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"'''Mercy, Mercy, Mercy'''" is a song written by [[Joe Zawinul]] in 1966 for [[Julian "Cannonball" Adderley]] and his album ''[[Mercy, Mercy, Mercy! Live at 'The Club']]''. The song is the title track of the album and became a surprise hit.<ref>in Feb. 1967. "This album gave birth to a Top Ten single of the title tune, much to the astonishment of many..." Michael Cuscuna 1995 Capitol Reissue CD liner notes</ref> "Mercy, Mercy, Mercy" went to #2 on the Soul chart and #11 on the [[Billboard Hot 100]] chart.<ref>{{cite book |title= Top R&B/Hip-Hop Singles: 1942-2004|last=Whitburn |first=Joel |authorlink=Joel Whitburn |year=2004 |publisher=Record Research |page=24}}</ref>
"'''Mercy, Mercy, Mercy'''" is a song written by [[Joe Zawinul]] in 1966 for [[Julian "Cannonball" Adderley]] and his album ''[[Mercy, Mercy, Mercy! Live at 'The Club']]''. The song is the title track of the album and became a surprise hit.<ref>in Feb. 1967. "This album gave birth to a Top Ten single of the title tune, much to the astonishment of many..." Michael Cuscuna 1995 Capitol Reissue CD liner notes</ref> "Mercy, Mercy, Mercy" went to #2 on the Soul chart and #11 on the [[Billboard Hot 100|''Billboard'' Hot 100]] chart.<ref>{{cite book |title= Top R&B/Hip-Hop Singles: 1942-2004|last=Whitburn |first=Joel |authorlink=Joel Whitburn |year=2004 |publisher=Record Research |page=24}}</ref>


==Cover Versions==
==Cover Versions==

Revision as of 19:51, 14 September 2014

"Mercy, Mercy, Mercy"
Song

"Mercy, Mercy, Mercy" is a song written by Joe Zawinul in 1966 for Julian "Cannonball" Adderley and his album Mercy, Mercy, Mercy! Live at 'The Club'. The song is the title track of the album and became a surprise hit.[1] "Mercy, Mercy, Mercy" went to #2 on the Soul chart and #11 on the Billboard Hot 100 chart.[2]

Cover Versions

The song has been re-recorded numerous times, most notably by:

Theme

The first part of the theme is played two times and is completely made of notes from the major pentatonic scale of the first degree.

Structure and chord progression

The tune is in the key of B-flat major and has a 20-bar structure with four distinct sections. The chord progression is mainly made of dominant-seventh chords on the first, fourth and fifth degrees, giving the song a bluesy feeling, although it does not follow a typical blues progression. In particular, the subdominant (IV) chord in the beginning section emphasizes the bluesy feeling. In the second section, the tonic chord alternates with a second-inversion subdominant chord.

References

  1. ^ in Feb. 1967. "This album gave birth to a Top Ten single of the title tune, much to the astonishment of many..." Michael Cuscuna 1995 Capitol Reissue CD liner notes
  2. ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 24.
  3. ^ Keyboards (german keyboard magazine), 06/2007 http://www.keyboards.de.