User:Almost-instinct/sandbox: Difference between revisions
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The opera was commissioned as part of Scottish Opera's xxx season.<ref>season ref</ref> The plot follows the fall-out after landlord Alisdair discovers that Sam, a thief he has apprehended in his pub, was in the same army platoon as he: they had "colluded in a traumatising atrocity"<ref>[http://www.thestage.co.uk/reviews/review.php/37214/in-the-locked-room-ghost-patrol-scottish Review in ''The Stage'']</ref><ref>[http://www.telegraph.co.uk/culture/theatre/edinburgh-festival-reviews/9512767/Edinburgh-Festival-2012-Locked-Room-Ghost-Patrol-Traverse-Theatre-review.html Review in the Daily Telegraph]</ref> |
The opera was commissioned as part of Scottish Opera's xxx season.<ref>season ref</ref> The plot follows the fall-out after landlord Alisdair discovers that Sam, a thief he has apprehended in his pub, was in the same army platoon as he: they had "colluded in a traumatising atrocity"<ref>[http://www.thestage.co.uk/reviews/review.php/37214/in-the-locked-room-ghost-patrol-scottish Review in ''The Stage'']</ref><ref>[http://www.telegraph.co.uk/culture/theatre/edinburgh-festival-reviews/9512767/Edinburgh-Festival-2012-Locked-Room-Ghost-Patrol-Traverse-Theatre-review.html Review in the Daily Telegraph]</ref> |
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==Performance history== |
==Performance history and reception== |
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''Ghost Patrol'' was premiered at the [[Edinburgh International Festival]]. It then transferred to Glasgow, before touring throughout in England and Wales in the autumn on 2012, including three performances at the [[Linbury Studio Theatre]] at the [[Royal Opera House]] in London. In March 2013 the production won the 2013 South Bank Show Sky Arts Award for Opera.<ref>[http://www.musictheatrewales.org.uk/Press-releases/ghost-patrol-wins-south-bank-sky-arts-award.html Music Theatre Wales "''Ghost Patrol'' wins South Bank Sky Arts Award"]</ref> |
''Ghost Patrol'' was premiered at the [[Edinburgh International Festival]]. It then transferred to Glasgow, before touring throughout in England and Wales in the autumn on 2012, including three performances at the [[Linbury Studio Theatre]] at the [[Royal Opera House]] in London. Fiona Maddocks wrote that the opera employs "close-knit musical argument and a constantly simmering orchestral style, using electronics, pre-recorded chorus and inventive aural effects: violins in eerie, double-stopped harmonics, the double bass creating percussive menace by bouncing the wood of his bow. You can hear Birtwistle's influence in the high woodwind laments, but more as homage than imitation".<ref>[http://www.guardian.co.uk/music/2012/sep/02/locked-room-ghost-patrol-review Review in ''The Observer'']</ref> In March 2013 the production won the 2013 South Bank Show Sky Arts Award for Opera.<ref>[http://www.musictheatrewales.org.uk/Press-releases/ghost-patrol-wins-south-bank-sky-arts-award.html Music Theatre Wales "''Ghost Patrol'' wins South Bank Sky Arts Award"]</ref> |
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==Roles== |
==Roles== |
Revision as of 22:12, 13 March 2013
Ghost Patrol is a one-act chamber opera in composed by Stuart MacRae to an English-language libretto by Louise Welsh.
Background
Louise Welsh is a crime writer; Suart MacRae has been a BBC Scottish Symphony Orchestra's Composer in Association. In 2009 they collaborated on an opera called Remembrance 2009.[1] Ghost Patrol was co-commissioned by Scottish Opera and Music Theatre Wales. It's first performance was given on 30 August 2012 at the Traverse Theatre, Edinburgh, directed by Matthew Richardson and designed by Samal Blak. It has a running time of about 58 minutes and is scored for three singers accompanied by a small orchestra of 4 woodwind, 2 brass, percussion, harp and strings.[2][3]
The opera was commissioned as part of Scottish Opera's xxx season.[4] The plot follows the fall-out after landlord Alisdair discovers that Sam, a thief he has apprehended in his pub, was in the same army platoon as he: they had "colluded in a traumatising atrocity"[5][6]
Performance history and reception
Ghost Patrol was premiered at the Edinburgh International Festival. It then transferred to Glasgow, before touring throughout in England and Wales in the autumn on 2012, including three performances at the Linbury Studio Theatre at the Royal Opera House in London. Fiona Maddocks wrote that the opera employs "close-knit musical argument and a constantly simmering orchestral style, using electronics, pre-recorded chorus and inventive aural effects: violins in eerie, double-stopped harmonics, the double bass creating percussive menace by bouncing the wood of his bow. You can hear Birtwistle's influence in the high woodwind laments, but more as homage than imitation".[7] In March 2013 the production won the 2013 South Bank Show Sky Arts Award for Opera.[8]
Roles
Role | Voice type | Premiere cast, 30 August 2012[9] (Conductor: Michael Rafferty) |
---|---|---|
Sam, an ex-army sergeant | tenor | Nicholas Sharratt |
Alasdair, an ex-army captain and pub landlord | baritone | James McOran-Campbell |
Vicki, an aspiring singer | soprano | Jane Harrington |
References
- ^ Royal Opera House
- ^ Chester Novello. "Stuart MacRae: Ghost Patrol". Retrieved 13 March 2013.
- ^ FT review
- ^ season ref
- ^ Review in The Stage
- ^ Review in the Daily Telegraph
- ^ Review in The Observer
- ^ Music Theatre Wales "Ghost Patrol wins South Bank Sky Arts Award"
- ^ Cite error: The named reference
castref
was invoked but never defined (see the help page).
External links
Stanford Olsen is an American operatic tenor.
Between 1986 and 1997 he performed over 160 times at the Metropolitan Opera, specialising in light lyrics role such as Count Almaviva in The Barber of Seville.[1].
He was educated at the University of Utah and the University of Cincinnati College-Conservatory of Music. In 1986 he won the Metropolitan Opera National Council Auditions After retiring from full-time performance in the late 1990s he became a faculty member at the Florida State University's College of Music, where he is Professor of Voice and Lucille P. and Elbert B. Shelfer Eminent Scholar.[2] He continues to perform on the concert platform in addition to his teaching and coaching.
Career
A BFA graduate of Juilliard, she joined MOMIX in 1983 where she collaborated and performed with Moses Pendleton throughout the world for eight years. She choreographed and performed with Pilobolus, creating a number of pieces including "Television", "Return to Maria La Baja" and "Lands Edge" which remain in the repertoire, as well as with Marta Clarke including the "Garden of Earthly Delights", "Vienna: Lusthaus", "Wienna: Lusthaus Revisited", "Endangered Species" and "A Midsummer Night’s Dream."
Giobbi founded the Lisa Giobbi Movement Theatre when she was working on circus arts and dance with Circus Flora and working as a staff choreographer for the Big Apple Circus. Lisa Giobbi performed aerial work most notably at The Joyce Theatre in NY, La Scala in Milan, La Fenici in Venice as well as the Boston Dance Umbrella Aerial festivals, the Frequent Flyers Festival and the Santa Rosalia Festival in Palermo. She was a three-time guest artist in the Deutche Opera in Berlin.
Giobbi has created choreography for films including What Dreams May Come and Temptesta and for independent films, music videos, commercials, fashion shows (Victoria’s Secret 2000, 2001, and 2003 runway shoes), benefits, television specials, cabaret theatre, gala presentations and rock cocerts (2005 Amsterjam). Her Off-Broadway theatrical productions include David Rabe’s "Those the River Keep" and David Lynch’s "Industrial Symphony #1". Giobbi has been nominated for M.T.V. choreographer awards for videos such as Gloria Estefan and Tommy Lee’s "Hold Me Down", among others. Her work has been presented in Variety Teatre at the Wintergarten Variety in Berlin, the Apollo in Dusseldorf and the Friedrichbau in Stuttgart. She has toured excerpts from the “Falling Angels” show throughout Europe in collaboration with the British band the Tiger Lilies in "The Tiger Lilies Circus".
Roles performed at the Metropolitan Opera
Opera | Role | Performances | First performance | Last performance |
---|---|---|---|---|
I Puritani | Arturo | 6 | 1986 | 1997 |
Rigoletto | Borsa | 15 | 1986 | 1989 |
La Traviata | Gastone | 9 | 1987 | 1988 |
L'elisir d'amore | Nemorino | 14 | 1988 | 1996 |
Lucia di Lammermoor | Arturo | 17 | 1988 | 1989 |
Il tabarro | Song Seller | 4 | 1989 | 1989 |
Barber of Seville | Count Almaviva | 20 | 1989 | 1995 |
Die Entführung aus dem Serail | Belmonte | 5 | 1990 | 1991 |
Der Rosenkavalier | Italian Tenor | 20 | 1990 | 1995 |
Don Giovanni | Don Ottavio | 28 | 1990 | 1997 |
Semiramide | Idreno | 7 | 1990 | 1993 |
Falstaff | Fenton | 6 | 1992 | 1996 |
La Fille du Régiment | Tonio | 3 | 1994 | 1994 |
Die Fledermaus | Alfred | 5 | 1995 | 1995 |
References
Grant Doyle (born in Adelaide) is an Australian operatic baritone.
Biography
Doyle studied at the Royal College of Music and was then a member of the Young Artists Programme at the Royal Opera House,[1] where he played Tarquinius in The Rape of Lucretia in the Linbury Studio Theatre.[2]
With Opera North he has played Sasha in Paradise Moscow,[3] Albert in Werther[4] and Robin Oakapple/Sir Ruthven Murgatroyd in Ruddigore.[5]
With the State Opera of South Australia he has played Starbuck in Moby Dick,[6] Count Almaviva in The Marriage of Figaro[7] and Zurga in The Pearl Fishers.[8]
In 2012 he will play Figaro in English Touring Opera's Barber of Seville.[9]
References
Table
Nadal | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 |
---|---|---|---|---|---|---|---|---|
Australian Open | 4R | A | QF | SF | W | QF | QF | F |
French Open | W | W | W | W | 4R | W | W | W |
Wimbledon | 2R | F | F | W | A | W | F | 2R |
US Open | 3R | QF | 4R | SF | SF | W | F |
Federer | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 |
---|---|---|---|---|---|---|---|---|
Australian Open | 4R | W | SF | W | W | SF | F | W |
French Open | 1R | 3R | SF | F | F | F | W | QF |
Wimbledon | W | W | W | W | W | F | W | QF |
US Open | 4R | W | W | W | W | W | F | SF |
Sampras | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 | 1999 | 2000 |
---|---|---|---|---|---|---|---|---|
Australian Open | SF | W | F | 3R | W | QF | SF | |
French Open | QF | QF | 1R | SF | 3R | 2R | 2R | 1R |
Wimbledon | W | W | W | QF | W | W | W | W |
US Open | W | 4R | W | W | 4R | SF | F |
Borg | 1974 | 1975 | 1976 | 1977 | 1978 | 1979 | 1980 | 1981 |
---|---|---|---|---|---|---|---|---|
Australian Open | 3R | A | A | A | A | A | A | A |
French Open | W | W | QF | A | W | W | W | W |
Wimbledon | 3R | QF | W | W | W | W | W | F |
US Open | 2R | SF | F | 4R | F | QF | F | F |
table
Rank | Player | Win | F | SF | QF |
---|---|---|---|---|---|
1 | Federer | 17 | 7 | 8 | 5 |
3 | Nadal | 11 | 5 | 3 | 4 |
2 | Djokovic | 5 | 3 | 8 | 5 |
9 | Del Potro | 1 | 0 | 1 | 4 |
4 | Murray | 0 | 4 | 6 | 3 |
6 | Tsonga | 0 | 1 | 3 | 4 |
7 | Berdych | 0 | 1 | 1 | 3 |
5 | Ferrer | 0 | 0 | 4 | 5 |
10 | Almagro | 0 | 0 | 0 | 3 |
8 | Tipsarevic | 0 | 0 | 0 | 1 |
11 | Isner | 0 | 0 | 0 | 1 |
12 | Simon | 0 | 0 | 0 | 1 |
references
Category:Living people Category:Australian baritones Category:Australian opera singers Category:Operatic baritones