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''The Boys in the Backroom'' was part of a series of plays, produced by Salamander Press, called The [[Traverse Theatre|Traverse]] Plays. The plays were written in celebration of Scottish playwrights and Dallmeyer's play was fifth in the series.<ref name=Traverse/> The play was performed in theatres across America covering 10 cities including New York, Los Angeles, San Francisco and Pittsburgh.<ref name=HScot/> It was reviewed in ''The Times'' as a conspiracy story which "markets its paranoia through outsize performances".<ref>{{cite news|last1=Chaillet|first1=Ned|title=... and authentic revelations on the Fringe too.|accessdate=1 March 2015|issue=61324|publisher=The Times|date=30 August 1982|url=http://find.galegroup.com/ttda/infomark.do?&source=gale&prodId=TTDA&userGroupName=lancs&tabID=T003&docPage=article&searchType=BasicSearchForm&docId=CS151620382&type=multipage&contentSet=LTO&version=1.0|location=London, England|page=9}}</ref> Following a performance in Los Angeles in 1987 it reviewed by the [[Los Angeles Times]] as "sophomoric and forgettable."<ref name="Traverse"/> It has also been performed by students at the [[Royal Conservatoire of Scotland]].<ref name=Second/>
''The Boys in the Backroom'' was part of a series of plays, produced by Salamander Press, called The [[Traverse Theatre|Traverse]] Plays. The plays were written in celebration of Scottish playwrights and Dallmeyer's play was fifth in the series.<ref name=Traverse/> The play was performed in theatres across America covering 10 cities including New York, Los Angeles, San Francisco and Pittsburgh.<ref name=HScot/> It was reviewed in ''The Times'' as a conspiracy story which "markets its paranoia through outsize performances".<ref>{{cite news|last1=Chaillet|first1=Ned|title=... and authentic revelations on the Fringe too.|accessdate=1 March 2015|issue=61324|publisher=The Times|date=30 August 1982|url=http://find.galegroup.com/ttda/infomark.do?&source=gale&prodId=TTDA&userGroupName=lancs&tabID=T003&docPage=article&searchType=BasicSearchForm&docId=CS151620382&type=multipage&contentSet=LTO&version=1.0|location=London, England|page=9}}</ref> Following a performance in Los Angeles in 1987 it reviewed by the [[Los Angeles Times]] as "sophomoric and forgettable."<ref name="Traverse"/> It has also been performed by students at the [[Royal Conservatoire of Scotland]].<ref name=Second/>


Dallmeyer wrote the play ''Thank God for John Muir'' based on the life of [[John Muir]]<ref>{{cite news|last1=Bruce|first1=Keith|title=Arts News:|url=http://www.heraldscotland.com/arts-ents/music/arts-news.118471443|accessdate=23 February 2015|publisher=Herald Scotland|date=16 February 2015}}</ref><ref>{{cite news|title=Theatre review: Thank God for John Muir|url=http://www.scotsman.com/news/theatre-review-thank-god-for-john-muir-1-1631025|accessdate=23 February 2015|publisher=The Scotsman|date=10 May 2011}}</ref> and specifically based on the period in Muir's life when an industrial accident left him blind.<ref>{{cite news|last1=Mcmillan|first1=Joyce|title=The Scotsman: Review: Thank God for John Muir|url=http://infoweb.newsbank.com/resources/doc/nb/news/1372DEB304D916C0?p=UKNB|accessdate=1 March 2015|publisher=The Scotsman|date=11 May 2011}}</ref> It was reviewed in 2011 as an "emotional and sensory journey", yet Alan Chadwick, from [[The Herald (Glasgow)|The Herald]], described it as "too static" and the ending was "underwhelming".<ref>{{cite news|last1=Chadwich|first1=Alan|title=Thank God for John Muir|url=http://infoweb.newsbank.com/resources/doc/nb/news/137332E92AC1C148?p=UKNB|accessdate=1 March 2015|publisher=The Herald|date=12 May 2011}}</ref> The play is scheduled to be a part of the 2015 John Muir celebrations in [[East Lothian]].<ref>{{cite web|title=John Muir 2015|url=http://www.visiteastlothian.org/johnmuir2015.asp|website=Visit East Lothian|accessdate=23 February 2015}}</ref>
Dallmeyer wrote the play ''Thank God for John Muir'' based on the life of [[John Muir]]<ref>{{cite news|last1=Bruce|first1=Keith|title=Arts News:|url=http://www.heraldscotland.com/arts-ents/music/arts-news.118471443|accessdate=23 February 2015|publisher=Herald Scotland|date=16 February 2015}}</ref><ref>{{cite news|title=Theatre review: Thank God for John Muir|url=http://www.scotsman.com/news/theatre-review-thank-god-for-john-muir-1-1631025|accessdate=23 February 2015|publisher=The Scotsman|date=10 May 2011}}</ref> and specifically based on the period in Muir's life when an industrial accident left him blind.<ref>{{cite news|last1=Mcmillan|first1=Joyce|title=The Scotsman: Review: Thank God for John Muir|url=http://infoweb.newsbank.com/resources/doc/nb/news/1372DEB304D916C0?p=UKNB|accessdate=1 March 2015|publisher=The Scotsman|date=11 May 2011}}</ref> It was reviewed in 2011 as an "emotional and sensory journey", yet Alan Chadwick, from ''[[The Herald (Glasgow)|The Herald]]'', described it as "too static" and the ending was "underwhelming".<ref>{{cite news|last1=Chadwich|first1=Alan|title=Thank God for John Muir|url=http://infoweb.newsbank.com/resources/doc/nb/news/137332E92AC1C148?p=UKNB|accessdate=1 March 2015|publisher=The Herald|date=12 May 2011}}</ref> The play is scheduled to be a part of the 2015 John Muir celebrations in [[East Lothian]].<ref>{{cite web|title=John Muir 2015|url=http://www.visiteastlothian.org/johnmuir2015.asp|website=Visit East Lothian|accessdate=23 February 2015}}</ref>


Dallmeyer wrote and performed in his controversial 50-minute one-man play,<ref name=CNN/><ref name=Lothian/> ''Wanted Dead or Alive'', in which [[Osama bin Laden]] is [[Santa Claus]] in a shopping mall. It was released on the first [[September 11th attacks]] anniversary and attempts to explain possible reasons for Osama bin Laden's anger towards America.<ref name=Scotsman/><ref name=CNN>{{cite news|last1=Boulden|first1=Jim|title='O-Santa' bin Laden causes a stir|url=http://edition.cnn.com/2002/WORLD/europe/12/20/uk.santabinladen/|accessdate=28 February 2015|publisher=CNN|date=20 December 2002}}</ref> The performance prompted complaints from the US consulate and Dallmeyer received death threats and abusive phone calls. There were calls from Scottish Parliament member, [[Brian Monteith]], to boycott the performance.<ref name=Scotsman /><ref name=Thorpe>{{cite news|last1=Thorpe|first1=Vanessa|title=Santa Osama arrives cloaked in controversy|url=http://www.theguardian.com/uk/2002/nov/24/arts.christmas|accessdate=28 February 2015|publisher=The Guardian|date=24 November 2002}}</ref> Dallmeyer defended the play, stating "I am not trying to create a sensation; it is just that I feel the piece is strong".<ref name=Thorpe/> The play featured "strongly anti-American sentiments and condemns United States foreign policy"<ref name=Scotsman/> and despite the backlash Dallmeyer has performed it over 100 times.<ref name=Lothian>{{cite news|title=Controversial drama makes county debut|url=http://www.eastlothiancourier.com/news/prestonpans/articles/2008/12/04/31539-controversial-drama-makes-county-sdebut/|accessdate=28 February 2015|publisher=East Lothian Courier|date=4 December 2008}}</ref>
Dallmeyer wrote and performed in his controversial 50-minute one-man play,<ref name=CNN/><ref name=Lothian/> ''Wanted Dead or Alive'', in which [[Osama bin Laden]] is [[Santa Claus]] in a shopping mall. It was released on the first [[September 11th attacks]] anniversary and attempts to explain possible reasons for Osama bin Laden's anger towards America.<ref name=Scotsman/><ref name=CNN>{{cite news|last1=Boulden|first1=Jim|title='O-Santa' bin Laden causes a stir|url=http://edition.cnn.com/2002/WORLD/europe/12/20/uk.santabinladen/|accessdate=28 February 2015|publisher=CNN|date=20 December 2002}}</ref> The performance prompted complaints from the US consulate and Dallmeyer received death threats and abusive phone calls. There were calls from Scottish Parliament member, [[Brian Monteith]], to boycott the performance.<ref name=Scotsman /><ref name=Thorpe>{{cite news|last1=Thorpe|first1=Vanessa|title=Santa Osama arrives cloaked in controversy|url=http://www.theguardian.com/uk/2002/nov/24/arts.christmas|accessdate=28 February 2015|publisher=The Guardian|date=24 November 2002}}</ref> Dallmeyer defended the play, stating "I am not trying to create a sensation; it is just that I feel the piece is strong".<ref name=Thorpe/> The play featured "strongly anti-American sentiments and condemns United States foreign policy"<ref name=Scotsman/> and despite the backlash Dallmeyer has performed it over 100 times.<ref name=Lothian>{{cite news|title=Controversial drama makes county debut|url=http://www.eastlothiancourier.com/news/prestonpans/articles/2008/12/04/31539-controversial-drama-makes-county-sdebut/|accessdate=28 February 2015|publisher=East Lothian Courier|date=4 December 2008}}</ref>


His stage play, ''Playing a Blinder'', which attempted to re-create the 1940 [[Edinburgh Derby#New Year derby|Edinburgh Derby's New Years day]] match, in which the commentator improvised what was happening on the pitch due to severe fog, was aired in 2002 on BBC Radio 4.<ref name=Talking/><ref name=McBurnie/><ref>{{cite news|last1=Cocchi|first1=Massimiliano|title=The Edinburgh derby that nobody saw|url=http://www.ilpost.it/2015/01/03/hearts-hibernian-1940/|accessdate=25 February 2015|publisher=ILPost|date=3 January 2015|language=Italian}}</ref> The cast included [[Andy Gray (actor)]] and [[Gavin Mitchell (actor)|Gavin Mitchell]].<ref>{{cite news|last1=McGlone|first1=Jackie|title=I rescued Easter Road from the mists of time...|url=http://infoweb.newsbank.com/resources/doc/nb/news/0F2B77AA17549719?p=UKNB|accessdate=1 March 2015|publisher=The Scotsman|date=18 December 2001}}</ref>
His stage play, ''Playing a Blinder'', which attempted to re-create the 1940 [[Edinburgh Derby#New Year derby|Edinburgh Derby's New Years day]] match, in which the commentator improvised what was happening on the pitch due to severe fog, was aired in 2002 on BBC Radio 4.<ref name=Talking/><ref name=McBurnie/><ref>{{cite news|last1=Cocchi|first1=Massimiliano|title=The Edinburgh derby that nobody saw|url=http://www.ilpost.it/2015/01/03/hearts-hibernian-1940/|accessdate=25 February 2015|publisher=ILPost|date=3 January 2015|language=Italian}}</ref> The cast included [[Andy Gray (actor)|Andy Gray]] and [[Gavin Mitchell (actor)|Gavin Mitchell]].<ref>{{cite news|last1=McGlone|first1=Jackie|title=I rescued Easter Road from the mists of time...|url=http://infoweb.newsbank.com/resources/doc/nb/news/0F2B77AA17549719?p=UKNB|accessdate=1 March 2015|publisher=The Scotsman|date=18 December 2001}}</ref>
The play took Dallmeyer two years to create<ref name=McBurnie/> and due to their being no recordings of the event he had to "imagine how it might have sounded".<ref name=Talking>{{cite news|last1=Philip|first1=Robert|title=Talking points: Guess who's coming to dinner?|url=http://www.telegraph.co.uk/sport/3019478/Talking-points-Guess-whos-coming-to-dinner.html|accessdate=25 February 2015|publisher=The Telegraph|date=28 December 2001}}</ref>
The play took Dallmeyer two years to create<ref name=McBurnie/> and due to their being no recordings of the event he had to "imagine how it might have sounded".<ref name=Talking>{{cite news|last1=Philip|first1=Robert|title=Talking points: Guess who's coming to dinner?|url=http://www.telegraph.co.uk/sport/3019478/Talking-points-Guess-whos-coming-to-dinner.html|accessdate=25 February 2015|publisher=The Telegraph|date=28 December 2001}}</ref>


Revision as of 23:35, 2 March 2015

Andrew Dallmeyer
Born (1945-01-10) 10 January 1945 (age 79)
St Boswells, Eildon Hills, Scotland
OccupationActor, Director, Playwriter
LanguageEnglish
EducationWebber Douglas School of Singing and Dramatic Art, London
Notable worksOpium Eater, Hello Dali, Wanted:Dead or Alive, Boys In The Backroom
Website
www.andrewdallmeyer.co.uk

Andrew Dallmeyer (born 10 January 1945) is a Scottish playwright, theatre director and actor. He has written over 75 plays, including the Opium Eater and directed more than 50 productions. His plays have won a number of awards, including a Scottish BAFTA, and they have been played on BBC Radio.

Some of his plays have been considered controversial, for example Wanted: Dead or Alive which focused on Osama Bin Laden's motives and was released on the first anniversary of the September 11 attacks. Some of his other plays celebrate the life and works of historical figures such as John Muir and Salvador Dali. As an actor, Dallmeyer had a recurring role in Scottish cult comedy, Rab C. Nesbitt.

Early life

Andrew Dallmeyer was born on 10 January 1945 in St Boswells, Roxburghshire, Scotland. He spent most of his childhood in Aberlady, East Lothian where he was a keen Hibernian F.C. supporter (later inspiring his interest to write Playing a Blinder). Dallmeyer learnt drama at the Webber Douglas School of Singing and Dramatic Art, London. His father won a Distinguished Service Order for service fighting the Nazis during the Second World War.[1]

Career

"Sometimes people tell me I’ll be successful when I’m dead, but I believe if you write something worthwhile it will survive. But writing is something I’ve always done because I have to get something out there."

Andrew Dallmeyer in Herald Scotland (2010) [2]

Dallmeyer, described as a veteran actor and playwright,[3] began his theatre work in the 1960s as an actor in Bristol Old Vic and Nottingham Playhouse performances. At the age of 26 he was the artistic director at Liverpool Playhouse, although he didn't enjoy it and instead wanted to focus on writing his own plays.[2] He subsequently directed many productions at the Traverse Theatre in Edinburgh, Sheffield Crucible, Dundee Rep, Leeds Playhouse and several more.[1]

As a playwright, Dallmeyer has written over 75 plays despite admitting he is unable to type[2] and has directed over 50 productions.[4] He was commissioned by the Baron of Prestongrange and has written a number of plays for him. He won three Fringe First awards as well as a BAFTA Scotland Award for the Best Radio Play of 1985 in Scotland.[2][4][5][6] In 1982, The Times pointed out that he was able to put on three separate successful Fringe shows each year.[7] Much of Dallmeyer's work has not been published or put into print and therefore he holds the only copy of many plays.[8]

His one-man show, titled Hello Dali, based on artist Salvador Dali[9] won a Fringe First award and has previously starred Sylvester McCoy[10] and Neil Cunningham. It has been performed in many countries including: Scotland, England, United States of America, Belgium, Spain, France, and the Netherlands. The play was described as a "scatological, emotional and artistic biography".[7]

The Opium Eater, based on Confessions of an English Opium-Eater by Thomas De Quincey,[4] has had more than a dozen performances across the United Kingdom.[11] The play was published by Capercaillie Books,[12][13] made into a television production (featuring Peter Mullan) and a radio version directed by Stewart Conn.[11] The radio play won a BAFTA award equivalent in 1985.[11] Dallmeyer believes The Opium Eater is somewhat autobiographical in nature as it is about a writer trying to find inspiration. He went on to state that "I don’t think I’m that neurotic. I’m quite steady, really, mentally. You have to be in this job."[2] Martin Cropper reviewed the show in The Times as one of the best he had seen at a fringe theatre.[14] The Opium Eater won awards and was adapted for radio.[14]

The Boys in the Backroom was part of a series of plays, produced by Salamander Press, called The Traverse Plays. The plays were written in celebration of Scottish playwrights and Dallmeyer's play was fifth in the series.[15] The play was performed in theatres across America covering 10 cities including New York, Los Angeles, San Francisco and Pittsburgh.[1] It was reviewed in The Times as a conspiracy story which "markets its paranoia through outsize performances".[16] Following a performance in Los Angeles in 1987 it reviewed by the Los Angeles Times as "sophomoric and forgettable."[15] It has also been performed by students at the Royal Conservatoire of Scotland.[2]

Dallmeyer wrote the play Thank God for John Muir based on the life of John Muir[17][18] and specifically based on the period in Muir's life when an industrial accident left him blind.[19] It was reviewed in 2011 as an "emotional and sensory journey", yet Alan Chadwick, from The Herald, described it as "too static" and the ending was "underwhelming".[20] The play is scheduled to be a part of the 2015 John Muir celebrations in East Lothian.[21]

Dallmeyer wrote and performed in his controversial 50-minute one-man play,[22][23] Wanted Dead or Alive, in which Osama bin Laden is Santa Claus in a shopping mall. It was released on the first September 11th attacks anniversary and attempts to explain possible reasons for Osama bin Laden's anger towards America.[24][22] The performance prompted complaints from the US consulate and Dallmeyer received death threats and abusive phone calls. There were calls from Scottish Parliament member, Brian Monteith, to boycott the performance.[24][25] Dallmeyer defended the play, stating "I am not trying to create a sensation; it is just that I feel the piece is strong".[25] The play featured "strongly anti-American sentiments and condemns United States foreign policy"[24] and despite the backlash Dallmeyer has performed it over 100 times.[23]

His stage play, Playing a Blinder, which attempted to re-create the 1940 Edinburgh Derby's New Years day match, in which the commentator improvised what was happening on the pitch due to severe fog, was aired in 2002 on BBC Radio 4.[26][27][28] The cast included Andy Gray and Gavin Mitchell.[29] The play took Dallmeyer two years to create[27] and due to their being no recordings of the event he had to "imagine how it might have sounded".[26]

Dallmeyer wrote the musical Burns Supper, in collaboration with composer David Todd, inspired by the bard Robert Burns. They then donated the script to schools around the country and a competition was held, in conjunction with charity 'First Scottish Film Features', to find the best school performance. Some of the work was then presented at the Fringe festival.[30]

In 1986, Dallmeyer wrote The Grand Edinburgh Fire Balloon as a piece of commissioned work for the Royal Lyceum Theatre.[31] Based on the story of the first man to fly in Britain; James Tytler was a pioneer with the development of the hot air balloon.[32] Despite the Lyceum being praised for commissioning a new play with regional importance[32][33] the play itself received some poor feedback. The Times reporter Sarah Hemmings viewed the play to be "rather monotonous" and "static", though she also said that the "Scenes that do take off are fascinating."[32] John Peter of the Sunday Times reported that the acting was below standard.[33]

Plays written by Dallmeyer

"True theatre cannot be institutionalized. It is rough, outlaw, dangerous, rabid, and might just bite. Like the Fringe. It sprawls uncontrollably. It needs a trim."

Andrew Dallmeyer in Fringe and Fortune: The Role of Critics in High and Popular Art (1996) [34]
Title Year Broadcaster Notes References
Brainwaves 1973 [35]
A Big Treatise in Store 1979 [36]
Metaphysics and Strip 1981 [37]
Opium Eater 1984
1985
1993		 BBC Radio 3
BBC Radio 3
BBC Two England		 [2][38][39]
Boys In The Backroom 1983 Part of the Salamander Press The Traverse Plays series [15][40]
Hello Dali 1984 [9][41]
The Grand Edinburgh Fire Balloon 1986 Royal Lyceum Theatre [31][33]
A Grand Scam 1989 [42]
Rudolf Hess Glasgow to Glasnost 1990 [43]
Virtual Radio 1994 BBC Radio 4 [44]
Fatwah Patois 1995 Tron Theatre [45]
Potted History 1996 BBC Radio 4 [46]
The Chic Murray Story 1997 [47]
Into the Ether 2000 BBC Radio 4 [48]
Wanted:Dead or Alive 2002 [24][49]
Playing a Blinder 2002 BBC Radio 4 [27]
The Ordeal of Alfred M Hale 2003 BBC Radio 4 [50][51]
Burns Supper 2007 [52]
The Battle of Pots and Pans 2008 [23]
Colonel Gardiner: Vice and Virtue 2009 [6]
Too Clever By Half 2009 [53]
The Mother of All Burns 2014 Scottish Storytelling Centre [54]

Plays directed by Dallmeyer

Title Year Broadcaster Notes References
Miss Julie 2012 Vagabond Productions [5]

Acting roles

Title Year Broadcaster Notes References
The Watchers on the Shore 1971 BBC Radio 4 [55]
Old Alliances 1986 BBC Radio 4 [56]
Tartuffe 1986 Royal Lyceum Theatre [57]
Foreigners 1987 BBC Radio 4 [58]
City Lights 1988 BBC Two England [59]
A Man Flourishing 1988 BBC Radio 4 [60]
Shadow on the Earth 1988 BBC Two England [61]
The Tales of Para Handy 1994 BBC One London [62]
Bad Boys 1996 BBC One London [63]
The Secret Commonwealth 1996 BBC Radio 3 [64]
Rab C Nesbitt 1997
1998
2011		 BBC Two [65][66][67]
Waiting for Godot 2003 The Arches (Glasgow) [68]
Krapp's Last Tape 2005 The Arches (Glasgow) As part of The Basement Tapes [69]
Stonehurst Asylum (Eliza Graves) 2014 [70]

References

  1. ^ a b c "Now a big player in a very big field". The Herald Scotland. 2001-12-31. Retrieved 2014-10-06.
  2. ^ a b c d e f g Cooper, Neil (14 September 2010). "Second helpings at last". The Herald Scotland. Retrieved 25 February 2015.
  3. ^ Ellis, Maureen (9 May 2011). "No Headline". Evening Times. Retrieved 1 March 2015.
  4. ^ a b c "Opium Eater by Andrew Dallmeyer". Capercaillie Books. Retrieved 23 February 2015.
  5. ^ a b Brown, Irene (13 August 2012). "Miss Julie Review". Edinburgh Guide. Retrieved 24 February 2015.
  6. ^ a b "Six cannons and countless muskets promise epic 'battle'". East Lothian Courier. 17 September 2009. Retrieved 25 February 2015.
  7. ^ a b Chaillet, Ned (26 August 1982). "Restoration exercise". No. 61321. London, England: The Times. p. 7. Retrieved 1 March 2015.
  8. ^ Cooper, Neil (14 December 2010). "Making a play for the past". The Herald. Retrieved 1 March 2015.
  9. ^ a b "Andrew Dallmeyer's Fringe First Award-winning exploration". Broadwaybaby. 2008-08-17. Retrieved 2014-10-06.
  10. ^ "Hello Dalí". The Scotsman. 13 August 2002. Retrieved 28 February 2015.
  11. ^ a b c McMillan, Joyce (27 September 2002). "The Scotsman: Pick of the day: The Opium Eater". The Scotsman. Retrieved 1 March 2015.
  12. ^ "ANDREW DALLMEYER". Doollee The Playwrights Database. Retrieved 2014-10-06.
  13. ^ "Miss Julie Fringe Sell Out show 2012". Vagabond Productions. Retrieved 2014-10-06.
  14. ^ a b Cropper, Martin (28 November 1985). "Opium Eater". No. 62307. London, England: The Times. p. 15. Retrieved 1 March 2015.
  15. ^ a b c Shirley, Don (13 January 1987). "The Boys in the Back Room". Los Angeles Times. Retrieved 19 January 2015.
  16. ^ Chaillet, Ned (30 August 1982). "... and authentic revelations on the Fringe too". No. 61324. London, England: The Times. p. 9. Retrieved 1 March 2015.
  17. ^ Bruce, Keith (16 February 2015). "Arts News:". Herald Scotland. Retrieved 23 February 2015.
  18. ^ "Theatre review: Thank God for John Muir". The Scotsman. 10 May 2011. Retrieved 23 February 2015.
  19. ^ Mcmillan, Joyce (11 May 2011). "The Scotsman: Review: Thank God for John Muir". The Scotsman. Retrieved 1 March 2015.
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  22. ^ a b Boulden, Jim (20 December 2002). "'O-Santa' bin Laden causes a stir". CNN. Retrieved 28 February 2015.
  23. ^ a b c "Controversial drama makes county debut". East Lothian Courier. 4 December 2008. Retrieved 28 February 2015.
  24. ^ a b c d Scotsman (10 September 2002). "Anti-American show on date of atrocity sparks outrage". The Scotsman. Retrieved 28 February 2015.
  25. ^ a b Thorpe, Vanessa (24 November 2002). "Santa Osama arrives cloaked in controversy". The Guardian. Retrieved 28 February 2015.
  26. ^ a b Philip, Robert (28 December 2001). "Talking points: Guess who's coming to dinner?". The Telegraph. Retrieved 25 February 2015.
  27. ^ a b c McBurnie, John (1 January 2014). "Classic match: Hibs v Hearts, New Year's Day 1940". The Scotsman. Retrieved 24 February 2015.
  28. ^ Cocchi, Massimiliano (3 January 2015). "The Edinburgh derby that nobody saw" (in Italian). ILPost. Retrieved 25 February 2015.
  29. ^ McGlone, Jackie (18 December 2001). "I rescued Easter Road from the mists of time..." The Scotsman. Retrieved 1 March 2015.
  30. ^ Mollison, Hazel (20 January 2009). "No holds Bard for Burns show". Edinburgh Evening News. Retrieved 1 March 2015.
  31. ^ a b Fowler, John (13 October 1986). "The Grand Edinburgh Fire Balloon". The Glasgow Herald. p. 4. Retrieved 1 March 2015.
  32. ^ a b c Hemmings, Sarah (13 October 1986). "Arts (Theatre): Review of 'Grand Edinburgh Fire Balloon' at the Royal Lyceum, Edinburgh". The Times. Retrieved 1 March 2015.
  33. ^ a b c Peter, John (19 October 1986). "Arts (Theatre): The king in the country". Sunday Times. Retrieved 1 March 2015.
  34. ^ Shrum, Wesley (1996). Fringe and Fortune: The Role of Critics in High and Popular Art (Illustrated ed.). Princeton University Press. p. 73. ISBN 9780691026572.
  35. ^ Merkin, Ros (2011). Liverpool Playhouse: A Theatre and Its City. Liverpool University Press. p. 111. ISBN 9781846317477.
  36. ^ "Around Town". New York Magazine. 12 (43): 18. 5 Nov 1979.
  37. ^ Chaillet, Ned (12 June 1981). "The Times critics' guide to the week's entertainment". No. 60952. London, England: The Times. p. 10. Retrieved 1 March 2015.
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  39. ^ "Opium Eater:BBC Radio 3". Radio Times (3205): 60. 18 April 1985. Retrieved 24 February 2015.
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  41. ^ Meyer-Dinkgräfe, Daniel (2005). Biographical Plays about Famous Artists. Cambridge Scholars Press. p. 105. ISBN 9781904303473.
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  44. ^ "BBC Radio 4 Listings". Radio Times (3681): 93. 2 August 1994. Retrieved 24 February 2015.
  45. ^ Black, Ian (3 December 1995). "Theatre check - Stepping Out: Theatre". Sunday Times. Retrieved 1 March 2015.
  46. ^ "BBC Radio 4:Potted History". Radio Times (3803): 127. 12 December 1996. Retrieved 24 February 2015.
  47. ^ Shields, Bob (21 January 1999). "Why being Chic Murray isn't funny any more... - NO JOKE: DOUG HEALY, THE ACTOR WHO HAS MADE A CAREER OUT OF PLAYING HIS HERO, ON HIS CLASH WITH THE SCOTS COMIC'S FAMILY". The Daily Record. Retrieved 1 March 2015.
  48. ^ "BBC Radio 4 Listings". Radio Times (4006): 145. 4 December 2000. Retrieved 24 February 2015.
  49. ^ "Bin Laden's Wanted Dead or Alive for Etcetera Xmas". Whats On Stage. 2002-12-06. Retrieved 2014-10-06.
  50. ^ "Afternoon Play: The Ordeal of Alfred M Hale". Radio Times (4150): 141. 25 September 2003. Retrieved 24 February 2015.
  51. ^ Daoust, Phil (30 September 2003). "The Guardian: G2: Tuesday: Radio: Pick of the day". The Guardian. Retrieved 1 March 2015.
  52. ^ "Background". Burns Supper. Retrieved 28 February 2015.
  53. ^ McMillan, Joyce (23 April 2009). "Theatre Reviews: Dramatic, atomic". The Scotsman. Retrieved 1 March 2015.
  54. ^ "Burns Night events in the Capital". Edinburgh Evening News. 18 January 2014. Retrieved 24 February 2015.
  55. ^ "BBC Radio 4: Saturday-Night Theatre". Radio Times (2497): 19. 16 September 1971. Retrieved 24 February 2015.
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