The Decameron (film): Difference between revisions
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| director = [[Pier Paolo Pasolini]] |
| director = [[Pier Paolo Pasolini]] |
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| producer = [[Alberto Grimaldi]] |
| producer = [[Alberto Grimaldi]] |
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| writer = [[Pier Paolo Pasolini]] (from [[Giovanni Boccaccio]] |
| writer = [[Pier Paolo Pasolini]] (from [[Giovanni Boccaccio]]) |
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| cinematography = [[Tonino Delli Colli]] |
| cinematography = [[Tonino Delli Colli]] |
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| distributor = [[United Artists]] |
| distributor = [[United Artists]] |
Revision as of 15:30, 17 September 2013
Il Decameron | |
---|---|
Directed by | Pier Paolo Pasolini |
Written by | Pier Paolo Pasolini (from Giovanni Boccaccio) |
Produced by | Alberto Grimaldi |
Starring | Franco Citti Ninetto Davoli Pier Paolo Pasolini |
Cinematography | Tonino Delli Colli |
Music by | Ennio Morricone |
Distributed by | United Artists |
Release dates | West Germany 29 June 1971 (première at the Berlin Film Festival) US 12 December 1971 |
Running time | 106 minutes |
Country | Italy |
Language | Italian |
The Decameron (Template:Lang-it) is a 1971 film by Italian director Pier Paolo Pasolini, based on the novel Il Decameron by Giovanni Boccaccio. It is the first movie of Pasolini's Trilogy of life, the others being The Canterbury Tales and Arabian Nights.
The tales contain abundant nudity, sex, slapstick and scatological humor. The film was entered into the 21st Berlin International Film Festival, where it won the Silver Bear Extraordinary Jury Prize.[1]
Plot
The film, shot in Neapolitan dialect at the behest of the director, offers a variety of episodes from the stories most characteristic work of Giovanni Boccaccio, and are connected by the sequence of a pupil of the painter Giotto (played by Pasolini himself) that arrives in Naples to paint a mural. In the first story, Andreuccio of Perugia is cheated by a fraud Neapolitan which places him in a sea of excrement. The young man is found in the pulp by two thieves who are attempting a coup at a nearby church to steal the jewels of the corpse of a bishop who died a few days earlier. Andreuccio is persuaded and, with a brilliant ruse, manages to steal for himself even the most beautiful ring of the deceased.
In the second episode, a young man is instigated by some nuns in a convent to have sex with them. In fact, the young man already had the idea of having hot adventures with the nuns, pretending to be deaf and dumb, but now he unleashes pure fun. However, the sisters proved to be very horny and insatiable. So, exasperated, the young man starts talking and cursing. The mother prioress announces that a happy miracle has been bestowed by God on the young man, but in reality this is an excuse to keep the young man with the other sisters in the convent to make love every night.
In the third episode, the commoner Peronella makes a cuckhold of her dimwitted husband. While having sex with the adulterer her husband unexpectedly comes home for a holiday. The adulterer hides in a large pot while the husband reveals that he has a buyer for the pot with him. Peronella quickly says that she already has a buyer and that he's inspecting the pot. The husband accepts this and goes to the pot room where the adulterer says that the inside of the pot is dirty. The wife tells the husband to clean it before selling it, and while he's inside his wife and the adulterer have sex outside. The dimwitted husband doesn't notice anything.
In France Ser Ciappelletto the merchant is sent to a deal by two of his friends. The man in his life he devoted his soul to sin, seduction and profit, disregarding all moral and ethical values. In fact, God punishes him with a serious illness that forced him to the bed and then death. But Ciappelletto wants to confess and call a monaco that tells a myriad of lies, consider making a true saint. After his death, Ciappelletto will be revered as a martyr.
In the story follows two lovers meet to organize a fraud against her parents and come together on the terrace. The next morning the parents of the girl are the two lovers naked, but recognizing the man in the boy a good match to earn some money as dowry, allowing his daughter to marry him.
Later in Sicily the girl Elizabeth, attractive in appearance and possessing great wealth, falls in love with Lorenzo, a young employee of her brothers. However, her brothers discover their love and conspire to murder Lorenzo in order to save their family's honor. They bury Lorenzo's body far from home but Elizabeth is led to the corpse of her beloved through a dream. she has of Lorenzo. When Elizabeth finds the body, she cuts off his head and brings it back to her beedroom where she hides inside a pot of basil that she tends to every day.
In the next episode the commoner Gemmata is deceived by a doctor that she can be turned into horse and then back into a human. So she decides to try, with the consent of the foolish husband farmer to sow the fields without working much better. In fact, the doctor's excuse has been engineered to perfection to have sex with the woman, through an anal intercourse at the time of magic ritual.
The last story involves two characters from Naples that they will agree to inform each other about how the Paradise or the Hell when they would die. After a while 'time one of the two dies. But the other was terrified of ending up in the Underworld because she had too many sexual relations with his wife. One night his friend in a dream, telling him that the place where he is, Limbo, not serving sentences for sexual acts. At the end of the story of the painter Giotto completed his fresco, on which the episodes of the film alternated harmoniously. The painting shows the Madonna and baby Jesus and brothers happy they start ringing the bells.
List of tales
- Second day, fifth tale - A young boy from Perugia is swindled twice, but ends up becoming rich.
- Third day, first tale - A man pretends to be a deaf-mute in a convent of curious nuns.
- Seventh day, second tale - A woman must hide her lover when her husband comes home unexpectedly.
- First day, first tale - A scoundrel fools a priest on his deathbed
- Sixth day, fifth tale - A group of painters wait for inspiration.
- Fifth day, fourth tale - A young girl sleeps on the roof to meet her boyfriend at night.
- Fourth day, fifth tale - Three brothers take revenge on their sister's lover
- Ninth day, tenth tale - A man tries to seduce the wife of his friend.
- Seventh day, tenth tale - Two friends make a pact to find out what happens after death.
Cast
- Franco Citti - Ciappelletto
- Ninetto Davoli - Andreuccio of Perugia
- Jovan Jovanovic - Rustico (scenes deleted)
- Vincenzo Amato - Masetto of Lamporecchio
- Angela Luce - Peronella
- Giuseppe Zigaina - Monk
- Gabriella Frankel
- Vincenzo Cristo
- Pier Paolo Pasolini - Allievo di Giotto (as P.P. Pasolini)
- Giorgio Iovine
- Salvatore Bilardo
- Vincenzo Ferrigno - Giannello
- Luigi Seraponte
- Antonio Diddio
- Mirella Catanesi
References
- ^ "Berlinale 1971: Prize Winners". berlinale.de. Retrieved 2010-03-14.
External links
- The Decameron at IMDb
- Decameron, The at the TCM Movie Database
- Il Decameron at Rotten Tomatoes
- Template:Amg movie
- 1971 films
- 1970s comedy films
- 1970s fantasy films
- Adaptations of works by Giovanni Boccaccio
- Anthology films
- Decameron
- Italian films
- Italian-language films
- Films based on novels
- Films directed by Pier Paolo Pasolini
- Films set in the Middle Ages
- Sex comedy films
- United Artists films
- Films set in Italy
- Films set in Naples
- Films set in France
- Films set in Sicily
- Film scores by Ennio Morricone
- 1970s Italian film stubs