Frans Francken the Younger: Difference between revisions
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==Life== |
==Life== |
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Francken was born in [[Antwerp]] where he trained with his father [[Frans Francken I|Frans Francken the Elder]].<ref name=rkd>[http://explore.rkd.nl/explore/artists/29002 Biographical details] at the [[Netherlands Institute for Art History]] {{link language|nl|Middle Dutch}}</ref> He may also have trained with his uncle [[Hieronymous Francken |
Francken was born in [[Antwerp]] where he trained with his father [[Frans Francken I|Frans Francken the Elder]].<ref name=rkd>[http://explore.rkd.nl/explore/artists/29002 Biographical details] at the [[Netherlands Institute for Art History]] {{link language|nl|Middle Dutch}}</ref> He may also have trained with his uncle [[Hieronymous Francken I]] in [[Paris]], together with his brother [[Hieronymous Francken II]]. He became a master in the Antwerp Guild of Saint Luke]] in 1605 and was deacon of the Guild in 1616.<ref name=gro/> |
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==Work== |
==Work== |
Revision as of 19:34, 27 February 2014
Frans Francken the Younger (Antwerp, 1581 – Antwerp, 6 May 1642) was a Flemish Baroque painter and is the best-known member of the large Francken family of artists because of his innovations in genre painting and new subject matter.
Life
Francken was born in Antwerp where he trained with his father Frans Francken the Elder.[1] He may also have trained with his uncle Hieronymous Francken I in Paris, together with his brother Hieronymous Francken II. He became a master in the Antwerp Guild of Saint Luke]] in 1605 and was deacon of the Guild in 1616.[2]
Work
Many of his works are small historical, allegorical and biblical cabinet paintings with the focus on figures. He also invented or popularized several new themes that became popular in Flemish painting, such as genre scenes populated by monkeys (later followed by Jan van Kessel and David Teniers the Younger) and Kunstkammer or gallery paintings displaying a wealth of natural and artistic treasures against a neutral wall. Frans the Younger introduced many other unusual themes that later became popular, such as the 'Triumphal Procession of Amphitrite' and 'Croesus and Solon'.
As Francken was only really good at painting the human figure, he frequently collaborated with other artists, such as the landscape artists Tobias Verhaecht, Abraham Govaerts and Joos de Momper, the architectural painters Pieter Neeffs, Hendrik van Steenwijk I, Paul Vredeman de Vries and Bartholomeus van Bassen and flower painters such as Jan Brueghel the Elder and Andries Daniels.
Later in his life he also painted large altarpieces. His paintings are held by most major museums in Europe.[2]
Family tree
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Notes and sources
- ^ Biographical details at the Netherlands Institute for Art History Template:Link language
- ^ a b Ursula Härting. "Francken." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 27 Feb. 2014
- Vlieghe, Hans (1998). Flemish Art and Architecture, 1585-1700. Pelican history of art. New Haven: Yale University Press. ISBN 0-300-07038-1
External links
Media related to Frans Francken (II) at Wikimedia Commons