Courante: Difference between revisions
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'''Courante''' is a dance from the [[Baroque]] era and of [[France|French]] origin. [[Triple-meter]] (three beats to a bar). It is generally the second (or third, if a [[prelude (music)|prelude]] is used) movement of the [[Suite de Danses]]. It often has a lively mood. |
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El ''' de Courante del ''' es una danza a partir [[Barroco]] de la era y [[France|French]] del origen. [[Triple-metro]] (tres golpes a una barra). Es la segunda (o tercera, si a [|prelude [del preludio (música)]] es generalmente) movimiento usado del [[Suite de Danses]]. Tiene a menudo un humor animado. En el más adelante [[renacimiento]] la danza fue hecha con pasos rápidos del funcionamiento y el saltar, según lo descrito cerca [[Thoinot Arbeau]]. Estos pasos se piensan a veces para ser rotos para arriba por los saltos entre los pasos, pero esto no es apoyada por las instrucciones de Arbeau, que describen cada “saut” como dando por resultado la terminación de una nueva colocación del pie. La versión barroca de la danza era más lenta. Antes de su encarnación barroca francesa, era italiana [[corrente]]. La danza italiana era más rápida, lupulización y funcionamiento, una danza del courtship; sin embargo, no está clara de versiones anteriores de este artículo si esto es perceptiblemente diferente del renacimiento francés Courante, o si está basada en una independiente de la fuente de Arbeau. Durante su uso más común, en el período barroco, el courante vino en dos varietes; Francés e italiano. El tipo francés tenía muchos cruz-acentos y era una danza animada. El courante italiano era más de flujo libre y funcionamiento. En una habitación barroca de la danza, bajó siempre entre [[Allemande]] y [[Sarabande]]. Algunos compositores de esta forma de la danza incluyen a Juan/a Jean Loeillet y a José Haydn. {{bailar-trozo}} [[categoría: Danza histórica]] [[categoría: Formas musicales]] [[de: Courante]] [[fa: کورانت]] [[franco: Courante]] [[él: קוראנט]] [[hu: Courante]] [[ja: クーラント]] [[pl: Courante]] [[fi: Courante]] |
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In the later [[Renaissance]] the dance was done with fast running and jumping steps, as described by [[Thoinot Arbeau]]. These steps are sometimes thought to be broken up by hops between the steps, but this is not supported by Arbeau's instructions, which describe each "saut" as resulting in the completion of a new foot placement. The Baroque version of the dance was slower. |
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Before its French Baroque incarnation, it was Italian [[corrente]]. The Italian dance was faster, hopping and running, a courtship dance; however, it is not clear from previous versions of this article whether this is significantly different from the French Renaissance Courante, or whether it is based on a source independent of Arbeau. |
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During its most common usage, in the Baroque period, the courante came in two varietes; French and Italian. The French type had many cross-accents and was a lively dance. The Italian courante was more free-flowing and running. In a Baroque dance suite, it always fell between the [[Allemande]] and the [[Sarabande]]. |
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Some composers of this dance form include John/Jean Loeillet and Joseph Haydn. |
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{{dance-stub}} |
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[[Category:Historical dance]] |
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[[Category:Musical forms]] |
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[[de:Courante]] |
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[[fa:کورانت]] |
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[[fr:Courante]] |
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[[he:קוראנט]] |
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[[hu:Courante]] |
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[[ja:クーラント]] |
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[[pl:Courante]] |
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[[fi:Courante]] |
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Revision as of 01:58, 13 June 2006
Courante is a dance from the Baroque era and of French origin. Triple-meter (three beats to a bar). It is generally the second (or third, if a prelude is used) movement of the Suite de Danses. It often has a lively mood.
In the later Renaissance the dance was done with fast running and jumping steps, as described by Thoinot Arbeau. These steps are sometimes thought to be broken up by hops between the steps, but this is not supported by Arbeau's instructions, which describe each "saut" as resulting in the completion of a new foot placement. The Baroque version of the dance was slower.
Before its French Baroque incarnation, it was Italian corrente. The Italian dance was faster, hopping and running, a courtship dance; however, it is not clear from previous versions of this article whether this is significantly different from the French Renaissance Courante, or whether it is based on a source independent of Arbeau.
During its most common usage, in the Baroque period, the courante came in two varietes; French and Italian. The French type had many cross-accents and was a lively dance. The Italian courante was more free-flowing and running. In a Baroque dance suite, it always fell between the Allemande and the Sarabande. Some composers of this dance form include John/Jean Loeillet and Joseph Haydn.
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