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An '''antihero''' or '''antiheroine''' is a [[protagonist]] who lacks conventional heroic qualities such as [[idealism]], [[courage]], and [[morality]]. |
An '''antihero''' or '''antiheroine''' is a [[protagonist]] who lacks conventional heroic qualities such as [[idealism]], [[courage]], and [[morality]].. <ref>{{cite web|url=http://www.ahdictionary.com/word/search.html?q=Antihero |title=American Heritage Dictionary Entry: antihero |publisher=Ahdictionary.com |date=2013-01-09 |accessdate=2013-10-03}}</ref><ref>{{cite web|url=http://www.macmillandictionary.com/dictionary/british/anti-hero |title=anti-hero - definition of anti-hero by Macmillan Dictionary |publisher=Macmillandictionary.com |date= |accessdate=2013-10-04}}</ref><ref>{{cite web|url=http://www.merriam-webster.com/dictionary/antiheroine?show=0&t=1350251069 |title=Antiheroine - Definition and More from the Free Merriam-Webster Dictionary |publisher=Merriam-webster.com |date=2012-08-31 |accessdate=2013-10-03}}</ref><ref>{{cite web|url=http://oxforddictionaries.com/definition/english/anti-hero |title=anti-hero: definition of anti-hero in Oxford dictionary (British & World English) |publisher=Oxforddictionaries.com |date= |accessdate=2014-09-06}}</ref><ref name="merriam">{{cite web|url=http://www.merriam-webster.com/dictionary/antihero |title=Antihero - Definition and More from the Free Merriam-Webster Dictionary |publisher=Merriam-webster.com |date=2012-08-31 |accessdate=2013-10-03}}</ref> |
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==History== |
==History== |
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Revision as of 19:26, 22 October 2015
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An antihero or antiheroine is a protagonist who lacks conventional heroic qualities such as idealism, courage, and morality.. [1][2][3][4][5]
History
The antihero archetype can be traced back at least as far as Homer's Thersites.[6] The concept has also been identified in classical Greek drama,[7] Roman satire, and Renaissance literature[6] such as Don Quixote[7][8] and the picaresque rogue.[9]
The term antihero was first used as early as 1714,[5] emerging in works such as Rameau's Nephew in the 18th century,[10] and is also used more broadly to cover Byronic heroes as well.[11]
Literary Romanticism in the 19th century helped popularize new forms of the antihero,[12][13] such as the Gothic double.[14] The antihero eventually became an established form of social criticism, a phenomenon often associated with the unnamed protagonist in Fyodor Dostoevsky's Notes from Underground.[15] The antihero emerged as a foil to the traditional hero archetype, a process that Northrop Frye called the fictional "centre of gravity."[16] This movement indicated a literary change in heroic ethos from feudal aristocrat to urban democrat, as was the shift from epic to ironic narratives.[16]
The antihero became prominent in early 20th century existentialist works such as Franz Kafka's The Metamorphosis (1915),[17] Jean-Paul Sartre's La Nausée (1938) (Error: {{language with name/for}}: missing language tag or language name (help)),[18] and Albert Camus' L'Étranger (1942) (Error: {{language with name/for}}: missing language tag or language name (help)).[19] The protagonist in these works is an indecisive central character who drifts through his life and is marked by ennui, angst, and alienation.[20]
The antihero entered American literature in the 1950s and up to the mid-1960s was portrayed as an alienated figure, unable to communicate.[21] The American antihero of the 1950s and 1960s (as seen in the works of Jack Kerouac, Norman Mailer, et al.) was typically more proactive than his French counterpart; with characters such as Kerouac's Dean Moriarty famously taking to the road to vanquish his ennui.[22] The British version of the antihero emerged in the works of the "angry young men" of the 1950s.[7][23] The collective protests of Sixties counterculture saw the solitary antihero gradually eclipsed from fictional prominence,[24] though not without subsequent revivals in literary and cinematic form.[25]
In sports, the sporting antihero, such as professional wrestler Stone Cold Steve Austin, is not a team player, challenges officialdom, and seeks financial gain over club loyalty, yet still acquires a large fan following by way of his/her actualization of the rebel archetype.[26][27]
See also
References
- ^ "American Heritage Dictionary Entry: antihero". Ahdictionary.com. 2013-01-09. Retrieved 2013-10-03.
- ^ "anti-hero - definition of anti-hero by Macmillan Dictionary". Macmillandictionary.com. Retrieved 2013-10-04.
- ^ "Antiheroine - Definition and More from the Free Merriam-Webster Dictionary". Merriam-webster.com. 2012-08-31. Retrieved 2013-10-03.
- ^ "anti-hero: definition of anti-hero in Oxford dictionary (British & World English)". Oxforddictionaries.com. Retrieved 2014-09-06.
- ^ a b "Antihero - Definition and More from the Free Merriam-Webster Dictionary". Merriam-webster.com. 2012-08-31. Retrieved 2013-10-03.
- ^ a b Steiner, George (2013). Tolstoy Or Dostoevsky: An Essay in the Old Criticism. New York: Open Road. pp. 197–198. ISBN 9781480411913.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ a b c "antihero (literature) - Encyclopedia Britannica". Britannica.com. 2013-02-14. Retrieved 2014-08-09.
- ^ "Literary Terms and Definitions A". Web.cn.edu. Retrieved 2013-10-03.
- ^ Halliwell, Martin (2007). American Culture in the 1950s (Transferred to Digital Print 2012 ed.). Edinburgh: Edinburgh Univ. Press. p. 60. ISBN 9780748618859.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Steiner, George (2013). Tolstoy Or Dostoevsky: An Essay in the Old Criticism. New York: Open Road. pp. 199–200. ISBN 9781480411913.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ "Literary Terms and Definitions B". Web.cn.edu. Retrieved 2014-09-06.
- ^ Alsen, Eberhard (2014). The New Romanticism: A Collection of Critical Essays. Hoboken: Taylor and Francis. p. 72. ISBN 9781317776000. Retrieved 20 April 2015.
- ^ Simmons, David (2008). The Anti-Hero in the American Novel: From Joseph Heller to Kurt Vonnegut (1st ed.). New York: Palgrave Macmillan. p. 5. ISBN 9780230612525. Retrieved 20 April 2015.
- ^ Lutz, Deborah (2006). The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-century Seduction Narrative. Columbus: Ohio State University Press. p. 82. ISBN 9780814210345. Retrieved 20 April 2015.
- ^ Steiner, George (2013). Tolstoy Or Dostoevsky: An Essay in the Old Criticism. New York: Open Road. pp. 201–207. ISBN 9781480411913.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ a b Frye, Northrop (2002). Anatomy of Criticism. London: Penguin. p. 34. ISBN 9780141187099.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Barnhart, Joe E. (2005). Dostoevsky's Polyphonic Talent. Lanham: University Press of America. p. 151. ISBN 9780761830979.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Asong, Linus T. (2012). Psychological Constructs and the Craft of African Fiction of Yesteryears: Six Studies. Mankon: Langaa Research & Publishing CIG. p. 76. ISBN 9789956727667.
- ^ Gargett, Graham (2004). Heroism and Passion in Literature: Studies in Honour of Moya Longstaffe. Amsterdam [u.a.]: Rodopi. p. 198. ISBN 9789042016927.
- ^ Brereton, Geoffery (1968). A Short History of French Literature. Penguin Books. pp. 254–255.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Hardt, Michael; Weeks, Kathi (2000). The Jameson Reader (Repr. ed.). Oxford, UK ; Malden, Mass.: Blackwell. pp. 294–295. ISBN 9780631202707.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Edelstein, Alan (1996). Everybody is Sitting on the Curb: How and why America's Heroes Disappeared. Westport, Conn.: Praeger. p. 18. ISBN 9780275953645.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Ousby, Ian (1996). The Cambridge Paperback Guide to Literature in English. New York: Cambridge University Press. p. 27. ISBN 9780521436274.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Edelstein, Alan (1996). Everybody is Sitting on the Curb: How and why America's Heroes Disappeared. Westport, Conn.: Praeger. p. 1. ISBN 9780275953645.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Hardt, Michael; Weeks, Kathi (2000). The Jameson Reader (Repr. ed.). Oxford, UK ; Malden, Mass.: Blackwell. p. 295. ISBN 9780631202707.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Delaney, Tim; Madigan, Tim (2009). The Sociology of Sports: An Introduction. Jefferson, N.C.: McFarland & Co. pp. 72 & 284. ISBN 0786441690.
{{cite book}}:|access-date=requires|url=(help) - ^ Handelsman, Bud (2009). Families And How To Survive Them. London: Random House Ebooks. pp. 202–203. ISBN 1407011030.
{{cite book}}:|access-date=requires|url=(help)
Further reading
- Simmons, David (2008). The Anti-Hero in the American Novel: From Heller to Vonnegut. Palgrave Macmillan. ISBN 0-230-60323-8.
External links
