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A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers.

Retiarii first appeared in the arena during the 1st century AD and had become standard attractions by the 2nd or 3rd century. The gladiator's lack of armour and his reliance on evasive tactics meant that many considered the retiarius the lowliest (and most effeminate) of the gladiators, an already stigmatised class. Passages from the works of Juvenal, Seneca, and Suetonius suggest that those retiarii who fought in tunics may have constituted an even more demeaned subtype (retiarii tunicati) who were not viewed as legitimate retiarii fighters but as arena clowns. Nevertheless, Roman artwork, graffiti, and grave markers include examples of specific retiarii who apparently had reputations as skilled combatants and lovers. (Full article...)

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Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.

With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican era folktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)

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Credit: Marie-Lan Nguyen

The épée (/ˈɛpeɪ, ˈeɪ-/, French: [epe]; lit. 'sword'), also rendered as epee in English, is the largest and heaviest of the three weapons used in the sport of fencing. The modern épée derives from the 19th-century épée de combat, a weapon which itself derives from the French small sword.

As a thrusting weapon, the épée is similar to a foil (contrasted with a sabre, which is designed for slashing). It has a stiffer blade than a foil. It is triangular in cross-section with a V-shaped groove called a fuller. The épée also has a larger bell guard designed to protect the user’s arm. In addition to the larger "bell" guard and blade, the épée weighs more than the foil and sabre which contributes to its reputation of being the slowest form of fencing. The techniques of use differ, as there are no rules regarding priority and right of way. Thus, immediate counterattacks are a common feature of épée fencing. The entire body is a valid target area. (Full article...)