Bolognese school: Difference between revisions
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* [[Marcantonio Franceschini]] |
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* [[Guido Cagnacci]] (1601-1663) |
* [[Guido Cagnacci]] (1601-1663) |
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* [[Giuseppe Mazza]] (sculptor, 1653-1741) |
* [[Giuseppe Maria Mazza]] (sculptor, 1653-1741) |
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* [[Lorenzo Garbieri]] (1580-1654) |
* [[Lorenzo Garbieri]] (1580-1654) |
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* [[Domenico Maria Canuti]](1620-1660) |
* [[Domenico Maria Canuti]](1620-1660) |
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Revision as of 19:42, 21 November 2013
The Bolognese School or the School of Bologna of painting flourished in Bologna, the capital of Emilia Romagna, between the 16th and 17th centuries in Italy, and rivalled Florence and Rome as the center of painting. Its most important representatives include the Carracci family, including Ludovico, and his two cousins, the brothers Agostino and Annibale. Later, it included other prominent Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
List of artists
Period of Activity: 1501–1600
- Amico Aspertini (1474-1552)
- Girolamo da Treviso (1497-1544)
- Pier Maria Pennacchi (1464 - before 1516)
- Girolamo da Carpi
- Denys Calvaert
- Pietro Faccini (1552-1614)
- Prospero Fontana (1512-1597)
- Lavinia Fontana (1552-1614)
- Giovanni Francesco Bezzi (Nosadella) (1530-1571)
- Bartolomeo Passerotti (1529-1592)
- Bartolomeo Cesi (1556-1629)
- Annibale Carracci (1560-1609)
- Ludovico Carracci (1555-1619)
- Agostino Carracci (1557-1602)
- Carlo Bononi (1569- c.1632)
- Sisto Badalocchio (1581-c.1647)
- Camillo Procaccini
1601–1650
- Angelo Michele Toni
- Benedetto Gennari
- Guido Reni (1575-1642)
- Domenichino (1581-1641)
- Francesco Albani (1578-1660)
- Giovanni Francesco Barbieri (Guercino) (1591-1666)
- Lionello Spada
- Lucio Massari
- Francesco Brizio
- Giacomo Cavedone
- Bartolomeo Schedoni
- Francesco Gessi (1558-1649)
- Simone Cantarini (Il Pesarese) (1612-1648)
- Carlo Cignani (1628-1719)
- Giovanni Antonio Burrini
- Giovanni Gioseffo dal Sole
- Lorenzo Pasinelli (1629-1772)
- Elisabetta Sirani (1638-1665)
- Marcantonio Franceschini
- Guido Cagnacci (1601-1663)
- Giuseppe Maria Mazza (sculptor, 1653-1741)
- Lorenzo Garbieri (1580-1654)
- Domenico Maria Canuti(1620-1660)
- Angelo Michele Colonna(1604-1687)
- Agostino Mitelli (1609-1660).
- Enrico Haffner (1640-1702)
- Giovannni Maria Bibiena
- Giovan Giacomo Monti
- Giovanni Battista Viola
- Alessandro Tiarini
- Giovanni Andrea Donducci (il Mastelletta)
1650–1700 and after
- Giuseppe Maria Crespi (1665-1747)
- Ubaldo Gandolfi
See also
References
Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. {{cite book}}: |author= has generic name (help)