Come to the Sunshine: Difference between revisions
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==Composition== |
==Composition== |
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It was composed in the summer of 1965 while Parks was living in the rear apartment at 7222 1/2 Melrose Avenue in [[Hollywood]]. The arrangement is characteristically jumbled, featuring multiple overlapping vocals by Parks, as well as a jazzy piano and a busy mandolin. He's said it to have been inspired by [[Snuff Garrett]]’s "50 Guitars Go South of the Border" and his father’s [[Great Depression|Depression-era]] dance band The White Swan Serenaders.<ref>{{cite web|last=Inman|first=Davis|title=Van Dyke Parks, |
It was composed in the summer of 1965 while Parks was living in the rear apartment at 7222 1/2 Melrose Avenue in [[Hollywood]]. The arrangement is characteristically jumbled, featuring multiple overlapping vocals by Parks, as well as a jazzy piano and a busy mandolin. He's said it to have been inspired by [[Snuff Garrett]]’s "50 Guitars Go South of the Border" and his father’s [[Great Depression|Depression-era]] dance band The White Swan Serenaders.<ref>{{cite web|last=Inman|first=Davis|title=Van Dyke Parks, "Come To The Sunshine"|url=http://www.americansongwriter.com/2011/11/van-dyke-parks-come-to-the-sunshine/|work=American Songwriter|publisher=americansongwriter.com|accessdate=1 August 2013|archiveurl=http://web.archive.org/web/20111116025526/http://www.americansongwriter.com/2011/11/van-dyke-parks-come-to-the-sunshine/|archivedate=November 16th, 2011|date=November 14, 2011}}</ref> It was written especially for his father, in honor of "what he was doing at the time." Parks added, "I thought that he would think it was very wonderful, and I don't think he thought it was very wonderful."<ref>{{cite web|last=Claster|first=Bob|title=A Visit With Van Dyke Parks|url=http://www.bobclaster.com/radioshows/Van%20Dyke%20Parks.mp3|work=Bob Claster's Funny Stuff|publisher=bobclaster.com|accessdate=1 August 2013|date=February 13, 1984}} {{YouTube|id=8a7EjakxeCc|title=YouTube mirror}}</ref> |
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The lyrics at the time were oblique, atypical for pop music in 1966, and was one of the many songs heralding the imminent 1960s [[psychedelic music|psychedelic era]]. It would signify many things to come for Parks, including his lyrical collaborations with [[The Beach Boys]] aborted ''[[Smile (The Beach Boys album)|Smile]]'' album and his 1968 solo debut ''[[Song Cycle (album)|Song Cycle]]''. |
The lyrics at the time were oblique, atypical for pop music in 1966, and was one of the many songs heralding the imminent 1960s [[psychedelic music|psychedelic era]]. It would signify many things to come for Parks, including his lyrical collaborations with [[The Beach Boys]] aborted ''[[Smile (The Beach Boys album)|Smile]]'' album and his 1968 solo debut ''[[Song Cycle (album)|Song Cycle]]''. |
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Revision as of 08:52, 22 December 2013
| "Come to the Sunshine" | |
|---|---|
| Song | |
| B-side | "Farther Along" |
"Come to the Sunshine" is a song written and recorded by Van Dyke Parks and covered by several other artists. It was one of two 45rpm singles Parks would issue through the MGM label in 1966 before moving to Warner Bros. in 1968.
Composition
It was composed in the summer of 1965 while Parks was living in the rear apartment at 7222 1/2 Melrose Avenue in Hollywood. The arrangement is characteristically jumbled, featuring multiple overlapping vocals by Parks, as well as a jazzy piano and a busy mandolin. He's said it to have been inspired by Snuff Garrett’s "50 Guitars Go South of the Border" and his father’s Depression-era dance band The White Swan Serenaders.[1] It was written especially for his father, in honor of "what he was doing at the time." Parks added, "I thought that he would think it was very wonderful, and I don't think he thought it was very wonderful."[2]
The lyrics at the time were oblique, atypical for pop music in 1966, and was one of the many songs heralding the imminent 1960s psychedelic era. It would signify many things to come for Parks, including his lyrical collaborations with The Beach Boys aborted Smile album and his 1968 solo debut Song Cycle.
It was recorded in one day and in just three takes,[3] along with his other singles released on his short tenure with the MGM label. The B-side was "Father Along", which was in a similar sunshine pop style as "Come to the Sunshine".
Parks has reflected of the song years later, exclaiming "it was a good work! A fine example of plectrum arranging."
Releases
A year later in 1967, "Come to the Sunshine" was covered by the Warner Bros. sunshine pop group Harpers Bizarre, as the opening track on their debut album, Feelin' Groovy. Parks himself was present on the album's recording sessions, and plays keyboard on the track.
The song was also covered by The Pleasure Fair in 1967.
Another cover was recorded in 1971 by The Esso Trinidad Steel Band for their album Esso, which was also produced by Parks and contains guest vocals by him.
The song as it was recorded by Parks in 1966 remained out of print for many years, and is a rare, sought after collector's item. It was included on the 2011 Parks compilation Arrangements, Volume 1, alongside other rarities such as "The Eagle And Me", "Farther Along", "Out On The Rolling Sea When Jesus Speak To Me", and the mono single mix of "Donovan's Colours".
Personnel
- Musicians
- Van Dyke Parks – writer, main performer, keyboards
- The Wrecking Crew - other instrumentation
- Production
- Tom Wilson and Tim Alvorado – producers
References
- ^ Inman, Davis (November 14, 2011). "Van Dyke Parks, "Come To The Sunshine"". American Songwriter. americansongwriter.com. Archived from the original on November 16th, 2011. Retrieved 1 August 2013.
{{cite web}}: Check date values in:|archivedate=(help) - ^ Claster, Bob (February 13, 1984). "A Visit With Van Dyke Parks". Bob Claster's Funny Stuff. bobclaster.com. Retrieved 1 August 2013. YouTube mirror on YouTube
- ^ Arrangements, Vol. 1 (Media notes). 2011.
{{cite AV media notes}}:|format=requires|url=(help); Cite has empty unknown parameter:|notestitle=(help); Unknown parameter|artist=ignored (|others=suggested) (help)