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{{Infobox historical event
|Event_Name = Disney Renaissance
|Event_Name = Disney Renaissance
|Image_Name = LionKingCharacters.jpg
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|Image_Caption = Image used in promotion for ''The Lion King'', one of the films associated with the event.
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Revision as of 22:57, 31 March 2013

Disney Renaissance
Date1989 - 2000 (approximately)
LocationInternational

The Disney Renaissance refers to an era beginning roughly in the late 1980s and ending around 2000,[1][2] during which Walt Disney Animation Studios returned to making successful animated films mostly based on well-known stories, restoring public and critical interest in Disney.

The animated films released during this period include The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

History

Before the Renaissance

After the deaths of Walt and Roy O. Disney, Disney was left in the hands of Donn Tatum, Card Walker and Ron Miller. The films released over an 18 year period following this change of management failed either commercially or failed to capture the magic of past films. The sting was felt hard during production of The Fox and the Hound when long-time animator Don Bluth left Disney, taking 11 Disney animators with him,[3] to start his own rival studio, Don Bluth Productions.[4] With 17% of the animators now gone, production on The Fox and the Hound was delayed. Don Bluth Productions produced The Secret of NIMH in 1982, and the company eventually became Disney's main competitor in the animation industry during the 1980s and early 1990s. Disney made major organizational changes in the 1980s after narrowly escaping a hostile takeover attempt from Saul Steinberg. Michael Eisner, formerly of Paramount Pictures, became CEO in 1984, and he was joined by his Paramount associate Jeffrey Katzenberg, while Frank Wells, formerly of Warner Bros., became President. After the disappointing box office performance of the 1985 PG-rated feature The Black Cauldron, the future of the animation department was in jeopardy. Going against a thirty-year studio policy, the company founded a TV animation division which was much cheaper than theatrical animation. In the interest of saving what he believed to be the studio's core business, Roy E. Disney persuaded Eisner to let him supervise the animation department in the hopes of improving its fortunes.

In 1986, the Disney Studios released The Great Mouse Detective, and Universal released Don Bluth's An American Tail. An American Tail outperformed "The Great Mouse Detective", and became the higher-grossing film on its first release.[5] Despite An American Tail's greater level of success, The Great Mouse Detective was still successful enough (both critically and commercially) to instill executive confidence in Disney's animation department. Two years later, Disney released Oliver & Company on the same weekend that Universal released Don Bluth's The Land Before Time. The latter's opening weekend gross of over $7,526,000 broke all records, becoming the top grossing opening weekend for an animated feature. The film out-grossed An American Tail and became the highest-grossing animated film at that time.[6]

In 1988, the Disney animated studio collaborated with Steven Spielberg, a long-time animation fan and producer of An American Tail and The Land Before Time, to produce Who Framed Roger Rabbit, a live action/animation hybrid which featured animated characters from the 1930s and 1940s from many different studios together. The film was a critical and commercial success, winning three Academy Awards for technical achievements and renewing interest in theatrical animated cartoons. Other than the film itself, Spielberg also helped Disney produce three Roger Rabbit shorts.

The Renaissance era

Disney had been developing The Little Mermaid since the 1930s, and by 1988, after the success of Roger Rabbit, and Oliver and Company the studio had decided to make it into an animated Broadway-like musical. Lyricist Howard Ashman and composer Alan Menken, who worked on Broadway years earlier on productions such as Little Shop of Horrors, became involved in the production, writing and composing the songs and score for the film.[7] The film was released on November 14, 1989 and garnered a higher weekend gross than Don Bluth's All Dogs Go to Heaven, which opened the same weekend.[8] It went on to break The Land Before Time's record of highest-grossing animated film. The Little Mermaid was a critical and commercial success. It won two Academy Awards, for Best Original Score and for Best Original Song ("Under the Sea"), earning an additional nomination for Best Original Song for "Kiss the Girl."[9]

The Rescuers Down Under was released one year later and was the first canon sequel produced by Walt Disney Animation Studios. The Rescuers Down Under garnered much positive criticism and earned a modest box-office success, but was less successful than The Little Mermaid.

Beauty and the Beast, often considered to be one of the greatest of all Disney animated features,[10] followed in 1991. It was the first animated film nominated for an Academy Award for Best Picture, losing to The Silence of the Lambs. Beauty and the Beast did win the Golden Globe Award for Best Motion Picture (Musical or Comedy) two Academy Awards: Best Original Song and Best Original Score.[11][12] Beauty and the Beast also received Academy Award nominations for Best Picture and Best Sound, as well as two additional nominations for Best Original Song.[13]

Aladdin and The Lion King followed in 1992 and 1994, respectively, with both films having the highest worldwide grosses of their respective release years.[14][15] Aladdin was the highest-grossing film in 1992 and the highest-grossing animated film up until that time, but was later surpassed by The Lion King, which became the highest-grossing animated film ever at the time and remains the highest-grossing traditionally animated film in history.[16] Along with that, both films won Academy Awards for Best Original Song and Best Original Score.[13][17] Aladdin also earned an additional Academy Award nomination for Best Original Song and nominations for Best Sound and Best Sound Effects Editing, for a total of five nominations.[13] The Lion King earned two additional Academy Award nominations for Best Original Song, giving it a total of four Academy Award nominations.[17] Howard Ashman wrote several songs for Aladdin before his death, but only three were finally used in the film. Tim Rice joined the project and completed the score and songs with Alan Menken. Tim Rice went on to collaborate with Elton John and Hans Zimmer in The Lion King.

Pocahontas and The Hunchback of Notre Dame were also box-office successes and are included in the Disney Renaissance. Pocahontas received Academy Awards for Best Score and Best Original Song for "Colors of the Wind".[18] Both films had songs written by Alan Menken and Stephen Schwartz. Disney continued producing successful films, from Hercules, with songs by Alan Menken and David Zippel; Mulan, with score by Jerry Goldsmith and songs by Matthew Wilder and David Zippel; and Tarzan, with songs by Phil Collins. Tarzan won an Academy Award for Best Original Song with "You'll Be in My Heart."[19]

The Renaissance got a lot of attention towards many animation studios. During the era many studios tried to make their films similar to Disney's but ended up with mixed to negative reviews from critics. But Anastasia from Fox, The Prince of Egypt from DreamWorks and South Park: Bigger, Longer and Uncut from Paramount were the only films that have the same critical success as Disney's.

Post-Renaissance era

The release of Tarzan is retrospectively seen as the end of the Renaissance era. Though Disney did continue to release lesser successes such as Fantasia 2000, The Emperor's New Groove and Atlantis: The Lost Empire they were all not as well-received critically or commercially as the earlier films of the 90s were, and the studio also suffered significant box office losses with Treasure Planet and Home on the Range. Dinosaur. Lilo & Stitch and Brother Bear were seen as the only major box office successes during this time. In addition, Disney found itself facing a new more competitive period beginning with the rise of DreamWorks Animation as a potent sustained rival with its successful Shrek and How to Train Your Dragon series.

In 1995, Disney partnered with Pixar to create Toy Story, the first fully computer-animated feature. Today many of Pixar's films have garnered the same box office results and critical acclaim that 1990s Disney Renaissance films had, such as Finding Nemo, WALL-E and Up. In 2005, Chicken Little, the Disney Studios first full CGI animated feature, received mixed reviews from critics though it performed well at the box office,[20] as did their second CGI feature in 2007, Meet the Robinsons, possibly because of their melodramatic storytelling.[21] In 2006, Disney purchased Pixar for US$7.4 billion and promoted Pixar's co-founder, John Lasseter, to oversee all of Disney's animated projects. In 2008, Disney's first CGI feature made after the Pixar acquisition, Bolt, was released to critical acclaim and modest box office success.[22] With the success of Pixar, then-Disney CEO Michael Eisner decided that public tastes had changed, and that it was time to get out of hand-drawn animation altogether ending with Home on the Range.[23] However, after John Lasseter took over the animation division with the purchase of Pixar, Disney announced they would return to traditional animation with the 2009 release of The Princess and the Frog, which was largely well received by critics and audiences alike and a financial success (grossing over $270 million).[24]

Modern era

After the complete, financial successful animated film of 2009, The Princess and the Frog. Disney had released the 2010 film release of Tangled, Disney's 50th Animated Feature, marked a new direction for the studio, blending 3D CGI animation with traditional techniques. Following the tradition of the 1990s animated films, Tangled was a musical fairy tale loosely based on the story of Rapunzel. The film was a highly critical and commercial success, earning more than $500 million worldwide and reigniting interest in Walt Disney Animation Studios. In 2012, after the 2010 film, Tangled and the 2011 film, Winnie the Pooh. Disney had released the 2012 film Wreck-it Ralph which garnered similar critical and commerical success. It was nominated for Best Animated Feature at the Oscars and The Golden Globes.

Critical reaction

Most of the films Disney released in this era were well-received, as in the film critic site Rotten Tomatoes, the first four - The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King have the best critical reception (with over 90% positive reviews), and Pocahontas has the lowest reception of Disney's "renaissance" films (with 56% of positive reviews).

Film Rotten Tomatoes Metacritic
The Little Mermaid 90% [fresh] (52 reviews)[25]  
The Rescuers Down Under 64% [fresh] (50 reviews)[26]  
Beauty and the Beast 92% [fresh] (89 reviews)[27]  
Aladdin 92% [fresh] (49 reviews)[28]  
The Lion King 90% [fresh] (96 reviews)[29] 84 (13 reviews)[30]
Pocahontas 56% [rotten] (49 reviews)[31] 58 (23 reviews)[32]
The Hunchback of Notre Dame 73% [fresh] (48 reviews)[33]  
Hercules 83% [fresh] (48 reviews)[34]  
Mulan 86% [fresh] (71 reviews)[35] 71 (24 reviews)[36]
Tarzan 88% [fresh] (101 reviews)[37] 79 (37 reviews)[38]
Average Ratings 81% 73

Box office

Film Release date Box office revenue Budget Reference
Premiere General Domestic Foreign All time worldwide
The Little Mermaid November 17, 1989 November 17, 1989 $111,543,479 $99,800,000 $211,343,479 $40,000,000 [39]
The Rescuers Down Under November 16, 1990 November 16, 1990 $27,931,461 $19,500,000 $47,431,461 $37,931,000 [40]
Beauty and the Beast November 15, 1991 November 22, 1991 $218,967,620 $222,553,617 $441,521,237 $25,000,000 [41]
Aladdin November 13, 1992 November 25, 1992 $217,350,219 $286,700,000 $504,050,219 $25,000,000 [42]
The Lion King June 15, 1994 June 24, 1994 $422,783,777 $538,700,000 $961,483,777 $45,000,000 [43]
Pocahontas June 16, 1995 June 23, 1995 $141,579,773 $204,500,000 $346,079,773 $55,000,000 [44]
The Hunchback of Notre Dame June 21, 1996 June 21, 1996 $100,138,851 $225,200,000 $325,338,851 $100,000,000 [45]
Hercules June 15, 1997 June 27, 1997 $99,112,101 $234,600,000 $334,712,101 $85,000,000 [46]
Mulan June 19, 1998 June 19, 1998 $120,620,254 $183,700,000 $304,320,254 $70,000,000 [47][48]
#27(A)
Tarzan June 18, 1999 June 18, 1999 $171,091,819 $277,100,000 $448,191,819 $130,000,000 [49]
Total $1,631,119,354 $2,309,799,304 $3,940,918,658 $612,931,000 List indicator(s)
  • A light grey cell indicates information is not available.
  • (A) indicates the budget of the film was estimated by IMDB.

Academy Awards

Nine of the ten films in the Disney Renaissance were nominated for Academy Awards, six of which won at least one Oscar:

Year Title Oscar nominations Oscar win
1989 The Little Mermaid 3 2
1991 Beauty and the Beast 6 2
1992 Aladdin 5 2
1994 The Lion King 4 2
1995 Pocahontas 2 2
1996 The Hunchback of Notre Dame 1 0
1997 Hercules 1 0
1998 Mulan 1 0
1999 Tarzan 1 1

Soundtracks

Year Title US RIAA certification
1989 The Little Mermaid 33 6× Platinum
1991 Beauty and the Beast 19 3× Platinum
1992 Aladdin 6 3× Platinum
1994 The Lion King 1 Diamond
1995 Pocahontas 1 3× Platinum
1996 The Hunchback of Notre Dame 13 Platinum
1997 Hercules 17 Gold
1998 Mulan 25 Gold
1999 Tarzan 5 Platinum

See also

References

  1. ^ "Disney: Notes on the end of the Disney Renaissance". decentfilms.com. Retrieved 2008-08-26.
  2. ^ Puig, Claudia (March 26, 2010). "'Waking Sleeping Beauty' documentary takes animated look at Disney renaissance". USA Today. Retrieved July 6, 2011.
  3. ^ "Don Bluth Ireland". Cataroo. Retrieved 2009-11-05.
  4. ^ "Biography". Don Bluth Official Website. Archived from the original on 2009-03-03. Retrieved 2009-12-05.
  5. ^ "Don Bluth Biography". Retrieved 2009-09-13.
  6. ^ "Don Bluth Land Before Time". Retrieved 2009-09-13.
  7. ^ (2006) Treasures Untold: The Making of Disney's 'The Little Mermaid [Documentary featurette]. Bonus material from The Little Mermaid: Platinum Edition DVD. Walt Disney Home Entertainment.
  8. ^ "1989 Yearly Box Office for G-Rated Movies". Box Office Mojo. Internet Movie Database. Retrieved 2010-07-29. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  9. ^ "The 62nd Academy Awards (1990) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2011-09-28.
  10. ^ "Beauty and the Beast - Film Archives". The Film Archives.com. Retrieved 2009-01-13.
  11. ^ "Beauty and the Beast (1991) - Awards". IMDB. Retrieved 2010-01-08.
  12. ^ "The 64th Academy Awards (1992) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2011-09-28.
  13. ^ a b c "The 65th Academy Awards (1993) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2011-09-28.
  14. ^ "1992 Yearly Box Office Results". Box Office Mojo. Retrieved 2010-01-08.
  15. ^ "1994 Yearly Box Office Results". Box Office Mojo. Retrieved 2010-01-08.
  16. ^ "Highest-grossing animated films". Box Office Mojo. Retrieved 2009-12-24.
  17. ^ a b "The 67th Academy Awards (1995) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2011-09-28.
  18. ^ "The 68th Academy Awards (1995) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2011-09-28.
  19. ^ "The 72nd Academy Awards (2000) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2011-09-28.
  20. ^ "Chicken Little". Box Office Mojo. Retrieved 2008-11-24.
  21. ^ "Meet the Robinsons". Box Office Mojo. Retrieved 2008-11-24.
  22. ^ http://www.boxofficemojo.com/movies/?id=bolt.htm%7C Bolt's Gross Revenue
  23. ^ Adams, Guy (2010-01-18). "Leap of faith: The Princess and the Frog". The Independent. Retrieved 2011-01-29. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  24. ^ ""The Princess and the Frog" Production Notes" (PDF). Disney.go.com. Retrieved 2009-12-14.
  25. ^ "The Little Mermaid". Rotten Tomatoes. Retrieved 2008-10-11.
  26. ^ "The Rescuers Down Under". Rotten Tomatoes. Retrieved 2009-03-23.
  27. ^ "Beauty and the Beast". Rotten Tomatoes. Retrieved 2012-01-23.
  28. ^ "Aladdin". Rotten Tomatoes. Retrieved 2008-10-11.
  29. ^ "The Lion King". Rotten Tomatoes. Retrieved 2008-10-11.
  30. ^ "The Lion King: Reviews". Metacritic. Retrieved 2008-07-19.
  31. ^ "Pocahontas". Rotten Tomatoes. Retrieved 2008-10-11.
  32. ^ "Pocahontas: Reviews". Metacritic. Retrieved 2008-07-19.
  33. ^ "The Hunchback of Notre Dame". Retrieved 2008-10-11. [dead link‍]
  34. ^ "Hercules". Retrieved 2008-10-11.
  35. ^ "Mulan". Rotten Tomatoes. Retrieved 2008-07-19.
  36. ^ "Mulan: Reviews". Metacritic. Retrieved 2008-09-12.
  37. ^ "Tarzan". Rotten Tomatoes. Retrieved 2008-07-19.
  38. ^ "Tarzan: Reviews". Metacritic. Retrieved 2008-07-19.
  39. ^ "The Little Mermaid (1989)". Box Office Mojo. Retrieved 2009-12-10.
  40. ^ "The Rescuers Down Under (1990)". Box Office Mojo. Retrieved 2009-12-10.
  41. ^ "Beauty and the Beast (1991)". Box Office Mojo. Retrieved 2012-05-04.
  42. ^ "Aladdin (1992)". Box Office Mojo. Retrieved 2009-12-10.
  43. ^ "The Lion King (1994)". Box Office Mojo. Retrieved 2012-01-24.
  44. ^ "Pocahontas (1995)". Box Office Mojo. Retrieved 2009-12-10.
  45. ^ "The Hunchback of Notre Dame (1996)". Box Office Mojo. Retrieved 2009-12-10.
  46. ^ "Hercules (1997)". Box Office Mojo. Retrieved 2009-12-10.
  47. ^ "Mulan (1998)". Box Office Mojo. Retrieved 2009-12-10.
  48. ^ "Mulan (1998) – Box Office / business". IMDB. Retrieved 2009-12-10.
  49. ^ "Tarzan (1999)". Box Office Mojo. Retrieved 2009-12-10.
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