Richard Einhorn: Difference between revisions
No edit summary |
No edit summary |
||
| Line 5: | Line 5: | ||
Einhorn graduated [[summa cum laude]] and [[Phi Beta Kappa]] from [[Columbia University]] in 1975, and studied [[musical composition|composition]] and [[electronic music]] with [[Jack Beeson]], [[Vladimir Ussachevsky]], and [[Mario Davidovsky]]. |
Einhorn graduated [[summa cum laude]] and [[Phi Beta Kappa]] from [[Columbia University]] in 1975, and studied [[musical composition|composition]] and [[electronic music]] with [[Jack Beeson]], [[Vladimir Ussachevsky]], and [[Mario Davidovsky]]. |
||
His best-known work, ''[[Voices of Light]]'' (1994) is an [[oratorio]] scored for soloists, chorus, orchestra and a bell. It was inspired by [[Carl Theodor Dreyer]]'s silent film ''[[The Passion of Joan of Arc]]'' ([[1928 in film|1928]]). In the 1980s, he composed many horror and thriller film scores, including ''[[Shock Waves (film)|Shock Waves]]'' (1977), ''[[Don't Go in the House]]'' (1980), ''[[Eyes of a Stranger]]'' (1981), ''[[The Prowler (1981 film)|The Prowler]]'' (1981) and ''[[Sister, Sister (1987 film)|Sister, Sister]]'' (1987). He also contributed to the soundtrack of ''[[Liberty! The American Revolution]]''. |
His best-known work, ''[[Voices of Light]]'' (1994) is an [[oratorio]] scored for soloists, chorus, orchestra and a bell. It was inspired by [[Carl Theodor Dreyer]]'s silent film ''[[The Passion of Joan of Arc]]'' ([[1928 in film|1928]]). In the 1980s, he composed many horror and thriller film scores, including ''[[Shock Waves (film)|Shock Waves]]'' (1977), ''[[Don't Go in the House]]'' (1980), ''[[Eyes of a Stranger (1981 film)|Eyes of a Stranger]]'' (1981), ''[[The Prowler (1981 film)|The Prowler]]'' (1981) and ''[[Sister, Sister (1987 film)|Sister, Sister]]'' (1987). He also contributed to the soundtrack of ''[[Liberty! The American Revolution]]''. |
||
In a recent [[New York Times]] article, Einhorn discussed his use of hearing loops to enjoy concerts with his hearing aid. [http://www.nytimes.com/2011/10/24/science/24loops.html?_r=1&scp=1&sq=richard%20einhorn&st=cse] |
In a recent [[New York Times]] article, Einhorn discussed his use of hearing loops to enjoy concerts with his hearing aid. [http://www.nytimes.com/2011/10/24/science/24loops.html?_r=1&scp=1&sq=richard%20einhorn&st=cse] |
||
Revision as of 22:06, 25 May 2015
 |
Richard Einhorn (born 1952) is an American composer.
Einhorn graduated summa cum laude and Phi Beta Kappa from Columbia University in 1975, and studied composition and electronic music with Jack Beeson, Vladimir Ussachevsky, and Mario Davidovsky.
His best-known work, Voices of Light (1994) is an oratorio scored for soloists, chorus, orchestra and a bell. It was inspired by Carl Theodor Dreyer's silent film The Passion of Joan of Arc (1928). In the 1980s, he composed many horror and thriller film scores, including Shock Waves (1977), Don't Go in the House (1980), Eyes of a Stranger (1981), The Prowler (1981) and Sister, Sister (1987). He also contributed to the soundtrack of Liberty! The American Revolution.
In a recent New York Times article, Einhorn discussed his use of hearing loops to enjoy concerts with his hearing aid. [1]
Musical works
- The Origin an opera/oratorio inspired by Charles Darwin's life and work. Libretto compiled from Darwin's writings by Einhorn and the American poet Catherine Barnett
- Voices of Light soundtrack
- Red Angels ballet
- A Carnival of Miracles for four voices
- Fire Eater soundtrack
- The Prowler soundtrack
- The Fourth Manner of Loving for chorus and orchestra
- Freud and Dora: A Case of Hysteria opera in two acts
- My Many Colored Days By Dr. Seuss for symphony orchestra and narrator
External links
- The composer's Web site, includes biography and discography
- Digby's Hullabaloo, where Einhorn blogs under the name Tristero.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
