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'''Noah Eli Gordon''' (born 1975 in [[Cleveland]], [[Ohio]]) is an American [[poet]]. Gordon was educated at the [[University of Massachusetts Amherst]]. He currently teaches at the [[University of Colorado at Boulder]]. His work has appeared in numerous national and international journals and magazines.
'''Noah Eli Gordon''' (born 1975 in [[Cleveland]], [[Ohio]]) is an American [[poet]]. Gordon was educated at the [[University of Massachusetts Amherst]]. He currently teaches at the [[University of Colorado at Boulder]]. His work has appeared in numerous national and international journals and magazines.


==Awards==
His books include: The Frequencies (2003); The Area of Sound Called the Subtone (2004), which was selected by [[Claudia Rankine]] for the Sawtooth Poetry Prize; a conceptual memoir, Inbox (2006); A Fiddle Pulled from the Throat of a Sparrow (2007); Figures for a Darkroom Voice (2007), a collaboration with Joshua Marie Wilkinson; Novel Pictorial Noise (2007), which was selected by John Ashbery for the National Poetry Series and subsequently chosen for the San Francisco State Poetry Center Book Award; and The Source (2011).
*San Francisco State Poetry Center 2007 Book Award for Novel Pictorial Noise, 2009
*National Poetry Series Open Competition winner (selection by John Ashbery) for Novel Pictorial Noise, 2006
*Green Rose Prize for A Fiddle Pulled from the Throat of a Sparrow, 2006
*Greg Gummer Poetry Award, selected by Robert Creeley, 2005
*Sawtooth Poetry Prize for The Area of Sound Called the Subtone, 2004
*Glosband Fellowship, selected by David Shapiro, 2004
*Jarrell Poetry Prize, selected by Carolyn Forché, 2000


==External links==
Influenced early on by Wallace Stevens and Edmond Jabès, and later by Clark Coolidge and Michael Palmer, Gordon’s poetry represents a fusion of many strains of experimental practices. “A lot of my work… deals with stretching expected rhetorical tropes,” notes Gordon. “I like to twist and expand the arc of the sentence. Ideally, there's an affinity here to the Surrealist impulse to expand the possible.i” Critic Stephen Burt compared Gordon’s poetry to “non-naturalistic theater, abstract drawing, [and] German visionary writing.ii” Often syntactically complex, while still driven by an underlining musicality, his prose poetry has been described as playing “freely in the realm between theory and lyric.iii” From book to book, Gordon has continually shifted gears, melding the influences of Dada and Language Poetry’s sometimes non-referential mode with that of New York School humor and the Objectivists’ attention to sound.
*[http://umassmag.com/2008/Summer_2008/features/masterful.html#noah Gagnon on Gordon]

*[http://www.unco.edu/colopoets/poets/gordon_noah/index.html Colorado Poets Center] site includes biographical material and poems

*[http://www.colorado.edu/English/faculty/facpages/gordon.shtml Faculty page at CU-Boulder] site includes links
i Wilkinson, Joshua Marie, “Reconsidering the World: an interview with Noah Eli Gordon,” Rain Taxi, Online Edition (Spring 2007). ii Burt, Stephen, “A Review of A Fiddle Pulled from the Throat of a Sparrow,” The Believer, vol. 5, no. 9 (November/December 2007): ?. iii http://www.publishersweekly.com/978-0-06125-703-2


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Revision as of 00:33, 23 January 2013

Noah Eli Gordon (born 1975 in Cleveland, Ohio) is an American poet. Gordon was educated at the University of Massachusetts Amherst. He currently teaches at the University of Colorado at Boulder. His work has appeared in numerous national and international journals and magazines.

Awards

  • San Francisco State Poetry Center 2007 Book Award for Novel Pictorial Noise, 2009
  • National Poetry Series Open Competition winner (selection by John Ashbery) for Novel Pictorial Noise, 2006
  • Green Rose Prize for A Fiddle Pulled from the Throat of a Sparrow, 2006
  • Greg Gummer Poetry Award, selected by Robert Creeley, 2005
  • Sawtooth Poetry Prize for The Area of Sound Called the Subtone, 2004
  • Glosband Fellowship, selected by David Shapiro, 2004
  • Jarrell Poetry Prize, selected by Carolyn Forché, 2000

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