Pretty Ugly People: Difference between revisions
| Line 47: | Line 47: | ||
While on its face, the film seems to be a type of [[black comedy]], various questions centering on identity are raised in the film. |
While on its face, the film seems to be a type of [[black comedy]], various questions centering on identity are raised in the film. |
||
Austin, the flight attendant, remains unmarried and in many instances various individuals within the circle of friends insinuate he is gay. On two separate occasions, Austin is called a "[[faggot (slang)|fag]]" when having confrontations with other members of the circle. Interestingly, the belief in Austin's homosexuality leads George to kiss him at one point. However, Austin |
Austin, the flight attendant, remains unmarried and in many instances various individuals within the circle of friends insinuate he is gay. On two separate occasions, Austin is called a "[[faggot (slang)|fag]]" when having confrontations with other members of the circle. Interestingly, the belief in Austin's homosexuality leads George to kiss him at one point. However, Austin is surprised and heterosexual and pushes George away. The films raises questions about perceptions and stereotypes regarding [[homosexuality]]. |
||
Richard and Raye have a conversation where Richard says that when he was falling asleep one night he heard Raye's voice on CNN. Richard says that Raye's voice sounded like any other politician's voice, which Raye takes to mean that he can sound just like any other white politician. Raye is insulted by this, and Richard attempts to cover it up by suggesting it's a compliment. |
|||
In a similar vein, Raye and Mary have conversations about what constitute [[Black]] identity. They have a conversation about vernacular in which Raye tells Mary to "cut it out with that [[African American Vernacular English|ebonics]] shit." In watching the way in which these two characters relationship plays out, the idea of [[Black]] identity is complicated within the realm of the film. |
In a similar vein, Raye and Mary have conversations about what constitute [[Black]] identity. They have a conversation about vernacular in which Raye tells Mary to "cut it out with that [[African American Vernacular English|ebonics]] shit." In watching the way in which these two characters relationship plays out, the idea of [[Black]] identity is complicated within the realm of the film. |
||
Revision as of 03:34, 12 August 2015
| Pretty Ugly People | |
|---|---|
 THeatrical release poster | |
| Directed by | Tate Taylor |
| Written by | Tate Taylor |
| Produced by | Brunson Green Kurt Kelly |
| Starring | Missi Pyle Melissa McCarthy Octavia Spencer |
| Cinematography | J.P. Lipa |
| Edited by | Justin C. Green |
| Music by | Lucian Piane |
Production companies | Harbinger Pictures Plump Pictures |
| Distributed by | Gravitas Ventures |
Release date |
|
Running time | 99 minutes |
| Country | United States |
| Language | English |
Pretty Ugly People is a 2008 American comedy drama film written and directed by Tate Taylor, and starring Missi Pyle, Melissa McCarthy, and Octavia Spencer.[1][2][3]
The film is the story of a group of friends brought together for a four day hike in the Montana wilderness by one their number, Lucy (Missi Pyle). She is celebrating losing hundreds of pounds of weight after gastric bypass surgery. However, as she quickly realizes while she has become thin and happy, her friends are miserable. The film's title is derived from this realization.
The film was filmed in Montana.
Plot
The film begins with a voice-over by Lucy (Missi Pyle) discussing calling her friend Becks (Melissa McCarthy) and insinuating she is dying. She asks Becks to rally all of the women's college friends for one final trip to see Lucy in Montana.
Orchestrated by Becks, the circle of friends meet up in an airport in Montana. Becks brings her husband Richard and introduces him, for the first time, to commodities trader George, Grammy nominated rap producer Trevor, flight attendant Austin, and State Representative Raye who also brings his wife, Mary (Octavia Spencer). When the group is assembled a man named Sam approaches the group and tells them Lucy has sent him to drive them to the lodge where she is staying.
After arriving at the lodge, the group is greeted by an attractive blonde woman. When no one recognizes her, Lucy reveals to her friends that it is her, no longer fat! Later at lunch, Lucy explains to her friends that she has had gastric bypass surgery and she remains four pounds away from her ideal weight.
Waking the group early the next morning, she informs them that they are going on a four-day hike in which she will drop her final four pounds of weight. The majority of the film centers on the hiking trip. Over the course of the trip, various aspects of the lives of all of Lucy's friends are revealed. George reveals himself as gay. Raye and Mary are unhappy together and Mary ends up taking off her wedding ring and ending her marriage to Raye. Similarly, Becks and Richard are equally unhappy.
At the end of the hike, Lucy prepares dinner for them before Sam comes to pick everyone up in the bus. Lucy tells them she believed that becoming thin would make her as happy as them, but what she has realized on the trip is that none of them are happy, and that it never had anything to do with weight.
As Sam is driving the group back to the lodge, he has a heart attack and the bus goes off the road. Sam is dead and Richard dies while waiting for help. Everyone else survives. In the final scenes of the movie, everyone but Raye, who has gone back to Washington and wins a Senate election, is having lunch on a beach, an inestimable time after the bus accident. Lucy and Becks, who is pregnant, wade into the water so that Becks can toss Richard's ashes to sea.
Awards
The film seems largely ignored by critics, however, it did well on the independent film circuit. It was the winner of "Best Feature Film" at the Berks Madness film festival. It took the same award at both the Berkley and Long Island film festivals. Also, it won an "audience choice" award at the Crossroads film festival.[citation needed]
The film won Best Feature Film in 2008 at the Central Florida Film Festival.[4]
Issues raised in the film
While on its face, the film seems to be a type of black comedy, various questions centering on identity are raised in the film.
Austin, the flight attendant, remains unmarried and in many instances various individuals within the circle of friends insinuate he is gay. On two separate occasions, Austin is called a "fag" when having confrontations with other members of the circle. Interestingly, the belief in Austin's homosexuality leads George to kiss him at one point. However, Austin is surprised and heterosexual and pushes George away. The films raises questions about perceptions and stereotypes regarding homosexuality.
Richard and Raye have a conversation where Richard says that when he was falling asleep one night he heard Raye's voice on CNN. Richard says that Raye's voice sounded like any other politician's voice, which Raye takes to mean that he can sound just like any other white politician. Raye is insulted by this, and Richard attempts to cover it up by suggesting it's a compliment.
In a similar vein, Raye and Mary have conversations about what constitute Black identity. They have a conversation about vernacular in which Raye tells Mary to "cut it out with that ebonics shit." In watching the way in which these two characters relationship plays out, the idea of Black identity is complicated within the realm of the film.
References
- ^ "Pretty Ugly People(2009)". movies.yahoo.com. Retrieved 28 February 2014.
- ^ "Pretty Ugly People (2009)". nytimes.com. Retrieved 28 February 2014.
- ^ "Pretty Ugly People (2009)". boxofficemojo.com. Retrieved 28 February 2014.
- ^ "Pretty Ugly People - Awards". IMDB. Retrieved 12 August 2015.