Martin Smith (potter): Difference between revisions
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{{Infobox |
{{Infobox person |
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| name = Professor Martin Smith |
| name = Professor Martin Smith |
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| school_tradition = [[Royal College of Art]] |
| school_tradition = [[Royal College of Art]] |
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| color = |
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| image = |
| image = |
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| image_size = 100px |
| image_size = 100px |
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| caption = Professor Martin Smith at [[Royal College of Art]] |
| caption = Professor Martin Smith at [[Royal College of Art]] |
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| birth_date = 1950 |
| birth_date = 1950 |
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| birth_place = [[UK]] |
| birth_place = [[UK]] |
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| death_date = |
| death_date = |
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| death_place = |
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| nationality = |
| nationality = [[United Kingdom]] |
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| residence = |
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| institution = [[Royal College of Art]] |
| institution = [[Royal College of Art]] |
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| field = Ceramics |
| field = Ceramics |
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| alma_mater = [[University of the West of England|Bristol Polytechnic]] |
| alma_mater = [[University of the West of England|Bristol Polytechnic]] |
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==Work and career== |
==Work and career== |
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| ⚫ | He was born in Essex, England<ref name=bc>[http://collection.britishcouncil.org/collection/artist/5/19113 British Council]</ref> and was educated at [[Bristol Polytechnic]] (1971–74) and the Royal College of Art (1971–77), where he studied the technique of [[raku ware|raku]]. He worked from a studio in [[Suffolk]], later moving to London. |
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| ⚫ | He was born in Essex, England<ref name=bc>[http://collection.britishcouncil.org/collection/artist/5/19113 British Council]</ref> and was educated at [[Bristol Polytechnic]] (1971–74) and the Royal College of Art (1971–77), where he studied the technique of [[raku ware|raku]]. He worked from a studio in [[Suffolk]], later moving to London. |
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Smith's early works were large raku bowls which were precise and geometric, departing from the tradition of Japanese raku.<ref name=bc/> From the 1980s he has formed his ceramics by press moulding or throwing red [[earthenware]] clay which is subsequently altered by cutting and grinding.<ref name=bc/> He adds metal and gold leaf to the interiors of his pieces and sometimes adds slate or sheet metal to the base. "Smith's work is far removed from the spontaneity, plasticity and softness associated with clay; his is tough, hard edged, planned, measured and architectonic."<ref name=bc/> |
Smith's early works were large raku bowls which were precise and geometric, departing from the tradition of Japanese raku.<ref name=bc/> From the 1980s he has formed his ceramics by press moulding or throwing red [[earthenware]] clay which is subsequently altered by cutting and grinding.<ref name=bc/> He adds metal and gold leaf to the interiors of his pieces and sometimes adds slate or sheet metal to the base. "Smith's work is far removed from the spontaneity, plasticity and softness associated with clay; his is tough, hard edged, planned, measured and architectonic."<ref name=bc/> |
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==Exhibit form== |
==Exhibit form== |
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Smith is one of a group of potters, including [[Elizabeth Fritsch]], [[Alison Britton]], [[Ewen Henderson (artist)|Ewen Henderson]], [[Gordon Baldwin]] and [[Richard Slee (artist)|Richard Slee]] who make a small number of sculptural pieces that they tend to exhibit on plinths<ref>[http://www.independent.co.uk/money/spend-save/can-ceramics-make-investors-pots-of-money-556494.html Hayes, Dawn, "Can ceramics make investors pots of money?", ''The Independent'', Saturday, 14 August 2004]</ref> |
Smith is one of a group of potters, including [[Elizabeth Fritsch]], [[Alison Britton]], [[Ewen Henderson (artist)|Ewen Henderson]], [[Gordon Baldwin]] and [[Richard Slee (artist)|Richard Slee]] who make a small number of sculptural pieces that they tend to exhibit on plinths<ref>[http://www.independent.co.uk/money/spend-save/can-ceramics-make-investors-pots-of-money-556494.html Hayes, Dawn, "Can ceramics make investors pots of money?", ''The Independent'', Saturday, 14 August 2004]</ref> |
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==Collections== |
==Collections== |
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His ceramics are represented in public collections including those of the [[Victoria & Albert Museum]], the [[National Museum of Modern Art, Tokyo]], the [[Los Angeles County Museum of Art]] and the [[Stedelijk Museum]], the [[Metropolitan Museum of New York]]. A major retrospective exhibition was held at the [[Museum Boijmans van Beuningen]], [[Rotterdam]] in 1996.<ref name=bc/> |
His ceramics are represented in public collections including those of the [[Victoria & Albert Museum]], the [[National Museum of Modern Art, Tokyo]], the [[Los Angeles County Museum of Art]] and the [[Stedelijk Museum]], the [[Metropolitan Museum of New York]]. A major retrospective exhibition was held at the [[Museum Boijmans van Beuningen]], [[Rotterdam]] in 1996.<ref name=bc/> |
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Revision as of 20:12, 6 April 2014
Professor Martin Smith | |
|---|---|
| Born | 1950 |
| Nationality | United Kingdom |
| Alma mater | Bristol Polytechnic |
Martin Smith is professor of ceramics and glass at the Royal College of Art in London.
Work and career
He was born in Essex, England[1] and was educated at Bristol Polytechnic (1971–74) and the Royal College of Art (1971–77), where he studied the technique of raku. He worked from a studio in Suffolk, later moving to London.
Smith's early works were large raku bowls which were precise and geometric, departing from the tradition of Japanese raku.[1] From the 1980s he has formed his ceramics by press moulding or throwing red earthenware clay which is subsequently altered by cutting and grinding.[1] He adds metal and gold leaf to the interiors of his pieces and sometimes adds slate or sheet metal to the base. "Smith's work is far removed from the spontaneity, plasticity and softness associated with clay; his is tough, hard edged, planned, measured and architectonic."[1]
A key figure in British ceramics,[2][3] he taught at Loughborough College of Art & Design (1983–85) and Camberwell College of Art (1986–89). He joined the staff of the Royal College of Art in 1989 and was appointed professor of ceramics and glass in 1999.[4]
Exhibit form
Smith is one of a group of potters, including Elizabeth Fritsch, Alison Britton, Ewen Henderson, Gordon Baldwin and Richard Slee who make a small number of sculptural pieces that they tend to exhibit on plinths[5]
Collections
His ceramics are represented in public collections including those of the Victoria & Albert Museum, the National Museum of Modern Art, Tokyo, the Los Angeles County Museum of Art and the Stedelijk Museum, the Metropolitan Museum of New York. A major retrospective exhibition was held at the Museum Boijmans van Beuningen, Rotterdam in 1996.[1]