C. C. van Asch van Wijck

C.C. van Asch van Wijck
Born	17 October 1900 Arnhem, Netherlands
Died	18 September 1932 (1932-09-19) (aged 31) Kasteel Soelen, Zoelen, Netherlands
Nationality	Dutch
Known for	Sculpture
Movement	Art Deco

Jonkvrouwe (Lady) Cornélie Caroline "Cox" van Asch van Wijck (Arnhem 17 October 1900 - Zoelen 18 September 1932) was a Dutch artist, model and sculptor.

Works

C.C. van Asch van Wijck became an active member of The 1920s Hague (Den Haag) artist community both as a model and as a sculptor. Cox modeled for the artists of her day such as the French painter and pastelist fr, the sculptor and her Professor nl, and nl.

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  Pastel of C.C. van Asch van Wijck by Gustave Brisgand
• Bust of C.C. van Asch van Wijck by Toon Dupuis
  Bust of C.C. van Asch van Wijck by Toon Dupuis
• Oil of C.C. van Asch van Wijck (detail) by Piet van der Hem
  Oil of C.C. van Asch van Wijck (detail) by Piet van der Hem

As a sculptor, C.C. van Ash van Wijk's most widely known work is connected with the Glassworks at Leerdam (Leerdam Glasfabriek). In 1929 she proposed her sculpture of a Woman's Mask to Petrus Marinus Cochius director of the Glassworks. The design was approved and went into production. It came in two versions; clear and frosted, some of the glass masks were completed with a wooden base.

It was groundbreaking for the Glassworks, they were adding pure art to their line of functional items, in addition to C. C. van Asch van Wijck, the Glassworks had engaged Lucienne Bloch - later well known for her Murals - who created her glass animals (a lioness, a duck etc.). Her work inspired by earlier Glassworks contributor Steph Uiterwaal's Madonna with Child(1928). There was a bit of a buzz in the Dutch art world over creating and in glass and with industrial means.

C. C. van Asch van Wijck's mask was part of an exposition in "de Olde Munte" in Arnhem and was well received in de Arnhemsche Courant. In 1930 it won a gold medal at the Wereldtentoonstelling voor Kolonien, Zeevaart en Vlaamse Kunst in Antwerpen (Belgium) (World Fair for Colonies, Navigation, and Flemish Art).

C.C. van Ash van Wijk pursued her forray in combining art and industry by partnering with Koninklijk Goedewaagen of Gouda Holland, a manufacturer of earthenware in operation since 1610. She created a flying maiden, "Anunciata", standing in a large round tassa in satinated cream. She signed it with her new monogram adding to her initials the V S of Völcker van Soelen.

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  C.C. van Asch van Wijck Tool Box
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  The or a maquette of the Wrouwenmasker dated 1929, height 20 cm
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  Mask of a woman (clear) by C. C. Asch van Wijck 1929, Marked with monogram, base is not signed, height is 25.5 cm with pedestal 38.5 cm
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  Mask of a woman (frosted) by C. C. Asch van Wijck 1929
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  Bill of Insurance on shipment from Glasfabriek Leerdam to Java, Dutch Indies
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  Ex Libris with "modernized" family crest and motto: Ore et Corde Idem (Same of speech and heart) of C.C. van Asch van Wijck in all likelihood by C.C. van Asch van Wijck. Plus two renditions of her signing monograms as found on the Vrouwemasker (top) and on the "Flying Maiden" (bottom).

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  Madonna with child by C.C. van Asch van Wijck 16 cm
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  Madonna au Sourire by C.C. van Asch van Wijck, wood sculpture 57 cm
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  Madonna au Sourire (detail) by C.C. van Asch van Wijck, wood sculpture
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  Earthenware "Anunciata" (detail) by C.C. Völcker van Soelen van Asch van Wijck manufactured by Koninklijk Goedewaagen, Gouda Holland, 1931.
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  Earthenware "Anunciata" by C.C. Völcker van Soelen van Asch van Wijck manufactured by Koninklijk Goedewaagen, Gouda Holland, 1931.

Life

Cornélie Caroline "Cox" van Asch van Wijck was the daughter of Jonkheer (Lord) nl:Hubert Willem van Asch van Wijck (Assen August 30, 1867 – Alexandria (Egypt) November 3, 1935) and Gravin (Countess) "Wim" Wilhelmina Philippina van Limburg Stirum. (Arnhem December 18, 1873 – Assen February 3, 1941).

In 1895, her father obtained his law degree, started his professional career as attorney in Arnhem (Netherlands) and married "Wim" the Countess van Limburg Stirum. Three years later Hubert W. van Asch van Wijck was elected to the Provincial parliament of Gelderland (1898–1910) under the label of the Christian Conservative movement the "Antirevolutionair" and like his father, grandfather and uncles before him, he was also elected to the House of Representatives of the Netherlands (Tweede Kamer der Staten-Generaal) for the Amersfoort District (1901–1913). In 1913, an electoral defeat caused him to accept the office of Judge in Suriname's highest court (Raadsheer Hof van Justitie van Suriname) once there he would also serve as President of the Colonial Parliament of Suriname (Voorzitter Koloniale Staten van Suriname). In 1921 Hubert Willem van Asch van Wijck was appointed Judge in the Mixed Courts in Alexandria, Egypt (1921–1935) (gemengde rechtbanken, tribunaux mixte).

Cox was the fourth of five children (Coxy to her family and friends): Constance "Conny", Maurits "Maus", Cecilius "Cecil", Cornélie "Cox" and Wilhelmina Adolphina "Dolph". Coxy was named for her Aunt the Christian evangelist, Countess Cornelia van Limburg Stirum, founder of the Christian School for Girls in Arnhem (Christelijke Meisjesschool) later renamed the Limburg Stirumschool. In early 1914, the whole family boarded the S.S. Oranje Nassau bound for Panamaribo, Suriname. In 1917 it was time for the older of the van Asch van Wijck children to pursue their studies however Submarine warfare had made it too dangerous to send the children back to the Netherlands. Their parents were friends with Henry Albert van Coenen Torchiana—the Dutch Consul General in San Francisco from 1913 to 1939—and Hubert knew the city from his participation in the 1915 Panama–Pacific International Exposition. Therefore Cox and her two brothers Maus and Cecil were sent to San Francisco for their studies.

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  Cox C.C. van Asch van Wijck, Maus Maurits Johanes van Asch van Wijck, Grand Father Constantijn Willem van Limburg Stirum (17 Mar 1837 - 30 Aug 1905), Cecil Cecilius Johanes van Asch van Wijck, Conny Constance Wilhelmina van Asch van Wijck
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  Wedding day Gorssel, 7 Aug 1930
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  Cox with her husband Henri Hendrik Gerard Johan Völcker van Soelen, her Father in Law Eduard Constant Karel Völcker, and Ms ?
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  Gatehouse of Kasteel Soelen where C.C. van Asch van Wijck had her atelier 1930-1932
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  C. C. van Asch van Wijck funeral, clipping from the Tielse Courant, September 22, 1932.

Cox attended the Anna Head School for Girls at 2538 Channing Way in Berkeley, California, she boarded with the headmistress of the school, Mary Elizabeth Wilson (b.1870 Helena, Montana), on Eton Avenue. Coxy was the Art Editor of the yearbook and had the ambition to become an Artist. In 1925 Cox created a bas-relief for her former hostess which was delivered to Miss Wilson by Cox's Mom when she journeyed to America. On February 2, 1919 Miss Cornelia van Asch van Wyck appears with Dutch Consul van Coenen Torchiana in the San Francisco Chronicle, Society Section. The occasion is a reception for Dutch Naval Officers.

Later that year Cox returned to the Netherlands in company of her father. In 1921 Cox was in England where she nearly got engaged to her cousin Graaf (Count) Constantijn Willem Limburg Stirum (1900–1976) before the family interveened. Back in the Netherlands Cox pursued her schooling in the arts with the sculptor Toon Dupuis, the docent at the Royal Academy of Fine Arts in the Hague (Koninklijke Academie van Beeldende Kunsten).

On August 7, 1930 Cox married Hendrik Gerard Johan "Henri" Völcker, Heer van Soelen en den Aldenhaag (Zutphen 16 October 1891, Utrecht 18 December 1955), Henri was the Lord Protector (heer beschermer) of the village of Zoelen a rural community in the Betuwe only accessible by river ferries. Neither the remoteness of her new home nor her married status stopped Cox from making regular trips to The Hague, to the beach at Scheveningen, to Leerdam, to Gouda etc. either with Henri or by herself. At Soelen she set up her atelier in the Gatehouse.

On 18 September 1932 C.C. van Asch van Wijck gave birth to a son, Johan Adolph "Dolph" Völcker, Heer van Soelen en den Aldenhaag, Oud and Niew Hinklenoord whom she named for her youngest sister. She did not survive the birth. She was laid to rest in the Church cemetery of the Reformed Church (Hervormde kerk) of Zoelen in presence of the whole village and all its notables, as well as many friends and relatives, two carriages were needed for the wreaths alone. After the benediction "The Lord Völcker van Soelen thanked all present for the extraordinary large turnout and, turning to the grave, he said the words: 'Farewell, darling treasure, who was my everything'". ("De Heer Völcker van Soelen dankte al de aanwezigen voor de buitengewoon groote belangstelling en richtte zich tot het graf met de woorden: Vaarwel, dierbare schat, die alles voor mij was."