Jump to content

Yeezus: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
→Track listing: rm sample credit for "The Beautiful People"--not in cited ref (see also http://www.factmag.com/2013/06/19/full-credits-for-kanye-wests-yeezus-released-marilyn-manson-out-brodinski-and-arca-in/)
Line 123: Line 123:


== Commercial performance ==
== Commercial performance ==
''Yeezus'' debuted at #1 on the [[UK Albums Chart]] on downloads alone, making the album West's first number one on that chart since ''[[Graduation (album)|Graduation]]'' in 2007.<ref name="ukmain" /><ref name=occ1>{{cite web |url=http://www.officialcharts.com/chart-news/kanye-west-scores-number-1-album-with-yeezus-2306/ |title=Kanye West scores Number 1 album with Yeezus |last1=Lane |first1=Daniel |last2= |first2= |date=23 June 2013 |website=[[Official Charts Company]] |publisher= |accessdate=June 23, 2013}}</ref> The album debuted at #1 on the [[Billboard 200]] chart, selling 327,800 copies in the United States in its first week.<ref>{{cite web|url=http://www.hiphopdx.com/index/news/id.24460/title.hip-hop-album-sales-the-week-ending-6-23-2013|title=Hip Hop Album Sales: The Week Ending 6/23/2013|publisher=''HipHopDX'' |accessdate=June 26, 2013}}</ref> ''Yeezus'' became first Kanye West's album which reached #1 position in Australian albums chart.
''Yeezus'' debuted at #1 on the [[UK Albums Chart]] on downloads alone, making the album West's first number one on that chart since ''[[Graduation (album)|Graduation]]'' in 2007.<ref name="ukmain" /><ref name=occ1>{{cite web |url=http://www.officialcharts.com/chart-news/kanye-west-scores-number-1-album-with-yeezus-2306/ |title=Kanye West scores Number 1 album with Yeezus |last1=Lane |first1=Daniel |last2= |first2= |date=23 June 2013 |website=[[Official Charts Company]] |publisher= |accessdate=June 23, 2013}}</ref> The album debuted at #1 on the [[Billboard 200]] chart, selling 327,800 copies in the United States in its first week.<ref>{{cite web|url=http://www.hiphopdx.com/index/news/id.24460/title.hip-hop-album-sales-the-week-ending-6-23-2013|title=Hip Hop Album Sales: The Week Ending 6/23/2013|publisher=''HipHopDX'' |accessdate=June 26, 2013}}</ref>


== Track listing ==
== Track listing ==

Revision as of 05:37, 27 June 2013

Untitled

Yeezus is the sixth solo studio album by American hip hop recording artist and producer Kanye West. It was released June 18, 2013, by Def Jam Recordings. The album was primarily recorded in Paris, with West enlisting various artists and close collaborators for work and production on the album. West enlisted the help of producer Rick Rubin a mere fifteen days shy of its due date to strip down the record's sound in favor of a more minimalist approach.[1]

Musically, Yeezus is darker and sonically experimental, combining elements of Chicago drill, dancehall, acid house, and industrial music. Initial promotion of Yeezus included worldwide video projections of the album's music and live television performances. The album received rave reviews from music critics upon its release, and debuted at #1 on the Billboard 200 selling 327,000 copies in its first week of release.

Background

Yeezus is the rapper's sixth studio album and follows his 2010 effort, My Beautiful Dark Twisted Fantasy. Following that album's release, West collaborated with longtime friend Jay-Z on Watch the Throne (2011). In July 2012, producer No I.D. revealed that he had been working with West on the latter's sixth solo studio album and went on to state that it would be released after Cruel Summer (2012), a collaborative compilation album between members of West's record label GOOD Music.[2] The rapper enlisted several close collaborators, including Kid Cudi and Charlie Wilson, to contribute to the album. Several artists were reported to have worked with West during the production of Yeezus, among these were S1, The Heatmakerz, Mike Dean, Hudson Mohawke, Skrillex, Young Chop, Chief Keef, Frank Ocean, Odd Future, Travis Scott, The-Dream, Cyhi the Prynce, Malik Yusef, King L, John Legend, James Blake, RZA, Mase and Pusha T.[3][4][5][6][7] The final version of the album featured additional vocals by Justin Vernon, Frank Ocean, Chief Keef, King L, Kid Cudi, Assassin and Charlie Wilson.[8]

Architecture was West's top inspiration during the production of Yeezus, and he visited The Louvre several times during a particular furniture exhibit to study design.[9] In particular, a single Le Corbusier lamp was the rapper's "greatest inspiration,"[9] and West worked closely with the architect Oana Stanescu, and would often take "field trips" to Le Corbusier homes. Fascinated by Stanescu's comments regarding the unusual and radical nature of Corbusier design choices, West applied the situation to his own life, feeling that "visionaries can be misunderstood by their unenlightened peers."[10] West also met with architect Joseph Dirand and Begian interior designer Axel Vervoordt, and had "rare Le Corbusier lamps, Pierre Jeanneret chairs and obscure body-art journals from Switzerland" delivered to the loft.[10] The rapper, who hails from Chicago, Illinois, desired to have a deep hometown influence on his sixth effort, and would listen to 1980s house music most associated with the city for influence.[9]

Recording and production

West first began work on Yeezus at his personal loft in Paris, and on numerous occasions visited The Louvre for inspiration.[9]

West first began recording his sixth studio album in mid-2012 with various close collaborators such as No I.D. and DJ Khaled.[11] The music that would become Yeezus would begin to be recorded during January 2013, in his own personal loft's living room at a Paris hotel, referred to in the album's credits as the "No Name Hotel". Due to the poor acoustics of the room, West kept compositions simple in order to hear the tracks more clearly; too much excessive bass or overly complex noises would simply overpower the room.[9] The thumping beats emanating from the loft space, which sometimes lasted throughout the late night, provoked occasional complaints from neighbors.[10] He acknowledged the recording process during a February 2013 concert, commenting that he would "be back in about a couple months."[12] Reports later emerged that he and girlfriend Kim Kardashian had moved to the loft in order for the rapper to begin work on the album.[13]

The atmosphere in the studio was described by Evian Christ as "very focused," and West once again brought in several close collaborators to work toward the one sound he desired. All involved were given a song to work on and return the next day to sit and critique, a process Anthony Kilhoffer compared to an art class.[14] Determined to "undermine the commercial," several tracks were left off the finished product hat were deemed too melodic or more in-line with West's previous material.[14] The rapper set parameters regarding sound and style, insisting that there be no "bass wobbles" reminiscent of dubstep.[14] The album's recording process was described as "very raw" by Thomas Bangalter of French electronic duo Daft Punk, who produced four songs for the album, adding that West was "rapping – kind of screaming primally, actually."[15] While previous albums, particularly Dark Fantasy, took considerable time in the studio, Yeezus was described by Kilhoffer as "the fastest record we ever made."[14] In May 2013, Def Jam executives listened to the "final product," (only later to be changed) describing the album as "dark."[16]

West's creative process often bordered on perfectionist. W writer Christopher Bagley reports that West would often describe the album at various points as near completion, only to follow it a short time later with "only 30 percent complete."[10] West made several last-minute alterations to Yeezus, enlisting Rick Rubin as an executive producer for additional recording mere days before its release; changes included re-recording whole songs and rewriting entire verses.[17] For several days in late May and early June 2013, West and a "rotating group of intimates, collaborators and hangers-on" holed up at Shangri-La Studio in Malibu in service of completing the record.[9] Shangri-la was originally built under the supervision of Bob Dylan and The Band in the 1970s, and the property was purchased by Rubin in 2011.[9] Speaking on the album's recording process, Rubin said: "The album was to be turned in two days later. Kanye was planning to go to Milan that night. Five songs still needed vocals and two or three of them still needed lyrics. In the two hours before he had to run out to catch the plane, he did exactly that: finished all lyrics and performed them with gusto."[18]

Composition

Music and style

According to Charles Aaron of Spin, Yeezus is "a hip hop album, not a rap album", because of how its sounds and subject matter are assembled together, and although listeners can hear "'punk' or 'post-punk' or 'industrial'" throughout, "hip-hop has always been about noise and dissonance and dance music as agitation".[19] Slant Magazine's Ted Scheinman wrote that, with the album, West reconceives the "notion of what kind of music (or noise) can underpin hip-hop."[20] According to music critic Greg Kot, Yeezus is a "hostile, abrasive and intentionally off-putting" album that combines "the worlds of" 1980s Chicago acid-house and 2013 Chicago drill music, 1990s industrial music, and the "avant-rap" of Saul Williams, Death Grips and Odd Future.[21] It incorporates industrial music, trap music, avant-garde, punk rock and new wave.[22][23][improper synthesis?] The record "most closely resembles" 1990s industrial rock, during which the genre had a significant pop culture impact, with artists such as Nine Inch Nails, Ministry, and Marilyn Manson gaining success. The industrial scene created a "vast global underground community," and Esquire notes that one of its epicenters was in Chicago, where West was raised.[24] Evan Rytlewksi of The A.V. Club characterized its opening series of songs as electro and industrial hip hop.[25]

Yeezus is primarily electronic in nature, and boasts distorted drum machines and "synthesizers that sound like they're malfunctioning, low-resolution samplers that add a pixelated digital aura to the most analog sounds."[24] To this end, the album incorporates glitches reminiscent of CD skips or corrupted MP3's, and Auto-Tuned vocals are modulated to a point in which they are difficult to decipher.[24] Esquire cites "On Sight" as an early example of the album's connection to electronic music, citing its "droning synthesizer tone," which is "modulated until the signal starts throwing off harshly treble-heavy spikes and begins to clip, as if it were overloading a digital audio processor."[24]

Yeezus continues West's practice of eclectic samples: the rapper employs an obscure Hindi sample on "I Am a God", and a sample of 1970s hungarian rock group Omega on "New Slaves".[26] "On Sight" interpolates a melody from "Sermon (He'll Give Us What We Really Need)" by the Holy Name of Mary Choral Family, although the track originally sampled an old vocal track from the original recording.[17] As late as a week prior to release, lawyers were forced to track down the choir director and members of the choir on the South Side of Chicago in order to get clearance for such a sample.[27] Def Jam executives were significantly worried enough the deal would not be in place in time for the record's deadline, and producers re-recorded the vocals with a new choir as the sample could not be cleared in enough time.[27]

Song analysis

"I Am a God" was inspired by a "diss" from a major fashion designer, who informed West of his invitation to a widely anticipated runway show on the condition he agree to not attend other shows.[10] "I'm in It" began with a different sample and melody, but West removed the sample and Rubin edited the track down from a six-minute arrangement.[14] "Blood on the Leaves," which samples Nina Simone's 1965 rendition of "Strange Fruit" and was the first track in the first incarnation of the track list, is an example of West's signature dichotomy in which he melds the sacred and profane.[28][14] "Strange Fruit", first recorded by Billie Holiday in 1939, brought the lynchings of black Americans to a "startling poignancy," creating "one of the most towering, important songs of the 20th century." West's anthemic re-telling instead details an MDMA-fueled hookup and the perils of fame.[28]

Packaging

The physical CD edition of Yeezus was released in a clear jewel box with no album artwork, reflecting the minimalist tone. The packaging consists of little more than a piece of red tape and a sticker affixed to the back with sample credits and the album's UPC, along with a front-affixed Parental Advisory label.[29]

Release and promotion

Projection of "New Slaves" on the W Hotel in Los Angeles.

On May 1, 2013, West used the social networking site Twitter to post a single message reading "June Eighteen," leading several media outlets to speculate that the post referred to the release date of West's upcoming album.[30] On May 17, he began promotion of the album by unveiling the previously unreleased song "New Slaves" through video projections in sixty-six assorted locations.[31] The following day, West appeared on the American late-night live television sketch comedy show Saturday Night Live and performed the songs "New Slaves" and "Black Skinhead."[32] He subsequently revealed the album's cover and title, Yeezus, on his official website.[33] The iTunes Store made Yeezus available for pre-order on May 20, but the listing was subsequently taken down for unknown reasons.[34] On May 29, A.P.C. founder Jean Touitou unveiled an advertisement for Yeezus which stated that the album would not be available for pre-order.[35] Speaking about the album's minimal promotion, West stated: "With this album, we ain't drop no single to radio. We ain't got no NBA campaign, nothing like that. Shit, we ain't even got no cover. We just made some real music."[17] The final Yeezus track listing was confirmed by the French branch of Amazon.com on June 12.[36]

Public reaction

Public reaction to Yeezus, including its unorthodox and deliberate lack of promotion as well as its brash and aggressive sound, was mixed, ranging from befuddlement to intense interest. Yeezus was noted as one of the most anticipated releases of 2013 by major publications, but the lack of a major radio single was regarded as a risky move.[37] Regardless, radio stations have still played tracks from Yeezus on air, despite it being a departure from the normal playlists found on hip-hop stations.[38] "When I listen to radio, that ain't where I wanna be no more," stated West at his June 9 Governor's Ball performance, where he unveiled several tracks from the record for the first time. Rolling Stone summarized the audience's response: "Half the crowd cheered, half almost audibly rolled their eyes."[39]

West's June 11 interview with Jon Caramanica of The New York Times was similarly viewed with a mixed reaction, with many outlets mocking the rapper's seemingly vain statements.[40] In the article, West compares himself to Apple co-founder Steve Jobs and refers to himself as "the nucleus of all society."[41]

Yeezus leaked four days prior to release,[42] despite being under a significant level of security. The New York Times wrote that the leak "stirred up a Twitter frenzy" and received widespread media coverage.[43] The Washington Post commented on the significance of the leak: "Kanye West’s new album didn’t leak online over the weekend. It gushed out into the pop ecosystem like a million barrels of renegade crude — ominous, mesmerizing and of great consequence."[44] Critics were very kind to Yeezus regarding critical reviews, but others viewed the release as "musical and commercial suicide," and "fans live-blogged their own befuddlement on Twitter and Facebook."[45] The New Yorker's Sasha Frere-Jones suggests Yeezus may be regarded in coming decades generations will gravitate to the "lean vibrancy" of the record, and may be regarded as more important than any of West's previous works.[40] "One of the most fascinating aspects of Yeezus' arrival is the discursive crisis it's caused, produced by a fast-react culture colliding with a work of art so confounding," wrote The Atlantic columnist Jack Hamilton.[45]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic85/100[46]
Review scores
SourceRating
Allmusic[47]
Chicago Tribune[21]
Entertainment WeeklyA−[48]
The Guardian[49]
Los Angeles Times[22]
New York Daily News[26]
Pitchfork Media9.5/10[50]
Rolling Stone[51]
Spin8/10[52]
USA Today[53]

Upon its release Yeezus received rave reviews from music critics.[54] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 85, which indicates "universal acclaim", based on 39 reviews.[46] Jim Farber of the New York Daily News, in an early review of the leaked edition of Yeezus, called the record "a chutzpah classic," elaborating that "the entire disc rethinks industrial rock of the early '90s for both a new era and genre."[26] Steve Jones of USA Today called the album "immediately stunning [...] he created a polarizing, multi-layered body of work that probably will be debated all summer."[53] Jon Dolan of Rolling Stone called Yeezus a "brilliant, obsessive-compulsive career auto-correct," comparing it to similarly abrasive records: "Every mad genius has to make a record like this at least once in his career – at its nastiest, his makes Kid A or In Utero or Trans all look like Bruno Mars."[51] Pitchfork Media writer Ryan Dombal viewed it a "razor-sharpened take" on West's fourth album, 808s & Heartbreak, concluding that "Cohesion and bold intent are at a premium on Yeezus, perhaps more than any other Kanye album. Each fluorescent strike of noise, incongruous tempo flip, and warped vocal is bolted into its right place across the album's fast 40 minutes."[50]

The Guardian's Alexis Petridis was positive in his assessment of the record: "Noisy, gripping, maddening, potent [...] Yeezus is the sound of a man just doing his job properly."[49] Chicago Tribune writer Greg Kot wrote that "West sounds more complicated than ever, an artist willing to throw himself off the ledge not just to get a reaction, but to open up a conversation about, well, just about everything that matters to him."[21] Randall Roberts of the Los Angeles Times called Yeezus the rapper's "most musically adventurous album [...] It’s also West’s most narcissistic, defiant, abrasive and unforgiving."[22] Jon Pareles of The New York Times commented on the album's mix of genres: "Deploying anything from a Hungarian progressive-rock band to the rasp of dancehall, the album is one long, efficient, inventive kick in the head."[43] Ray Rahman of Entertainment Weekly considered the record a plunge "directly into the darker crevices of his psyche," commending the "dense breathless sound sets the tone for an album that reaches far outside of traditional sample-based hip-hop."[48] Evan Rytlewski, writer for The A.V. Club, wrote that "Even by the standards of an artist who reinvents himself with each release, it’s a drastic departure," calling it West's "loudest and most impulsive album."[25]

David Jeffries of Allmusic called Yeezus an "extravagant stunt with the high-art packed in, offering an eccentric, audacious, and gripping experience that's vital and truly unlike anything else."[47] Dan Buyanovsky of XXL awared the album an "XL" rating, believing the album featured some of West's "most provocative writing to date, and it sees him perfecting his formula of dissecting power and otherness with a masterpiece mix of awareness, ignorant wit and fuck-off confidence."[55] The Independent's Hardeep Phull felt Yeezus less grandiose than previous efforts, elaborating that "Kanye West has emphatically rejected the idea of making another slick hip-hop record precisely because it’s what has become expected of him. It’s not quite godlike, but Yeezus certainly feels like it was created by a higher power."[56] Paste's Ryan Reed called Yeezus the "least likable album Kanye’s ever made," citing several lines on "Bound 2" as a "beautiful blast of humanity on an album—a perplexing, fascinating, absorbing album—that often feels outside normal human grasp."[57] The Washington Post's Chris Richards called West's lyricism on the album "refined and probably his least compelling. But they don’t feel lazy so much as drunk on bitterness."[44] In a more mixed review, Ted Scheinman of Slant Magazine praised the production as "head-spinning," but criticized West's lyrics, commenting that he is "seeking social-commentary cred that he hasn't earned."[20]

Commercial performance

Yeezus debuted at #1 on the UK Albums Chart on downloads alone, making the album West's first number one on that chart since Graduation in 2007.[58][59] The album debuted at #1 on the Billboard 200 chart, selling 327,800 copies in the United States in its first week.[60]

Track listing

Credits adapted from West's official website.[61]

No.TitleWriter(s)Producer(s)Length
1."On Sight"
2:36
2."Black Skinhead"
  • West
  • de Homem-Christo
  • Bangalter
  • Jones
  • Young
  • Rutberg
  • Wasalu Muhammad Jaco
  • Sakiya Sandifer
  • Dean
  • Derrick Watkins
3:08
3."I Am a God" (featuring God)
3:51
4."New Slaves"
4:16
5."Hold My Liquor"
  • West
  • Dean
  • Vernon
  • Keith Cozart
  • Rutberg
  • Smith
  • Jones
  • Alejandro Ghersi
  • Young
  • Watkins
  • Dean
  • West
  • Arca[a]
  • Goldstein[a]
5:26
6."I'm in It"
3:54
7."Blood on the Leaves"
6:00
8."Guilt Trip"
  • West
  • Dean
  • S1
  • Travis Scott[a]
  • Ackee Juice Rockers[a]
4:03
9."Send It Up"
  • West
  • Daft Punk
  • Gesaffelstein[b]
  • Brodinski[b]
  • Arca[a]
  • Dean[a]
2:58
10."Bound 2"
3:49
Total length:40:01
Notes
Sample credits

Charts

Chart (2013) Peak
position
Australian Albums (ARIA)[70] 1
Dutch Albums (Album Top 100)[71] 16
Irish Albums (IRMA)[72] 4
New Zealand Albums Chart 1
Spanish Albums (PROMUSICAE)[73] 94
UK Albums (OCC)[58] 1
US Billboard 200[74] 1

Release history

Region Date Format Label
Australia[75] June 18, 2013 CD Universal
Germany[76]
New Zealand[77] Digital download Def Jam
United States[78] CD, digital download
France[36] June 21, 2013 CD Universal
United Kingdom[79] June 22, 2013 Virgin

References

  1. ^ http://www.thedailybeast.com/newsweek/2013/06/26/rick-rubin-on-crashing-kanye-s-album-in-15-days.html?source=socialflow&account=newsweek&medium=twitter
  2. ^ Markman, Rob (July 5, 2012). "Kanye West To Drop Solo LP After G.O.O.D.'s Cruel Summer". MTV News. MTV. Retrieved May 20, 2013.
  3. ^ Diep, Eric (April 15, 2013). "Here Are the Artists Working on Kanye West's Next Album So Far". XXL. New York. Retrieved May 3, 2013.
  4. ^ Martinez, Erika (May 17, 2013). "Kanye West: Everything We Know About His Upcoming Album (Infographic)". Billboard. Los Angeles. Retrieved June 11, 2013.
  5. ^ Pearlman, Mischa (June 11, 2013). "Kanye West, 'Yeezus', Track-By-Track First Listen". NME. London. Retrieved June 11, 2013.
  6. ^ Ryan, Sean (February 13, 2013). "Kanye West Enlists The-Dream, Malik Yusef For New Solo Album". HipHopDX. Cheri Media Group. Retrieved May 20, 2013.
  7. ^ CyHi The Prynce, 2 Chainz, French Montana, Trinidad James And More Weigh In On "Yeezus" | Get The Latest Hip Hop News, Rap News & Hip Hop Album Sales | HipHop DX
  8. ^ a b c d Yeezus Liner Notes | Complex
  9. ^ a b c d e f g Caramanica, Jon (June 11, 2013). "Behind Kanye's Mask". The New York Times. Retrieved June 13, 2013.
  10. ^ a b c d e Bagley, Christopher (June 19, 2013). "Kanye West: The Transformer". W. Retrieved June 24, 2013.
  11. ^ Kanye West's Yeezus Gets Him 'Don Status' From DJ Khaled - Music, Celebrity, Artist News | MTV.com
  12. ^ Sargent, Jordan (February 26, 2013). "Watch Kanye West Fuel His New Album's Rumor Mill in Paris". Spin. New York. Retrieved May 20, 2013.
  13. ^ Sieczkowski, Cavan (March 4, 2013). "Kanye West, Kim Kardashian Moving To Paris So He Can Work On New Album (Report)". The Huffington Post. New York. Retrieved May 20, 2013.
  14. ^ a b c d e f Dombal, Ryan (June 24, 2013). "The Yeezus Sessions". Pitchfork Media. Retrieved June 26, 2013.
  15. ^ Weiner, Jonah (April 13, 2013). "Daft Punk Reveal Secrets of New Album – Exclusive". Rolling Stone. New York. Retrieved May 20, 2013.
  16. ^ "Kanye West to Release New Album 'Yeezus' on June 18". Rap-Up. Los Angeles. May 18, 2013. Retrieved May 20, 2013.
  17. ^ a b c Michaels, Sean (June 11, 2013). "Kanye West still working on Yeezus even though it's due out next week". The Guardian. London. Retrieved June 11, 2013.
  18. ^ Ahmed, Insanul (June 14, 2013). "Rick Rubin Says Kanye West Recorded Half The Vocals on 'Yeezus' in Two Hours". Complex. New York. Retrieved June 15, 2013.
  19. ^ Aaron, Charles; et al. (June 15, 2013). "Kanye West's 'Yeezus': Our Impulsive Reviews". Spin. New York. Retrieved June 24, 2013. {{cite journal}}: Explicit use of et al. in: |author= (help)
  20. ^ a b "Slant review".
  21. ^ a b c Kot, Greg (June 16, 2013). "Kanye West's 'Yeezus' an uneasy listen". Chicago Tribune. Chicago. Retrieved June 17, 2013.
  22. ^ a b c Roberts, Randall (June 17, 2013). "Review: Kanye West's wildly experimental, narcissistic Yeezus". Los Angeles Times. Los Angeles. Retrieved June 18, 2013.
  23. ^ Kornhaber, Spencer (June 18, 2013). "The Shocking Poignance of Kanye West's Yeezus". The Atlantic. Retrieved June 19, 2013.
  24. ^ a b c d Raymer, Miles (June 18, 2013). "The Chaos of Kanye West's Yeezus". Esquire. Retrieved June 19, 2013.
  25. ^ a b Rytlewski, Evan (June 17, 2013). "Kanye West: Yeezus". The A.V. Club. Retrieved June 18, 2013.
  26. ^ a b c Farner, Jon (June 14, 2013). "'Yeezus' finds Kanye West in a dark, but creative mood". New York Daily News. Retrieved June 14, 2013.
  27. ^ a b c "Chaos over Kanye's album". New York Post. June 10, 2013. Retrieved June 12, 2013.
  28. ^ a b Kaufman, Gil (June 19, 2013). "Kanye West's 'Blood On The Leaves' And The History Of 'Strange Fruit'". MTV News. Retrieved June 26, 2013.
  29. ^ Montgomery, James (June 18, 2013). "Can Kanye's Invisible Yeezus Artwork Still Nab A Best Package Grammy?". MTV News. Retrieved June 19, 2013.
  30. ^ Wood, Mikael (May 2, 2013). "Kanye West reveals June 18 as ... something". Los Angeles Times. Retrieved May 20, 2013.
  31. ^ Battan, Carrie (May 17, 2013). "Watch: Kanye West Projects New Video "New Slaves" on Buildings Around the World". Pitchfork Media. Retrieved May 20, 2013.
  32. ^ Coleman, Miriam (May 19, 2013). "Kanye West Unleashes the Fury of 'Black Skinhead' on 'SNL'". Rolling Stone. New York. Retrieved May 20, 2013.
  33. ^ "Kanye West Unveils 'Yeezus' Artwork". Rap-Up. Los Angeles. May 18, 2013. Retrieved May 20, 2013.
  34. ^ Battan, Carrie (May 20, 2013). "Update: Kanye's Yeezus Listing Removed From iTunes". Pitchfork Media. Retrieved June 11, 2013.
  35. ^ Ahmed, Insanul (May 29, 2013). "Looks Like Kanye West's 'Yeezus' Won't Be Available For Pre-Order". Complex. New York. Retrieved May 30, 2013.
  36. ^ a b "Yeezus: Kanye West" (in French). Amazon.fr. Retrieved June 12, 2013.
  37. ^ Markman, Rob and Montgomery, James (June 11, 2013). "Kanye West's Yeezus -- Our First Take On The Year's Most Anticipated Album". MTV News. Retrieved June 21, 2013.{{cite news}}: CS1 maint: multiple names: authors list (link)
  38. ^ Markman, Rob (June 21, 2013). "Kanye West's Yeezus: Will It Be A Hit On Radio?". MTV News. Retrieved June 21, 2013.
  39. ^ Anderson, Stacy (June 10, 2013). "Kanye West Performs Yeezus Songs at Governors Ball". Rolling Stone. Retrieved June 21, 2013. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  40. ^ a b Frere-Jones, Sasha (June 21, 2013). "Black Noise". The New Yorker. Retrieved June 21, 2013.
  41. ^ Busis, Hillary (June 12, 2013). "The unbearable narcissism (and 'complete awesomeness') of Kanye's big Yeezus interview". Entertainment Weekly. Retrieved June 21, 2013.
  42. ^ Roberts, Randall (June 14, 2013). "Kanye West's Yeezus leaks, Internet goes crazy". Los Angeles Times. Los Angeles. Retrieved June 18, 2013.
  43. ^ a b Pareles, Jon (June 16, 2013). "A Fighter Returns With Angrier Air Punches". The New York Times. Retrieved June 18, 2013.
  44. ^ a b Richards, Chris (June 17, 2013). "Kanye West's Yeezus — a darker, more twisted fantasy". The Washington Post. Retrieved June 18, 2013.
  45. ^ a b Hamilton, Jack (June 21, 2013). "How Kanye West's Yeezus Is Like Sgt. Pepper, or Kid A, or Riot Goin' On". The Atlantic. Retrieved June 21, 2013.
  46. ^ a b "Critic Reviews for Yeezus". Metacritic. CBS Interactive. Retrieved June 17, 2013.
  47. ^ a b "Kanye West - Yeezus". Allmusic. Retrieved June 19, 2013. {{cite journal}}: Cite journal requires |journal= (help)
  48. ^ a b Rahman, Ray (June 17, 2013). "Yeezus, Kanye West". Entertainment Weekly. Retrieved June 18, 2013.
  49. ^ a b Petridis, Alexis (June 17, 2013). "Kanye West: Yeezus – review". The Guardian. Retrieved June 17, 2013.
  50. ^ a b Dombal, Ryan (June 18, 2013). "Kanye West: Yeezus". Pitchfork Media. Retrieved June 18, 2013. {{cite news}}: Italic or bold markup not allowed in: |work= (help)
  51. ^ a b Dolan, Jon (June 14, 2013). "Review: Kanye West, 'Yeezus'". Rolling Stone. New York. Retrieved June 14, 2013.
  52. ^ Tate, Greg (June 18, 2013). "Kanye West, Yeezus (Review)". Spin. Retrieved June 19, 2013.
  53. ^ a b Jones, Steve (June 14, 2013). "'Yeezus' finds Kanye West in a dark, but creative mood". USA Today. McLean. Retrieved June 14, 2013.
  54. ^ Torrente, Ria Kristina (June 19, 2013). "Kanye West's Yeezus Gets Rave Reviews". International Business Times. New York. Retrieved June 22, 2013.
  55. ^ Buyanovsky, Dan (June 18, 2013). "Album Review: Kanye West, Yeezus". XXL. Retrieved June 19, 2013.
  56. ^ Phull, Hardeep (June 14, 2013). "Album review: Kanye West's Yeezus is not as absurdly grandiose as his previous records". The Independent. London. Retrieved June 14, 2013.
  57. ^ Reed, Ryan (June 18, 2013). "Kanye West: Yeezus". Paste. Retrieved June 19, 2013.
  58. ^ a b "Kanye West | Artist | Official Charts". UK Albums Chart.
  59. ^ Lane, Daniel (23 June 2013). "Kanye West scores Number 1 album with Yeezus". Official Charts Company. Retrieved June 23, 2013.
  60. ^ "Hip Hop Album Sales: The Week Ending 6/23/2013". HipHopDX. Retrieved June 26, 2013. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  61. ^ "Credits" (PDF). Retrieved June 22, 2013.
  62. ^ Kanye West’s Album Is Titled ‘Yeezus’ | HYPETRAK
  63. ^ Yeezus Album Review | Music Reviews and News | EW.com
  64. ^ Producer S1 Explains Why Kanye West's 'Guilt Trip' Was Cut From 'Watch The Throne' | Vibe
  65. ^ Kanye West's Yeezus Track Got King Louie To Wake Up And Freestyle - Music, Celebrity, Artist News | MTV.com
  66. ^ Q&A: Charlie Wilson Talks Recording 'Bound 2' For Kanye's 'Yeezus' LP | Vibe
  67. ^ a b c d e f Yeezus (Media notes). Def Jam Recordings. 2013. {{cite AV media notes}}: |format= requires |url= (help); Unknown parameter |artist= ignored (|others= suggested) (help)
  68. ^ Minsker, Evan (June 10, 2013). "Kanye Confirms Daft Punk, Justin Vernon, TNGHT, Chief Keef, Rick Rubin Worked on Yeezus". Pitchfork Media. Retrieved June 11, 2013.
  69. ^ Montgomery, James (June 4, 2013). "Who's Kanye West Sampling In Retro Yeezus Preview?". MTV News. MTV. Retrieved June 11, 2013.
  70. ^ "ARIA Albums Chart – 24/06/2013 (Chartifacts)" (PDF). Australian Recording Industry Association. Retrieved June 25, 2013.
  71. ^ "Dutchcharts.nl – Kanye West – Yeezus" (in Dutch). Hung Medien.
  72. ^ "GFK Chart-Track Albums: Week 25, 2013". Chart-Track. IRMA.
  73. ^ "Spanishcharts.com – {{{artist}}} – {{{album}}}". Hung Medien.
  74. ^ "Kanye West Chart History (Billboard 200)". Billboard.
  75. ^ "Yeezus – West, Kanye". JB Hi-Fi. Archived from the original on June 14, 2013. Retrieved June 14, 2013.
  76. ^ "Yeezus: Kanye West" (in German). Amazon.de. Retrieved June 14, 2013.
  77. ^ "Yeezus by Kanye West". iTunes Store (New Zealand). Apple. Retrieved June 14, 2013.
  78. ^ "Yeezus: Kanye West". Amazon.com. Retrieved June 23, 2013.
  79. ^ "Yeezus: Kanye West". Amazon.co.uk. Retrieved June 15, 2013.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Yeezus&oldid=561780369"