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'''Andrew Berardini''' (born 1982) is an [[United States|American]] writer known for his work as a visual [[art critic]] working in Los Angeles. |
'''Andrew Berardini''' (born 1982) is an [[United States|American]] writer known for his work as a visual [[art critic]] working in Los Angeles. |
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He has published articles and essays in publications such as frieze, Mousse, Fillip, [[Artforum]], [[ArtReview]], X-TRA, Artnet, [[La Stampa]], Paper Monument, Angeleno, Art in America, Public Fiction, Style and the Family Tunes (Berlin), Rolling Stone (Italy), Art Lies, ArtUS, LA Citybeat, LA Weekly, Artweek, Modern Painters, and Afterall.<ref>http://writing.calarts.edu/index.php?id=93</ref> A graduate with an [[Master of Fine Arts|MFA]] from the School of Critical Studies at [[California Institute of the Arts]], Berardini has lectured on Art History and Cultural Production at the [[Southern California Institute of Architecture]] (SCI-Arc),<ref>http://www.mammutmagazine.org/download/mammut_issue1_v14_screen.pdf</ref> |
He has published articles and essays in publications such as frieze, Mousse, Fillip, [[Artforum]], [[ArtReview]], X-TRA, Artnet, [[La Stampa]], Paper Monument, Angeleno, Art in America, Public Fiction, Style and the Family Tunes (Berlin), Rolling Stone (Italy), Art Lies, ArtUS, LA Citybeat, LA Weekly, Artweek, Modern Painters, and Afterall.<ref>http://writing.calarts.edu/index.php?id=93</ref> A graduate with an [[Master of Fine Arts|MFA]] from the School of Critical Studies at [[California Institute of the Arts]], Berardini has lectured on Art History and Cultural Production at the [[Southern California Institute of Architecture]] (SCI-Arc),<ref>http://www.mammutmagazine.org/download/mammut_issue1_v14_screen.pdf</ref> and has been on staff at the Mountain School of Arts since 2008, in addition to guest lecturing widely. He previously held the position of Assistant Editor of [[Semiotext(e)]] Press.<ref>www.saatchi-gallery.co.uk/.../news_lauri_firstenberg_is_name.php</ref> Berardini recently held adjunct curatorial positions at the Armory Center for the Arts in Pasadena and LAXART in Los Angeles, and is currently Los Angeles Editor for Mousse and Senior Editor for Artslant.<ref>antonkerngallery.com/bios/21.pdf</ref><ref>www.museumsla.org/meventmore.asp?key=23448</ref><ref>http://www.artslant.com/global/articles/show/9036</ref> |
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==Selected Books== |
==Selected Books== |
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Revision as of 07:30, 18 October 2012
Andrew Berardini | |
|---|---|
| Born | Andrew Berardini August 21, 1982 |
| Nationality | American |
Andrew Berardini (born 1982) is an American writer known for his work as a visual art critic working in Los Angeles.
He has published articles and essays in publications such as frieze, Mousse, Fillip, Artforum, ArtReview, X-TRA, Artnet, La Stampa, Paper Monument, Angeleno, Art in America, Public Fiction, Style and the Family Tunes (Berlin), Rolling Stone (Italy), Art Lies, ArtUS, LA Citybeat, LA Weekly, Artweek, Modern Painters, and Afterall.[1] A graduate with an MFA from the School of Critical Studies at California Institute of the Arts, Berardini has lectured on Art History and Cultural Production at the Southern California Institute of Architecture (SCI-Arc),[2] and has been on staff at the Mountain School of Arts since 2008, in addition to guest lecturing widely. He previously held the position of Assistant Editor of Semiotext(e) Press.[3] Berardini recently held adjunct curatorial positions at the Armory Center for the Arts in Pasadena and LAXART in Los Angeles, and is currently Los Angeles Editor for Mousse and Senior Editor for Artslant.[4][5][6]
Selected Books
- Richard Jackson, The Rennie Collection, 2010.
- Get In, with Brian Kennon, 2nd Cannons, 2011.
Selected Book Contributions
- Whitney Biennial 2012., Whitney Museum, 2012.
- Sarah Cain, LAND, 2012.
- Singapore Biennial 2011: Open House, Singapore Art Museum, 2011.
- Bas Jan Ader: Suspended Between Laughter and Tears, Pitzer Art Galleries/Claremont Museum of Art, 2010.
- 5 Years: The Mountain School of Art. MSA, 2010.
- Desert Interviews, Or How To Jump Off the Roof and Not Hit the Ground: Piero Golia. JRP/Ringier & Jumex Foundation and Collection, 2010.
- Rotterdam Dialogues: The Critics, The Curators, The Artists. Witte de With Center for Contemproary Art, 2010.
- Yoshua Okon: US, Museo Carillo Gil, Yerba Buena Center for the Arts, 2010.
- All Time Greatest. Fellows of Contemporary Art, 2010.
- I like your work: Etiquette and Art, Paper Monument, 2010.
- Bruce Nauman: Untitled (leave the Land Alone) 1969/2009, Armory Center for the Arts, 2009.
- Hipnostasis: Raymond Pettibon and Yoshua Okon, Armory Center for the Arts, 2009.
- LA Potential, Basis-Wien, Vienna, Austria, 2009.
- 2008 California Biennial. Orange County Museum of Art, 2008.
Translations and Editorial
- Bruce Nauman: Untitled (leave the Land Alone) 1969/2009, Armory Center for the Arts, 2009.
- Hipnostasis: Raymond Pettibon and Yoshua Okon, Armory Center for the Arts, 2009.
- Jean Baudrillard, In the Shadow of the Silent Majority, translated by Paul Foss, John Johnston, Paul Patton, and Andrew Berardini (Los Angeles, CA: Semiotext, 2007.
- David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East SideEdited by Sylvère Lotringer, Giancarlo Ambrosino, Chris Kraus, Hedi El Kholti, Justin Cavin. Research Editor: Andrew Berardini. 2006.
References
- ^ http://writing.calarts.edu/index.php?id=93
- ^ http://www.mammutmagazine.org/download/mammut_issue1_v14_screen.pdf
- ^ www.saatchi-gallery.co.uk/.../news_lauri_firstenberg_is_name.php
- ^ antonkerngallery.com/bios/21.pdf
- ^ www.museumsla.org/meventmore.asp?key=23448
- ^ http://www.artslant.com/global/articles/show/9036