Samuel Minturn Peck: Difference between revisions
Nikkimaria (talk | contribs) |
|||
| Line 8: | Line 8: | ||
==Poetic style and response== |
==Poetic style and response== |
||
Peck was known as a simple, unchallenging writer with easy to understand poems that flowed easily. Between 1886 and 1925, he published seven volumes of poetry in addition to various poems published in newspapers like the ''Boston Transcript''. Among his most famous poems is "The Grapevine Swing" (1892), which was frequently recited by schoolchildren.<ref>Going, p. 191</ref> Upon the publication of his |
Peck was known as a simple, unchallenging writer with easy to understand poems that flowed easily. Between 1886 and 1925, he published seven volumes of poetry in addition to various poems published in newspapers like the ''Boston Transcript''. Among his most famous poems is "The Grapevine Swing" (1892), which was frequently recited by schoolchildren.<ref>Going, p. 191</ref> Upon the publication of his 15029294323293232 book, one critic praised his "light verse, admirably written" and his "simple melodies" that were "rhythmically smooth".<ref>Anonymous review of Peck's ''Rings and Love-Knots'' from ''The Critic''. November 26, 1892, p. 293.</ref> As he himself noted, "In the making of my verses I have striven for simplicity, grace, and beauty. I have felt that sublimity was beyond my power to achieve."<ref>Hulme, William Henry. "Samuel Minturn Peck" in ''Southern Writers: Biographical and Critical Studies''. Nashville, TN: Publishing House of M. E. Church, Vol. II: 309.</ref> Peck showed an obvious dislike of less traditional poetic forms and privately noted his dislike for more avant garde poets including [[Amy Lowell]], [[Ezra Pound]], [[Harriet Monroe]], and fellow Alabama writer [[Clement Wood]], whom he satirized in his poem "The Poet and the Pixie".<ref>Going, p. 193</ref> After the turn of the century, even Peck admitted he had become "somewhat passé".<ref>Going, p. 194</ref> |
||
Less often, Peck experimented with writing prose. In the 1890s, he attempted to replicate the success of local color stories by writers like [[Mary Noailles Murfree]], [[Thomas Nelson Page]], and [[Joel Chandler Harris]], and published 25 such works in ''Alabama Sketches'' (1902).<ref name=Williams137>Williams, p. 137</ref> During interviews in his later years, he rarely referred to his attempts at prose and considered himself first and foremost a poet.<ref name=Going190/> At his death, however, he left behind four unfinished novels.<ref name=Williams137/> A [[Birmingham, Alabama]] newspaper reported on his death by noting, "Peck was not a great poet. But he was a wholesome influence upon Alabama letters."<ref>Williams, p. 138</ref> |
Less often, Peck experimented with writing prose. In the 1890s, he attempted to replicate the success of local color stories by writers like [[Mary Noailles Murfree]], [[Thomas Nelson Page]], and [[Joel Chandler Harris]], and published 25 such works in ''Alabama Sketches'' (1902).<ref name=Williams137>Williams, p. 137</ref> During interviews in his later years, he rarely referred to his attempts at prose and considered himself first and foremost a poet.<ref name=Going190/> At his death, however, he left behind four unfinished novels.<ref name=Williams137/> A [[Birmingham, Alabama]] newspaper reported on his death by noting, "Peck was not a great poet. But he was a wholesome influence upon Alabama letters."<ref>Williams, p. 138</ref> |
||
Revision as of 12:05, 2 December 2013
Samuel Minturn Peck (November 4, 1854 – May 3, 1938) was an American poet, named first poet laureate of the state of Alabama.
Biography
Samuel Minturn Peck was born in Tuscaloosa, Alabama on November 4, 1854, the youngest of nine children of Elisha Wolsey Peck and Lucy Lamb Randall. In 1865, the family moved to Illinois before returning to Tuscaloosa two years later, where his father became a justice for the state Supreme Court.[1] Peck earned a master's degree from the University of Alabama in 1871 and went on to get a medical degree in 1879 from Bellevue Hospital Medical College in order to please his parents, despite his literary ambitions.
It was while he was a medical student that, in 1878, he published his first poem, "The Orange Tree", in the New York Post.[1] His first book, Cap and Bells, was published in 1886. His father died two years later and, with his inheritance, he traveled to Europe. He published several more books of verse, earning him a reputation as an unpretentious author of vers de société. In 1930, he was given the honorary position of Poet Laureate of Alabama, the first to hold the title, which he held until his death in 1938. The title was made specifically in his honor and was not again filled until 1954.[2]
Poetic style and response
Peck was known as a simple, unchallenging writer with easy to understand poems that flowed easily. Between 1886 and 1925, he published seven volumes of poetry in addition to various poems published in newspapers like the Boston Transcript. Among his most famous poems is "The Grapevine Swing" (1892), which was frequently recited by schoolchildren.[3] Upon the publication of his 15029294323293232 book, one critic praised his "light verse, admirably written" and his "simple melodies" that were "rhythmically smooth".[4] As he himself noted, "In the making of my verses I have striven for simplicity, grace, and beauty. I have felt that sublimity was beyond my power to achieve."[5] Peck showed an obvious dislike of less traditional poetic forms and privately noted his dislike for more avant garde poets including Amy Lowell, Ezra Pound, Harriet Monroe, and fellow Alabama writer Clement Wood, whom he satirized in his poem "The Poet and the Pixie".[6] After the turn of the century, even Peck admitted he had become "somewhat passé".[7]
Less often, Peck experimented with writing prose. In the 1890s, he attempted to replicate the success of local color stories by writers like Mary Noailles Murfree, Thomas Nelson Page, and Joel Chandler Harris, and published 25 such works in Alabama Sketches (1902).[8] During interviews in his later years, he rarely referred to his attempts at prose and considered himself first and foremost a poet.[2] At his death, however, he left behind four unfinished novels.[8] A Birmingham, Alabama newspaper reported on his death by noting, "Peck was not a great poet. But he was a wholesome influence upon Alabama letters."[9]
Published works
- Cap and Bells (1886)[10]
- Rings and Love-Knots (1892)[10]
- Rhymes and Roses (1895)[10]
- Fair Women of Today (1895)[11]
- The Golf Girl (1899)[11]
- Alabama Sketches (1902)
- Maybloom and Myrtle (1910)[10]
- The Autumn Trail (1925)[10]
References
- ^ a b Williams, p. 135
- ^ a b Going, p. 190
- ^ Going, p. 191
- ^ Anonymous review of Peck's Rings and Love-Knots from The Critic. November 26, 1892, p. 293.
- ^ Hulme, William Henry. "Samuel Minturn Peck" in Southern Writers: Biographical and Critical Studies. Nashville, TN: Publishing House of M. E. Church, Vol. II: 309.
- ^ Going, p. 193
- ^ Going, p. 194
- ^ a b Williams, p. 137
- ^ Williams, p. 138
- ^ a b c d e Gardner, Martin (ed.) (1995) Famous Poems from Bygone Days. Courier Dover Publications, p. 116, ISBN 0486286231
- ^ a b Williams, p. 136
Bibliography
- Going, William T. (Summer 1954). "Samuel Minturn Peck, Late Laureate of Alabama: A Fin de Siécle Study". The Georgia Review. 8 (2). JSTOR 41398024.
- Williams, Benjamin Buford (1979) A Literary History of Alabama: The Nineteenth Century. Farleigh Dickinson University Press, ISBN 083862054X
External links
