Behind Office Doors: Difference between revisions
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==Soundtrack== |
==Soundtrack== |
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*"Three Little Words", music by [[Harry Ruby]], lyrics by [[Bert Kalmar]] - played as dance music in the nightclub |
*"Three Little Words", music by [[Harry Ruby]], lyrics by [[Bert Kalmar]] - played as dance music in the nightclub |
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==Reception== |
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While the public seemed to like the film,<ref name=RKO>{{cite book | title=The RKO Story | last1=Jewell | first1=Richard B. | last2=Harbin | first2=Vernon | publisher=Arlington House | year=1982 | place=New York | page=34 |ISBN=0-517-546566}}</ref> critics like [[Mordaunt Hall]] of [[The New York Times]] were less kind, stating that the film "is a witless and interminably dull exhibition on which three capable players, Mary Astor, Robert Ames and Ricardo Cortez, have been sacrifi[c]ed to very little purpose.<ref name=nyt>{{cite web | url=http://www.nytimes.com/movie/review?res=9B04E2DA143AEE3ABC4951DFB566838A629EDE | publisher=''New York Times'' | last=Hall | first=Mordaunt | title=Behind Office Doors: A Noble Stenographer | date=March 21, 1931 | accessdate=August 18, 2014 | archiveurl=https://web.archive.org/web/*/http://www.nytimes.com/movie/review?res=9B04E2DA143AEE3ABC4951DFB566838A629EDE | archivedate=March 21, 2014}}</ref> |
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==Notes== |
==Notes== |
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Revision as of 22:46, 18 August 2014
| Behind Office Doors | |
|---|---|
 Theatrical Poster | |
| Directed by | Melville W. Brown[2] |
| Written by | Carey Wilson (screenplay) J. Walter Ruben (adaptation and dialogue)[1] |
| Produced by | William LeBaron[3] Henry Hobart (associate)[3] |
| Starring | Mary Astor Robert Ames Ricardo Cortez |
| Cinematography | J. Roy Hunt |
| Edited by | Archie Marshek Rose Loewinger[1] |
| Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 82 minutes |
| Country | USA |
| Language | English |
Behind Office Doors is a 1931 Pre-code American drama film directed by Melville W. Brown, from a screenplay by Carey Wilson and J. Walter Ruben, based on Alan Schultz's novel, Private Secretary. It starred Mary Astor, Robert Ames and Ricardo Cortez, and revolved around the premise of "the woman behind the man". While not received well by critics, it was well-received by the public at large.
Plot
Mary Linden (Mary Astor) is a receptionist at a paper milling company, who is secretly in love with one of the salesmen, James Duneen (Robert Ames). Her extensive knowledge of the paper industry, the mill and its clients allows her to have input in company operations far outweighing her level as a receptionist. As the current president of the company, Ritter (Charles Sellon), approaches retirement, Mary uses her knowledge and skill of company politics to enable James to make some important sales coups, after which she begins a fifth-column attempt to get him named as the next president. James, for his part, is grateful to her for her help, but is completely oblivious to her romantic interest in him, preferring more of the party girl type.
When Ritter does retire, James wins the position, and Mary is promoted to be his personal secretary. Still unaware of her feelings, he hires his latest party girl, Daisy (Edna Murphy), to work in the office, and report to Mary. Mary is upset by this turn of events, but remains faithful to James, assisting him with running the company. In fact, it is her knowledge and acumen which makes the company successful. Mary even spurns the advances of several men, including the wealthy Ronnie Wales (Ricardo Cortes), who, although married, is estranged from his wife and wishes to pursue an affair with Mary.
However, when James becomes engaged to the daughter of a wealthy banker, Ellen May Robinson (Catherine Dale Owen), that is the straw which breaks Mary's resolve. She resigns from the company, and eventually agrees to go away with Ronnie for an assignation in Atlantic City. Between the time of her resignation, and her agreeing to go away with Ronnie, the paper mill is already suffering terribly from a lack of good management, since most of James' success was due to Mary's guidance. James tracks her down before she can give in to the libidinous advances of Ronnie, and begs Mary to return. She is reluctant, until she discovers that James has broken off the engagement with Ellen, and upon her return to the company she is not only met with a job offer, but also a marriage proposal from James.
Cast
- Mary Astor as Mary Linden
- Robert Ames as James Duneen
- Ricardo Cortez as Ronnie Wales
- Catherine Dale Owen as Ellen May Robinson
- Kitty Kelly as Delores Kogan
- Edna Murphy as Daisy Presby
- Charles Sellon as John Ritter
- William Morris as Banker Charles H. Robinson
- George MacFarlane
(Cast list as per AFI database)[1]
Soundtrack
- "Three Little Words", music by Harry Ruby, lyrics by Bert Kalmar - played as dance music in the nightclub
Reception
While the public seemed to like the film,[4] critics like Mordaunt Hall of The New York Times were less kind, stating that the film "is a witless and interminably dull exhibition on which three capable players, Mary Astor, Robert Ames and Ricardo Cortez, have been sacrifi[c]ed to very little purpose.[5]
Notes
In 1959, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after production.[6]
The working title for this film was the title of the novel on which it was based, Private Secretary.[1]
References
- ^ a b c d e f [httphttp://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=4259 "Behind Office Doors: Detail View"]. American Film Institute. Retrieved July 3, 2014.
{{cite web}}:|archive-url=is malformed: timestamp (help) - ^ "Behind Office Doors, Credits". Turner Classic Movies. Archived from the original on August 17, 2014. Retrieved August 17, 2014.
{{cite web}}:|archive-date=/|archive-url=timestamp mismatch; August 18, 2014 suggested (help) - ^ a b "Behind Office Doors: Technical Details". theiapolis.com. Retrieved August 17, 2014.
- ^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 34. ISBN 0-517-546566.
- ^ Hall, Mordaunt (March 21, 1931). "Behind Office Doors: A Noble Stenographer". New York Times. Retrieved August 18, 2014.
{{cite web}}:|archive-url=is malformed: timestamp (help); Italic or bold markup not allowed in:|publisher=(help) - ^ Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. JSTOR 25165419. OCLC 15122313. See Note #60, pg. 143.
External links
- Behind Office Doors at IMDb
- allmovie/synopsis
- Behind Office Doors is available for free viewing and download at the Internet Archive