Zoia Gaidai: Difference between revisions
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'''Zoia Mikhailovna Gaidai''' (b. {{OldStyleDate|1 June|1902|19 May}} in [[Tambov]] – d. 21 April 1965 in [[Kiev]]), was a Soviet Ukrainian opera [[soprano]]. She was an artist of wide creativity, with a bright vocal range and talent who staged more than 50 musicals of the works of Ukrainian and Russian composers, as well as works of the classical repertoire of Western European composers. She kept close contact with other composers of her time, such as [[Mykola Lysenko]], [[Boris Lyatoshynsky]], [[Viktor Kosenko]], and [[Levko Revutsky]]. |
'''Zoia Mikhailovna Gaidai''' (b. {{OldStyleDate|1 June|1902|19 May}} in [[Tambov]] – d. 21 April 1965 in [[Kiev]]), was a Soviet Ukrainian opera [[soprano]]. She was an artist of wide creativity, with a bright vocal range and talent who staged more than 50 musicals of the works of Ukrainian and Russian composers, as well as works of the classical repertoire of Western European composers. She kept close contact with other composers of her time, such as [[Mykola Lysenko]], [[Boris Lyatoshynsky]], [[Viktor Kosenko]], and [[Levko Revutsky]]. |
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==Biography== |
==Biography== |
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In 1927, Gaidai graduated from the Tambov Music College ([[National University of Theatre, Film and TV in Kiev|N. V. Lysenko Institute of Music and Drama]]), where she studied under the guidance of [[Olena Muravyova]].<ref name="The Great Soviet Encyclopedia">{{cite web|last=The Great Soviet Encyclopedia, 3rd Edition (1970-1979)|title=Gaidai, Zoia Mikhailovna|url=http://encyclopedia2.thefreedictionary.com/Gaidai,+Zoia+Mikhailovna|publisher=The Free Encyclopedia|accessdate=1 July 2012}}</ref> From 1928 to 1955, she was soloist at the [[National Opera of Ukraine|Kiev Opera and Ballet Theater]], and from 1930 to 1934 at the Kharkov theater. During the [[World War II]] she was evacuated to [[Ufa]] along with her husband, singer-[[tenor]] Nikolai Platonov (Nicholas Platonovich Slutsky), and other artists of the [[Kiev Opera]]. |
In 1927, Gaidai graduated from the Tambov Music College ([[National University of Theatre, Film and TV in Kiev|N. V. Lysenko Institute of Music and Drama]]), where she studied under the guidance of [[Olena Muravyova]].<ref name="The Great Soviet Encyclopedia">{{cite web|last=The Great Soviet Encyclopedia, 3rd Edition (1970-1979)|title=Gaidai, Zoia Mikhailovna|url=http://encyclopedia2.thefreedictionary.com/Gaidai,+Zoia+Mikhailovna|publisher=The Free Encyclopedia|accessdate=1 July 2012}}</ref> From 1928 to 1955, she was soloist at the [[National Opera of Ukraine|Kiev Opera and Ballet Theater]], and from 1930 to 1934 at the Kharkov theater. During the [[World War II]] she was evacuated to [[Ufa]] along with her husband, singer-[[tenor]] Nikolai Platonov (Nicholas Platonovich Slutsky), and other artists of the [[Kiev Opera]]. |
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From 1947 to 1965, she taught at the [[Kiev Conservatory]], having become a professor of this institution in 1963, a position that she held until her death.<ref name="The Great Soviet Encyclopedia"/> She toured extensively throughout the borders of the [[USSR]], in [[Iraq]], [[Iran]], [[China]], [[Canada]], [[USA]], and [[Pakistan]], and was awarded two orders, and also received the [[State Prize of the USSR]] in 1941. Among her main roles as performer is Natalka, from ''[[Natalka Poltavka (opera)|Natalka Poltavka]]'' by [[Mykola Lysenko]], Oksana, from ''The Zaporozhets Beyond the Danube'' by Gulak-Artemovskii), and Liuba Shevtsova, from ''The Young Guards'' by [[Yuliy Meitus]]. As part of the classical repertoire, she also appeared in [[Tchaikovsky]]'s ''[[Eugene Onegin (opera)|Eugene Onegin]]'' as Tat’iana, as the lead character of [[Rimsky-Korsakov]]'s ''[[The Snow Maiden]],'' Cio-Cio-San in Puccini’s ''[[Madame Butterfly]],'' and Violetta from [[Verdi]]'s ''[[La Traviata]].''<ref name="Slovari Yandex">{{cite web|last=Slovari Yandex|title=Гайдай Зоя Михайловна|url=http://slovari.yandex.ru/~%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8/%D0%91%D0%A1%D0%AD/%D0%93%D0%B0%D0%B9%D0%B4%D0%B0%D0%B9%20%D0%97%D0%BE%D1%8F%20%D0%9C%D0%B8%D1%85%D0%B0%D0%B9%D0%BB%D0%BE%D0%B2%D0%BD%D0%B0/|publisher=slovari.yandex.ru|accessdate=1 July 2012}}</ref> In 1955, Gaidai left the scene. |
From 1947 to 1965, she taught at the [[Kiev Conservatory]], having become a professor of this institution in 1963, a position that she held until her death.<ref name="The Great Soviet Encyclopedia"/> She toured extensively throughout the borders of the [[USSR]], in [[Iraq]], [[Iran]], [[China]], [[Canada]], [[USA]], and [[Pakistan]], and was awarded two orders, and also received the [[State Prize of the USSR]] in 1941. Among her main roles as performer is Natalka, from ''[[Natalka Poltavka (opera)|Natalka Poltavka]]'' by [[Mykola Lysenko]], Oksana, from ''The Zaporozhets Beyond the Danube'' by Gulak-Artemovskii), and Liuba Shevtsova, from ''The Young Guards'' by [[Yuliy Meitus]]. As part of the classical repertoire, she also appeared in [[Tchaikovsky]]'s ''[[Eugene Onegin (opera)|Eugene Onegin]]'' as Tat’iana, as the lead character of [[Rimsky-Korsakov]]'s ''[[The Snow Maiden]],'' Cio-Cio-San in Puccini’s ''[[Madame Butterfly]],'' and Violetta from [[Verdi]]'s ''[[La Traviata]].''<ref name="Slovari Yandex">{{cite web|last=Slovari Yandex|title=Гайдай Зоя Михайловна|url=http://slovari.yandex.ru/~%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8/%D0%91%D0%A1%D0%AD/%D0%93%D0%B0%D0%B9%D0%B4%D0%B0%D0%B9%20%D0%97%D0%BE%D1%8F%20%D0%9C%D0%B8%D1%85%D0%B0%D0%B9%D0%BB%D0%BE%D0%B2%D0%BD%D0%B0/|publisher=slovari.yandex.ru|accessdate=1 July 2012}}</ref> In 1955, Gaidai left the scene. |
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| DATE OF BIRTH = 1902 |
| DATE OF BIRTH = 1902 |
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| PLACE OF BIRTH = Tambov |
| PLACE OF BIRTH = Tambov |
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| DATE OF DEATH = 1965 |
| DATE OF DEATH = 21 April 1965 |
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| PLACE OF DEATH = Kiev |
| PLACE OF DEATH = Kiev |
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}} |
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[[Category:1902 births]] |
[[Category:1902 births]] |
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[[Category:1965 deaths]] |
[[Category:1965 deaths]] |
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[[Category:20th-century singers]] |
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Revision as of 06:47, 16 January 2015
Zoia Mikhailovna Gaidai (b. 1 June [O.S. 19 May] 1902 in Tambov – d. 21 April 1965 in Kiev), was a Soviet Ukrainian opera soprano. She was an artist of wide creativity, with a bright vocal range and talent who staged more than 50 musicals of the works of Ukrainian and Russian composers, as well as works of the classical repertoire of Western European composers. She kept close contact with other composers of her time, such as Mykola Lysenko, Boris Lyatoshynsky, Viktor Kosenko, and Levko Revutsky.
Biography
In 1927, Gaidai graduated from the Tambov Music College (N. V. Lysenko Institute of Music and Drama), where she studied under the guidance of Olena Muravyova.[1] From 1928 to 1955, she was soloist at the Kiev Opera and Ballet Theater, and from 1930 to 1934 at the Kharkov theater. During the World War II she was evacuated to Ufa along with her husband, singer-tenor Nikolai Platonov (Nicholas Platonovich Slutsky), and other artists of the Kiev Opera.
From 1947 to 1965, she taught at the Kiev Conservatory, having become a professor of this institution in 1963, a position that she held until her death.[1] She toured extensively throughout the borders of the USSR, in Iraq, Iran, China, Canada, USA, and Pakistan, and was awarded two orders, and also received the State Prize of the USSR in 1941. Among her main roles as performer is Natalka, from Natalka Poltavka by Mykola Lysenko, Oksana, from The Zaporozhets Beyond the Danube by Gulak-Artemovskii), and Liuba Shevtsova, from The Young Guards by Yuliy Meitus. As part of the classical repertoire, she also appeared in Tchaikovsky's Eugene Onegin as Tat’iana, as the lead character of Rimsky-Korsakov's The Snow Maiden, Cio-Cio-San in Puccini’s Madame Butterfly, and Violetta from Verdi's La Traviata.[2] In 1955, Gaidai left the scene.
References
- ^ a b The Great Soviet Encyclopedia, 3rd Edition (1970-1979). "Gaidai, Zoia Mikhailovna". The Free Encyclopedia. Retrieved 1 July 2012.
{{cite web}}
: CS1 maint: numeric names: authors list (link) - ^ Slovari Yandex. "Гайдай Зоя Михайловна". slovari.yandex.ru. Retrieved 1 July 2012.