Michèle Magema: Difference between revisions
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'''Michèle Magema''' is a Congolese-French video, performance, and photography artist. She was born in [[Kinshasa]], [[Democratic Republic of Congo]] in 1977. She emigrated to Paris, France in 1984, where she currently resides.<ref>{{cite journal|title=Michèle Magema, Goodbye Rosa – 2005 (2005)|journal=Signs|date=Summer 2013|volume=38|issue=4|url=http://signsjournal.org/michele-magema-goodbye-rosa-2005-2005/}}</ref> |
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{{BLP sources|date=May 2015}} |
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In 2002 she received her MA in fine arts from l’Ecole Nationale Supérieure d’Arts de Cergy. In addition to being a resident artist at Cité Internationale des Arts, she has participated in the Africa Remix Exhibition. Her work has been exhibited in the ''Global Feminisms'' exhibition at the [[Brooklyn Museum]],<ref>{{cite journal|last1=Muller|first1=Dena|title=Reviewed Works: Global Feminisms by Maura Reilly, Linda Nochlin; Global Feminisms: New Directions in Contemporary Art by Maura Reilly, Linda Nochlin|journal=Signs|date=Winter 2008|volume=33|issue=2|pages=471-474|url=http://www.jstor.org/stable/10.1086/521560}}</ref> the Hirshoron Museum, and Sculpture Garden. |
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| ⚫ | One of her most well-known works is ''Oyé Oyé'', (2004) a two‐channel video installation, in which a woman (Magema) is shown marching in place on the left, while on the right historic footage of Zaire’s [[Mobutu Sese Seko]] overseeing parades of Congolese cultural pride.<ref>{{cite web|title=Michèle Magema|url=http://www.doualart.org/spip.php?article301|publisher=doual'art|accessdate=30 May 2015}}</ref> |
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Michèle Magema is a Congolese-French video, performance, and photography artist. She was born in [[Kinshasa]], [[Democratic Republic of Congo]], in 1977 |
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She emigrated to [[Paris|Paris,]] [[France]], in 1984, where she currently resides. |
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In 2002, she received her MA in fine arts from l’Ecole Nationale Supérieure d’Arts de Cergy |
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In addition to being a resident artist at Cité Internationale des Arts, she has participated in the Africa Remix Exhibition. |
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Her work has been exhibited in the Global Feminisms Exhibition at the Brooklyn Museum, the Hirshoron Museum, and Sculpture Garden |
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==References== |
==References== |
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{{reflist}} |
{{reflist}} |
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http://signsjournal.org/michele-magema-goodbye-rosa-2005-2005 |
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http://www.jstor.org/stable/10.1086/521560 |
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http://www.doualart.org/spip.php?article301 |
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http://www.doualart.org/spip.php?article301 |
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{{uncategorised|date=May 2015}} |
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{{DEFAULTSORT:Magema, Michele}} |
{{DEFAULTSORT:Magema, Michele}} |
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[[Category:1977 births]] |
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[[Category:Living people]] |
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[[Category:Democratic Republic of the Congo artists]] |
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[[Category:Democratic Republic of the Congo emigrants to France]] |
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[[Category:French performance artists]] |
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[[Category:People from Kinshasa]] |
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[[Category:Video artists]] |
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[[Category:Women video artists]] |
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Revision as of 21:38, 30 May 2015
Michèle Magema is a Congolese-French video, performance, and photography artist. She was born in Kinshasa, Democratic Republic of Congo in 1977. She emigrated to Paris, France in 1984, where she currently resides.[1]
In 2002 she received her MA in fine arts from l’Ecole Nationale Supérieure d’Arts de Cergy. In addition to being a resident artist at Cité Internationale des Arts, she has participated in the Africa Remix Exhibition. Her work has been exhibited in the Global Feminisms exhibition at the Brooklyn Museum,[2] the Hirshoron Museum, and Sculpture Garden.
One of her most well-known works is Oyé Oyé, (2004) a two‐channel video installation, in which a woman (Magema) is shown marching in place on the left, while on the right historic footage of Zaire’s Mobutu Sese Seko overseeing parades of Congolese cultural pride.[3]
References
- ^ "Michèle Magema, Goodbye Rosa – 2005 (2005)". Signs. 38 (4). Summer 2013.
- ^ Muller, Dena (Winter 2008). "Reviewed Works: Global Feminisms by Maura Reilly, Linda Nochlin; Global Feminisms: New Directions in Contemporary Art by Maura Reilly, Linda Nochlin". Signs. 33 (2): 471–474.
- ^ "Michèle Magema". doual'art. Retrieved 30 May 2015.