Susan Collins (artist): Difference between revisions
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'''Susan Collins''' PhD, (born 1964, [[London]]) is an [[United Kingdom|English]] artist and academic; one of the UK's leading artists working with [[digital media]].<ref name="ciac">{{cite web |url=http://www.ciac.ca/magazine/archives/no_25/entrevue.htm |publisher=Magazine électronique du CIAC |title=Conversation with Susan Collins |year=2006 |accessdate=2006-01-05}}</ref> |
'''Susan Collins''' PhD, (born 1964, [[London]]) is an [[United Kingdom|English]] artist and academic; one of the UK's leading artists working with [[digital media]].<ref name="ciac">{{cite web |url=http://www.ciac.ca/magazine/archives/no_25/entrevue.htm |publisher=Magazine électronique du CIAC |title=Conversation with Susan Collins |year=2006 |accessdate=2006-01-05}}</ref> |
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Collins works across public, gallery and online spaces. Her recent works mainly employ transmission, networking and time as primary materials, often exploring the role of illusion or belief in their construction and interpretation. Works include In Conversation; Tate in Space (a bafta nominated Tate netart commission); Transporting Skies which transported sky (and other phenomena) live between Newlyn Art Gallery, Penzance in Cornwall and Site Gallery Sheffield in Yorkshire; Fenlandia and Glenlandia - live year long pixel by pixel internet transmissions from remote landscapes, and The Spectrascope, an ongoing live pixel by pixel transmission from a haunted house. |
Collins works across public, gallery and online spaces. Her recent works mainly employ [[transmission]], networking and time as primary materials, often exploring the role of illusion or belief in their construction and interpretation. Works include In Conversation; Tate in Space (a bafta nominated Tate netart commission); Transporting Skies which transported sky (and other phenomena) live between Newlyn Art Gallery, Penzance in Cornwall and Site Gallery Sheffield in Yorkshire; Fenlandia and Glenlandia - live year long pixel by pixel internet transmissions from remote landscapes, and The Spectrascope, an ongoing live pixel by pixel transmission from a haunted house. |
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Collins' early computer animation works were screened nationally and internationally, at venues including: the London International Film Festivals; the Museum of Modern Art, Rio de Janeiro; Siggraph Las Vegas and Chicago; The Institute of Contemporary Art, London; JAGDA, Tokyo; and the Berlin VideoFest.{{Citation needed|date=February 2007}} |
Collins' early computer animation works were screened nationally and internationally, at venues including: the London International Film Festivals; the Museum of Modern Art, Rio de Janeiro; Siggraph Las Vegas and Chicago; The Institute of Contemporary Art, London; JAGDA, Tokyo; and the Berlin VideoFest.{{Citation needed|date=February 2007}} |
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Revision as of 13:44, 16 September 2012
Susan Collins PhD, (born 1964, London) is an English artist and academic; one of the UK's leading artists working with digital media.[1]
Collins works across public, gallery and online spaces. Her recent works mainly employ transmission, networking and time as primary materials, often exploring the role of illusion or belief in their construction and interpretation. Works include In Conversation; Tate in Space (a bafta nominated Tate netart commission); Transporting Skies which transported sky (and other phenomena) live between Newlyn Art Gallery, Penzance in Cornwall and Site Gallery Sheffield in Yorkshire; Fenlandia and Glenlandia - live year long pixel by pixel internet transmissions from remote landscapes, and The Spectrascope, an ongoing live pixel by pixel transmission from a haunted house.
Collins' early computer animation works were screened nationally and internationally, at venues including: the London International Film Festivals; the Museum of Modern Art, Rio de Janeiro; Siggraph Las Vegas and Chicago; The Institute of Contemporary Art, London; JAGDA, Tokyo; and the Berlin VideoFest.[citation needed]
Recently completed commissions include a wildlife surveillance system for Sarah Wigglesworth Architects’s RIBA award winning Classroom of the Future; Underglow, a network of illuminated drains for the Corporation of London for Light Up Queen Street and Chaser, a lighting commission for GLOW ‘07 Newcastle. Recent group exhibitions at Oakville Galleries, Ontario, Canada; Vestsjællands Kunstmuseum, Sorø, Denmark; Montevideo/The Netherlands Media Art Institute, Amsterdam; ARC Projects, Sofia, Bulgaria; Harewood House, Leeds; One in the Other, London; Project Space Leeds; Osterwalder’s Art Office, Hamburg; SHIFT 2009, Basel; Edith-Ruß-Haus, Oldenberg and Kunstverein Springhornhof, Neuenkirchen, Germany.
In 2009 she exhibited Seascape, a solo show at the De La Warr Pavilion, Bexhill-on-Sea, commissioned by Film and Video Umbrella and the De La Warr Pavilion and recently completed Love Brid, a short film for Animate Projects.
Susan Collins is currently Director of the Slade School of Fine Art, University College London, where she established the Slade Centre for Electronic Media in Fine Art (SCEMFA) in 1995.
References
- ^ "Conversation with Susan Collins". Magazine électronique du CIAC. 2006. Retrieved 2006-01-05.
External links
- Official website
- Slade Centre for Electronic Media
- Slade School of Fine Art
- Tate in Space
- In Conversation
- Love Brid
- Sarah Wigglesworth Architects
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