Il Nuovissimo Mondo: Difference between revisions
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| Cover = Il Nuovissimo Mondo.jpg |
| Cover = Il Nuovissimo Mondo.jpg |
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| Released = [[2010]] |
| Released = [[2010]] |
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| Genre = [[Noise]], [[Industrial]], [[Avantgarde]], [[Electronic music|Electronic]], [[Grindcore]] |
| Genre = [[Noise]], [[Industrial music|Industrial]], [[Avantgarde]], [[Electronic music|Electronic]], [[Grindcore]] |
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|| Label = [[Bar La Muerte]] |
|| Label = [[Bar La Muerte]] |
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| Last album = [[Bologna Violenta (album)|Bologna Violenta]] <br /> ([[2006]]) |
| Last album = [[Bologna Violenta (album)|Bologna Violenta]] <br /> ([[2006]]) |
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The album is inspired by the "mondo-movies" such as the [[cult]]-[[documentary]] of the [[60's]] [[Mondo cane|Mondo Cane]] by [[Paolo Cavara]], and is full of quotations (expressed through the dialogue) that refer to the cynical atmosphere of these "mondo-movies," while there are also parts (''Blue Song''), which makes reference to melody. |
The album is inspired by the "mondo-movies" such as the [[cult]]-[[documentary]] of the [[60's]] [[Mondo cane|Mondo Cane]] by [[Paolo Cavara]], and is full of quotations (expressed through the dialogue) that refer to the cynical atmosphere of these "mondo-movies," while there are also parts (''Blue Song''), which makes reference to melody. |
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There are no real [[songs]], but short compositions alternating moments with heavy distorted [[guitar]] riffs and spoken parts which tells the [[cynicism]] and [[violence]] of modern man: the massacres of children, violence against women, politicians abuses, while remaining far from political or religious ideologies. |
There are no real [[songs]], but short compositions alternating moments with heavy distorted [[guitar]] riffs and spoken parts which tells the [[cynicism (contemporary)|cynicism]] and [[violence]] of modern man: the massacres of children, violence against women, politicians abuses, while remaining far from political or religious ideologies. |
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After the release of '''Il Nuovissimo Mondo''', [[Bologna Violenta]] aside for a two-year tour which counted one hundred and thirty dates not only in [[Italy]] but also abroad.<ref>[http://idastamile.wordpress.com/tag/il-nuovissimo-mondo/]</ref><ref>[http://www.roarmagazine.it/notizie/interviste/domande/631-intervista-nicola-manzan-bologna-violenta.html]</ref><ref>[http://www.ondarock.it/recensioni/2010_bolognaviolenta.htm]</ref> |
After the release of '''Il Nuovissimo Mondo''', [[Bologna Violenta]] aside for a two-year tour which counted one hundred and thirty dates not only in [[Italy]] but also abroad.<ref>[http://idastamile.wordpress.com/tag/il-nuovissimo-mondo/]</ref><ref>[http://www.roarmagazine.it/notizie/interviste/domande/631-intervista-nicola-manzan-bologna-violenta.html]</ref><ref>[http://www.ondarock.it/recensioni/2010_bolognaviolenta.htm]</ref> |
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The [[cover art]] shows a [[typical]] [[Italian]] version of [[obituary]], in which is depicted [[Nicola Manzan]] himself. |
The [[cover art]] shows a [[typical]] [[Italy|Italian]] version of [[obituary]], in which is depicted [[Nicola Manzan]] himself. |
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==Tracklist== |
==Tracklist== |
Revision as of 21:36, 1 December 2012
Untitled | |
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Il Nuovissimo Mondo (rough translation: The brand new world) is the second studio album by the Italian one man band Bologna Violenta of Nicola Manzan, released in 2010 by Bar La Muerte Records.[1][2]
The album is inspired by the "mondo-movies" such as the cult-documentary of the 60's Mondo Cane by Paolo Cavara, and is full of quotations (expressed through the dialogue) that refer to the cynical atmosphere of these "mondo-movies," while there are also parts (Blue Song), which makes reference to melody.
There are no real songs, but short compositions alternating moments with heavy distorted guitar riffs and spoken parts which tells the cynicism and violence of modern man: the massacres of children, violence against women, politicians abuses, while remaining far from political or religious ideologies.
After the release of Il Nuovissimo Mondo, Bologna Violenta aside for a two-year tour which counted one hundred and thirty dates not only in Italy but also abroad.[3][4][5]
The cover art shows a typical Italian version of obituary, in which is depicted Nicola Manzan himself.
Tracklist
- Il nuovissimo mondo - 1:27
- Morte - 0:25
- Trapianti giapponesi - 2:12
- Danze cecene - 1:05
- El Grindo - 0:46
- Un virus terrificante - 0:33
- Le regine delle riviste porno - 0:29
- Il sommo fallo - 0:44
- Maledetta del demonio - 0:43
- Chirurgia sociale - 0:56
- Nudo e crudele - 1:33
- Blue Song - 2:32
- La donna nel mondo - 1:22
- Mondo militia - 1:35
- Il trionfo della morte - 1:21
- La mattanza - 0:53
- Il declino della musica contemporanea - 0:49
- Un Paese pietoso - 0:40
- Stronzi - 0:26
- Una buona cosa - 0:51
- Sono diventati tutti mostri - 0:58
- Pistola e dare ordini - 1:22
- L’uomo: ultimo atto? - 1:17