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Heidt was born in Houston, Texas. From 1986-1988 he was lead singer for Devil Donkey, which also included [[Susie Ibarra]] (drums), Erik Amlee (guitar) and Enrique Ramirez (drums). In 1991 he cofounded the Mammals of Zod with Raymond Seraphim Porter, Scott Wilcox and Chris Grace.
Heidt was born in Houston, Texas. From 1986-1988 he was lead singer for Devil Donkey, which also included [[Susie Ibarra]] (drums), Erik Amlee (guitar) and Enrique Ramirez (drums). In 1991 he cofounded the Mammals of Zod with Raymond Seraphim Porter, Scott Wilcox and Chris Grace.


At Columbia College he was Station Manager of [[WKCR-FM]] from 1992-1993. In 1992 his experimental poem cycle "Moo Goo Gai Pain" was published in D. R. Heiniger's ''Private Arts''<ref name="ISBN 1-881377-02-4">{{cite journal|last=Heidt|first=Gary|title="Moo Goo Gai Pain"|journal=Private Arts|year=1992|issue=7}}</ref>. In 1994 he moved to Austin, where produced the Mammals of Zod CD ''Kill The Humans'' which ''Village Voice'' critic Richard Gehr called a "lost materpiece."<ref>{{cite news|last=Gehr|first=Richard|newspaper=Village Voice|date=12/23/1997}}</ref> He returned to NYC and started an improvising collective using the name Mammals of Zod; core members included beatboxer Kid Lucky, [[Mem Nahadr]], [[Sabir Mateen]]<ref>{{cite journal|last=Hreha|first=Scott|title="Sax in the City"|journal=Signal to Noise|year=2001|month=Winter|issue=20|page=33}}</ref>, [[Daniel Carter]], Lipbone Redding (then known as CitiZen One), Emmallyea Swon-Young, Matthew Heyner (of the [[No Neck Blues Band]]), Gary Miles and Ira Atkins. This group played frequently at clubs in NYC in the late 1990's, including CBGB's, The Cooler, The Continental, ABC No Rio and The Pyramid. Heidt posed shirtless for ''Paper Magazine'''s 1998 "Beautiful People" issue.<ref>{{cite journal|last=Hastreiter|first=Kim|title="A New York Minute"|journal=Paper Magazine|year=April|month=1998}}</ref> During this period Heidt also wrote the columns "From the Priest Factory" and "The Gnostic Eye" which ran in the ''Religious Observer<ref>{{cite journal|last=Heidt|first=Gary|title="From the Priest Factory"|journal=The Religious Observer|year=1995-1996|volume=II|issue=3-10}}</ref>'' and its successor, ''Deolog''.
At Columbia College he was Station Manager of [[WKCR-FM]] from 1992-1993. In 1992 his experimental poem cycle "Moo Goo Gai Pain" was published in D. R. Heiniger's ''Private Arts''<ref name="ISBN 1-881377-02-4">{{cite journal|last=Heidt|first=Gary|title="Moo Goo Gai Pain"|journal=Private Arts|year=1992|issue=7}}</ref>. In 1994 he moved to Austin, where produced the Mammals of Zod CD ''Kill The Humans'' which ''Village Voice'' critic Richard Gehr dubbed a "masterpiece."<ref>{{cite news|last=Gehr|first=Richard|newspaper=Village Voice|date=12/23/1997}}</ref> He returned to NYC and started an improvising collective using the name Mammals of Zod; core members included beatboxer Kid Lucky, [[Mem Nahadr]], [[Sabir Mateen]]<ref>{{cite journal|last=Hreha|first=Scott|title="Sax in the City"|journal=Signal to Noise|year=2001|month=Winter|issue=20|page=33}}</ref>, [[Daniel Carter]], Lipbone Redding (then known as CitiZen One), Emmallyea Swon-Young, Matthew Heyner (of the [[No Neck Blues Band]]), Gary Miles and Ira Atkins. This group played frequently at clubs in NYC in the late 1990's, including CBGB's, The Cooler, The Continental, ABC No Rio and The Pyramid. Heidt posed shirtless for ''Paper Magazine'''s 1998 "Beautiful People" issue.<ref>{{cite journal|last=Hastreiter|first=Kim|title="A New York Minute"|journal=Paper Magazine|year=April|month=1998}}</ref> During this period Heidt also wrote the columns "From the Priest Factory" and "The Gnostic Eye" which ran in the ''Religious Observer<ref>{{cite journal|last=Heidt|first=Gary|title="From the Priest Factory"|journal=The Religious Observer|year=1995-1996|volume=II|issue=3-10}}</ref>'' and its successor, ''Deolog''.


With CitiZen One and Metal Tiger Technologies, Heidt started the 67-year performance project Lovesphere in 1996 with a 36-hour improvised musical at the Museum of Sound Recording.<ref>{{cite news|last=One|first=CitiZen|newspaper=XLR8 Magazine|date=July 1998}}</ref> Metal Tiger Technologies streamed the entire piece on the Web in a very early implementation of this technology. Four tracks from this event formed the core of the second Mammals of Zod CD, L'of. "With multi-instrumentalist Gary Heidt as unofficial ringleader, it's an enclave that draws upon improvisation and performance art as a means to promote its socio-musical vision."<ref>{{cite journal|last=Hreha|first=Scott|title="Mammals of Zod"|journal=Signal to Noise|year=2001|month=Summer|issue=22}}</ref>
With CitiZen One and Metal Tiger Technologies, Heidt started the 67-year performance project Lovesphere in 1996 with a 36-hour improvised musical at the Museum of Sound Recording.<ref>{{cite news|last=One|first=CitiZen|newspaper=XLR8 Magazine|date=July 1998}}</ref> Metal Tiger Technologies streamed the entire piece on the Web in a very early implementation of this technology. Four tracks from this event formed the core of the second Mammals of Zod CD, L'of. "With multi-instrumentalist Gary Heidt as unofficial ringleader, it's an enclave that draws upon improvisation and performance art as a means to promote its socio-musical vision."<ref>{{cite journal|last=Hreha|first=Scott|title="Mammals of Zod"|journal=Signal to Noise|year=2001|month=Summer|issue=22}}</ref>

Revision as of 21:50, 5 April 2013

Gary Heidt (born 1970) is a conceptual artist, experimental poet, musician, librettist, literary agent, and co-founder of Lovesphere, a 67-year performance project initiated in 1996, and more recently, the Perceiver of Sounds League.

Biography and Career

Heidt was born in Houston, Texas. From 1986-1988 he was lead singer for Devil Donkey, which also included Susie Ibarra (drums), Erik Amlee (guitar) and Enrique Ramirez (drums). In 1991 he cofounded the Mammals of Zod with Raymond Seraphim Porter, Scott Wilcox and Chris Grace.

At Columbia College he was Station Manager of WKCR-FM from 1992-1993. In 1992 his experimental poem cycle "Moo Goo Gai Pain" was published in D. R. Heiniger's Private Arts[1]. In 1994 he moved to Austin, where produced the Mammals of Zod CD Kill The Humans which Village Voice critic Richard Gehr dubbed a "masterpiece."[2] He returned to NYC and started an improvising collective using the name Mammals of Zod; core members included beatboxer Kid Lucky, Mem Nahadr, Sabir Mateen[3], Daniel Carter, Lipbone Redding (then known as CitiZen One), Emmallyea Swon-Young, Matthew Heyner (of the No Neck Blues Band), Gary Miles and Ira Atkins. This group played frequently at clubs in NYC in the late 1990's, including CBGB's, The Cooler, The Continental, ABC No Rio and The Pyramid. Heidt posed shirtless for Paper Magazine's 1998 "Beautiful People" issue.[4] During this period Heidt also wrote the columns "From the Priest Factory" and "The Gnostic Eye" which ran in the Religious Observer[5] and its successor, Deolog.

With CitiZen One and Metal Tiger Technologies, Heidt started the 67-year performance project Lovesphere in 1996 with a 36-hour improvised musical at the Museum of Sound Recording.[6] Metal Tiger Technologies streamed the entire piece on the Web in a very early implementation of this technology. Four tracks from this event formed the core of the second Mammals of Zod CD, L'of. "With multi-instrumentalist Gary Heidt as unofficial ringleader, it's an enclave that draws upon improvisation and performance art as a means to promote its socio-musical vision."[7]

Heidt wrote three librettos for composer Evan Hause's Defenstration Trilogy. Poems appeared in Intervalsss: The poems and Words of Musicians (ed. Steve Dalachinsky) and his first published crossword poem in John M. Bennett's Lost and Found Times[8]. He worked as a theater administrator for Crystal Field's Theater for the New City and Barbara Vann's Medicine Show.

In 2003 he joined Imprint Agency, a literary agency in New York City. After a stint at Peter Rubie's FinePrint Literary Agency he started Signature Literary Agency with Ellen Pepus. He represents the Church of the SubGenius, Charles Yu, Benjamin Whitmer, Jeremy Bushnell, William Gillespie, Rob Klara, Jason Henderson and Chris Carter among others.

From 2003-2005 Lovesphere presented musical theater, which Heidt cowrote with Gary Miles, Nathan Metz et. al., including "Feng Shui Assassin."[9]

In 2006 Heidt was canonized as a saint by the Church of the SubGenius.[10]

In 2010 Fence published[11] four more of his crossword poems, poems that can be read both across and down. Heidt gave a talk on alternate poetic forms in Spring of 2011 at the New York Public Library. In 2013 Infinity's Kitchen published "The Wordsquare," a historical analysis of his predecessors in this art form, the Formists, and their successors.

Heidt's current band, Fist of Kindness, has released 3 albums, The Dead and the Powerless (2010), Ponderin' with the Fist of Kindness (2011), and The Thirteen Repentences of the Pistis Sophia (2012).

With Cassandra Victoria Chopourian, Heidt has been involved in creating performances from Gertrude Stein's Tender Buttons. They have performed parts of this opus in London and the sister cities of Leipzig, Germany[12] and Houston, Texas[13]; as well as New York City and Jersey City. Heidt also composed music for the Van Reipen Collective's Shelly's Spherical Journey[14], which was first presented as part of Lovesphere 15.

References

  1. ^ Heidt, Gary (1992). ""Moo Goo Gai Pain"". Private Arts (7).
  2. ^ Gehr, Richard (12/23/1997). Village Voice. {{cite news}}: Check date values in: |date= (help); Missing or empty |title= (help)
  3. ^ Hreha, Scott (2001). ""Sax in the City"". Signal to Noise (20): 33. {{cite journal}}: Unknown parameter |month= ignored (help)
  4. ^ Hastreiter, Kim (April). ""A New York Minute"". Paper Magazine. {{cite journal}}: Check date values in: |year= (help); Unknown parameter |month= ignored (help)CS1 maint: year (link)
  5. ^ Heidt, Gary (1995–1996). ""From the Priest Factory"". The Religious Observer. II (3–10).{{cite journal}}: CS1 maint: date format (link)
  6. ^ One, CitiZen (July 1998). XLR8 Magazine. {{cite news}}: Missing or empty |title= (help)
  7. ^ Hreha, Scott (2001). ""Mammals of Zod"". Signal to Noise (22). {{cite journal}}: Unknown parameter |month= ignored (help)
  8. ^ Heidt, Gary (2003). Lost and Found Times (51). {{cite journal}}: Missing or empty |title= (help); Unknown parameter |month= ignored (help)
  9. ^ Anna Jane, Grossman (3/3/2003). ""The Feng's the Thing"". New York Observer. {{cite news}}: Check date values in: |date= (help)
  10. ^ St. Clair Smith, Douglass (2006). The SubGenius Psychlopedia of Slack: The Bobliographon. New York: Thunder's Mouth Press. p. 240. ISBN 978-1-56025-939-6. {{cite book}}: Check |isbn= value: checksum (help)
  11. ^ Heidt, Gary (2009–2010). ""Four Crossword Poems"". Fence. 12 (2). {{cite journal}}: Unknown parameter |month= ignored (help)CS1 maint: date format (link)
  12. ^ Georgi, Steffen (8/1/2011). ""Der Wahn Der Welt"". Leipzig Volkszeitung. {{cite news}}: Check date values in: |date= (help)
  13. ^ Stevenson, Bob. "The Front Row". KUHA-FM.
  14. ^ Reich, Ronnie (8/5/2012). ""One Strange Trip"". New Jersey Star-Ledger. {{cite news}}: Check date values in: |date= (help)

http://www.fistofkindness.bandcamp.com http://www.signaturelit.com http://www.mammalsofzod.bandcamp.com http://www.lovesphere.net http://www.tender-buttons.com

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