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| name = Norma Howard
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| birth_name = Norma Williams
| birth_name = Norma Williams
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| birth_date = {1960?}}
| birth_place = [[Stigler, Oklahoma]], United States
| birth_place = [[Stigler, Oklahoma]], United States
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==='''Norma Howard'''===
==='''Norma Howard'''===


A Native American artist from [[Stigler, Oklahoma]], who paints realistic scenes of children playing, women working in fields, and other images inspired by family stories and Choctaw culture. Howard won her first art award at the 1995 [https://www.redearth.org/ Red Earth] Native American Cultural Festival in [[Oklahoma City]]. Her work is popular with collectors and well-received by critics.
A Native American artist from [[Stigler, Oklahoma]], who paints realistic scenes of children playing, women working in fields, and other images inspired by family stories and Choctaw life. Howard won her first art award at the 1995 [https://www.redearth.org/ Red Earth] Native American Cultural Festival in [[Oklahoma City]]. Her work is popular with collectors and well-received by critics.


===Early Life===
===Early Life===


Howard grew up in a small, rural Oklahoma community where there were few Indian families. Her family was poor and her parents struggled to raise their six children. Howard's maternal grandmother had been part of the second removal to Oklahoma from Mississippi in the early 1900s known as the [[Choctaw Trail of Tears]], which took her family to Atoka, [[Indian Territory]] (now southeastern Oklahoma). Howard's father's family had come to Indian Territory earlier, during the first removal. Later her grandfather decided to move away from the Atoka area to [[Stigler, Oklahoma]], where there were better schools and they owned land and grew cotton.
Howard grew up in a small, rural Oklahoma community. Her family was poor and her parents struggled to raise their six children. Howard's maternal grandmother had come to Oklahoma from Mississippi in the early 1900s as part of the second removal along the [[Choctaw Trail of Tears]]. Her grandmother spoke Choctaw, not English, and would sometimes tell the children stories in Choctaw. Howard's father's family had come to [[Indian Territory]] earlier, during the first removal, and at first settled in the Atoka area. Later her grandfather decided to move his family to [[Stigler, Oklahoma]], where there were better schools; they owned land and grew cotton.


Howard recalls drawing on anything she could -- with a stick in the dirt, on brown paper bags, even on pages of an encyclopedia. She first attended a small country school with both white and Indian children. When other children played with toys or dolls that she did not have, Howard would draw what she saw "and that made me feel like I had those things." When that school closed, she and her siblings attended Stigler schools, where she was the only Native child in her class. Howard vividly remembers one teacher that scolded her for drawing "Indian things" at the chalkboard, and for a while she stopped drawing altogether.
Howard recalls drawing on anything she could: with a stick in the dirt, on brown paper bags, even on pages of an encyclopedia.(Johnson) She first attended a small country school with both white and Indian children. When other children played with toys or dolls that she did not have, Howard would draw what she saw "and that made me feel like I had those things." After third grade, when that school closed, she and her siblings attended Stigler schools, where she was the only Native child in her class. Howard vividly remembers one teacher that scolded her for drawing "Indian things" on the chalkboard, and for a while she stopped drawing altogether.


Using the cheap paint palettes available at the local general store, Howard taught herself to paint. Her parents were proud of her art. Her father, a house painter, carried some of her drawings in his wallet. Once he even took off a day of work to show her paintings at a local event. After Howard started her family and began working at a sewing factory, she didn't have much time to paint. Then the factory closed down and Howard worried about finding another job. In a dream she heard her late father say to her, "Paint. That's what you always wanted to do."
Her parents were proud of her art. Her father, a house painter, carried some of her drawings in his wallet.
Using cheap paint palettes available at the local general store, Howard taught herself to paint. Once her father even took off a day of work to show her paintings at a local event. In 1974 people at a gift shop in Tahlequah "laughed at my work, like they didn't want it." After Howard started her family and began working at a sewing factory, she didn't have much time to paint. Then the factory closed down and Howard worried about finding another job. In a dream she heard her late father say to her, "Paint. That's what you always wanted to do."


===Early Career===
===Early Career===


Howard's husband David insisted they visit an art supply store in another town to buy her better paints and paper to use. David also pushed Howard to enter her work in the annual [https://www.redearth.org/ Red Earth] art market in Oklahoma City. She had just missed the deadline in 1995 to enter her work as a new artist, but a kind person allowed her to submit her request late. As Howard sat among the other artists and their works, she noticed her art was very different from most others. She thought she had made a mistake to be there. Then the winners' names were called. She listened as third place was announced, then second place, and she knew she had lost. When the announcer called "Norma Howard" for first place, she sat stunned and unmoving. After she accepted her award, people began to ask where was her exhibit booth. She sold every painting she had brought.
Howard's husband David insisted they visit an art supply store in another town to buy her better paints and paper to use. David also pushed Howard to enter her work in the annual [https://www.redearth.org/ Red Earth] art market in Oklahoma City. She had just missed the deadline in 1995 to enter her work as a new artist, but a kind person allowed her to submit her request late. As Howard sat among the other artists and their works, she noticed her art was very different from most others. It seemed everything was southwestern or plains art. She thought she had made a mistake to be there. Then the winners' names were called. She listened as third place was announced, then second place, and she thought she had lost. When the announcer called "Norma Howard" for first place, she sat stunned, head down. After she accepted her award, people began to ask where was her exhibit booth. In about an hour she had sold every painting she had brought. At Red Earth 1996, Howard won again.


At Red Earth 1996 Howard won again. In 1997 she exhibited at the [[Santa Fe Art Market]], and every year since then. She was encouraged to apply for a prestigious Santa Fe Art Market fellowship, and received one in 1998. Howard used the fellowship prize to travel to Mississippi to visit the ancestral places of the Choctaws. Those swamps and lands have continued to inspire her paintings of the times when Choctaws hid out from soldiers who wanted to send the Native people west to Indian Territory.
After encouragement from Paul Rainbird, of the Southwestern Association for Indian Arts, Howard exhibited at the 1997 [[Santa Fe Indian Market]] and every year since. In 1998 she received a prestigious Santa Fe Market fellowship. She used it to travel to Mississippi to visit ancestral places of the Choctaws. Those swamps and lands have continued to inspire her paintings of Choctaw history, when Choctaws hid from troops who sent Native people west to Indian Territory.


===Style and Notable Works===
===Style and Notable Works===


As a self-taught artist, Howard has developed a unique style of watercolor painting that uses cross-hatching and layers to produce depth. Her landscapes almost always include people, because she believes it is people who give life and meaning to the land. Her painting "Green Corn" is in the [[Gilcrease Museum]] in [[Tulsa, Oklahoma]], while three more paintings are the Landmark Bank in [[Durant, Oklahoma]]. Since 2003 Howard has had paintings at the [http://www.blueraingallery.com/artists/norma_howard Blue Rain Gallery] in [[Taos, New Mexico]].
As a self-taught artist, Howard has developed a unique style of watercolor painting that uses tiny brushstrokes, cross-hatching and layers to produce depth. Her landscapes almost always include people, because she believes it is people who give art life.(McKenna) She remembers as a child using a View-Master to look at pictures "so real you could touch it." Growing up, she did not know any Indian artists; in fact did not know many other Native families until her teens. So she was not aware of other Native art. Her first goal as an artist was to make something good enough for her mother and father to hang in their living room.(Howard/Chahta)


Her painting "Green Corn" is in the [[Gilcrease Museum]] in [[Tulsa, Oklahoma]], while three more paintings hang in the Landmark Bank in [[Durant, Oklahoma]]. Since 2003 Howard has had paintings at the [http://www.blueraingallery.com/artists/norma_howard Blue Rain Gallery] in [[Taos, New Mexico]].
⚫
===Awards and Achievements===


"Evening Walk" (McKenna)
1995


⚫
===Awards and Showings===

1995 Red Earth Native Culture Festival, 1st place Watercolor (Oklahoma City)
1996 Red Earth Native Culture Festival, 1st place Watercolor (oklahoma City)
1997+ Santa Fe Indian Market (Santa Fe, NM)
2013 Tulsa Indian Art Market (Glenpool, OK)
2014 Chickasaw Cultural Center (Sulphur, OK)

===References & Further Reading===

ARTICLES

Indyke, Kottie. (2003). Norma Howard. ''Southwest Art'' v.32 n.8 (Jan. 2003) p.32-34
Johnson, Sharon. (2007). Family's Past Has Meaning for Artist. NewsOK. (Dec. 27, 2007) Online; Accessed April 29, 2015. <http://newsok.com/familys-past-has-meaning-for-busy-artist/article/3184187/?page=1>
McKenna, Arin. (2014). Norma Howard: the Girl Who Had to Paint. ''Santa Fe New Mexican'' (portrait + 2 illus.)
Silverman, Jason. (2004). The Biggest and the Best. ''Southwest Art'' v. n. (Aug. 2004) p.
Smith, Craig. (2003). Norma Howard: Painting Family Stories. ''Santa Fe New Mexican'' (Santa Fe, NM), p.92.

WEBSITES

Ask Art (website) http://www.askart.com/AskART/artists/search

Howard, Norma (Williams) - Choctaw artist. '''Haskell County Historical Society''' (website). Accessed 8 April 2015. <http://haskellok.tripod.com/id36.html> Text and images imported with permission from The Choctaw Web Site, Rusty Lang, c2000. <http://freepages, genealopy.rootsweb.ancestry.com/~choc1885/norma_howard.htm>

INTERVIEWS

Norma Howard. '''Choctaw Stories'''. Stacy Shepherd, interviewer. Chahta Foundation, Durant, OK. Audio recordings, 2011-2015. Accessed 8 April 2015. <http://chahtafoundation.com/culture/stories>

Norma Howard. (2010) (Audio recording and transcript). Oklahoma Native Artists Oral History Project. Julie Pearson-Little Thunder, interviewer. Recorded Nov. 19, 2010. Oklahoma Oral History Research Program, Oklahoma State University (Stillwater, OK). <http://dc.library.okstate.edu/cdm/compoundobject/collection/Spot/id/290/rec/1>

Revision as of 22:27, 29 April 2015

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Norma Howard
Born
Norma Williams

{1960?

| birth_place = Stigler, Oklahoma, United States | death_date = | death_place = | resting_place = | resting_place_coordinates = | nationality = Choctaw, Chickasaw | education = | alma_mater = | known_for = watercolor painting | notable_works = | style = representational | movement = | spouse = David Howard | awards = | elected = | patrons = | memorials = | website = | module = }}

Norma Howard

A Native American artist from Stigler, Oklahoma, who paints realistic scenes of children playing, women working in fields, and other images inspired by family stories and Choctaw life. Howard won her first art award at the 1995 Red Earth Native American Cultural Festival in Oklahoma City. Her work is popular with collectors and well-received by critics.

Early Life

Howard grew up in a small, rural Oklahoma community. Her family was poor and her parents struggled to raise their six children. Howard's maternal grandmother had come to Oklahoma from Mississippi in the early 1900s as part of the second removal along the Choctaw Trail of Tears. Her grandmother spoke Choctaw, not English, and would sometimes tell the children stories in Choctaw. Howard's father's family had come to Indian Territory earlier, during the first removal, and at first settled in the Atoka area. Later her grandfather decided to move his family to Stigler, Oklahoma, where there were better schools; they owned land and grew cotton.

Howard recalls drawing on anything she could: with a stick in the dirt, on brown paper bags, even on pages of an encyclopedia.(Johnson) She first attended a small country school with both white and Indian children. When other children played with toys or dolls that she did not have, Howard would draw what she saw "and that made me feel like I had those things." After third grade, when that school closed, she and her siblings attended Stigler schools, where she was the only Native child in her class. Howard vividly remembers one teacher that scolded her for drawing "Indian things" on the chalkboard, and for a while she stopped drawing altogether.

Her parents were proud of her art. Her father, a house painter, carried some of her drawings in his wallet. Using cheap paint palettes available at the local general store, Howard taught herself to paint. Once her father even took off a day of work to show her paintings at a local event. In 1974 people at a gift shop in Tahlequah "laughed at my work, like they didn't want it." After Howard started her family and began working at a sewing factory, she didn't have much time to paint. Then the factory closed down and Howard worried about finding another job. In a dream she heard her late father say to her, "Paint. That's what you always wanted to do."

Early Career

Howard's husband David insisted they visit an art supply store in another town to buy her better paints and paper to use. David also pushed Howard to enter her work in the annual Red Earth art market in Oklahoma City. She had just missed the deadline in 1995 to enter her work as a new artist, but a kind person allowed her to submit her request late. As Howard sat among the other artists and their works, she noticed her art was very different from most others. It seemed everything was southwestern or plains art. She thought she had made a mistake to be there. Then the winners' names were called. She listened as third place was announced, then second place, and she thought she had lost. When the announcer called "Norma Howard" for first place, she sat stunned, head down. After she accepted her award, people began to ask where was her exhibit booth. In about an hour she had sold every painting she had brought. At Red Earth 1996, Howard won again.

After encouragement from Paul Rainbird, of the Southwestern Association for Indian Arts, Howard exhibited at the 1997 Santa Fe Indian Market and every year since. In 1998 she received a prestigious Santa Fe Market fellowship. She used it to travel to Mississippi to visit ancestral places of the Choctaws. Those swamps and lands have continued to inspire her paintings of Choctaw history, when Choctaws hid from troops who sent Native people west to Indian Territory.

Style and Notable Works

As a self-taught artist, Howard has developed a unique style of watercolor painting that uses tiny brushstrokes, cross-hatching and layers to produce depth. Her landscapes almost always include people, because she believes it is people who give art life.(McKenna) She remembers as a child using a View-Master to look at pictures "so real you could touch it." Growing up, she did not know any Indian artists; in fact did not know many other Native families until her teens. So she was not aware of other Native art. Her first goal as an artist was to make something good enough for her mother and father to hang in their living room.(Howard/Chahta)

Her painting "Green Corn" is in the Gilcrease Museum in Tulsa, Oklahoma, while three more paintings hang in the Landmark Bank in Durant, Oklahoma. Since 2003 Howard has had paintings at the Blue Rain Gallery in Taos, New Mexico.

"Evening Walk" (McKenna)


Awards and Showings

1995 Red Earth Native Culture Festival, 1st place Watercolor (Oklahoma City) 1996 Red Earth Native Culture Festival, 1st place Watercolor (oklahoma City) 1997+ Santa Fe Indian Market (Santa Fe, NM) 2013 Tulsa Indian Art Market (Glenpool, OK) 2014 Chickasaw Cultural Center (Sulphur, OK)

References & Further Reading

ARTICLES

Indyke, Kottie. (2003). Norma Howard. Southwest Art v.32 n.8 (Jan. 2003) p.32-34 Johnson, Sharon. (2007). Family's Past Has Meaning for Artist. NewsOK. (Dec. 27, 2007) Online; Accessed April 29, 2015. <http://newsok.com/familys-past-has-meaning-for-busy-artist/article/3184187/?page=1> McKenna, Arin. (2014). Norma Howard: the Girl Who Had to Paint. Santa Fe New Mexican (portrait + 2 illus.) Silverman, Jason. (2004). The Biggest and the Best. Southwest Art v. n. (Aug. 2004) p. Smith, Craig. (2003). Norma Howard: Painting Family Stories. Santa Fe New Mexican (Santa Fe, NM), p.92.

WEBSITES

Ask Art (website) http://www.askart.com/AskART/artists/search

Howard, Norma (Williams) - Choctaw artist. Haskell County Historical Society (website). Accessed 8 April 2015. <http://haskellok.tripod.com/id36.html> Text and images imported with permission from The Choctaw Web Site, Rusty Lang, c2000. <http://freepages, genealopy.rootsweb.ancestry.com/~choc1885/norma_howard.htm>

INTERVIEWS

Norma Howard. Choctaw Stories. Stacy Shepherd, interviewer. Chahta Foundation, Durant, OK. Audio recordings, 2011-2015. Accessed 8 April 2015. <http://chahtafoundation.com/culture/stories>

Norma Howard. (2010) (Audio recording and transcript). Oklahoma Native Artists Oral History Project. Julie Pearson-Little Thunder, interviewer. Recorded Nov. 19, 2010. Oklahoma Oral History Research Program, Oklahoma State University (Stillwater, OK). <http://dc.library.okstate.edu/cdm/compoundobject/collection/Spot/id/290/rec/1>

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