William Behnes: Difference between revisions
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Despite huge success, he was could not manage is finances and was declared [[bankrupt]] in 1861. |
Despite huge success, being declared "superior to [[Sir Francis Chantrey|Chantrey]]" in bust portraiture, he was could not manage is finances and was declared [[bankrupt]] in 1861. His final work, Sir [[Henry Havelock]] (1861) has the unusual claim to fame of being the first known statue based purely upon a photograph of his subject. |
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It is likely that he was an alcoholic and also a gambler, and this was worsened by bankruptcy. He moved to "miserable lodgings" in Charlotte Street. |
It is likely that he was an alcoholic and also a gambler, and this was worsened by bankruptcy. He moved to "miserable lodgings" in Charlotte Street. |
Revision as of 09:07, 3 November 2014
William Behnes (1795 – 3 January 1864) was an English sculptor of the early 19th century.[1]
Life
Born in London, Behnes was the son of a Hanoverian piano-maker and his English wife. His brother was Henry Behnes, also a sculptor, albeit an inferior one. The family moved to Ireland and their early life was spent in Dublin. There he studied art at the Dublin Academy.
After the family returned to London, Behnes continued his artistic training, studying at the Royal Academy School of Art from 1813, under the tutorship of Peter Francis Chenu[2]. As a painter, he exhibited at the Royal Academy in 1815 and won several medals during the ensuing years. In 1819 he won a Society of Arts gold medal for inventing an instrument to assist sculpture work, having by this time begun to practice successfully as a sculptor.
In 1837 Behnes was appointed 'Sculptor in Ordinary' to Queen Victoria. His pupils included noted sculptors George Frederic Watts, Thomas Woolner and Henry Weekes,[3] and naturalist Benjamin Waterhouse Hawkins.
Despite huge success, being declared "superior to Chantrey" in bust portraiture, he was could not manage is finances and was declared bankrupt in 1861. His final work, Sir Henry Havelock (1861) has the unusual claim to fame of being the first known statue based purely upon a photograph of his subject.
It is likely that he was an alcoholic and also a gambler, and this was worsened by bankruptcy. He moved to "miserable lodgings" in Charlotte Street.
He was found lying unconscious in a gutter, with only three pence in his pocket, on New Years Day 1864 and died on 3rd January in Middlesex Hospital.
He was buried in an unmarked grave in Kensal Green Cemetery. George Cruikshank, who had known him, campaigned to raise money for a monument and to present a bronze bust of Behnes to the National Gallery, but there was little progress and the campaign was abandoned[4].
Works
see[5]
He produced many busts of children, reliefs and also some notable church monuments and statues, including ones of Dr William Babington in St Paul's Cathedral and Major-General Sir Henry Havelock (believed to be the first statue based on a photograph, two casts were made – one is today situated in Trafalgar Square, London, the other in Mowbray Park, Sunderland) and several of Sir Robert Peel (including ones situated in Leeds, Peel Park in Bradford, and at the police college in Hendon in north-west London). Other subjects included: Thomas Arnold, Sir Joshua Reynolds, Benjamin West and George Cruikshank.
- Monument to John Tunno, St. John's Wood Chapel (1819)
- Monument to Joseph Nollekens, Paddington Parish Church, London (1823)
- Figures on the clock-tower at Buckingham Palace (1829)
- Monument to Dr Andrew Bell, Westminster Abbey (1832)
- Monument to Admiral Sir Henry Blackwood, Westminster Abbey (1832)
- Monument to Sir Henry Russell, 1st Baronet, Swallowfield, Berkshire, (1836)
- Statue of Dr Babington, St Paul's Cathedral (1837)
- Bust of Queen Victoria (1837)
- Monument to Sir John St Aubyn, 5th Baronet, Crowan, cornwall (1839)
- Statue of the Earl of Egremont, Petworth House (1839)
- The mare's head "The Queen of Beauty" as ridden by Lord Seymour (1843)
- Statue of Sir John Jones, St Paul's Cathedral (1843)
- Statue of Sir Thomas Gresham, Royal Exchange, London (1845)
- Statue of Sir William Follett, Westminster Abbey, (1850)
- Monument to Mrs Elsworth, Highgate Cemetery (1858)
References
- ^ Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951
- ^ http://www.npg.org.uk/research/programmes/british-bronze-founders-and-plaster-figure-makers-1800-1980-1/british-bronze-founders-and-plaster-figure-makers-1800-1980-c.php
- ^ "Stevens T. 'Weekes, Henry (1807–1877)', Oxford Dictionary of National Biography (2004)". Oxford University Press. Retrieved 2008-03-17.
- ^ Dictionary of British Sculptors, 1660-1851, Rupert Gunnis
- ^ Dictionary of British Sculptors, 1660-1851, Rupert Gunnis