List of dystopian films: Difference between revisions
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|[[Battle Royale (film)|Battle Royale]]||2000||Based on [[Battle Royale|the novel]] and [[Battle Royale (manga)|manga of the same name]]. |
|[[Battle Royale (film)|Battle Royale]]||2000||Based on [[Battle Royale|the novel]] and [[Battle Royale (manga)|manga of the same name]]. |
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|[[Battle Royale II: Requiem]]||2003|| |
|[[Battle Royale II: Requiem]]||2003||Sequel to the 2000 film, [[Battle Royale (film)|Battle Royale]]. |
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|[[Blade Runner]]||1982||Based on the [[Philip K. Dick]] novel ''[[Do Androids Dream of Electric Sheep?]]. |
|[[Blade Runner]]||1982||Based on the [[Philip K. Dick]] novel ''[[Do Androids Dream of Electric Sheep?]]. |
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|[[District 13]]||2004|| |
|[[District 13]]||2004|| |
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|[[District 13: Ultimatum]]||2009|| |
|[[District 13: Ultimatum]]||2009||Sequel to the 2004 film, [[District 13]]. |
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|[[Doomsday (film)|Doomsday]]||2008|| |
|[[Doomsday (film)|Doomsday]]||2008|| |
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|<span style="display:none">End of Evangelion </span>[[The End of Evangelion]]||1997|| |
|<span style="display:none">End of Evangelion </span>[[The End of Evangelion]]||1997|| |
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|[[Escape from L.A.]]||1996|| |
|[[Escape from L.A.]]||1996||Sequel to the 1981 film, [[Escape from New York]]. |
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|[[Escape from New York]]||1981|| |
|[[Escape from New York]]||1981|| |
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|[[Fortress (1993 film)|Fortress]]||1993|| |
|[[Fortress (1993 film)|Fortress]]||1993|| |
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|[[Fortress 2: Re-Entry]]||2000|| |
|[[Fortress 2: Re-Entry]]||2000||Sequel to the 1993 film, [[Fortress (1993 film)|Fortress]]. |
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|[[Gamer (film)|Gamer]]||2009|| |
|[[Gamer (film)|Gamer]]||2009|| |
Revision as of 12:57, 25 August 2012
This list needs additional citations for verification. (October 2007) |
This is a list of films commonly regarded as dystopian.
A dystopia (from the Greek δυσ- and τόπος, alternatively, cacotopia,[1] kakotopia, cackotopia, or anti-utopia) is the vision of a society that is the opposite of utopia. A dystopian society is often a planned structured society in which the conditions of life are deliberately made miserable, characterized by poverty, oppression, violence, disease, scarcity, and/or pollution for the benefit of a select minority or some unnatural societal goal.
Many of the listed works below are generally considered as being dystopian because their story emphasizes one or more detrimental societal characteristics that would be considered unusual if practiced in a utopian society. However, there are some stories with similar detrimental societal characteristics that are not considered as dystopias by some critics because these same characteristics are now currently or have in the past been practiced to varying degrees in the real world. Despite these menacing and dehumanising elements portrayed by a society in some dismal stories—it is really an attempt to depict a heterotopia, a society that is neither Utopian, nor entirely bad, but different from our own.
Such debates frequently surround literary and cinematic works that do not show the classic characteristics of dystopian fiction, such as a government-like entity that seeks total control of individuals' lives.
The following movie list is broken down into several categories: those that display an obvious dystopian theme, post-apocalyptic, those that ultimately follow a more cyberpunk theme, and those that are more miscellaneously categorized, being that they are in between dystopia/cyberpunk and something else, as previously noted, "not like our society." While the movies appearing under the miscellaneous theme may have dystopian qualities, they do not focus on their dystopian society as the main plot. Dystopian films usually display pivotal traits that most utopian societies would avoid. One common trait is mass dehumanization. Where nearly all individuals are required, voluntarily or by force, to eliminate some "natural" emotional, physical, or free will quality as to conform to a society's "unnatural" greater good goals. A Clockwork Orange seems dystopian, but may not qualify since it is only one criminal individual who is voluntarily dehumanized and not the whole of society. This film then becomes a heterotopia. In Blade Runner, it is rather ambiguous whether Los Angeles in 2019 is depicted in that film to be a dystopia, or a utopia, however evidence from the film suggests that it was a dystopia, due to the climate, pollution, and over-population of the city. Many of the movies under the heading of miscellaneous are subjective and up for more careful scrutiny when considering the definition of dystopia.
Governmental/social
A typical dystopia paints a picture of government or society attempting to exert control over free thought, authority, energy, freedom of information. Others focus on systematic discrimination and limitations based on a variety of factors - genetics, fertility, intelligence, and age being a few examples.
Alien controlled dystopias (both governmental and societal)
Alien controlled dystopias are separate from general dystopias in that they are enacted on a people by an outside invader rather than members of the oppressed's own species.
- Battlefield Earth (film) a 2000 film adaptation of the novel, starring John Travolta.
- The Chronicles of Riddick (2004)
- Dark City (1998)
- Fantastic Planet (1973)
- Resiklo (2007)
- They Live (1988) adapted from Eight O'Clock in the Morning by Ray Nelson
- Titan A.E. (2000)
- Transmorphers (2007)
Corporate based dystopias (nongovernmental)
A corporate based dystopia is similar to a government/societal dystopia with the exception that the repressing power is a private company rather than a government. These stories generally include the motive of commercial profit instead of, or in addition to, the benefits of increased power and authority.
- Alien series
- Daybreakers
- The Fifth Element
- The Final Cut
- Fortress and its sequel Fortress 2: Re-Entry
- Gamer
- Hardware
- Highlander II: The Quickening
- I, Robot loosely adapted from Isaac Asimov's book
- The Island
- Johnny Mnemonic
- Metropia
- Looper (2012)
- Max Headroom: 20 Minutes into the Future
- No Escape
- Paranoia 1.0
- Parts: The Clonus Horror
- Prayer of the Rollerboys
- Repo! The Genetic Opera
- Repo Men
- Resident Evil series by Paul W. S. Anderson
- RoboCop and its sequels RoboCop 2 and RoboCop 3
- Rollerball (1975) and its remake Rollerball (2002)
- Shredder Orpheus (1990)
- Soylent Green
- Surrogates
- Tank Girl
- Tekken
- Total Recall (1990), its television sequel Total Recall 2070 and the upcoming remake of the original film Total Recall (2012)
Cyberpunk/techno
Cyberpunk is a science fiction subset, characterized by a focus on "high tech and low life" where advanced technology itself (not AI) is dystopian. "Classic cyberpunk characters were marginalized, alienated loners who lived on the edge of society in generally dystopic futures where daily life was impacted by rapid technological change, an ubiquitous datasphere of computerized information, and invasive modification of the human body."[2]
- Aachi & Ssipak
- Akira
- Avalon
- Blade Runner
- eXistenZ
- Ghost in the Shell
- Johnny Mnemonic
- Looper (2012)
- Metropolis by Osamu Tezuka
- Natural City
- Renaissance
- Sleep Dealer
- The Terminator
- Videodrome
- The Matrix
- Surrogates
Post-apocalyptic
Post-apocalyptic storylines take place in the aftermath of a disaster - typically nuclear holocaust, war, plague - that justifies a civilization's turn towards dystopian like behaviors. Although not a requisite, most post-apocalyptic visions have a man-made cause.
- 9 (2009)
- 12 Monkeys (1995), based on Chris Marker's 1962 short film La jetée
- 20 Years After (2008)
- 2019, After the Fall of New York (1983)
- 28 Days Later (2002) and its sequel 28 Weeks Later (2007)
- The Bed-Sitting Room (1969)
- A Boy and His Dog (1974)
- Blindness (2008)
- The Blood of Heroes (1989)
- The Book of Eli (2010)
- Carriers (2009)
- Casshern (2004)
- Cherry 2000 (1987)
- Children of Men (2006)
- Cyborg (1989)
- Damnation Alley (1977)
- Downstream (2010)
- Def-Con 4 (1985)
- Delicatessen (1991)
- Five (1951)
- Genesis II (1973)
- Hell Comes to Frogtown (1988)
- The Hunger Games (2012)
- I Am Legend (2007)
- La jetée (1962)
- Le Dernier Combat (1983)
- Logan's Run (1976)
- The Last Man on Earth (1964)
- The Noah (1975)
- Mad Max (1979), The Road Warrior (1981) and Mad Max Beyond Thunderdome (1985)
- On The Beach (1959) and its remake On the Beach (2000)
- Origin: Spirits of the Past (Anime) (2006)
- Panic in Year Zero! (1962)
- Parasite (1982)
- Phase 7 (2011)
- Planet Earth (1974)
- Planet of the Apes (1968), and Beneath the Planet of the Apes (1970)
- The Postman (1997)
- The Quiet Earth (1985)
- Quintet (1979)
- Robot Holocaust (1986)
- The Road (2009)
- Rock & Rule (1983)
- Six-String Samurai (1998)
- Slipstream (1989)
- The Stand (1994)
- Tank Girl (1995)
- Terminator Salvation (2009)
- Testament (1983)
- Things To Come (1936)
- Threads (1984)
- Time of the Wolf (2003)
- Titan A.E. (2000)
- The Ultimate Warrior (1975)
- Ultraviolet (2006)
- Ultra Warrior (1990)
- Day of Resurrection AKA Virus AKA Fukkatsu no hi (1980)
- WALL-E (2008)
- Waterworld (1995)
- The World, the Flesh and the Devil (1959)
- Zardoz (1974)
Miscellaneous
- 2009 Lost Memories
- Encrypt
- Invasión
- Motorama
- Planet of the Apes (1968), Beneath the Planet of the Apes, Escape from the Planet of the Apes, Conquest of the Planet of the Apes, Battle for the Planet of the Apes and the remake Planet of the Apes (2001)
- Pleasantville
- The Man Who Fell to Earth
- Sunshine
Disputed dystopias
- A Clockwork Orange (1971), adapted from Anthony Burgess's novel of the same name
- Dark Star (sci-fi satire film)
See also
- List of dystopian literature
- List of dystopian music, TV programs, and games
- Apocalyptic and post-apocalyptic fiction
References
- ^ Cacotopia (κακό, caco = bad) was the term used by Jeremy Bentham in his 19th century works ([1], [2])
- ^ Notes Toward a Postcyberpunk Manifesto - Person, Lawrence first published in Nova Express issue 16, 1998, later posted to Slashdot