Bessatsu Shōnen Sunday: Difference between revisions
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[[Category:Shogakukan magazines]] |
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[[Category:1960 establishments in Japan]] |
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[[Category:1974 disestablishments in Japan]] |
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[[Category:Magazines disestablished in 1974]] |
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[[Category:Defunct magazines of Japan]] |
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Revision as of 07:47, 3 September 2014
Cover of March 1966 cover, with the title at the top, a mostly red background, and the character Iyami from Osomatsu-kun striking a weird pose. The red background features numerous other characters. | |
Categories | Shōnen manga |
---|---|
Frequency | Quarterly (initially), Monthly from December 1964 |
First issue | Spring 1960 |
Final issue | March 1974 |
Company | Shogakukan |
Country | Japan |
Based in | Tokyo |
Language | Japanese |
Bessatsu Shōnen Sunday (別冊少年サンデー, Bessatsu Shōnen Sandē) was a quarterly manga magazine published by Shogakukan in Japan from Spring 1960 until March 1974. It was initially published quarterly, but switched to a monthly release beginning in December 1964. Due to sluggish sales and the paper shortage caused by the 1973 oil crisis, the magazine's last issue was the March 1974 issue. There was also a spinoff magazine called "Deluxe Shōnen Sunday", but it too didn't last long.
Titles serialized
Listed alphabetically by title.
- 21emon, by Fujiko F. Fujio
- 4000 Man En Film, Osamu Kishimoto
- Android Kikaider, by Mitsuru Hiruta (1972–1973)
- Hana to Hi to Matsuri, by Shotaro Ishinomori
- Jigokubin 3-gōsha, Takeshi Koshiro
- The Return of Ultraman, by Akira Mizuho (1971)
- Kappa no Sanpei, by Shigeru Mizuki (1968-1969)
- Kikaider 01, by Mitsuru Hiruta (1973)
- Kuranashi Inu, by Kazuyoshi Torii
- Michikusa, by Akio Chiba
- Mutant Sub, by Shotaro Ishinomori (1965–1966)
- Obake no Q-tarō by Fujiko Fujio (1964–1965)
- Onboro Bakugekitai, Hiroshi Sasagawa
- Ore wa Tetsuo-kun, Daisuke Tango
- Ōsenshū Monogatari, Yutaka Yoshida
- Osomatsu-kun, by Fujio Akatsuka
- Silver Kamen, by Mitsuru Hiruta (1972)
- Taishita Hacchan, Katsumi Masuko
- Taizan Daizōno 10-ban Dasha, by Hiroshi Kaizuka
- Thunder Mask, by Kōichi Yamato
- Tsurugi Kengō no Suke, Hisashi Sekiya
- Ultraman Ace, by Mitsuru Hiruta (1972–1973)
- Umi no Ōji, by Fujiko Fujio (1960–1964)