Sequence (filmmaking): Difference between revisions
m +fr |
MatthewDBA (talk | contribs) "comprised of" fix and some minor corrections |
||
Line 1: | Line 1: | ||
In [[film]] |
In [[film]], a '''sequence''' is a series of [[Scene (film)|scenes]] which comprise a distinct narrative unit, usually connected either by unity of location or unity of time. For example a [[heist]] film might include an extended recruitment sequence in which the leader of the gang collects together the co-conspirators, a robbery sequence, an escape sequence, and so on. Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on. |
||
The sequence is |
The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more [[Act (theater)|acts]]; acts include one or more sequences; sequences comprise one or more scenes; and scenes may be thought of as being built out of [[Shot (film)|shots]] (if one is thinking visually) or ''beats'' (if one is thinking in narrative terms). |
||
See also: |
See also: |
Revision as of 12:47, 2 May 2006
In film, a sequence is a series of scenes which comprise a distinct narrative unit, usually connected either by unity of location or unity of time. For example a heist film might include an extended recruitment sequence in which the leader of the gang collects together the co-conspirators, a robbery sequence, an escape sequence, and so on. Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on.
The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analysed this way, a film is composed of one or more acts; acts include one or more sequences; sequences comprise one or more scenes; and scenes may be thought of as being built out of shots (if one is thinking visually) or beats (if one is thinking in narrative terms).
See also: