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One of his most controversial films was the ultra-violent ''[[Ichi the Killer]]'' (2001), adapted from a [[manga]] of the same name, and starring [[Tadanobu Asano]] as a [[sadomasochism|sadomasochistic]] [[yakuza]] enforcer. The extreme violence was initially exploited to promote the film: during its international premiere at the [[Toronto International Film Festival]] in 2001, the audience received "barf bags" emblazoned with the film's logo as a promotional gimmick (one typically flamboyant [[gore|gory]] killing involves a character slicing a man in half from head to groin, and severing another's face, which then slides down a nearby wall).
One of his most controversial films was the ultra-violent ''[[Ichi the Killer]]'' (2001), adapted from a [[manga]] of the same name, and starring [[Tadanobu Asano]] as a [[sadomasochism|sadomasochistic]] [[yakuza]] enforcer. The extreme violence was initially exploited to promote the film: during its international premiere at the [[Toronto International Film Festival]] in 2001, the audience received "barf bags" emblazoned with the film's logo as a promotional gimmick (one typically flamboyant [[gore|gory]] killing involves a character slicing a man in half from head to groin, and severing another's face, which then slides down a nearby wall).


However, the [[BBFC]] refused to allow the release of the film uncut in [[Britain]], citing its extreme levels of [[sexual violence]] towards women. Many regarded this as inconsistency, as they had recently passed ''[[Irréversible]]'' (2002), a film featuring a nine-minute rape scene, uncut. In [[Hong Kong]], 15 minutes of footage was cut. In the [[United States]] it has been shown uncut (although [[MPAA film rating system|unrated]]). An uncut DVD was also released in the [[Benelux]].
However, the [[Brittish Board of Film Censors|BBFC]] refused to allow the release of the film uncut in [[Britain]], citing its extreme levels of [[sexual violence]] towards women. Many regarded this as inconsistency, as they had recently passed ''[[Irréversible]]'' (2002), a film featuring a nine-minute rape scene, uncut. In [[Hong Kong]], 15 minutes of footage was cut. In the [[United States]] it has been shown uncut (although [[MPAA film rating system|unrated]]). An uncut DVD was also released in the [[Benelux]].


In [[2005]], Miike was invited by [[Showtime (television)|Showtime]], the American cable television network, to direct an episode of its ''[[Masters of Horror]]'' anthology series. The series, featuring episodes by a range of established horror directors such as [[John Carpenter]], [[Tobe Hooper]], and [[Dario Argento]], gave virtual carte blanche to each episode's director and took advantage of the cable television format to relax restrictions on sexual and violent content. However, Miike's episode, titled ''Imprint'', was apparently too graphic and disturbing for the network. Showtime cancelled it from the broadcast lineup even after extended negotiations and cuts, though it was retained as part of the series' DVD release. [[Mick Garris]], creator and executive producer of the series, described the episode as "amazing, but hard even for me to watch... definitely the most disturbing film I've ever seen." [http://www.nytimes.com/2006/01/19/arts/television/19horr.html]
In [[2005]], Miike was invited by [[Showtime (television)|Showtime]], the American cable television network, to direct an episode of its ''[[Masters of Horror]]'' anthology series. The series, featuring episodes by a range of established horror directors such as [[John Carpenter]], [[Tobe Hooper]], and [[Dario Argento]], gave virtual carte blanche to each episode's director and took advantage of the cable television format to relax restrictions on sexual and violent content. However, Miike's episode, titled ''Imprint'', was apparently too graphic and disturbing for the network. Showtime cancelled it from the broadcast lineup even after extended negotiations and cuts, though it was retained as part of the series' DVD release. [[Mick Garris]], creator and executive producer of the series, described the episode as "amazing, but hard even for me to watch... definitely the most disturbing film I've ever seen." [http://www.nytimes.com/2006/01/19/arts/television/19horr.html]

Revision as of 15:17, 22 May 2006

Takashi Miike

Takashi Miike (三池崇史, Miike Takashi) (born August 24, 1960 in Osaka, Japan) is a highly prolific Japanese filmmaker.

Miike has directed over sixty theatrical, video, and television productions since his debut in 1991. In the years 2001 and 2002, Miike is credited with directing no fewer than fourteen productions. He is best known for depicting shocking scenes of extreme violence and bizarre sexual perversions.

Career profile

Although Miike claimed rarely to have attended classes, he graduated from Yokohama Vocational School of Broadcast and Film (Yokohama Hoso Eiga Senmon Gakko), under the guidance of renowned filmmaker Shohei Imamura, the founder and Dean of that institution.

His very first films were television productions, but he also began directing several direct-to-video V-Cinema releases. (These were purportedly financed as money-laundering operations for the yakuza, although there has never been any conclusive proof of this.) Miike directs V-Cinema productions intermittently today, due to the creative freedom afforded by the less stringent censorship of the medium and the riskier content that the producers will allow.

Miike's theatrical debut was Shinjuku Triad Society (1995), which showcased his extreme style and his recurring themes, and its success gave him the freedom to work on higher budgeted pictures. Shinjuku Triad Society is also the first film in what is labeled his "Black Society Trilogy" with Rainy Dog (1997) and Ley Lines (1999). He gained international fame in 2000 when his romantic horror film Audition (1999) and his violent yakuza epic Dead or Alive (1999) debuted in international film festivals. He has since gained a strong cult following in the West that is growing with the increase in DVD releases of his works.

Film themes

Template:AuteursMany of his films contain graphic, almost cartoonish violence and bloodshed; portray the activities of criminals (especially yakuza); or concern themselves with non-Japanese living in Japan. He is known for his black sense of humour, and for pushing the boundaries of censorship as far as they will go. Another recurring aspect of his films is the seemingly deliberately ambiguous or unsatisfying endings. The subsequent discussions about the meaning of these endings has added to his cult status.

Although he has gained worldwide notoriety and fame from his "extreme" output, he has continued to direct many films that do not set out to shock audiences: for example, The Happiness of the Katakuris (2001) is a farcical musical comedy involving zombies, while Ley Lines (1999) and Agitator (2001) are character-driven, serious crime dramas. The Bird People in China (1998) is a generally peaceful road movie, and Graveyard of Honor (2002) is a remake of the 1975 Kinji Fukasaku film by the same name. Andoromedeia (1998), perhaps one of his less renowned films, is a teen drama starring the J-pop girl-band SPEED. His continuing work in a wide variety of genres ranks him as one of Japan's most versatile directors.

Controversy

Miike's oeuvre is often regarded by detractors as offensively misogynistic. His supporters point out that it is usually Miike's female characters who retain ultimate power, which they use to overturn established principles of Japanese patriarchy (e.g. Audition (1999), Visitor Q (2001)). His supporters see his works as uncompromising comments on the customs of an increasingly fractured modern society, and insist that the violence in his films functions more as a critique of Japanese culture than a celebration of its violent excesses.

One of his most controversial films was the ultra-violent Ichi the Killer (2001), adapted from a manga of the same name, and starring Tadanobu Asano as a sadomasochistic yakuza enforcer. The extreme violence was initially exploited to promote the film: during its international premiere at the Toronto International Film Festival in 2001, the audience received "barf bags" emblazoned with the film's logo as a promotional gimmick (one typically flamboyant gory killing involves a character slicing a man in half from head to groin, and severing another's face, which then slides down a nearby wall).

However, the BBFC refused to allow the release of the film uncut in Britain, citing its extreme levels of sexual violence towards women. Many regarded this as inconsistency, as they had recently passed Irréversible (2002), a film featuring a nine-minute rape scene, uncut. In Hong Kong, 15 minutes of footage was cut. In the United States it has been shown uncut (although unrated). An uncut DVD was also released in the Benelux.

In 2005, Miike was invited by Showtime, the American cable television network, to direct an episode of its Masters of Horror anthology series. The series, featuring episodes by a range of established horror directors such as John Carpenter, Tobe Hooper, and Dario Argento, gave virtual carte blanche to each episode's director and took advantage of the cable television format to relax restrictions on sexual and violent content. However, Miike's episode, titled Imprint, was apparently too graphic and disturbing for the network. Showtime cancelled it from the broadcast lineup even after extended negotiations and cuts, though it was retained as part of the series' DVD release. Mick Garris, creator and executive producer of the series, described the episode as "amazing, but hard even for me to watch... definitely the most disturbing film I've ever seen." [1]

While Imprint has yet to air or become available for purchase in the United States, it has aired on Bravo in the UK. Anchor Bay Entertainment, which has handled the DVD releases for the Masters of Horror series in the US, has not confirmed a date for the release of Imprint on DVD. As of late April 2006, the only way for most fans in the United States and Canada to see the episode is via various peer-to-peer networks.

Selected filmography

Quotes

Trivia

  • Miike had a small role as a yakuza leader in the 2003 Thai film, Last Life in the Universe, directed by Pen-Ek Ratanaruang.
  • Director Eli Roth cast Miike in a cameo role in his 2006 horror film Hostel.
  • He is almost never publicly seen without wearing sun glasses.
  • Wrote the forward on Tom Mes' book "Iron Man: The Cinema of Shinya Tsukamoto."
  • Provides a commentary for his segment "Box" from the film "Three Extremes" on the Region 1 DVD release.
  • Claims "Starship Troopers" to be his favorite movie.

References

  • Mes, Tom. Agitator: The Cinema of Takashi Miike. Godalming: FAB Press, 2003. ISBN 1903254213