Le Concert: Difference between revisions
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A former world-famous conductor of the [[Bolshoi Theatre]] orchestra, known as "The Maestro", Andrey Simonovich Filipov, had had his career publicly broken by [[Leonid Brezhnev]] for defending Jewish musicians and now is reduced to being an [[alcoholic]] working as a mere [[janitor]] in the theatre where he once conducted. |
A former world-famous conductor of the [[Bolshoi Theatre]] orchestra, known as "The Maestro", Andrey Simonovich Filipov, had had his career publicly broken by [[Leonid Brezhnev]] for defending Jewish musicians and now is reduced to being an [[alcoholic]] working as a mere [[janitor]] in the theatre where he once conducted. |
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While cleaning his boss' office he intercepts an official invitation from the prestigious [[Théâtre du Châtelet]] in [[Paris]] to replace a concert with the [[Los Angeles Philharmonic Orchestra]] that was canceled at the last minute. Filipov comes up with a plan to reunite his old orchestra, composed of old [[Jew]]ish and [[Romani people|Gypsy]] musicians - who also have been reduced to |
While cleaning his boss' office he intercepts an official invitation from the prestigious [[Théâtre du Châtelet]] in [[Paris]] to replace a concert with the [[Los Angeles Philharmonic Orchestra]] that was canceled at the last minute. Filipov comes up with a plan to reunite his old orchestra, composed of old [[Jew]]ish and [[Romani people|Gypsy]] musicians - who also have been reduced to making a living as movers or taxi drivers - to perform in Paris and complete a performance of [[Tchaikovsky]]'s [[Violin Concerto (Tchaikovsky)|Violin Concerto]], which was interrupted 30 years earlier by former KGB Agent Ivan Gavrilov, who is enrolled by Filipov in his scheme as the orchestra's manager and is actively and efficiently supporting Filipov's plan, much to the dismay and suspicion of Aleksandr 'Sasha' Abramovich Grossman (the orchestra's main cellist), because it turns out that Gavrilov has his own agenda for the Paris trip. |
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Gavrilov and Filipov demand several conditions from the Châtelet, that they are forced to accept, since the concert with the Bolshoi is significantly less expensive; one of those conditions is that the solo violinist is Anne-Marie Jacquet, who famously has never played Tchaikovsky's concerto because she is afraid of it, but has long dreamt of playing it with the Bolshoi and particularly with Filipov - whose fame outside of Russia has not diminished -; her agent, Guylène de La Rivière, who is also Anne-Marie's adoptive mother, is reluctant to allow that, because she is acquainted with Filipov and his past, but Anne-Marie insists and she has no option but to accept. The orchestra is also forced to accept the sponsorship of an openly mafia boss who likes to play the cello, despite the fact that he does so terribly and who is part of the orchestra. |
Gavrilov and Filipov demand several conditions from the Châtelet, that they are forced to accept, since the concert with the Bolshoi is significantly less expensive; one of those conditions is that the solo violinist is Anne-Marie Jacquet, who famously has never played Tchaikovsky's concerto because she is afraid of it, but has long dreamt of playing it with the Bolshoi and particularly with Filipov - whose fame outside of Russia has not diminished -; her agent, Guylène de La Rivière, who is also Anne-Marie's adoptive mother, is reluctant to allow that, because she is acquainted with Filipov and his past, but Anne-Marie insists and she has no option but to accept. The orchestra is also forced to accept the sponsorship of an openly mafia boss who likes to play the cello, despite the fact that he does so terribly and who is part of the orchestra. |
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Once in Paris, the entire orchestra disappears partying and raising money in other jobs such as taxi drivers, movers or translators. The unprofessionalism of the Russian musicians and Anne-Marie's own impression that the performance serves as a means of [[catharsis]] for Filipov, forces Anne-Marie to call off the concert, but Sasha convinces her to come to the theater because the Concert holds the key |
Once in Paris, the entire orchestra disappears partying and raising money in other jobs such as taxi drivers, movers or translators. The unprofessionalism of the Russian musicians and Anne-Marie's own impression that the performance serves as a means of [[catharsis]] for Filipov, forces Anne-Marie to call off the concert, but Sasha convinces her to come to the theater because the Concert holds the key to Anne-Marie's past and her parents, whom she has never met, and whom she believes to be scientists who died during her infancy in the [[Alps]]. As it turns out, Filipov and his wife Irina were the best friends of Leia and Yitzhak Strum, also Jewish musicians. Leia was an accomplished violinist and the soloist at the time of the interrupted concert thirty years before in [[Moscow]]. After the public humiliation they suffered under Gavrilov and the entire Brezhnev regime, the couple spoke openly against the government on Radio Free Europa, an American radio station that was banned in the former [[USSR]], and as a result were deported to [[Siberia]], where they spent the rest of their lives. Leia, who was, as we learn, Anne-Marie's mother, lost her mind and played the Tchaikovsky concert in her imagination every day for her husband until her death in 1981, which was followed by his six months later. Baby Anne-Marie managed to escape with Guylène, at the time the representative of a visiting French orchestra, was hidden in a [[violoncello|cello]] case at the behest of Irina, Filipov and Sasha. |
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At the |
At the last moment, the entire orchestra, after receiving a SMS message from Filipov calling them to play in honor of Leia, appears at the Theatre despite the fact that not a single rehearsal has taken place. In the meantime, the real manager of the Bolshoi, who happened to be vacationing in Paris and learned about the concert by chance, appears at the theatre to prevent the performance, but he is tricked by Gavrilov who locks him in a broom closet. The concert has a wobbly beginning due to the lack of rehearsals, but they all manage to reach Filipov's ideal spontaneous [[harmony]] once Anne-Marie mesmerizes everyone with her magnificent interpretation of the solo part, which she studied on her mother's annotated score. The concert is a huge success and Filipov is able to restart his career as a conductor of the new "Andreï Filipov Orchestra" along with Anne-Marie, who joins him in a world tour. |
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==Production== |
==Production== |
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Revision as of 03:14, 8 April 2013
| Le Concert | |
|---|---|
 Theatrical release poster | |
| Directed by | Radu Mihăileanu |
| Written by | Radu Mihăileanu Héctor Cabello Reyes Thierry Degrandi Matthew Robbins Alain-Michel Blanc |
| Produced by | Alain Attal |
| Starring | Aleksei Guskov Mélanie Laurent Miou-Miou |
| Cinematography | Laurent Dailland |
| Edited by | Ludo Troch |
| Music by | Armand Amar Tchaikovsky |
| Distributed by | The Weinstein Company |
Release dates |
|
Running time | 119 minutes |
| Countries | France Belgium |
| Languages | French Russian |
| Budget | € 13,000,000 |
| Box office | € 30,667,465 |
Le Concert is a 2009 French comedy film by Radu Mihăileanu starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010.[1] It was also nominated for two Magritte Awards in the category of Best Co-Production and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.[2]
Plot
A former world-famous conductor of the Bolshoi Theatre orchestra, known as "The Maestro", Andrey Simonovich Filipov, had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and now is reduced to being an alcoholic working as a mere janitor in the theatre where he once conducted.
While cleaning his boss' office he intercepts an official invitation from the prestigious Théâtre du Châtelet in Paris to replace a concert with the Los Angeles Philharmonic Orchestra that was canceled at the last minute. Filipov comes up with a plan to reunite his old orchestra, composed of old Jewish and Gypsy musicians - who also have been reduced to making a living as movers or taxi drivers - to perform in Paris and complete a performance of Tchaikovsky's Violin Concerto, which was interrupted 30 years earlier by former KGB Agent Ivan Gavrilov, who is enrolled by Filipov in his scheme as the orchestra's manager and is actively and efficiently supporting Filipov's plan, much to the dismay and suspicion of Aleksandr 'Sasha' Abramovich Grossman (the orchestra's main cellist), because it turns out that Gavrilov has his own agenda for the Paris trip.
Gavrilov and Filipov demand several conditions from the Châtelet, that they are forced to accept, since the concert with the Bolshoi is significantly less expensive; one of those conditions is that the solo violinist is Anne-Marie Jacquet, who famously has never played Tchaikovsky's concerto because she is afraid of it, but has long dreamt of playing it with the Bolshoi and particularly with Filipov - whose fame outside of Russia has not diminished -; her agent, Guylène de La Rivière, who is also Anne-Marie's adoptive mother, is reluctant to allow that, because she is acquainted with Filipov and his past, but Anne-Marie insists and she has no option but to accept. The orchestra is also forced to accept the sponsorship of an openly mafia boss who likes to play the cello, despite the fact that he does so terribly and who is part of the orchestra.
Once in Paris, the entire orchestra disappears partying and raising money in other jobs such as taxi drivers, movers or translators. The unprofessionalism of the Russian musicians and Anne-Marie's own impression that the performance serves as a means of catharsis for Filipov, forces Anne-Marie to call off the concert, but Sasha convinces her to come to the theater because the Concert holds the key to Anne-Marie's past and her parents, whom she has never met, and whom she believes to be scientists who died during her infancy in the Alps. As it turns out, Filipov and his wife Irina were the best friends of Leia and Yitzhak Strum, also Jewish musicians. Leia was an accomplished violinist and the soloist at the time of the interrupted concert thirty years before in Moscow. After the public humiliation they suffered under Gavrilov and the entire Brezhnev regime, the couple spoke openly against the government on Radio Free Europa, an American radio station that was banned in the former USSR, and as a result were deported to Siberia, where they spent the rest of their lives. Leia, who was, as we learn, Anne-Marie's mother, lost her mind and played the Tchaikovsky concert in her imagination every day for her husband until her death in 1981, which was followed by his six months later. Baby Anne-Marie managed to escape with Guylène, at the time the representative of a visiting French orchestra, was hidden in a cello case at the behest of Irina, Filipov and Sasha.
At the last moment, the entire orchestra, after receiving a SMS message from Filipov calling them to play in honor of Leia, appears at the Theatre despite the fact that not a single rehearsal has taken place. In the meantime, the real manager of the Bolshoi, who happened to be vacationing in Paris and learned about the concert by chance, appears at the theatre to prevent the performance, but he is tricked by Gavrilov who locks him in a broom closet. The concert has a wobbly beginning due to the lack of rehearsals, but they all manage to reach Filipov's ideal spontaneous harmony once Anne-Marie mesmerizes everyone with her magnificent interpretation of the solo part, which she studied on her mother's annotated score. The concert is a huge success and Filipov is able to restart his career as a conductor of the new "Andreï Filipov Orchestra" along with Anne-Marie, who joins him in a world tour.
Production
To prepare for her role, Laurent spent two months studying violin with Sarah Nemtanu of the Orchestre National de France.[3]
Casting
- Aleksei Guskov as Andreï Filipov
- Mélanie Laurent as Anne-Marie Jacquet and Lea Strum (her mother)
- Dimitry Nazarov as Sacha Grossman
- Valeri Barinov as Ivan Gavrilov
- François Berléand as Olivier Morne Duplessis
- Miou-Miou as Guylène de La Rivière
- Lionel Abelanski as Jean-Paul Carrère
- Guillaume Gallienne as a critic
- Ramzy Bedia as Ahmed
- Anghel Gheorghe as Vassili (Taraf de Haïdouks)
Music
| Untitled | |
|---|---|
The film's original score was composed by Armand Amar with one track written by Radu Mihăileanu ("Le Trou Normand"). The musical work which has a central role in the film and is played during the final scene is the Violin Concerto in D major, Op. 35 by Tchaikovsky.[4] Classical selections by Mahler, Mendelssohn, Mozart and Khachaturian are also included on the soundtrack.
- "Andreï I"
- "S'Il Vous Sied"
- "Nani, Nani" (Kek Lang Chants Roms)
- "Place Rouge I"
- "Andreï II"
- "Merci Bolchoï"
- "Kalinka"
- "100% Des Voix"
- "Kalou"
- "Je Vous Baise Chaleureusement"
- "Symphonie N°1 Titan"
- "Ci-Gît"
- "Danse Du Sabre Remix"
- "Piano Concerto No. 21 in C major, K. 467"
- "Andreï III"
- "Tziganie"
- "Le Trou Normand"
- "Ai Routchiok" (Traditional)
- "Place Rouge II"
- "Je Régule L'Addition"
- "Sir Bina Ya Qitâr" (Les Musiciens du Nil)
- "Je Suis Ravissant De Vous Rencontrer"
- "Andreï IV"
- "Les Russes Sont Comme Des Mûles"
- "Avant Le Concert"
- "Violin Concerto in D major, Op. 35"
- "Concert, Concert"
- "Vous Avez Voulu Des Russes"
References
- ^ "The Concert By Romanian-Born Radu Mihăileanu Wins A César For Best Musical Score". Mediafax. 28 February 2010.
- ^ Engelen, Aurore (January 14, 2011). "Magritte Awards shine spotlight on Belgian Francophone cinema". Cineuropa. Retrieved January 11, 2013.
- ^ Mélanie Laurent/Le concert: jusqu'au vertige (in French)
- ^ JM Cuellar (12 March 2010). "Tchaikosvky como el más bello reto" (in Spanish). ABC.