26-2: Difference between revisions
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{{refimprove|date=March 2015}}'''''26-2''''' is a [[Musical_composition|musical composition]] written by American [[Jazz]] musician [[John_Coltrane|John Coltrane]].<ref name="Chicago Tribune - 18 April 2014 - Kurt Rosenwinkel at Jazz Showcase">{{cite news|url=http://articles.chicagotribune.com/2014-04-18/entertainment/ct-kurt-rosenwinkel-review-20140419_1_jazz-showcase-le-fleming-plymouth-court-admission|title=Kurt Rosenwinkel at Jazz Showcase|last=[[Howard Reich]]|date=April 18, 2014|work=[[Chicago Tribune]]|publisher=[[Tribune Publishing]]|accessdate=19 March 2015}}</ref> |
{{refimprove|date=March 2015}}'''''26-2''''' is a [[Musical_composition|musical composition]] written by American [[Jazz]] musician [[John_Coltrane|John Coltrane]].<ref name="Chicago Tribune - 18 April 2014 - Kurt Rosenwinkel at Jazz Showcase">{{cite news|url=http://articles.chicagotribune.com/2014-04-18/entertainment/ct-kurt-rosenwinkel-review-20140419_1_jazz-showcase-le-fleming-plymouth-court-admission|title=Kurt Rosenwinkel at Jazz Showcase|last=[[Howard Reich]]|date=April 18, 2014|work=[[Chicago Tribune]]|publisher=[[Tribune Publishing]]|accessdate=19 March 2015}}</ref> |
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The song was recorded by Coltrane in 1960, but released four years later in 1964 on the [[Record_label|record label]] [[Atlantic_Records|Atlantic Records]] on an album entitled Coltrane Sound with a rhythm section comprising of [[McCoy_Tyner|McCoy Tyner ]] on piano, [[Steve_Davis_(bassist)|Steve Davis]] on bass, and [[Elvin_Jones|Elvin Jones]] on drums. The composition itself is a [[Contrafact|contrafact]] of [[Charlie_Parker|Charlie Parker's]] tune "[[Confirmation_(composition)|Confirmation]]", with harmonic alterations to the original [[Chord_progression|chord changes]] used by Coltrane in a number of his composition—this harmonic modification is commonly known as [[Coltrane_changes|Coltrane Changes]]—most notably used in Coltrane's [[Giant_Steps|Giant Steps]]. "26-2" is one of several [[Contrafact|contrafacts]] by Coltrane, others including "Countdown" (off of [[Giant_Steps|Giant Steps]]—a [[contrafact ]] of [[Miles_Davis|Miles Davis's]] "Tune Up", and "Satellite" off of the same album of Coltrane Sound—based upon the original [[Chord_progression|harmonic changes]] of [[Charlie_Parker|Charlie Parker's]] [[Ornithology_(composition)|Ornithology ]] (which itself is a contrafact of the American Songbook composition "[[How_High_the_Moon|How High the Moon]])". Coltrane plays the first statement of the melody playing [[ |
The song was recorded by Coltrane in 1960, but released four years later in 1964 on the [[Record_label|record label]] [[Atlantic_Records|Atlantic Records]] on an album entitled Coltrane Sound with a rhythm section comprising of [[McCoy_Tyner|McCoy Tyner ]] on piano, [[Steve_Davis_(bassist)|Steve Davis]] on bass, and [[Elvin_Jones|Elvin Jones]] on drums. The composition itself is a [[Contrafact|contrafact]] of [[Charlie_Parker|Charlie Parker's]] tune "[[Confirmation_(composition)|Confirmation]]", with harmonic alterations to the original [[Chord_progression|chord changes]] used by Coltrane in a number of his composition—this harmonic modification is commonly known as [[Coltrane_changes|Coltrane Changes]]—most notably used in Coltrane's [[Giant_Steps|Giant Steps]]. "26-2" is one of several [[Contrafact|contrafacts]] by Coltrane, others including "Countdown" (off of [[Giant_Steps|Giant Steps]]—a [[contrafact ]] of [[Miles_Davis|Miles Davis's]] "Tune Up", and "Satellite" off of the same album of Coltrane Sound—based upon the original [[Chord_progression|harmonic changes]] of [[Charlie_Parker|Charlie Parker's]] [[Ornithology_(composition)|Ornithology ]] (which itself is a contrafact of the American Songbook composition "[[How_High_the_Moon|How High the Moon]])". Coltrane plays the first statement of the melody playing [[tenor saxophone]], and switches to [[soprano saxophone]] for the last statement of the melody on the recorded version. |
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==Other Recorded Versions== |
==Other Recorded Versions== |
Revision as of 18:31, 19 March 2015
This article needs additional citations for verification. (March 2015) |
26-2 is a musical composition written by American Jazz musician John Coltrane.[1]
The song was recorded by Coltrane in 1960, but released four years later in 1964 on the record label Atlantic Records on an album entitled Coltrane Sound with a rhythm section comprising of McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. The composition itself is a contrafact of Charlie Parker's tune "Confirmation", with harmonic alterations to the original chord changes used by Coltrane in a number of his composition—this harmonic modification is commonly known as Coltrane Changes—most notably used in Coltrane's Giant Steps. "26-2" is one of several contrafacts by Coltrane, others including "Countdown" (off of Giant Steps—a contrafact of Miles Davis's "Tune Up", and "Satellite" off of the same album of Coltrane Sound—based upon the original harmonic changes of Charlie Parker's Ornithology (which itself is a contrafact of the American Songbook composition "How High the Moon)". Coltrane plays the first statement of the melody playing tenor saxophone, and switches to soprano saxophone for the last statement of the melody on the recorded version.
Other Recorded Versions
"26-2" is also covered and recorded by:
- Ravi Coltrane—Mad 6 (Eighty-Eights, 2002)
- Mark Turner—Mark Turner (Warner Bros, 1998)
- Jakob Dinesen & Kurt Rosenwinkel—Everything Will Be Alright (Verve Records, 2002)
References
- ^ Howard Reich (April 18, 2014). "Kurt Rosenwinkel at Jazz Showcase". Chicago Tribune. Tribune Publishing. Retrieved 19 March 2015.