing
| 4:34{{hiddenkey|434}}
| {{sort|434|4:34}}
|-
|-
| align="right"| 6.
| align="right"| 6.
| Push the Button
| Push the Button
| War I - Modern War / Impersonal
| War I - Modern War / Impersonal
| 6:10{{hiddenkey|610}}
| {{sort|610|6:10}}
|-
|-
| align="right"| 7.
| align="right"| 7.
| In An Empty Room
| In An Empty Room
| Rape I - The Victim
| Rape I - The Victim
| 5:52{{hiddenkey|552}}
| {{sort|552|5:52}}
|-
|-
| align="right"| 8.
| align="right"| 8.
| Outcast
| Outcast
| Violence in Schools II - School Shooting
| Violence in Schools II - School Shooting
| 5:32{{hiddenkey|532}}
| {{sort|532|5:32}}
|-
|-
| align="right"| 9.
| align="right"| 9.
| Blade
| Blade
| War II - Historical War / Personal
| War II - Historical War / Personal
| 9:23{{hiddenkey|923}}
| {{sort|923|9:23}}
|-
|-
| align="right"| 10.
| align="right"| 10.
| How Long Can I Resist
| How Long Can I Resist
| Rape II - The Assailant
| Rape II - The Assailant
| 6:05{{hiddenkey|605}}
| {{sort|605|6:05}}
|-
|-
| align="right"| 11.
| align="right"| 11.
| When I Look Into My Eyes
| When I Look Into My Eyes
| Torture II - Being Tortured
| Torture II - Being Tortured
| 5:13{{hiddenkey|513}}
| {{sort|513|5:13}}
|-
|-
| align="right"| 12.
| align="right"| 12.
| What Kind of Animal
| What Kind of Animal
| Human Grain - Part II
| Human Grain - Part II
| 5:57{{hiddenkey|557}}
| {{sort|557|5:57}}
|}
|}
|}
|}
Line 335: Line 335:
| align="right"| 1.
| align="right"| 1.
| [[Funeral for a Friend/Love Lies Bleeding]]
| [[Funeral for a Friend/Love Lies Bleeding]]
| 11:05{{hiddenkey|1105}}
| 1{{sort|1105|1:05}}
|-
|-
| align="right"| 2.
| align="right"| 2.
| [[Candle in the Wind]]
| [[Candle in the Wind]]
| 3:41{{hiddenkey|341}}
| {{sort|341|3:41}}
|-
|-
| align="right"| 3.
| align="right"| 3.
| [[Bennie and the Jets]]
| [[Bennie and the Jets]]
| 5:23{{hiddenkey|523}}
| {{sort|523|5:23}}
|-
|-
| align="right"| 4.
| align="right"| 4.
| [[Goodbye Yellow Brick Road (song)|Goodbye Yellow Brick Road]]
| [[Goodbye Yellow Brick Road (song)|Goodbye Yellow Brick Road]]
| 3:14{{hiddenkey|314}}
| {{sort|314|3:14}}
|-
|-
| align="right"| 5.
| align="right"| 5.
| This Song Has No Title
| This Song Has No Title
| 2:23{{hiddenkey|223}}
| {{sort|223|2:23}}
|-
|-
| align="right"| 6.
| align="right"| 6.
| Grey Seal
| Grey Seal
| 3:58{{hiddenkey|358}}
| {{sort|358|3:58}}
|-
|-
| align="right"| 7.
| align="right"| 7.
| Jamaica Jerk Off
| Jamaica Jerk Off
| 3:39{{hiddenkey|339}}
| {{sort|339|3:39}}
|-
|-
| align="right"| 8.
| align="right"| 8.
| I've Seen That Movie Too
| I've Seen That Movie Too
| 5:59{{hiddenkey|559}}
| {{sort|559|5:59}}
|-
|-
| align="right"| 9.
| align="right"| 9.
| Sweet Painted Lady
| Sweet Painted Lady
| 3:52{{hiddenkey|352}}
| {{sort|352|3:52}}
|-
|-
| align="right"| 10.
| align="right"| 10.
| The Ballad of Danny Bailey (1909-34)
| The Ballad of Danny Bailey (1909-34)
| 4:24{{hiddenkey|424}}
| {{sort|424|4:24}}
|-
|-
| align="right"| 11.
| align="right"| 11.
| Dirty Little Girl
| Dirty Little Girl
| 5:01{{hiddenkey|501}}
| {{sort|501|5:01}}
|-
|-
| align="right"| 12.
| align="right"| 12.
| All the Girls Love Alice
| All the Girls Love Alice
| 5:08{{hiddenkey|508}}
| {{sort|508|5:08}}
|-
|-
| align="right"| 13.
| align="right"| 13.
| Your Sister Can't Twist (But She Can Rock 'n Roll)
| Your Sister Can't Twist (But She Can Rock 'n Roll)
| 2:42{{hiddenkey|242}}
| {{sort|242|2:42}}
|-
|-
| align="right"| 14.
| align="right"| 14.
| [[Saturday Night's Alright for Fighting]]
| [[Saturday Night's Alright for Fighting]]
| 4:54{{hiddenkey|454}}
| {{sort|454|4:54}}
|-
|-
| align="right"| 15.
| align="right"| 15.
| Roy Rogers
| Roy Rogers
| 4:08{{hiddenkey|408}}
| {{sort|408|4:08}}
|-
|-
| align="right"| 16.
| align="right"| 16.
| Social Disease
| Social Disease
| 3:44{{hiddenkey|344}}
| {{sort|344|3:44}}
|-
|-
| align="right"| 17.
| align="right"| 17.
| Harmony
| Harmony
| 2:45{{hiddenkey|245}}
| {{sort|245|2:45}}
|}
|}
|}
|}
Line 421: Line 421:
| Scene One:
| Scene One:
| Regression
| Regression
| 2:06{{hiddenkey|206}}
| {{sort|206|2:06}}
|-
|-
| align="right"| 2.
| align="right"| 2.
| Scene Two: I.
| Scene Two: I.
| [[Overture 1928]]
| [[Overture 1928]]
| 3:37{{hiddenkey|337}}<ref name="metropolis2">On the album, lengths apply to scenes instead of songs. For multisong scenes, lengths are listed as follows:
| {{sort|337|3:37}}<ref name="metropolis2">On the album, lengths apply to scenes instead of songs. For multisong scenes, lengths are listed as follows:
* Scene Two (8:49)
* Scene Two (8:49)
* Scene Three (7:51)
* Scene Three (7:51)
Line 434: Line 434:
| Scene Two: II.
| Scene Two: II.
| Strange Deja Vu
| Strange Deja Vu
| 5:12{{hiddenkey|512}}
| {{sort|512|5:12}}
|-
|-
| align="right"| 4.
| align="right"| 4.
| Scene Three: I.
| Scene Three: I.
| Through My Words
| Through My Words
| 1:02{{hiddenkey|102}}<ref name="metropolis2"/>
| {{sort|102|1:02}}<ref name="metropolis2"/>
|-
|-
| align="right"| 5.
| align="right"| 5.
| Scene Three: II.
| Scene Three: II.
| Fatal Tragedy
| Fatal Tragedy
| 6:49{{hiddenkey|649}}
| {{sort|649|6:49}}
|-
|-
| align="right"| 6.
| align="right"| 6.
| Scene Four:
| Scene Four:
| [[Beyond This Life]]
| [[Beyond This Life]]
| 11:22{{hiddenkey|1122}}
| 1{{sort|1122|1:22}}
|-
|-
| align="right"| 7.
| align="right"| 7.
| Scene Five:
| Scene Five:
| [[Through Her Eyes]]
| [[Through Her Eyes]]
| 5:29{{hiddenkey|529}}
| {{sort|529|5:29}}
|-
|-
| align="right"| 8.
| align="right"| 8.
| Scene Six:
| Scene Six:
| Home
| Home
| 12:53{{hiddenkey|1253}}
| 1{{sort|1253|2:53}}
|-
|-
| align="right"| 9.
| align="right"| 9.
| Scene Seven: I.
| Scene Seven: I.
| [[The Dance of Eternity]]
| [[The Dance of Eternity]]
| 6:14{{hiddenkey|614}}<ref name="metropolis2"/>
| {{sort|614|6:14}}<ref name="metropolis2"/>
|-
|-
| align="right"| 10.
| align="right"| 10.
| Scene Seven: II.
| Scene Seven: II.
| One Last Time
| One Last Time
| 3:46{{hiddenkey|346}}
| {{sort|346|3:46}}
|-
|-
| align="right"| 11.
| align="right"| 11.
| Scene Eight:
| Scene Eight:
| The Spirit Carries On
| The Spirit Carries On
| 6:38{{hiddenkey|638}}
| {{sort|638|6:38}}
|-
|-
| align="right"| 12.
| align="right"| 12.
| Scene Nine:
| Scene Nine:
| Finally Free
| Finally Free
| 12:00{{hiddenkey|1200}}
| 1{{sort|1200|2:00}}
|}
|}
|}
|}
Line 505: Line 505:
* VI. Ready
* VI. Ready
* VII. Remove
* VII. Remove
| 8:25{{hiddenkey|825}}<ref name="octavarium">Between some pairs of songs, a transition, counted as negative time prior to the second song, occurs. Here, this transition is considered as an extension of the first song, therefore some of these lengths differ from the ones listed on the album. These are the tracks in which this applies and the listed length for each of them:
| {{sort|825|8:25}}<ref name="octavarium">Between some pairs of songs, a transition, counted as negative time prior to the second song, occurs. Here, this transition is considered as an extension of the first song, therefore some of these lengths differ from the ones listed on the album. These are the tracks in which this applies and the listed length for each of them:
* The Root of All Evil (8:07)
* The Root of All Evil (8:07)
* The Answer Lies Within (5:26)
* The Answer Lies Within (5:26)
Line 514: Line 514:
| align="right"| 2.
| align="right"| 2.
| The Answer Lies Within
| The Answer Lies Within
| 5:33{{hiddenkey|533}}<ref name="octavarium"/>
| {{sort|533|5:33}}<ref name="octavarium"/>
|-
|-
| align="right"| 3.
| align="right"| 3.
| These Walls
| These Walls
| 7:36{{hiddenkey|736}}<ref name="octavarium"/>
| {{sort|736|7:36}}<ref name="octavarium"/>
|-
|-
| align="right"| 4.
| align="right"| 4.
| I Walk Beside You
| I Walk Beside You
| 4:29{{hiddenkey|429}}
| {{sort|429|4:29}}
|-
|-
| align="right"| 5.
| align="right"| 5.
| Panic Attack
| Panic Attack
| 8:13{{hiddenkey|813}}<ref name="octavarium"/>
| {{sort|813|8:13}}<ref name="octavarium"/>
|-
|-
| align="right"| 6.
| align="right"| 6.
| Never Enough
| Never Enough
| 6:46{{hiddenkey|646}}<ref name="octavarium"/>
| {{sort|646|6:46}}<ref name="octavarium"/>
|-
|-
| align="right"| 7.
| align="right"| 7.
| [[Sacrificed Sons]]
| [[Sacrificed Sons]]
| 10:42{{hiddenkey|1042}}
| 1{{sort|1042|0:42}}
|-valign="top"
|-valign="top"
| align="right"| 8.
| align="right"| 8.
Line 543: Line 543:
* Intervals
* Intervals
* Razor's Edge
* Razor's Edge
| 24:00{{hiddenkey|2400}}
| 2{{sort|2400|4:00}}
|}
|}
|}
|}
Line 564: Line 564:
| align="right"| 1.
| align="right"| 1.
| Of Sins and Shadows
| Of Sins and Shadows
| 4:58{{hiddenkey|458}}
| {{sort|458|4:58}}
|-
|-
| align="right"| 2.
| align="right"| 2.
| Sea of Lies
| Sea of Lies
| 4:18{{hiddenkey|418}}
| {{sort|418|4:18}}
|-
|-
| align="right"| 3.
| align="right"| 3.
| Out of the Ashes
| Out of the Ashes
| 3:39{{hiddenkey|339}}
| {{sort|339|3:39}}
|-
|-
| align="right"| 4.
| align="right"| 4.
| The Accolade
| The Accolade
| 9:51{{hiddenkey|951}}
| {{sort|951|9:51}}
|-
|-
| align="right"| 5.
| align="right"| 5.
| Pharaoh
| Pharaoh
| 5:30{{hiddenkey|530}}
| {{sort|530|5:30}}
|-
|-
| align="right"| 6.
| align="right"| 6.
| The Eyes of Medusa
| The Eyes of Medusa
| 5:27{{hiddenkey|527}}
| {{sort|527|5:27}}
|-
|-
| align="right"| 7.
| align="right"| 7.
| The Witching Hour
| The Witching Hour
| 4:15{{hiddenkey|415}}
| {{sort|415|4:15}}
|-valign="top"
|-valign="top"
| align="right"| 8.
| align="right"| 8.
Line 602: Line 602:
** C. Dies Irae
** C. Dies Irae
* VII. Paradise Regained
* VII. Paradise Regained
| 20:41{{hiddenkey|2041}}
| 2{{sort|2041|0:41}}
|-
|-
| align="right"| 9.
| align="right"| 9.
| Candlelight Fantasia
| Candlelight Fantasia
| 6:45{{hiddenkey|645}}
| {{sort|645|6:45}}
|}
|}
|}
|}
Line 631: Line 631:
| Day One:
| Day One:
| Vigil
| Vigil
| 1:33{{hiddenkey|133}}
| {{sort|133|1:33}}
|-
|-
| align="right"| 2.
| align="right"| 2.
| Day Two:
| Day Two:
| Isolation
| Isolation
| 8:42{{hiddenkey|842}}
| {{sort|842|8:42}}
|-
|-
| align="right"| 3.
| align="right"| 3.
| Day Three:
| Day Three:
| Pain
| Pain
| 4:58{{hiddenkey|458}}
| {{sort|458|4:58}}
|-
|-
| align="right"| 4.
| align="right"| 4.
| Day Four:
| Day Four:
| Mystery
| Mystery
| 5:37{{hiddenkey|537}}
| {{sort|537|5:37}}
|-
|-
| align="right"| 5.
| align="right"| 5.
| Day Five:
| Day Five:
| Voices
| Voices
| 7:09{{hiddenkey|709}}
| {{sort|709|7:09}}
|-
|-
| align="right"| 6.
| align="right"| 6.
| Day Six:
| Day Six:
| Childhood
| Childhood
| 5:05{{hiddenkey|505}}
| {{sort|505|5:05}}
|-
|-
| align="right"| 7.
| align="right"| 7.
| Day Seven:
| Day Seven:
| Hope
| Hope
| 2:47{{hiddenkey|247}}
| {{sort|247|2:47}}
|-
|-
| align="right"| 8.
| align="right"| 8.
| Day Eight:
| Day Eight:
| School
| School
| 4:22{{hiddenkey|422}}
| {{sort|422|4:22}}
|-
|-
| align="right"| 9.
| align="right"| 9.
| Day Nine:
| Day Nine:
| Playground
| Playground
| 2:15{{hiddenkey|215}}
| {{sort|215|2:15}}
|-
|-
| align="right"| 10.
| align="right"| 10.
| Day Ten:
| Day Ten:
| Memories
| Memories
| 3:57{{hiddenkey|357}}
| {{sort|357|3:57}}
|-
|-
| align="right"| 11.
| align="right"| 11.
| Day Eleven:
| Day Eleven:
| Love
| Love
| 4:18{{hiddenkey|418}}
| {{sort|418|4:18}}
|-
|-
| align="right"| 12.
| align="right"| 12.
| Day Twelve:
| Day Twelve:
| Trauma
| Trauma
| 9:48{{hiddenkey|948}}<ref name="ayreon">This is the first song from the second CD of the album; it is preceded, though, by 49 seconds of flashbacks from the first CD, spanning through eleven tracks. The length listed on the album, which corresponds to the length of the twelfth track (therefore, not including these flashbacks), is 8:59.</ref>
| {{sort|948|9:48}}<ref name="ayreon">This is the first song from the second CD of the album; it is preceded, though, by 49 seconds of flashbacks from the first CD, spanning through eleven tracks. The length listed on the album, which corresponds to the length of the twelfth track (therefore, not including these flashbacks), is 8:59.</ref>
|-
|-
| align="right"| 13.
| align="right"| 13.
| Day Thirteen:
| Day Thirteen:
| Sign
| Sign
| 4:47{{hiddenkey|447}}
| {{sort|447|4:47}}
|-
|-
| align="right"| 14.
| align="right"| 14.
| Day Fourteen:
| Day Fourteen:
| Pride
| Pride
| 4:42{{hiddenkey|442}}
| {{sort|442|4:42}}
|-
|-
| align="right"| 15.
| align="right"| 15.
| Day Fifteen:
| Day Fifteen:
| Betrayal
| Betrayal
| 5:24{{hiddenkey|524}}
| {{sort|524|5:24}}
|-
|-
| align="right"| 16.
| align="right"| 16.
| Day Sixteen:
| Day Sixteen:
| Loser
| Loser
| 4:46{{hiddenkey|446}}
| {{sort|446|4:46}}
|-
|-
| align="right"| 17.
| align="right"| 17.
| Day Seventeen:
| Day Seventeen:
| Accident?
| Accident?
| 5:42{{hiddenkey|524}}
| {{sort|524|5:42}}
|-
|-
| align="right"| 18.
| align="right"| 18.
| Day Eighteen:
| Day Eighteen:
| Realization
| Realization
| 4:31{{hiddenkey|431}}
| {{sort|431|4:31}}
|-
|-
| align="right"| 19.
| align="right"| 19.
| Day Nineteen:
| Day Nineteen:
| Disclosure
| Disclosure
| 4:42{{hiddenkey|442}}
| {{sort|442|4:42}}
|-
|-
| align="right"| 20.
| align="right"| 20.
| Day Twenty:
| Day Twenty:
| Confrontation
| Confrontation
| 7:03{{hiddenkey|703}}
| {{sort|703|7:03}}
|}
|}
|}
|}
Line 747: Line 747:
| align="right"| 1.
| align="right"| 1.
| Catherine of Aragon
| Catherine of Aragon
| 3:44{{hiddenkey|344}}
| {{sort|344|3:44}}
|-
|-
| align="right"| 2.
| align="right"| 2.
| Anne of Cleves
| Anne of Cleves
| 7:53{{hiddenkey|753}}
| {{sort|753|7:53}}
|-
|-
| align="right"| 3.
| align="right"| 3.
| Catherine Howard
| Catherine Howard
| 6:35{{hiddenkey|635}}
| {{sort|635|6:35}}
|-
|-
| align="right"| 4.
| align="right"| 4.
| Jane Seymour
| Jane Seymour
| 4:46{{hiddenkey|446}}
| {{sort|446|4:46}}
|-
|-
| align="right"| 5.
| align="right"| 5.
| Anne Boleyn / The Day Thou Gavest Lord Hath Ended
| Anne Boleyn / The Day Thou Gavest Lord Hath Ended
| 6:32{{hiddenkey|632}}
| {{sort|632|6:32}}
|-
|-
| align="right"| 6.
| align="right"| 6.
| Catherine Parr
| Catherine Parr
| 7:06{{hiddenkey|706}}
| {{sort|706|7:06}}
|}
|}
|}
|}

Revision as of 16:29, 17 May 2012


Hetcenus
— Wikipedian  —
Name
Jefferson Elbert Simões
BornJune 25, 1988
Current locationPetrópolis, Rio de Janeiro, Brazil
Family and friends
Marital statusSingle
Education and employment
OccupationStudent
UniversityUniversidade Federal do Rio de Janeiro
Contact info
Websitehttp://hetcenus.vgpiano.com
Emailhetcenus@yahoo.com.br
  • Recommended screen resolution: 1024x768.
  • This page uses TimR's sortable table extensions. For more information, see User:TimR/Tables.







WIPs

DT discography v2.0
AA Suite template

Music

Bands/Artists/Composers

Ayreon
Ayreon is a project by Dutch composer and musician Arjen Anthony Lucassen. Ayreon's musical style derives mostly from heavy metal and progressive rock, but combines them with genres like folk, classical and electronica to form what some call a completely new style of music. The majority of Ayreon's albums are dubbed "rock operas" due to the fact that the albums contain complex storylines featuring a host of characters, each represented by a unique vocalist.
Discography
Dream Theater
Dream Theater is a progressive metal band formed by three students at the Berklee College of Music in 1985. In the 22 years since their inception, they have become one of the most commercially successful progressive bands since the height of progressive rock in the mid-1970s, despite being relatively unknown in mainstream pop/rock circles. The band is well known for the technical proficiency of each instrumentalist, winning many awards from music magazines. They are highly respected by many of rock and metal's biggest names, leading to collaborations between Dream Theater members and many other well known musicians.
Current lineup:
James LaBrie: lead vocals
John Myung: bass, Chapman stick
John Petrucci: guitars, backing vocals
Mike Portnoy: drums, percussion, backing vocals
Jordan Rudess: keyboards, Continuum, lap steel guitar
Studio discography
Johann Sebastian Bach
Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organisation from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France. He is regarded as one of the greatest composers of all time.
Selected compositions:
Pink Floyd
Pink Floyd is an English rock band that initially earned recognition for their psychedelic rock music, and, as they evolved, for their progressive rock music. They are known for philosophical lyrics, sonic experimentation, innovative cover art, and elaborate live shows. One of rock music's most successful acts, the group has sold over 200 million albums worldwide and an estimated 73.5 million albums in the United States alone.
Main lineup:
David Gilmour: guitar, lead vocals
Nick Mason: drums, percussion
Roger Waters: bass, lead vocals
Rick Wright: keyboards, backing vocals
Studio discography
Queen
Queen is a seminal English rock band, formed in 1970 in London by Brian May, Freddie Mercury, and Roger Taylor, with John Deacon joining the following year. Britain's most successful band of the past three decades, the band rose to prominence during the 1970s and still retain a large international fan base. The band is noted for their musical diversity, lush multi-layered arrangements, vocal harmonies and incorporation of audience participation into their live performances. They are regarded as one of the most accomplished acts both in the studio and on stage.
Main lineup:
Brian May: lead vocals
John Deacon: bass, Chapman stick
Freddie Mercury: guitars, backing vocals
Roger Taylor: drums, percussion, backing vocals
Studio discography
Ray Charles
Ray Charles was the stage name of Ray Charles Robinson. He was a pioneering American pianist and soul musician who shaped the sound of rhythm and blues. He brought a soulful sound to country music, pop standards, and a rendition of "America the Beautiful" that Ed Bradley of 60 Minutes called the "definitive version of the song, an American anthem — a classic, just as the man who sang it."
Selected songs:
Symphony X
Symphony X is an American progressive metal band from New Jersey founded in 1994. Musically, They are similar to other progressive metal bands to which they are commonly compared, such as Dream Theater and Fates Warning. Symphony X plays in a syncopated, progressive fashion, while incorporating elements of symphonic metal and power metal into their sound. Their music also contains strong neo-classical elements reminescent of Yngwie Malmsteen, Randy Rhoads, and other neo-classical metal artists.
Current lineup:
Russell Allen: lead vocals
Michael Lepond: bass
Michael Pinnella: keyboards, backing vocals
Michael Romeo: guitars, backing vocals
Jason Rullo: drums, percussion
Studio discography

Albums

An Absence of Empathy
Studio album by Frameshift
Released in 2005
Track listing:
# Song Subtitle Lth
1. An Absence of Empathy Human Grain - Part I[1] 4:41
2. Just One More Murder I - Serial Killer 5:49
3. Miseducation Violence in Schools I - The Teacher 5:41
4. I Killed You Murder II - Impulse Killer 9:01
5. This Is Gonna Hurt Torture I - Torturing 4:34
6. Push the Button War I - Modern War / Impersonal 6:10
7. In An Empty Room Rape I - The Victim 5:52
8. Outcast Violence in Schools II - School Shooting 5:32
9. Blade War II - Historical War / Personal 9:23
10. How Long Can I Resist Rape II - The Assailant 6:05
11. When I Look Into My Eyes Torture II - Being Tortured 5:13
12. What Kind of Animal Human Grain - Part II 5:57
Goodbye Yellow Brick Road
Studio album by Elton John
Released in 1973
Track listing:
# Song Lth
1. Funeral for a Friend/Love Lies Bleeding 11:05
2. Candle in the Wind 3:41
3. Bennie and the Jets 5:23
4. Goodbye Yellow Brick Road 3:14
5. This Song Has No Title 2:23
6. Grey Seal 3:58
7. Jamaica Jerk Off 3:39
8. I've Seen That Movie Too 5:59
9. Sweet Painted Lady 3:52
10. The Ballad of Danny Bailey (1909-34) 4:24
11. Dirty Little Girl 5:01
12. All the Girls Love Alice 5:08
13. Your Sister Can't Twist (But She Can Rock 'n Roll) 2:42
14. Saturday Night's Alright for Fighting 4:54
15. Roy Rogers 4:08
16. Social Disease 3:44
17. Harmony 2:45
Metropolis Pt. 2:
Scenes from a Memory
Studio album by Dream Theater
Released in 1999
Track listing:
# Scene[2] Song Lth
1. Scene One: Regression 2:06
2. Scene Two: I. Overture 1928 3:37[3]
3. Scene Two: II. Strange Deja Vu 5:12
4. Scene Three: I. Through My Words 1:02[3]
5. Scene Three: II. Fatal Tragedy 6:49
6. Scene Four: Beyond This Life 11:22
7. Scene Five: Through Her Eyes 5:29
8. Scene Six: Home 12:53
9. Scene Seven: I. The Dance of Eternity 6:14[3]
10. Scene Seven: II. One Last Time 3:46
11. Scene Eight: The Spirit Carries On 6:38
12. Scene Nine: Finally Free 12:00
Octavarium
Studio album by Dream Theater
Released in 2005
Track listing:
# Song Lth
1. The Root of All Evil
  • VI. Ready
  • VII. Remove
8:25[4]
2. The Answer Lies Within 5:33[4]
3. These Walls 7:36[4]
4. I Walk Beside You 4:29
5. Panic Attack 8:13[4]
6. Never Enough 6:46[4]
7. Sacrificed Sons 10:42
8. Octavarium
  • Someone Like Him
  • Medicate (Awakening)
  • Full Circle
  • Intervals
  • Razor's Edge
24:00
The Divine Wings of Tragedy
Studio album by Symphony X
Released in 1997
Track listing:
# Song Lth
1. Of Sins and Shadows 4:58
2. Sea of Lies 4:18
3. Out of the Ashes 3:39
4. The Accolade 9:51
5. Pharaoh 5:30
6. The Eyes of Medusa 5:27
7. The Witching Hour 4:15
8. The Divine Wings of Tragedy
  • I. At the Four Corners of the Earth
  • II. In the Room of Thrones
  • III. A Gathering of Angels
  • IV. The Wrath Divine
  • V. The Prophet's Cry
  • VI. Bringer of the Apocalypse
    • A. Eve of Sacrifice
    • B. Armies in the Sky
    • C. Dies Irae
  • VII. Paradise Regained
20:41
9. Candlelight Fantasia 6:45
The Human Equation
Studio album by Ayreon
Released in 2004
Track listing:
# Day Song Lth
1. Day One: Vigil 1:33
2. Day Two: Isolation 8:42
3. Day Three: Pain 4:58
4. Day Four: Mystery 5:37
5. Day Five: Voices 7:09
6. Day Six: Childhood 5:05
7. Day Seven: Hope 2:47
8. Day Eight: School 4:22
9. Day Nine: Playground 2:15
10. Day Ten: Memories 3:57
11. Day Eleven: Love 4:18
12. Day Twelve: Trauma 9:48[5]
13. Day Thirteen: Sign 4:47
14. Day Fourteen: Pride 4:42
15. Day Fifteen: Betrayal 5:24
16. Day Sixteen: Loser 4:46
17. Day Seventeen: Accident? 5:42
18. Day Eighteen: Realization 4:31
19. Day Nineteen: Disclosure 4:42
20. Day Twenty: Confrontation 7:03
The Six Wives of Henry VIII
Studio album by Rick Wakeman
Released in 1973
Track listing:
# Song Lth
1. Catherine of Aragon 3:44
2. Anne of Cleves 7:53
3. Catherine Howard 6:35
4. Jane Seymour 4:46
5. Anne Boleyn / The Day Thou Gavest Lord Hath Ended 6:32
6. Catherine Parr 7:06

Songs

Disappear
Song by Dream Theater
from the album Six Degrees of Inner Turbulence
Music by Dream Theater
Lyrics by James LaBrie

Why, tell me the reasons why
Try, still I don't understand
Will I ever feel this again
Blue sky, I'll meet you in the end
Free them, free the memories of you
Free me, and rest 'til I'm with you

A day like today
My whole world has been changed
Nothing you say
Will help ease my pain

Turn, I'll turn this slowly round
Burn, burn to feel alive again
She, she'd want me to move on
See me, this place I still belong
Give chase, to find more than I have found
And face, this time now on my own

Days disappear
And my world keeps changing
I feel you here
And it keeps me sane

So I'm moving on
I'll never forget
As you lay there and watched me
Accepting the end
I knew you were scared
You were strong, I was trying
I gave you my hand
I said it's okay letting go time to leave here
And I'll carry on
The best that I can without you here beside me
Let him come take you home

Do I Make You Proud
Song by Taylor Hicks
from the album Taylor Hicks

I've never been the one to raise my hand
That was not me and now that's who I am
Because of you I am standing tall
My heart is full of endless gratitude
You were the one, the one to guide me through
Now I can see and I believe it's only just beginning

This what we dream about
But the only question with me now
Is do I make you proud
Stronger than I've ever been now
Never been afraid of standing out
But do I make you proud

I guess I've learned, to question is to grow
That you still have faith, is all I need to know
I've learned to love, myself in spite of me
And I've learned to walk, the road that I believe

This what we dream about
but the only question with me now
Is do I make you proud
Stronger than I've ever been now
Never been afraid of standing out
But do I make you proud

Everybody needs to rise up
Everybody needs to be loved
To be loved

This what we dream about
But the only question with me now
Is do I make you proud
Stronger than I've ever been now
Never been afraid of standing out
But do I make you proud

Do I make you proud?
Do I make you proud?

Funeral for a Friend /
Love Lies Bleeding
Song by Elton John
from the album Goodbye Yellow Brick Road
Music by Elton John
Lyrics by Bernie Taupin
Funeral for a Friend
instrumental
Love Lies Bleeding

The roses in the window box
Have tilted to one side
Everything about this house
Was born to grow and die

Oh it doesn't seem a year ago
To this very day
You said I'm sorry honey
If I don't change the pace
I can't face another day

And love lies bleeding in my hand
Oh it kills me to think of you with another man
I was playing rock and roll and you were just a fan
But my guitar couldn't hold you
So I split the band
Love lies bleeding in my hands

I wonder if those changes
Have left a scar on you
Like all the burning hoops of fire
That you and I passed through

You're a bluebird on a telegraph line
I hope you're happy now
Well if the wind of change comes down your way girl
You'll make it back somehow

Of Sins and Shadows
Song by Symphony X
from the album The Divine Wings of Tragedy
Music by Michael Pinnella and Michael Romeo
Lyrics by Thomas Miller

Passing through the void
The darkest grand illusion
Chaos is riding on the wind

Destroyed in agony
They create a maddened lair
Summon all to heed their cry

Innocence fading away
- the dying eyes of prey

Desperate cries, hail of fire deciding
All our fate in the night
Tempt in sin, shadows then begin to
Gather the souls they hold within

Victims of desire
Pestilence of their invasion
Forms then take on evil waves

Paralyze, victimize
The shadows fall and enter fast
from the sky - (from the sky)
Summon all to heed their cry

Innocence fading away
- the dying eyes of the prey

Desperate cries, hail of fire deciding
All our fate in the night
Tempt in sin, shadows then begin to
Gather the souls they hold within

I've betrayed - slowly fade
I repent my inner plea
I've denied - sanctified
Cannot hide form this monstrosity

I'm immersed in a curse
Of this jaded imagery
Realize that your cries
Only jeopardize this legacy

Desperate cries, hail of fire deciding
All our fate in the night
Tempt in sin, shadows then begin to
Gather the souls they hold within

The Mission
Song by Van Canto
from the album A Storm to Come

For years and years we waited
And now the time has come
To leave these barren lands
Towards (new) horizons

No matter what has happened
And what was said or done
Words are to be to forgotten
We will roam on!

We cross the gates of darkness
Into the black of night
We don’t fear anybody:
(We) got the second sight

We move a little further
Towards the borderline
Before the dawn of day
Our souls come back to life
And life comes back again

The mission’s to fight to be free again
To stand our ground and to be immortal
This is our mission so here we stand
We have the right to be ourselves again
The mission’s to fight to be free again

They held us down for so long
Our backs against the wall
We didn’t see a future
Did not hear the call

But now that things have changed
Now that our fears are small
We create a vision
(And we) face it - one for all

We cross the gates of darkness
Into the black of night
We don’t fear anybody:
(We) got the second sight

We move a little further
Towards the borderline
Before the dawn of day
Our souls come back to life
And all I see, in front of me
Every step I take is bringing me closer to me!

All that we are is everything we’ve ever been
And what we’ll be is what we are

Day Twelve: Trauma
Song by Ayreon
from the album The Human Equation
Music by Arjen Lucassen
Lyrics by Arjen Lucassen

[Reason] Think hard, you're lying here in a hospital bed
Disregard the emotions inside your head
Concentrate on the real world beyond your mind
It's not to late to leave your burdens behind


[Fear] We won't let you go
Take you down below
Dark crypts of your soul
Locked inside your head...
You're better off dead


[Agony] Locked away, she lives in isolation
It's been that way since he has gone
She's been through life of deprivation
She depends on you, her only son


[Passion] She won't let you go
Keep you down below
Dark crypts of your soul
Locked inside your head
You're better off dead


[Agony] Where are you, can't you hear her calling?
Nothing you can do, you have no time
There's no one there to catch her now she's falling
Why should you care, you're doing fine


[Reason] Now she's at rest, she finally found her peace
There's no need to blame yourself
You must let go or the pain will never cease
It's time to crawl out of your shell

Your mother died, the day your father left
A part of you died as well
Feelings of guilt will haunt you 'til the end
You must fight hard to break this spell

But it hurts...


[Fear] You hear her voice, from beyond her grave
"Where were you, son, when I needed you
Is this your thanks for all the warmth I gave
Did you forget what I've been through?"

Then you hear his voice, cold and merciless
"You worthless fool, you let her die!"
And deep within yourself you must confess
Your ways cannot be justified


[Pride] By now you realise, you have to be relentless to survive
Repress your memories, bury all emotions and thrive!
It's your life!


[Reason] Now she's at rest, she found her peace
[Fear] You hear her voice, from the grave
[Reason] You must let go or the pain won't cease
[Fear] "Is this your thanks for all I gave"
[Reason] A part of you died as well
[Fear] "You worthless fool, you let her die!"
[Reason] It's time to crawl out of your shell
[Fear] Your ways cannot be justified

Wait for Sleep
Song by Dream Theater
from the album Images and Words
Music by Kevin Moore
Lyrics by Kevin Moore

Standing by the window
Eyes upon the moon
Hoping that the memory
Will leave her spirit soon

She shuts the doors and lights
And lays her body on the bed
Where images and words are running deep
She has too much pride to pull the sheets above her head
So quietly she lays and waits for sleep

She stares at the ceiling
And tries not to think
And pictures the chains
She's been trying to link again
But the feeling is gone

And water can't cover her memory
And ashes can't answer her pain
God give me the power to take breath from a breeze
And call life from a cold metal frame

In with the ashes
Or up with the smoke from the fire
With wings up in heaven
Or here, lying in bed
Palm of her hand to my head
Now and forever curled in my heart
And the heart of the world

Notes

  1. ^ The title and subtitle for this song might be inverted, since some sources show otherwise. I'll have the definition for this when my copy of the album arrives.
  2. ^ Scenes are grouped into two acts: Act 1 comprises scenes One to Five, and scenes Six to Nine form Act 2.
  3. ^ a b c On the album, lengths apply to scenes instead of songs. For multisong scenes, lengths are listed as follows:
    • Scene Two (8:49)
    • Scene Three (7:51)
    • Scene Seven (10:00)
  4. ^ a b c d e Between some pairs of songs, a transition, counted as negative time prior to the second song, occurs. Here, this transition is considered as an extension of the first song, therefore some of these lengths differ from the ones listed on the album. These are the tracks in which this applies and the listed length for each of them:
    • The Root of All Evil (8:07)
    • The Answer Lies Within (5:26)
    • These Walls (6:59)
    • Panic Attack (7:16)
    • Never Enough (6:33)
  5. ^ This is the first song from the second CD of the album; it is preceded, though, by 49 seconds of flashbacks from the first CD, spanning through eleven tracks. The length listed on the album, which corresponds to the length of the twelfth track (therefore, not including these flashbacks), is 8:59.

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Pi ≈ 3.14159 26535 89793 23846 26433 83279 50288 41971 69399 37510 58209 74944 59230 78164 06286 20899 86280 34825 34211 70679 82148 08651 32823 06647 09384 46095 50582 23172 53594 08128 48111 74502 84102 70193 85211 05559 64462 29489 54930 38196 44288 10975 66593 34461 28475 64823 37867 83165 27120 19091 45648 56692 34603 86104 54326 64821 33936 07260 24914 12737 24587 00660 63155 81748 81520 92096 28292 54091 71536 43678 92590 36001 13305 30548 82046 65213 84146 95194 15116 09...