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==Life and education==
==Life and education==
Filtsch was born in [[Sebeş|Mühlbach]] ([[Sebeş]]) in present-day [[Romania]]. His father, a Lutheran Church pastor in Mühlbach, was his first piano teacher. Carl and his brother Joseph, also a child pianist, arrived in Paris on November 29, 1841 and immediately sought out Chopin to be Carl's teacher. Though Chopin almost never taught children, and rarely gave a student more than one lesson per week, he agreed to teach Carl, and gave him three lessons per week.
Filtsch was born in [[Sebeş|Mühlbach]] ([[Sebeş]]) in present-day [[Romania]]. His father, a Lutheran church pastor in Mühlbach, was his first piano teacher. Carl and his brother Joseph, also a child pianist, arrived in Paris on November 29, 1841 and immediately sought out Chopin to be Carl's teacher. Though Chopin almost never taught children, and rarely gave a student more than one lesson per week, he agreed to teach Carl, and gave him three lessons per week.


Considered Chopin's most talented pupil, Filtsch received high praise from [[Franz Liszt]], [[Friedrich Wieck]], [[Giacomo Meyerbeer]], [[Ignaz Moscheles]], the music critic [[Ludwig Rellstab]], and fellow child prodigy, [[Anton Rubinstein]]. Filtsch began touring Europe on concert tours at the age of 13. After triumphant concerts in [[Paris]], [[London]], and [[Vienna]], his promising career was cut short by an early death in Venice from [[tuberculosis]] (he may have been infected by Chopin, even if the cause of Chopin's death could be cystic fibrosis - a noninfectious disease; at that time, this illness' ways of spreading were neither understood well, nor it was treatable).
Considered Chopin's most talented pupil, Filtsch received high praise from [[Franz Liszt]], [[Friedrich Wieck]], [[Giacomo Meyerbeer]], [[Ignaz Moscheles]], the music critic [[Ludwig Rellstab]], and fellow child prodigy, [[Anton Rubinstein]]. Filtsch began touring Europe on concert tours at the age of 13. After triumphant concerts in [[Paris]], [[London]], and [[Vienna]], his promising career was cut short by an early death in Venice from [[tuberculosis]] (he may have been infected by Chopin, even if the cause of Chopin's death could be cystic fibrosis - a noninfectious disease; at that time, this illness' ways of spreading were neither understood well, nor it was treatable).

Revision as of 03:56, 5 August 2012

Carl Filtsch
Born28 May 1830
Died11 May 1845
NationalityAustrian

Carl Filtsch (28 May 1830 – 11 May 1845) was a Transylvanian pianist and composer. He was a child prodigy, and student of Frédéric Chopin.[1]

Life and education

Filtsch was born in Mühlbach (Sebeş) in present-day Romania. His father, a Lutheran church pastor in Mühlbach, was his first piano teacher. Carl and his brother Joseph, also a child pianist, arrived in Paris on November 29, 1841 and immediately sought out Chopin to be Carl's teacher. Though Chopin almost never taught children, and rarely gave a student more than one lesson per week, he agreed to teach Carl, and gave him three lessons per week.

Considered Chopin's most talented pupil, Filtsch received high praise from Franz Liszt, Friedrich Wieck, Giacomo Meyerbeer, Ignaz Moscheles, the music critic Ludwig Rellstab, and fellow child prodigy, Anton Rubinstein. Filtsch began touring Europe on concert tours at the age of 13. After triumphant concerts in Paris, London, and Vienna, his promising career was cut short by an early death in Venice from tuberculosis (he may have been infected by Chopin, even if the cause of Chopin's death could be cystic fibrosis - a noninfectious disease; at that time, this illness' ways of spreading were neither understood well, nor it was treatable).

Quality of playing

According to numerous letters from Chopin and his acquaintances, Chopin considered Filtsch the most worthy interpreter of his music. A friend of Chopin's, Ferdinand Denis, reported in an article in Vienna's Der Humorist in February 1843 that on one occasion after listening to Filtsch, Chopin exclaimed, "My God! What a child! Nobody has ever understood me as this child has...It is not imitation, it is the same sentiment, an instinct that makes him play without thinking as if it could not have been any other way. He plays almost all my compositions without having heard me [play them], without being shown the smallest thing - not exactly like me [because he has his own cachet], but certainly not less well." [1]

References

  1. ^ a b Szulc, Tad (1998). Chopin in Paris: the life and times of the romantic composer. Pg 301. Simon and Schuster, USA. ISBN 0-306-80933-8

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