Gainor Roberts: Difference between revisions
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== Life == |
== Life == |
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Born and raised in Philadelphia, PA, Roberts had an early interest in art that was not encouraged by her Quaker upbringing. She was exposed to art due to her great-great-aunt, Ellen Wetherald Ahrens,<ref>The permanent collection of the Philadelphia Museum of Art includes three Ahrens paintings; for thumbnails see http://www.philamuseum.org/collections/results.html?searchTxt=ellen+wetherald+ahrens&bSuggest=1&keySearch=+Search+&searchNameID=&searchClassID=&searchOrigin=&searchDeptID=&page=1; five Ahrens works are in Philadelphia’s Woodmere Museum of Art (http://woodmereartmuseum.org/).</ref> a well-known Victorian-era artist who had studied with [[Howard Pyle]] and [[Thomas Eakins]]. While Roberts often skipped school to draw pictures at home, she had no formal training in art until age 18. Her family would not permit her to enter college as an art major. Instead she attended a summer program taught by the portrait and figure painter |
Born and raised in Philadelphia, PA, Roberts had an early interest in art that was not encouraged by her Quaker upbringing. She was exposed to art due to her great-great-aunt, Ellen Wetherald Ahrens,<ref>The permanent collection of the Philadelphia Museum of Art includes three Ahrens paintings; for thumbnails see http://www.philamuseum.org/collections/results.html?searchTxt=ellen+wetherald+ahrens&bSuggest=1&keySearch=+Search+&searchNameID=&searchClassID=&searchOrigin=&searchDeptID=&page=1; five Ahrens works are in Philadelphia’s Woodmere Museum of Art (http://woodmereartmuseum.org/).</ref> a well-known Victorian-era artist who had studied with [[Howard Pyle]] and [[Thomas Eakins]]. While Roberts often skipped school to draw pictures at home, she had no formal training in art until age 18. Her family would not permit her to enter college as an art major. Instead she attended a summer program taught by the portrait and figure painter [[Robert Brackman]], whose emphasis on classical technique and color was a defining influence. Roberts studied with Brackman in the summers while attending [[Elmira College]] as an English major. After graduating from Elmira, Roberts studied painting at the [[Art Students League of New York|Art Students’ League]] in NYC. Later she worked as a graphic artist. |
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In the mid 1970s, she became staff graphic artist at [[Mystic Seaport]]. For almost a decade Roberts and her husband traveled around the country, living first on a 31-foot sailing sloop and then in an Airstream RV trailer. During this period, she had little opportunity for painting. In the late 1980s she returned to school in order to refresh her skills. Roberts studied at the National |
In the mid 1970s, she became staff graphic artist at [[Mystic Seaport]]. For almost a decade Roberts and her husband traveled around the country, living first on a 31-foot sailing sloop and then in an Airstream RV trailer. During this period, she had little opportunity for painting. In the late 1980s she returned to school in order to refresh her skills. Roberts studied at the [[National academy of design|National Academy of Design]] in NYC with [[Mary Beth McKenzie]] and James Childs<ref>Americangallery.wordpress.com/category/childs-james/; accessed Jan. 3, 2014</ref>, and at [[Lyme Academy College of Fine Arts|Lyme Academy of Fine Arts]] in Old Lyme, Connecticut with Deane Keller. She also took workshops with [[Aaron Shikler]]. In addition, Roberts studied sculpture at Lyme Academy with Laci de Gerenday.<ref>The Courant, “L. De Gerenday,” June 19, 2001, (articles.courant.com/2001-06-19/news/0106190448_1_new-york-art-world-fine-art-longtime-artist); accessed Jan. 3, 2014 </ref> |
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In the 1990s, Roberts began creating works in monotype and moved to Westerly, Rhode Island, where she and another artist ran their own gallery. In 2001 Roberts moved to Zephyrhills, Florida. She is Art Curator of the Carrollwood Cultural Center in Tampa, exhibits in several venues in the greater Tampa area and teaches classes and private students. |
In the 1990s, Roberts began creating works in monotype and moved to Westerly, Rhode Island, where she and another artist ran their own gallery. In 2001 Roberts moved to Zephyrhills, Florida. She is Art Curator of the Carrollwood Cultural Center in Tampa, exhibits in several venues in the greater Tampa area and teaches classes and private students. |
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== Egg Tempera and Genesis Series == |
== Egg Tempera and Genesis Series == |
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In 2003, Roberts began experimenting with the demanding medium of |
In 2003, Roberts began experimenting with the demanding medium of [[Egg tempera|egg tempera]]. She was drawn to it because of the luminous color still seen in medieval and early Renaissance masterworks.<ref>http://www.italian-renaissance-art.com/egg-tempera.html ; The Tampa Tribune, Across Pasco, “No Joking, This Artist is into Yolking,” June 14, 2005. </ref> Roberts has written a monograph on the technique and now teaches master classes in egg tempera. |
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| ⚫ | The Genesis Series, Roberts’ best known series of egg tempera paintings, represent a high point of her use of color and form to layer meaning into her work. The small (typically 6” x 8”) paintings are studies of organic form, sacramentalized by the radiant egg tempera color. All show the ovary of a fruit or vegetable, opened and frozen in time. Tenderly examining the plant flesh, the paintings focus on the seeds, cradled and glistening with life.<ref>Centerpieces, “Story of a Picture,” 2, no. 4, p. 3-4 (http://www.carrollwoodcenter.org/wp-content/uploads/2012/06/2009-Winter-Centerpieces.pdf) </ref> |
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Roberts has written a monograph on the technique and now teaches master classes in egg tempera. |
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| ⚫ | The Genesis Series, Roberts’ best known series of egg tempera paintings, represent a high point of her use of color and form to layer meaning into her work. The small (typically 6” x 8”) paintings are studies of organic form, sacramentalized by the radiant egg tempera color. All show the ovary of a fruit or vegetable, opened and frozen in time. |
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== Feeling Series == |
== Feeling Series == |
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Roberts has been working for over 20 years on her Feeling Series, twelve paintings that represent individual emotions.<ref>SCC Observer News, “Art Club Welcomes Guest Artists to Annual Show,” 45, no. 2, January 31, 2002. 45, no. 2, p. 1. See also www.gainor.biz/feeling_series_booklet.pdf </ref> Created in the tradition of great European |
Roberts has been working for over 20 years on her Feeling Series, twelve paintings that represent individual emotions.<ref>SCC Observer News, “Art Club Welcomes Guest Artists to Annual Show,” 45, no. 2, January 31, 2002. 45, no. 2, p. 1. See also www.gainor.biz/feeling_series_booklet.pdf </ref> Created in the tradition of great European [[Still life|still life]] studies that display a tableau of objects, sometimes intended to convey nature’s bounty, sometimes with religious or symbolic undertones,<ref>The Metropolitan Museum of Art, Heilbrunn Timeline of Art History, Still-Life Painting in Northern Europe, 1600–1800, http://www.metmuseum.org/toah/hd/nstl/hd_nstl.htm; accessed Nov. 10, 2013</ref> these paintings show an arrangement of objects within an intense, restricted color palette. Since our culture no longer has a shared language of symbols, the paintings are a challenge for contemporary viewers. They give clues to Roberts’ intellectual and sensory world, as traditional tropes of still life, like flowers and musical instruments, reappear in different paintings. Yet the meaning of each remains a mystery, to be understood only as part of the whole. The paintings convey the isolation of individual experience even as they attempt to transcend it by means of color, form and image. |
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== References == |
== References == |
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Gainor Roberts (born September 14, 1941) is an American artist known for still life and landscape paintings that explore color, form and symbolism. A classically trained artist in the realist tradition, Roberts calls herself “a fourth generation impressionist.” She combines impressionist brush techniques and intense color with attention to the distinctive—sometimes monumental—form of her objects and their placement in space. Roberts works in egg tempera, oil, pastel, watercolor and monotype.
In addition to teaching classes in drawing, painting and photography, Roberts has produced several monographs on painting technique.[1] She is an advocate for traditional media and composition.[2]
Life
Born and raised in Philadelphia, PA, Roberts had an early interest in art that was not encouraged by her Quaker upbringing. She was exposed to art due to her great-great-aunt, Ellen Wetherald Ahrens,[3] a well-known Victorian-era artist who had studied with Howard Pyle and Thomas Eakins. While Roberts often skipped school to draw pictures at home, she had no formal training in art until age 18. Her family would not permit her to enter college as an art major. Instead she attended a summer program taught by the portrait and figure painter Robert Brackman, whose emphasis on classical technique and color was a defining influence. Roberts studied with Brackman in the summers while attending Elmira College as an English major. After graduating from Elmira, Roberts studied painting at the Art Students’ League in NYC. Later she worked as a graphic artist.
In the mid 1970s, she became staff graphic artist at Mystic Seaport. For almost a decade Roberts and her husband traveled around the country, living first on a 31-foot sailing sloop and then in an Airstream RV trailer. During this period, she had little opportunity for painting. In the late 1980s she returned to school in order to refresh her skills. Roberts studied at the National Academy of Design in NYC with Mary Beth McKenzie and James Childs[4], and at Lyme Academy of Fine Arts in Old Lyme, Connecticut with Deane Keller. She also took workshops with Aaron Shikler. In addition, Roberts studied sculpture at Lyme Academy with Laci de Gerenday.[5]
In the 1990s, Roberts began creating works in monotype and moved to Westerly, Rhode Island, where she and another artist ran their own gallery. In 2001 Roberts moved to Zephyrhills, Florida. She is Art Curator of the Carrollwood Cultural Center in Tampa, exhibits in several venues in the greater Tampa area and teaches classes and private students.
Roberts is a member of North Tampa Arts League, The Exhibiting Society of Artists (TESA), The Egg Tempera Society, National League of American Pen Women and an honorary member of the New England Monotype Guild.[6]
Egg Tempera and Genesis Series
In 2003, Roberts began experimenting with the demanding medium of egg tempera. She was drawn to it because of the luminous color still seen in medieval and early Renaissance masterworks.[7] Roberts has written a monograph on the technique and now teaches master classes in egg tempera.
The Genesis Series, Roberts’ best known series of egg tempera paintings, represent a high point of her use of color and form to layer meaning into her work. The small (typically 6” x 8”) paintings are studies of organic form, sacramentalized by the radiant egg tempera color. All show the ovary of a fruit or vegetable, opened and frozen in time. Tenderly examining the plant flesh, the paintings focus on the seeds, cradled and glistening with life.[8]
Feeling Series
Roberts has been working for over 20 years on her Feeling Series, twelve paintings that represent individual emotions.[9] Created in the tradition of great European still life studies that display a tableau of objects, sometimes intended to convey nature’s bounty, sometimes with religious or symbolic undertones,[10] these paintings show an arrangement of objects within an intense, restricted color palette. Since our culture no longer has a shared language of symbols, the paintings are a challenge for contemporary viewers. They give clues to Roberts’ intellectual and sensory world, as traditional tropes of still life, like flowers and musical instruments, reappear in different paintings. Yet the meaning of each remains a mystery, to be understood only as part of the whole. The paintings convey the isolation of individual experience even as they attempt to transcend it by means of color, form and image.
References
- ^ www.ganior.biz/booklets_and_monographs./html
- ^ Carrollwood Patch, January 25, 2012; New Tampa Neighborhood News, “Gainor Roberts Is December’s NTAL Artist Of The Month,” 16, no. 24, November 28, 2008, p. 38; The Tampa Tribune, Brandon edition, “Art Club Offers a Free Demonstration in Pastels,” January 7, 2007, p. 2; Pasco Times of the St. Petersburg Times, “A generous, lighted space to create,” March 11, 2006, p. 1; The Laker, “Works of Gainor Roberts of Zephyrhills at Horizon Line Gallery,” September 14, 2005, p. 19-20; The Sun, “Art Show Expected to Draw Large Crowd,” 28, ed 8, January 30, 2002, p 21.
- ^ The permanent collection of the Philadelphia Museum of Art includes three Ahrens paintings; for thumbnails see http://www.philamuseum.org/collections/results.html?searchTxt=ellen+wetherald+ahrens&bSuggest=1&keySearch=+Search+&searchNameID=&searchClassID=&searchOrigin=&searchDeptID=&page=1; five Ahrens works are in Philadelphia’s Woodmere Museum of Art (http://woodmereartmuseum.org/).
- ^ Americangallery.wordpress.com/category/childs-james/; accessed Jan. 3, 2014
- ^ The Courant, “L. De Gerenday,” June 19, 2001, (articles.courant.com/2001-06-19/news/0106190448_1_new-york-art-world-fine-art-longtime-artist); accessed Jan. 3, 2014
- ^ www.gainor.biz/about-the-artist.html
- ^ http://www.italian-renaissance-art.com/egg-tempera.html ; The Tampa Tribune, Across Pasco, “No Joking, This Artist is into Yolking,” June 14, 2005.
- ^ Centerpieces, “Story of a Picture,” 2, no. 4, p. 3-4 (http://www.carrollwoodcenter.org/wp-content/uploads/2012/06/2009-Winter-Centerpieces.pdf)
- ^ SCC Observer News, “Art Club Welcomes Guest Artists to Annual Show,” 45, no. 2, January 31, 2002. 45, no. 2, p. 1. See also www.gainor.biz/feeling_series_booklet.pdf
- ^ The Metropolitan Museum of Art, Heilbrunn Timeline of Art History, Still-Life Painting in Northern Europe, 1600–1800, http://www.metmuseum.org/toah/hd/nstl/hd_nstl.htm; accessed Nov. 10, 2013
- NOTE: the items that above in the text you code with the "ref" and "/ref" tags will automatically list themselves under "References" where the "reflist" code is placed. Yours weren't appearing because you hadn't put in the "reflist" coding (hit "Edit" mode to see how I added it). There is no need to have a redundant numbered list below this
You don't just manually type categories, hit "Edit" to see how I've coded the first one for you as an example Category:1941 births Categories: 1941 births, living people, American artists, American realist painters, American 20thC painters, American impressionism, still life, tempera