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* "Miss Bolo [...] went straight home, in a flood of tears and a [[sedan chair|sedan-chair]]." ([[Charles Dickens]], [[The Pickwick Papers]], [[wikisource:The Pickwick Papers/Chapter 35|Chapter 35]])
* "Miss Bolo [...] went straight home, in a flood of tears and a [[sedan chair|sedan-chair]]." ([[Charles Dickens]], [[The Pickwick Papers]], [[wikisource:The Pickwick Papers/Chapter 35|Chapter 35]])
* "Give neither counsel nor salt till you are asked for it."<ref>** {{cite book | last1 = Strauss | first = Emanuel | edition = Volume 2 | year = 1994 | title = Dictionary of European proverbs | publisher = Routledge | page = 661 | isbn =0415096243}}</ref> English proverb
* "Give neither counsel nor salt till you are asked for it."<ref>** {{cite book | last1 = Strauss | first = Emanuel | edition = Volume 2 | year = 1994 | title = Dictionary of European proverbs | publisher = Routledge | page = 661 | isbn =0415096243}}</ref> (English proverb)
*"[[Kensington Palace|Here]] Thou, great [[Queen Anne|Anna]]! whom [[United Kingdom|three Realms]] obey,<br/>"Dost sometimes Counsel take {{ndash}} and sometimes Tea." ([[Alexander Pope]], ''[[The Rape of the Lock]]'', Canto III)
*"[[Kensington Palace|Here]] Thou, great [[Queen Anne|Anna]]! whom [[United Kingdom|three Realms]] obey,<br/>Dost sometimes Counsel take {{ndash}} and sometimes Tea." ([[Alexander Pope]], ''[[The Rape of the Lock]]'', Canto III)
* "You are free to execute your laws and your citizens as you see fit." (''[[Star Trek: The Next Generation]]'')
* "You are free to execute your laws and your citizens as you see fit." (''[[Star Trek: The Next Generation]]'')
* "Where the washing is not put out, nor the fire, nor the mistress". ([[Henry David Thoreau]], ''[[Walden]]'')
* "Where the washing is not put out, nor the fire, nor the mistress". ([[Henry David Thoreau]], ''[[Walden]]'')
* "[They] covered themselves with dust and glory." ([[Mark Twain]], ''[[The Adventures of Tom Sawyer]]'')
* "[They] covered themselves with dust and glory." ([[Mark Twain]], ''[[The Adventures of Tom Sawyer]]'')
* Eggs and oaths are soon broken. English proverb<ref>Reported in Strauss, Emmanuel, ''Dictionary of European Proverbs'' (Routledge, 1998), ISBN 0415160502, p. 765.</ref>
* "Eggs and oaths are soon broken." (English proverb)<ref>Reported in Strauss, Emmanuel, ''Dictionary of European Proverbs'' (Routledge, 1998), ISBN 0415160502, p. 765.</ref>


==Type 2==
==Type 2==

Revision as of 12:49, 4 July 2013

This article is about the rhetorical concept. For other uses, see Zeugma and syllepsis (disambiguation).

Zeugma (/ˈzuːɡmə/ ⓘ or /ˈzjuːɡmə/; from the Ancient Greek ζεῦγμα, zeûgma, lit. "a yoking together"[1]) and syllepsis (/sɪˈlɛpsɪs/; from the Ancient Greek σύλληψις, sullēpsis, lit. "a taking together"[2]) are related figures of speech in which different parts of a sentence are joined together by one single phrase or word.[3][4]

Definition

There are multiple and sometimes conflicting definitions for "zeugma" and “syllepsis” in current use. This article will categorize the figures into four types, based on four different definitions. The most common definitions are:

Zeugma: (Type 1) where a single word is used with two other parts of a sentence but must be understood differently in relation to each.[5][6][7][8] This is also called "semantic syllepsis." Example: "He took his hat and his leave."

Syllepsis: (Type 2) where a single word is used in relation to two other parts of a sentence although the word grammatically or logically applies to only one.[9] This is also called "grammatical syllepsis," and is sometimes called Zeugma. Example: "He works his work, I mine." This is "technically" ungrammatical, because "works" does not go with (agree with) "I". The sentence "I works mine" would be ungrammatical. In a syllepsis of this type, sometimes the "error" is logical, rather than grammatical, as in, "They saw lots of thunder and lightning." Logically, they only "saw" the lightning.

There are also the following definitions:

Syllepsis: (Type 3) where a word or phrase is used both in its figurative and literal sense at the same time.[3] Example (advertisement for a transport company): "We go a long way for you."

Zeugma: (Type 4) The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma, describing a zeugma as any case of parallelism and ellipsis working together so that a single word governs two or more other parts of a sentence.[10] To see how this works, start with a parallelism in which a common element is present in each clause:

"Mary likes chocolate, John likes vanilla." Grammatically, this is two "parallel" clauses, each subject-verb-object. The verb "likes" is a common element in each clause.

Now remove the duplicate element. Doing so is called ellipsis:

"Mary likes chocolate, John vanilla." And the result is a zeugma -- parallelism plus ellipsis. Note how the ellipsis word "likes" now is said to "govern" both clauses, and is now called the "governing word."

Zeugmas are also defined in this "Type 4" sense in Samuel Johnson's 18th-century Dictionary of the English Language.[11]

Type 1

Zeugma (often also called Syllepsis, or Semantic Syllepsis): where a single word is used with two other parts of a sentence but must be understood differently in relation to each

This type of figure is not grammatically incorrect, but creates its effect by seeming at first hearing to be incorrect, by exploiting multiple shades of meaning in a single word or phrase.

Type 2

Grammatical Syllepsis (sometimes also called Zeugma): where a single word is used in relation to two other parts of a sentence although the word grammatically or logically applies to only one.

Grammatical syllepsis by definition will most often be grammatically "incorrect" according to prescriptivist rules. However, such solecisms are sometimes not errors but intentional constructions in which the rules of grammar are bent by necessity or for stylistic effect.

Sometimes the "error" is logical, rather than grammatical:

  • "They saw lots of thunder and lightning." Logically, they only "saw" the lightning.

Type 3

A special case of semantic syllepsis occurs when a word or phrase is used both in its figurative and literal sense at the same time.[4] In this case, it is not necessary for the governing phrase to relate to two other parts of the sentence, for example in an advertisement for a transport company: "We go a long way for you." A syllepsis of this type is similar to a homonymic pun.

Type 4

Zeugma: a case of parallelism and ellipsis working together so that a single word governs two or more other parts of a sentence.

  • Vicit pudorem libido timorem audacia rationem amentia. (Cicero, Pro Cluentio, VI.15)
    "Lust conquered shame; audacity, fear; madness, reason."

The more usual way of phrasing this would be: "Lust conquered shame, audacity conquered fear, and madness conquered reason."

  • Histories make men wise; poets, witty; the mathematics, subtile; natural philosophy, deep; moral, grave; logic and rhetoric, able to contend. (Francis Bacon[14]).

The more usual way of phrasing this would be: "Histories make men wise, poets make them witty, the mathematics make them subtile, natural philosophy makes them deep, moral makes them grave, and logic and rhetoric make them able to contend."

There are several other definitions of zeugma, encompassing other ways in which one word in a sentence can relate to two or more others. Even a simple construction such as "this is easy and comprehensible" has been called[3] a "zeugma without complication," because "is" governs both "easy" and "comprehensible."

Specialized figures have been defined to distinguish zeugmas with particular characteristics, such as the following figures that relate to the specific type and location of the governing word:

Prozeugma

A prozeugma,[15] synezeugmenon, or praeiunctio is a zeugma where the governing word occurs in the first clause of the sentence.[16]

  • Vicit pudorem libido timorem audacia rationem amentia. (Cicero, Pro Cluentio, VI.15)
    "Lust conquered shame; audacity, fear; madness, reason."
  • Histories make men wise; poets, witty; the mathematics, subtile; natural philosophy, deep; moral, grave; logic and rhetoric, able to contend. (Francis Bacon[17]).

Mesozeugma

A mesozeugma[18] is a zeugma where the governing word occurs in the middle of the sentence and governs clauses on either side. The form of mesozeugma where the common term is a verb is called "conjunction" (coniunctio) in the Roman Rhetorica ad Herennium.[19]

  • "What a shame is this, that neither hope of reward, nor feare of reproch could any thing move him, neither the persuasion of his friends, nor the love of his country. [sic]" (Henry Peacham[citation needed])

Hypozeugma

Hypozeugma[20] is created by placing last, in a construction containing several words or phrases of equal value, the word or words on which all of them depend.

  • Assure yourself that Damon to his Pythias, Pylades to his Orestes, Titus to his Gysippus, Theseus to his Pyrothus, Scipio to his Laelius, was never found more faithful than Euphues will be to his Philautus. (John Lyly, Euphues)[21]

The more usual way of phrasing this would be: "Assure yourself that Damon was never to his Pythias, Pylades was never to his Orestes, Titus was never to his Gysippus, Theseus was never to his Pyrothus, Scipio was never to his Laelius, found more faithful than Euphues will be to his Philautus."

  • Of soup and love the first is the best. English proverb[22]

The more prosaic way of phrasing this would be: The first soup [from a fresh pot] is the best, and the first love [of your life] is the best.

Both prozeugmas and hypozeugmas are called "adjunctions" (adiunctio) in the Rhetorica ad Herennium.

Diazeugma

A diazeugma[23] is a zeugma where a single subject governs multiple verbs.[citation needed] A diazeugma where a single subject begins the sentence and controls a series of verbs was called a "disjunction" (disiunctio) in the Rhetorica ad Herennium.[19]

Contrasting Figures

Figures contrasting with zeugma would include hypozeuxis, where each clause is independent, and anaphora, where common words are repeated across clauses.

See also

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References

  1. ^ Liddell, H. G. & al. A Greek-English Lexicon. "ζεῦγμα". Perseus Project. Accessed 24 Jan 2013.
  2. ^ Random House Dictionary. "Syllepsis". 2013. Accessed 24 Jan 2013.
  3. ^ a b c "Semantic Relations in the Phenomenon of Syllepsis - Irina Giertz - Google Books". Books.google.se. Retrieved 2013-05-12.
  4. ^ a b "A Dictionary of Literary Devices: Gradius, A-Z - Bernard Marie Dupriez - Google Books". Books.google.se. Retrieved 2013-05-12.
  5. ^ Random House Dictionary. "Zeugma". 2013. Accessed 24 Jan 2013.
  6. ^ Oxford Dictionaries Online. "Zeugma". Oxford Univ. Press. Accessed 24 Jan 2013.
  7. ^ WordNet. "Zeugma". Princeton Univ. Accessed 23 Jan 2013.
  8. ^ Knapp, James F. The Norton Anthology of Poetry. "Glossary of Literary Terms". W.W. Norton & Co., 2005. Accessed 24 Jan 2013.
  9. ^ Random House Dictionary. "Syllepsis". 2013. Accessed 11 May 2013.
  10. ^ Baldick, Chris. The Concise Oxford Dictionary of Literary Terms. "Zeugma". 2004.
  11. ^ Johnson, Samuel. A Dictionary of the English Language. "Zeugma". 1755. Accessed 24 Jan 2013.
  12. ^ ** Strauss, Emanuel (1994). Dictionary of European proverbs (Volume 2 ed.). Routledge. p. 661. ISBN 0415096243.
  13. ^ Reported in Strauss, Emmanuel, Dictionary of European Proverbs (Routledge, 1998), ISBN 0415160502, p. 765.
  14. ^ Bacon, Francis (1601). Of Studies. http://andromeda.rutgers.edu/~jlynch/Texts/studies.html. {{cite book}}: External link in |location= (help)
  15. ^ Brigham Young Dictionary of Figures of Speech. "[1]". Accessed 13 May 2013.
  16. ^ "The intimate art of writing poetry - Ottone Riccio - Google Books". Books.google.se. Retrieved 2013-05-12.
  17. ^ Bacon, Francis (1601). Of Studies. http://andromeda.rutgers.edu/~jlynch/Texts/studies.html. {{cite book}}: External link in |location= (help)
  18. ^ Brigham Young Dictionary of Figures of Speech. "[2]". Accessed 13 May 2013.
  19. ^ a b c Rhetorica ad Herennium. IV. xxvii. Accessed 24 Jan 2013.
  20. ^ Brigham Young Dictionary of Figures of Speech. "[3]". Accessed 13 May 2013.
  21. ^ "The intimate art of writing poetry - Ottone Riccio - Google Books". Books.google.se. Retrieved 2013-05-12.
  22. ^ Strauss, Emanuel (1994). Dictionary of European proverbs (Volume 2 ed.). Routledge. p. 825. ISBN 0415096243. {{cite book}}: More than one of |pages= and |page= specified (help)
  23. ^ Brigham Young Dictionary of Figures of Speech. "[4]". Accessed 13 May 2013.
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