Jump to content

Music of My Mind: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
No edit summary
Line 40: Line 40:
'''''Music of My Mind''''' is a landmark album by [[Stevie Wonder]], released on March 3, 1972 when Wonder was only 21 years old (see [[1972 in music]]). Many observers count this album as the beginning of Wonder's "classic period", though others look to the previous one or the following one.<ref>Some observers count six classic albums, some count five, and others count four.<br />{{cite book |last1=Bogdanov |first1=Vladimir |last2=Woodstra |first2=Chris |last3=Erlewine |first3=Stephen Thomas |title=All music guide: the definitive guide to popular music |url=http://books.google.com/books?id=xR7MdpuSlAEC&pg=PT420 |edition=4 |year=2001 |publisher=Hal Leonard Corporation |isbn=0-87930-627-0 |pages=447–448}}<br />{{cite book |last=Cramer |first=Alfred William |title=Musicians and composers of the 20th century |volume=5|year=2009 |publisher=Salem Press |isbn=1-58765-517-9 |pages=1645}}<br />{{cite book |last=Brown |first=Jeremy K. |title=Stevie Wonder: Musician |series=Black Americans of Achievement |year=2010 |publisher=Infobase Publishing |isbn=1-60413-685-5 |page=57}}</ref> It is his fourteenth studio release. ''Music of My Mind'' showcases [[Stevie Wonder|Wonder]]'s earlier experiments with the [[synthesizer]], and is a more assured recording than ''[[Where I'm Coming From]]'' (his first effort while holding the majority of artistic control). Also on display were his increasing musical ambitions, with him leveraging different genres of music and utilizing longer song forms. Stevie used synthesizers for many musical parts on this album.<ref>{{cite web|last=Hogan |first=Ed |url={{Allmusic|class=song|id=t3491462|pure_url=yes}} |title=Hogan, Ed at |publisher=Allmusic.com |date= |accessdate=2009-08-21}}</ref> He also played drums as he frequently does on all of his albums.
'''''Music of My Mind''''' is a landmark album by [[Stevie Wonder]], released on March 3, 1972 when Wonder was only 21 years old (see [[1972 in music]]). Many observers count this album as the beginning of Wonder's "classic period", though others look to the previous one or the following one.<ref>Some observers count six classic albums, some count five, and others count four.<br />{{cite book |last1=Bogdanov |first1=Vladimir |last2=Woodstra |first2=Chris |last3=Erlewine |first3=Stephen Thomas |title=All music guide: the definitive guide to popular music |url=http://books.google.com/books?id=xR7MdpuSlAEC&pg=PT420 |edition=4 |year=2001 |publisher=Hal Leonard Corporation |isbn=0-87930-627-0 |pages=447–448}}<br />{{cite book |last=Cramer |first=Alfred William |title=Musicians and composers of the 20th century |volume=5|year=2009 |publisher=Salem Press |isbn=1-58765-517-9 |pages=1645}}<br />{{cite book |last=Brown |first=Jeremy K. |title=Stevie Wonder: Musician |series=Black Americans of Achievement |year=2010 |publisher=Infobase Publishing |isbn=1-60413-685-5 |page=57}}</ref> It is his fourteenth studio release. ''Music of My Mind'' showcases [[Stevie Wonder|Wonder]]'s earlier experiments with the [[synthesizer]], and is a more assured recording than ''[[Where I'm Coming From]]'' (his first effort while holding the majority of artistic control). Also on display were his increasing musical ambitions, with him leveraging different genres of music and utilizing longer song forms. Stevie used synthesizers for many musical parts on this album.<ref>{{cite web|last=Hogan |first=Ed |url={{Allmusic|class=song|id=t3491462|pure_url=yes}} |title=Hogan, Ed at |publisher=Allmusic.com |date= |accessdate=2009-08-21}}</ref> He also played drums as he frequently does on all of his albums.


Wonder played all of the Instruments on this album except Trombone by Art Baron and Guitar by Buzzy Feiton.
Wonder played all of the instruments on this album except trombone by Art Baron and guitar by Buzzy Feiton.


The texture of the album was different from anything he had released on the [[Motown]] label to that point. Standout tracks include "Superwoman (Where Were You When I Needed You)", "Happier Than The Morning Sun" and "I Love Every Little Thing About You". This is one of the earliest works in black music to include the use of synthesizers{{Citation needed|date=May 2010}}, and was the first of a set of collaborations between Stevie and his co-producers Robert Margouleff and Malcolm Cecil.
The texture of the album was different from anything he had released on the [[Motown]] label to that point. Standout tracks include "Superwoman (Where Were You When I Needed You)", "Happier Than The Morning Sun" and "I Love Every Little Thing About You". This is one of the earliest works in black music to include the use of synthesizers{{Citation needed|date=May 2010}}, and was the first of a set of collaborations between Stevie and his co-producers Robert Margouleff and Malcolm Cecil.

Revision as of 17:44, 18 September 2012

Untitled
Professional ratings
Review scores
SourceRating
Allmusic[1]
Robert ChristgauB+[2]
Q[3]
Rhapsody(favorable)[4]
Rolling Stone(favorable)[5]
Rolling Stone[6]
Sounds(favorable)[7]
Sputnikmusic[8]
Virgin Encyclopedia[9]
Yahoo! Music(favorable)[10]

Music of My Mind is a landmark album by Stevie Wonder, released on March 3, 1972 when Wonder was only 21 years old (see 1972 in music). Many observers count this album as the beginning of Wonder's "classic period", though others look to the previous one or the following one.[11] It is his fourteenth studio release. Music of My Mind showcases Wonder's earlier experiments with the synthesizer, and is a more assured recording than Where I'm Coming From (his first effort while holding the majority of artistic control). Also on display were his increasing musical ambitions, with him leveraging different genres of music and utilizing longer song forms. Stevie used synthesizers for many musical parts on this album.[12] He also played drums as he frequently does on all of his albums.

Wonder played all of the instruments on this album except trombone by Art Baron and guitar by Buzzy Feiton.

The texture of the album was different from anything he had released on the Motown label to that point. Standout tracks include "Superwoman (Where Were You When I Needed You)", "Happier Than The Morning Sun" and "I Love Every Little Thing About You". This is one of the earliest works in black music to include the use of synthesizers[citation needed], and was the first of a set of collaborations between Stevie and his co-producers Robert Margouleff and Malcolm Cecil.

In 2003, the album was ranked number 284 on Rolling Stone magazine's list of the 500 greatest albums of all time. Its enduring influence was confirmed with its UK re-release on September 22, 2008 to coincide with Wonder's autumn 2008 European tour.[13]

Motown remastered this album in 2000.

Track listing

All songs written by Stevie Wonder except where indicated.

No.TitleWriter(s)Length
1."Love Having You Around"Stevie Wonder, Syreeta Wright7:24
2."Superwoman (Where Were You When I Needed You)"Wonder8:08
3."I Love Every Little Thing About You"Wonder3:56
4."Sweet Little Girl"Wonder4:59
5."Happier Than the Morning Sun"Wonder5:18
6."Girl Blue"Wonder, Yvonne Wright3:36
7."Seems So Long"Wonder4:22
8."Keep on Running"Wonder6:40
9."Evil"Wonder, Yvonne Wright3:34
Total length:47:53

Side One

  1. "Love Having You Around" (Wonder, Syreeta Wright) – 7:21
    • Stevie Wonder – lead vocal, background vocal, Fender Rhodes, talk box, drums, Moog bass
    • Art Baron – trombone
    • Background Singers – uncredited
  2. "Superwoman (Where Were You When I Needed You)" – 8:04
    • Stevie Wonder – lead vocal, background vocal, Fender Rhodes, drums, Moog bass, T.O.N.T.O. synthesizer
    • Buzz Feiten – electric guitar
  3. "I Love Every Little Thing About You" – 3:46
    • Stevie Wonder – lead vocal, background vocal, Fender Rhodes, drums, bongos, Moog bass
  4. "Sweet Little Girl" – 4:54
    • Stevie Wonder – lead vocal, background vocal, keyboard, piano, harmonica, drums, Moog bass

Side Two

  1. "Happier Than the Morning Sun" – 5:18
    • Stevie Wonder – lead vocal, background vocal, Hohner clavinet, Moog bass
  2. "Girl Blue" (Wonder, Yvonne Wright) – 3:36
    • Stevie Wonder – lead vocal, Hohner clavinet, drums, talk box, harmonica, Moog bass, T.O.N.T.O. synthesizer, percussion
  3. "Seems So Long" – 4:22
    • Stevie Wonder – lead vocal, keyboards, drums, Moog bass, T.O.N.T.O. synthesizer
  4. "Keep On Running" – 6:40
    • Stevie Wonder – lead vocal, background vocal, piano, Hohner clavinet, handclaps, drums, Moog bass
    • Background Singers – uncredited
  5. "Evil" (Wonder, Y. Wright) – 3:33
    • Stevie Wonder – lead vocal, piano, drums, Moog bass, T.O.N.T.O. synthesizer
    • Choir – uncredited

Cover versions

Charting singles

  • 1972: "Keep On Running" (Black Singles) – No. 36
  • 1972: "Keep On Running" (Pop Singles) – No. 90
  • 1972: "Superwoman (Where Were You When I Needed You)" (Black Singles) – No. 13
  • 1972: "Superwoman (Where Were You When I Needed You)" (Pop Singles) – No. 33

Album charts

  • 1972: Black Albums Chart – No. 6
  • 1972: Pop Albums Chart – No. 21

Chart information by Billboard ©VNU eMedia

References

  1. ^ Allmusic review
  2. ^ Robert Christgau review
  3. ^ Q review
  4. ^ Rhapsody review
  5. ^ Rolling Stone review
  6. ^ Rolling Stone review
  7. ^ Sounds review
  8. ^ Sputnikmusic review
  9. ^ Virgin Encyclopedia review
  10. ^ Yahoo! Music review
  11. ^ Some observers count six classic albums, some count five, and others count four.
    Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2001). All music guide: the definitive guide to popular music (4 ed.). Hal Leonard Corporation. pp. 447–448. ISBN 0-87930-627-0.
    Cramer, Alfred William (2009). Musicians and composers of the 20th century. Vol. 5. Salem Press. p. 1645. ISBN 1-58765-517-9.
    Brown, Jeremy K. (2010). Stevie Wonder: Musician. Black Americans of Achievement. Infobase Publishing. p. 57. ISBN 1-60413-685-5.
  12. ^ Hogan, Ed. "Hogan, Ed at". Allmusic.com. Retrieved 2009-08-21.
  13. ^ Stevie Wonder interview by Pete Lewis, 'Blues & Soul' March 1995