Jump to content

The Man Between: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Replaced "Category:Spy films" with "Category:British spy films"
Ajcumming (talk | contribs)
No edit summary
Line 22: Line 22:
Ivo Kern ([[James Mason]]) is a former lawyer who has participated in Nazi atrocities and is now selling his expertise to East Germans to kidnap and transport certain West Germans to the eastern bloc. Although Kern desires to relocate to the West, he is hampered by West German suspicions and his criminal past. Nevertheless, he agrees to a final kidnapping venture that fails, forcing his employer to take over and abduct Briton Susanne Mallison ([[Claire Bloom]]) by mistake. Kern had earlier feigned a romance with Mallison as a means to seize his kidnapping target.
Ivo Kern ([[James Mason]]) is a former lawyer who has participated in Nazi atrocities and is now selling his expertise to East Germans to kidnap and transport certain West Germans to the eastern bloc. Although Kern desires to relocate to the West, he is hampered by West German suspicions and his criminal past. Nevertheless, he agrees to a final kidnapping venture that fails, forcing his employer to take over and abduct Briton Susanne Mallison ([[Claire Bloom]]) by mistake. Kern had earlier feigned a romance with Mallison as a means to seize his kidnapping target.


The abduction of Mallison presents Kern with an opportunity to both return the unfortunate victim to the West and impress western authorities with his atonement. Despite Kern's selfish and dark facade, Mallison falls in love with him. She tells him that she can see humanity deep inside a man who had once wished to defend the innocent and the 'rights of man'. This glimpse also appears to a young East Berlin boy who assists Kern and Mallison in their attempt to escape, as he follows Kern everywhere and the boy is treated with kindness. Kern almost admits his affection for Mallison on one occasion but he directs the conversation back to his sordid past and the escape attempt.
The abduction of Mallison presents Kern with an opportunity to both return the unfortunate victim to the West and impress western authorities with his atonement. Despite Kern's selfish and dark facade, Mallison falls in love with him. She tells him that she can see humanity deep inside a man who had once wished to defend the innocent and the 'rights of man'. This glimpse also appears to a young East Berlin boy who assists Kern and Mallison in their attempt to escape, as he follows Kern everywhere and the boy is treated with kindness. Kern almost admits his affection for Mallison on one occasion but he directs the conversation back to his sordid past and the escape attempt.


Ultimately, as Kern and Mallison are only a few feet from the Berlin gate while hidden in the back of a truck, their escape goes awry. Kern distracts the border guards as he runs from the vehicle, shouting at Mallison to hurry into the West. As her truck crosses the neutral zone and she reaches back for Kern, he is gunned down by the guards, and in doing so he gives his life to save hers.
Ultimately, as Kern and Mallison are only a few feet from the Berlin gate while hidden in the back of a truck, their escape goes awry. Kern distracts the border guards as he runs from the vehicle, shouting at Mallison to hurry into the West. As her truck crosses the neutral zone and she reaches back for Kern, he is gunned down by the guards, and in doing so he gives his life to save hers.

Revision as of 22:20, 6 July 2014

The Man Between
Theatrical release poster
Directed byCarol Reed
Screenplay byWalter Ebert
Harry Kurnitz
Eric Linklater
Produced byCarol Reed
Hugh Perceval
StarringJames Mason
Claire Bloom
Hildegard Knef
Geoffrey Toone
CinematographyDesmond Dickinson
Edited byBert Bates
Music byJohn Addison
Distributed byBritish Lion Films
United Artists
Release date
2 November 1953
Running time
100 minutes
CountryUnited Kingdom
LanguageEnglish
Box office£139,491 (UK)[1]

The Man Between is a 1953 British thriller film directed by Carol Reed and starring James Mason, Claire Bloom, Hildegard Knef and Geoffrey Toone.[2] A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.[3]

Plot

Ivo Kern (James Mason) is a former lawyer who has participated in Nazi atrocities and is now selling his expertise to East Germans to kidnap and transport certain West Germans to the eastern bloc. Although Kern desires to relocate to the West, he is hampered by West German suspicions and his criminal past. Nevertheless, he agrees to a final kidnapping venture that fails, forcing his employer to take over and abduct Briton Susanne Mallison (Claire Bloom) by mistake. Kern had earlier feigned a romance with Mallison as a means to seize his kidnapping target.

The abduction of Mallison presents Kern with an opportunity to both return the unfortunate victim to the West and impress western authorities with his atonement. Despite Kern's selfish and dark facade, Mallison falls in love with him. She tells him that she can see humanity deep inside a man who had once wished to defend the innocent and the 'rights of man'. This glimpse also appears to a young East Berlin boy who assists Kern and Mallison in their attempt to escape, as he follows Kern everywhere and the boy is treated with kindness. Kern almost admits his affection for Mallison on one occasion but he directs the conversation back to his sordid past and the escape attempt.

Ultimately, as Kern and Mallison are only a few feet from the Berlin gate while hidden in the back of a truck, their escape goes awry. Kern distracts the border guards as he runs from the vehicle, shouting at Mallison to hurry into the West. As her truck crosses the neutral zone and she reaches back for Kern, he is gunned down by the guards, and in doing so he gives his life to save hers.

Cast

Production

The movie was filmed on location in Berlin and at the Shepperton Studios in England.

Reception

James Mason won the best actor award from the National Board of Review.

Bosley Crowther of the New York Times wrote: "...It must be said, without reflection, that the credit for whatever there is in the way of exciting melodrama in this primarily atmospheric film goes to Mr. Reed for his direction of the actors and camera. For it is the attitudes of his people, the moods of the city in various scenes and the cleverness of the assembly, rather than the sharpness of the story told, that account for the modest distinction on the quality level of The Man Between." [4]

References

  1. ^ Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p499
  2. ^ http://www.imdb.com/title/tt0046031/
  3. ^ http://ftvdb.bfi.org.uk/sift/title/41536
  4. ^ Bosley Crowther, "The Man Between" Review, New York Times, Nov. 18, 1953 http://www.nytimes.com/movie/review?res=9804E1DC1031E53BBC4152DFB7678388649EDE