David Chackler: Difference between revisions
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During this period, while working with producer [[Keith Olsen]], he was introduced to an unknown duet known then as [[Buckingham Nicks|Buckingham-Nicks]]. Chackler recognized immediately their potential and signed them to the independent label he and Lasseff had at that time, [[Anthem Records]], which was distributed through [[Polydor Records]]. The debut album, [[Buckingham Nicks]] was released in September 1973. [[Keith Olsen|Olsen]] was later producing and engineering a [[Fleetwood Mac]] record,<ref name="FleetWoodMac">[http://www.fleetwoodmac.net/penguin/olsen.htm Keith Olsen biography] by Lesley A. Thode</ref> at [[Sound City Studios]] when together he and Chackler introduced the duet to [[Mick Fleetwood]].<ref name="Creative_Dreams_Music_Network" /> The introduction resulted in [[Stevie Nicks|Stevie]] and [[Lindsey Buckingham|Lindsey]] becoming permanent members of [[Fleetwood Mac]]. [[Fleetwood Mac|"Fleetwood Mac"]] and [[Rumours (album)|"Rumours"]] emerged. These albums remain as two of the largest and fastest-selling records of all time.<ref name="FleetWoodMac_Rumours_pitchfork">[http://pitchfork.com/reviews/albums/17499-rumours/ Description of "Rumours" (Fleetwood Mac's album)] on Pitchfork.com</ref><ref name="FleetWoodMac_Rumours_lastfm">[http://www.last.fm/music/Fleetwood+Mac/Rumours "Rumours" (Fleetwood Mac's album)] on Last.fm</ref> |
During this period, while working with producer [[Keith Olsen]], he was introduced to an unknown duet known then as [[Buckingham Nicks|Buckingham-Nicks]]. Chackler recognized immediately their potential and signed them to the independent label he and Lasseff had at that time, [[Anthem Records]], which was distributed through [[Polydor Records]]. The debut album, [[Buckingham Nicks]] was released in September 1973. [[Keith Olsen|Olsen]] was later producing and engineering a [[Fleetwood Mac]] record,<ref name="FleetWoodMac">[http://www.fleetwoodmac.net/penguin/olsen.htm Keith Olsen biography] by Lesley A. Thode</ref> at [[Sound City Studios]] when together he and Chackler introduced the duet to [[Mick Fleetwood]].<ref name="Creative_Dreams_Music_Network" /> The introduction resulted in [[Stevie Nicks|Stevie]] and [[Lindsey Buckingham|Lindsey]] becoming permanent members of [[Fleetwood Mac]]. [[Fleetwood Mac|"Fleetwood Mac"]] and [[Rumours (album)|"Rumours"]] emerged. These albums remain as two of the largest and fastest-selling records of all time.<ref name="FleetWoodMac_Rumours_pitchfork">[http://pitchfork.com/reviews/albums/17499-rumours/ Description of "Rumours" (Fleetwood Mac's album)] on Pitchfork.com</ref><ref name="FleetWoodMac_Rumours_lastfm">[http://www.last.fm/music/Fleetwood+Mac/Rumours "Rumours" (Fleetwood Mac's album)] on Last.fm</ref> |
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With the music industry, Chackler had become saturated in the [[British Invasion]],<ref name="Creative_Dreams_Music_Network" /><ref name="Trainwreck_d_Society">[http://trainwreckdsociety.com/2013/01/22/david-s-chackler-interview/ Interview] by Trainwreck'd Society (January 2013)</ref> realizing the opportunity in extending music across the globe. While working in Europe, he entered into a venture with [[Trident Studios]] in London which achieved |
With the music industry, Chackler had become saturated in the [[British Invasion]],<ref name="Creative_Dreams_Music_Network" /><ref name="Trainwreck_d_Society">[http://trainwreckdsociety.com/2013/01/22/david-s-chackler-interview/ Interview] by Trainwreck'd Society (January 2013)</ref> realizing the opportunity in extending music across the globe. While working in Europe, he entered into a venture with [[Trident Studios]] in London which achieved the discovery of [[Freddie Mercury]] and [[Queen (band)|Queen]], bringing their new sound to audiences in the United States. |
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During this period, Chackler delved further into the UK music scene by setting up a joint venture publishing arrangement with [[Bryan Morrison]]<ref>[http://www.telegraph.co.uk/news/obituaries/3104496/Bryan-Morrison.html Bryan Morrison biography] on Telegraph.co.uk</ref> and Bryan Morrison Music. This entity was Front Wheel Music<ref>[http://www.bizapedia.com/people/CALIFORNIA/HOLLYWOOD/DAVID-CHACKLER.html David Chackler credited as officer in Front Wheel Music company] on Bizapedia.com</ref> and held the North American rights for English Punk Band, [[The Jam]] (led by Paul Weller), [[Robin Gibb]],<ref>[http://intunes.ru/release-idehebiei/Moulin-Rouge Example of David Chackler and Robin Gibb collaboration on Moulin Rouge album] - inTunes worldwide audio catalog</ref> and many others. The Jam’s initial release came in 1977 through [[Polydor Records]]. |
During this period, Chackler delved further into the UK music scene by setting up a joint venture publishing arrangement with [[Bryan Morrison]]<ref>[http://www.telegraph.co.uk/news/obituaries/3104496/Bryan-Morrison.html Bryan Morrison biography] on Telegraph.co.uk</ref> and Bryan Morrison Music. This entity was Front Wheel Music<ref>[http://www.bizapedia.com/people/CALIFORNIA/HOLLYWOOD/DAVID-CHACKLER.html David Chackler credited as officer in Front Wheel Music company] on Bizapedia.com</ref> and held the North American rights for English Punk Band, [[The Jam]] (led by Paul Weller), [[Robin Gibb]],<ref>[http://intunes.ru/release-idehebiei/Moulin-Rouge Example of David Chackler and Robin Gibb collaboration on Moulin Rouge album] - inTunes worldwide audio catalog</ref> and many others. The Jam’s initial release came in 1977 through [[Polydor Records]]. |
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In the early 1980s, after securing distribution agreements from [[Capitol Records|Capitol]] and [[Sony Music Entertainment|CBS Records]],<ref name="CBS_Records">[http://cbsrecords.com/ CBS Records official website]</ref> Chackler launched [[WMOT Records]]<ref>[https://books.google.fr/books?id=lyQEAAAAMBAJ&pg=PT35&dq=david+chackler+wmot&hl=fr&sa=X&ved=0CB8Q6AEwAGoVChMIuvW-io-YyAIVQjoaCh2DJwCo#v=onepage&q&f=false " A New Look For The WMOT Group "] Billboard magazine extract (August 16, 1980) - Google Books</ref><ref>[http://rateyourmusic.com/label/wmot_records/ David Chackler credited as founder of WMOT Records] on Rateyourmusic.com</ref> through a CBS Deal. CBS launched the single,"[[Double Dutch Bus]]" by [[Frankie Smith]]. He also had a distribution agreement with Capitol records for Chalice, where he worked with artists including, [[Steven Fromholz]]<ref>[http://nodepression.com/interview/steven-fromholz-1986-interview-part-one-two Steven Fromholz interview] by Folk Villager (May 13, 2014)</ref> (from the redneck rock world in Austin, TX). The book, entitled "The Improbable Rise of Redneck Rock", first published in 1974, includes Chackler’s (Chalice Record’s) influence. |
In the early 1980s, after securing distribution agreements from [[Capitol Records|Capitol]] and [[Sony Music Entertainment|CBS Records]],<ref name="CBS_Records">[http://cbsrecords.com/ CBS Records official website]</ref> Chackler launched [[WMOT Records]]<ref>[https://books.google.fr/books?id=lyQEAAAAMBAJ&pg=PT35&dq=david+chackler+wmot&hl=fr&sa=X&ved=0CB8Q6AEwAGoVChMIuvW-io-YyAIVQjoaCh2DJwCo#v=onepage&q&f=false " A New Look For The WMOT Group "] Billboard magazine extract (August 16, 1980) - Google Books</ref><ref>[http://rateyourmusic.com/label/wmot_records/ David Chackler credited as founder of WMOT Records] on Rateyourmusic.com</ref> through a CBS Deal. CBS launched the single,"[[Double Dutch Bus]]" by [[Frankie Smith]]. He also had a distribution agreement with Capitol records for Chalice, where he worked with artists including, [[Steven Fromholz]]<ref>[http://nodepression.com/interview/steven-fromholz-1986-interview-part-one-two Steven Fromholz interview] by Folk Villager (May 13, 2014)</ref> (from the redneck rock world in Austin, TX). The book, entitled "The Improbable Rise of Redneck Rock", first published in 1974, includes Chackler’s (Chalice Record’s) influence. |
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Chackler soon joined forces with Joe Isgro, and was named president of the CBS Label,<ref name="Creative_Dreams_Music_Network" /><ref name="Trainwreck_d_Society" /> Private I, a record company distributed through [[Epic Records]]. While there, he was instrumental in |
Chackler soon joined forces with Joe Isgro, and was named president of the CBS Label,<ref name="Creative_Dreams_Music_Network" /><ref name="Trainwreck_d_Society" /> Private I, a record company distributed through [[Epic Records]]. While there, he was instrumental in acts that included [[Matthew Wilder]] and [[The Staple Singers]]. |
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===Rap / Hip-Hop Music Scene=== |
===Rap / Hip-Hop Music Scene=== |
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In 1986, Chackler moved to Miami, joining forces with [[Luther Campbell]], where he helped create the ground-breaking rap label, [[Luke Records|Luke Skywalker]], which later became [[Luke Records|Luke Atlantic Records]]. The label achieved multi-platinum status with the group, [[2 Live Crew]].<ref name="Creative_Dreams_Music_Network" /><ref name="Trainwreck_d_Society" /> While at Luke/Atlantic, Chackler also executive-produced two video releases, the first in conjunction with "[[Wayne's World (film)|Wayne’s World]]" director, [[Penelope Spheeris]], which was titled "Rap's Most Wanted |
In 1986, Chackler moved to Miami, joining forces with [[Luther Campbell]], where he helped create the ground-breaking rap label, [[Luke Records|Luke Skywalker]], which later became [[Luke Records|Luke Atlantic Records]]. The label achieved multi-platinum status with the group, [[2 Live Crew]].<ref name="Creative_Dreams_Music_Network" /><ref name="Trainwreck_d_Society" /> While at Luke/Atlantic, Chackler also executive-produced two video releases, the first in conjunction with "[[Wayne's World (film)|Wayne’s World]]" director, [[Penelope Spheeris]], which was titled "Rap's Most Wanted". The second was titled, "Damned in the USA". |
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"[[Me So Horny]]" which was featured on [[2 Live Crew]]’s album, "[[As Nasty As They Wanna Be]]" was a track that stirred attention when [[Tipper Gore]] and the [[RIAA certification|Record Industry Association of America]] fought to censor music. The first of now hundreds of thousands of records labeled with the [[Parental Advisory|Parental Advisory Sticker]], the album project made headlines in the press while the artists defended their |
"[[Me So Horny]]" which was featured on [[2 Live Crew]]’s album, "[[As Nasty As They Wanna Be]]" was a track that stirred attention when [[Tipper Gore]] and the [[RIAA certification|Record Industry Association of America]] fought to censor music. The first of now hundreds of thousands of records labeled with the [[Parental Advisory|Parental Advisory Sticker]], the album project made headlines in the press while the artists defended their lyrics as freedom of expression, all the way to the [[Supreme Court of the United States|US Supreme Court]]. |
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Moreover, the track, "As Nasty as They Wanna Be : The Uncensored Story of Luther Campbell of the 2 Live Crew" became one of hip-hop’s first tell-all novels. Chackler’s influence to this group and the genre itself is referenced throughout the 244 pages. |
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===Transition to all music genres=== |
===Transition to all music genres=== |
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In early 1990s, Chacker moved back to [[Los Angeles]] and became president and chief operating officer of Avenue Records ([[Rhino Entertainment|Rhino]])<ref name="Creative_Dreams_Music_Network" /><ref>[https://rateyourmusic.com/label/avenue_records/ Avenue Records] on Rateyourmusic.com</ref> – [[Warner Bros.]], and the label’s roster expanded to include Pop, Urban, R&B, Dance, Jazz and World Music, and Hip Hop. The American funk band, [[War (band)|War]], was one of those on this roster, and within 18 months of working with Avenue, [[War (band)|War]]’s album, "Best of War and More", had certified gold status. Other |
In early 1990s, Chacker moved back to [[Los Angeles]] and became president and chief operating officer of Avenue Records ([[Rhino Entertainment|Rhino]])<ref name="Creative_Dreams_Music_Network" /><ref>[https://rateyourmusic.com/label/avenue_records/ Avenue Records] on Rateyourmusic.com</ref> – [[Warner Bros.]], and the label’s roster expanded to include Pop, Urban, R&B, Dance, Jazz and World Music, and Hip Hop. The American funk band, [[War (band)|War]], was one of those on this roster, and within 18 months of working with Avenue, [[War (band)|War]]’s album, "Best of War and More", had certified gold status. Other titles under this label included "Runnin Away", performed by artist [[Lillie McCloud]], known in the industry only as Nicole. "Runnin Away" held on [[Billboard (magazine)|Billboard Magazine]]’s dance charts for more than four months. |
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Chackler began International Entertainment Group, which was the home of two independent niche companies, Slipdisc Records (a division of [[Mercury Records]]) and nuGroove,<ref name="nuGroove">[http://www.thenugroove.com/aboutus.htm Welcome To The Future Of Smooth Jazz article] on nuGroove Records website</ref> which was distributed by [[RED Distribution|Sony/RED]].<ref name="Red_Distribution">[http://www.redmusic.com Red Distribution official website]</ref> At the end of the 20th century, nuGroove was one of the |
Chackler began International Entertainment Group, which was the home of two independent niche companies, Slipdisc Records (a division of [[Mercury Records]]) and nuGroove,<ref name="nuGroove">[http://www.thenugroove.com/aboutus.htm Welcome To The Future Of Smooth Jazz article] on nuGroove Records website</ref> which was distributed by [[RED Distribution|Sony/RED]].<ref name="Red_Distribution">[http://www.redmusic.com Red Distribution official website]</ref> At the end of the 20th century, nuGroove was one of the main labels in the [[Smooth jazz|Smooth Jazz]] genre.<ref name="nuGroove" /> Artists included [[Michael Lington]], who today is considered one of the leaders in the Smooth Jazz industry.<ref name="nuGroove" /> [[Down to the Bone (band)|Down to the Bone]]’s debut album, "From Manhattan to Staten" became one of the top five records of the year-end charts for Smooth Jazz in 1997 and remains one of the biggest selling records of all time in the genre.<ref name="nuGroove" /> In 1997, nuGroove was nominated as "Best Label," by [[Radio & Records]]. |
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In the Spring of 1998, Chackler divested his interests in nuGroove so that he could focus solely on building Slipdisc. While aligned with [[Mercury Records|Mercury]], Slipdisc became one of the world’s premier rock labels – and continues to be known world-wide for its [[Industrial rock|Industrial Rock]] brand.<ref name="Creative_Dreams_Music_Network" /> |
In the Spring of 1998, Chackler divested his interests in nuGroove so that he could focus solely on building Slipdisc. While aligned with [[Mercury Records|Mercury]], Slipdisc became one of the world’s premier rock labels – and continues to be known world-wide for its [[Industrial rock|Industrial Rock]] brand.<ref name="Creative_Dreams_Music_Network" /> |
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The new century marked Chackler’s return to the East Coast. Moving his company back to his roots in [[Philadelphia]], Chackler transitioned International Entertainment Group into a new venture, Zephyr Media Group.<ref name="Zephyr_Media_Rhythm_Groove_Records">[http://www.prnewswire.com/news-releases/philadelphia-based-zephyr-medias-rhythm--groove-records-readies-new-releases-by-city-of-sound-michael-lington-teams-up-with-mesabluemoon-records-for-new-lalah-hathaway-cd-77877467.html Article on Zephyr Media, Rhythm & Groove Records] on PRNewswire.com</ref> Zephyr combined what was familiar in traditional music business with the power and reach of the internet.<ref name="Creative_Dreams_Music_Network" /><ref>[http://www.prnewswire.com/news-releases/philadelphia-based-zephyr-media-making-big-music-without-big-budgets-77877492.html " Philadelphia-based Zephyr Media making big music without big budgets..."] - Article on PRNewswire.com</ref> |
The new century marked Chackler’s return to the East Coast. Moving his company back to his roots in [[Philadelphia]], Chackler transitioned International Entertainment Group into a new venture, Zephyr Media Group.<ref name="Zephyr_Media_Rhythm_Groove_Records">[http://www.prnewswire.com/news-releases/philadelphia-based-zephyr-medias-rhythm--groove-records-readies-new-releases-by-city-of-sound-michael-lington-teams-up-with-mesabluemoon-records-for-new-lalah-hathaway-cd-77877467.html Article on Zephyr Media, Rhythm & Groove Records] on PRNewswire.com</ref> Zephyr combined what was familiar in traditional music business with the power and reach of the internet.<ref name="Creative_Dreams_Music_Network" /><ref>[http://www.prnewswire.com/news-releases/philadelphia-based-zephyr-media-making-big-music-without-big-budgets-77877492.html " Philadelphia-based Zephyr Media making big music without big budgets..."] - Article on PRNewswire.com</ref> |
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Rhythm and Groove Records<ref name="Zephyr_Media_Rhythm_Groove_Records" /><ref>[https://books.google.fr/books?id=AAwEAAAAMBAJ&pg=PA9&lpg=PA9&dq=daryl+hall+rhythm+and+groove&source=bl&ots=JL0N0NWouO&sig=Scw2CIFxovEPUJ8Zvs5PllucrGU&hl=en&sa=X&redir_esc=y#v=onepage&q&f=false " Oates Phunk finds home on Rhythm & Groove "] Billboard magazine exctract (July 27, 2002) - Google Books</ref> was formed in 2001 as the initial step |
Rhythm and Groove Records<ref name="Zephyr_Media_Rhythm_Groove_Records" /><ref>[https://books.google.fr/books?id=AAwEAAAAMBAJ&pg=PA9&lpg=PA9&dq=daryl+hall+rhythm+and+groove&source=bl&ots=JL0N0NWouO&sig=Scw2CIFxovEPUJ8Zvs5PllucrGU&hl=en&sa=X&redir_esc=y#v=onepage&q&f=false " Oates Phunk finds home on Rhythm & Groove "] Billboard magazine exctract (July 27, 2002) - Google Books</ref> was formed in 2001 as the initial step by David Chackler. Almost immediately, it achieved several success in the "Rare Request Series of Compilations".<ref name="nuGroove" /> This includes albums by Fishbelly Black, XL, and [[Daryl Hall]].<ref>[http://www.last.fm/music/xL/Rare+Requests+Volume+1+-+Smooth+Jazz Rare Requests Volume 1 - Smooth Jazz] - Tracklist on Last.fm</ref><ref>[http://www.discogs.com/Various-Rare-Requests-Volume-2/release/897223 Rare Requests Volume 2 - Smooth Jazz] - Tracklist on Discogs.com</ref> |
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In 2004, Chackler sold the rhythm and groove label to his partners and opened 215 Records. Hits with this label included, "Cream" by [[Soul Ballet]].<ref>[http://www.discogs.com/artist/397908-Soul-Ballet Soul Ballet discography] on Discogs.com</ref> Not long after launching 215, Chackler rejuvenated, he entered into a distribution agreement with [[RED Distribution|Sony/RED]],<ref name="Red_Distribution" /> which was one of the |
In 2004, Chackler sold the rhythm and groove label to his partners and opened 215 Records. Hits with this label included, "Cream" by [[Soul Ballet]].<ref>[http://www.discogs.com/artist/397908-Soul-Ballet Soul Ballet discography] on Discogs.com</ref> Not long after launching 215, Chackler rejuvenated, he entered into a distribution agreement with [[RED Distribution|Sony/RED]],<ref name="Red_Distribution" /> which was one of the industry distributors in the United States at that time. The first release, "Slammin'" by [[Jay Soto]], soared to number 1 on the [[Radio & Records|Radio & Record]]’s Smooth Jazz Charts and remained there for 40 weeks.<ref name="Creative_Dreams_Music_Network" /><ref name="nuGroove" /> |
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Chackler then signed [[Urban contemporary|Urban]] music legend [[Bob Baldwin (musician)|Bob Baldwin]] to the label – and in a move that was a surprise to the industry, he re-signed [[Michael Lington]] to the label.<ref name="Creative_Dreams_Music_Network" /> nuGroove artists rose |
Chackler then signed [[Urban contemporary|Urban]] music legend [[Bob Baldwin (musician)|Bob Baldwin]] to the label – and in a move that was a surprise to the industry, he re-signed [[Michael Lington]] to the label.<ref name="Creative_Dreams_Music_Network" /> nuGroove artists rose with these artists and others including Darren Rahn’s single, "Talk of the Town," which was number one on the charts for three weeks in 2009. |
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While busy with the reactivation of nuGroove, Chackler founded Digital Marketing Group (DMG). DMG’s mission was to maximize exposure for artists and labels by making music available direct to consumers, and provide marketing tools to labels and artists, through online and other new media marketing ideas. Using internet radio, social media sites, podcasting, fan sites, and other online groups, DMG represented clients including Time Life, Concord Music Group, EMI Digital, and Pangea Entertainment.<ref name="Creative_Dreams_Music_Network" /> |
While busy with the reactivation of nuGroove, Chackler founded Digital Marketing Group (DMG). DMG’s mission was to maximize exposure for artists and labels by making music available direct to consumers, and provide marketing tools to labels and artists, through online and other new media marketing ideas. Using internet radio, social media sites, podcasting, fan sites, and other online groups, DMG represented clients including Time Life, Concord Music Group, EMI Digital, and Pangea Entertainment.<ref name="Creative_Dreams_Music_Network" /> |
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===Dead Rabbit Films=== |
===Dead Rabbit Films=== |
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Chackler and award-winning "horror" director [[Tom Holland (director)|Tom Holland]] have continued to work together throughout the years. Their work on many |
Chackler and award-winning "horror" director [[Tom Holland (director)|Tom Holland]] have continued to work together throughout the years. Their work on many films as well as television series including ''Tom Holland's Twisted Tales'' have created a lifelong following. In 2009, he and Holland developed ''Dead Rabbit Films''.<ref name="Creative_Dreams_Music_Network" /><ref name ="Shocktillyoudrop" /> |
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Chackler has been featured in several books ''Hit Men'', ''As Nasty as they Wanna Be'', ''The Improbable Rise of Redneck Rock'', and Stevie Nick's ''Visions, Dreams & Rumors''.<ref name="Creative_Dreams_Music_Network" /> |
Chackler has been featured in several books ''Hit Men'', ''As Nasty as they Wanna Be'', ''The Improbable Rise of Redneck Rock'', and Stevie Nick's ''Visions, Dreams & Rumors''.<ref name="Creative_Dreams_Music_Network" /> |
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David Chackler | |
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File:David Chackler.jpg | |
Born | David Chackler April 24, 1945 |
Nationality | American |
David Chackler ( born in Philadelphia, PA, April 24, 1945 ) is a music and film executive. He has ben an influence in the music and film industry for over 40 years.[1] With several career titles under his belt, he is best known for his launching the careers of several artists, including Stevie Nicks and Lindsey Buckingham (Fleetwood Mac), Queen and 2 Live Crew, one of rap/hip-hop music’s ground-breakers, and more recently, his work with Grammy-winning rock legend Jim Peterik (Survivor and Ides of March).
Music
Early career
Chackler’s first work was with Cameo-Parkway Records at "The Home of Philadelphia Sound".[1] Mercury Records offered him a promotional position locally and within the first year moved him to national promotion director.[1] During his tenure at Mercury, he also worked with Phillips Smash and Fontana Records, where he influenced the careers of artists including: Frankie Valli & the Four Seasons, Spanky and Our Gang, Roger Miller, and Jerry Butler.
Soon after his first year at Mercury, Chackler was in Chicago, working as Mercury’s Vice President of National Promotion.[1] In 1968, Chess Records named Chackler vice president of National promotion. This provided him the opportunity to work with artists, including : Howling Wolf, Muddy Waters ,Chuck Berry and Minnie Riperton (and Rotary Connection).
He also tapped into his Philadelphia roots and was instrumental in bringing the production team of Gamble-Huff, to Chess with their Neptune Records label, where The O'Jays had their first hit, "One Night Affair." Chackler then moved from Chess to White Whale Records, in Los Angeles, working with The Turtles, Renee and Renee, and then on to Polydor/Polygram Records, where he became vice president of promotion and later vice president of west coast operations.
Chart-breaking Discoveries
In 1972, Chackler created his own production and publishing company, Chalice Productions (ABC Records/Dona Marta Music) with partner Lee Lasseff. Their first venture was the chart topping single, "Billy Don’t be a Hero". During this period, while working with producer Keith Olsen, he was introduced to an unknown duet known then as Buckingham-Nicks. Chackler recognized immediately their potential and signed them to the independent label he and Lasseff had at that time, Anthem Records, which was distributed through Polydor Records. The debut album, Buckingham Nicks was released in September 1973. Olsen was later producing and engineering a Fleetwood Mac record,[2] at Sound City Studios when together he and Chackler introduced the duet to Mick Fleetwood.[1] The introduction resulted in Stevie and Lindsey becoming permanent members of Fleetwood Mac. "Fleetwood Mac" and "Rumours" emerged. These albums remain as two of the largest and fastest-selling records of all time.[3][4]
With the music industry, Chackler had become saturated in the British Invasion,[1][5] realizing the opportunity in extending music across the globe. While working in Europe, he entered into a venture with Trident Studios in London which achieved the discovery of Freddie Mercury and Queen, bringing their new sound to audiences in the United States. During this period, Chackler delved further into the UK music scene by setting up a joint venture publishing arrangement with Bryan Morrison[6] and Bryan Morrison Music. This entity was Front Wheel Music[7] and held the North American rights for English Punk Band, The Jam (led by Paul Weller), Robin Gibb,[8] and many others. The Jam’s initial release came in 1977 through Polydor Records. In the early 1980s, after securing distribution agreements from Capitol and CBS Records,[9] Chackler launched WMOT Records[10][11] through a CBS Deal. CBS launched the single,"Double Dutch Bus" by Frankie Smith. He also had a distribution agreement with Capitol records for Chalice, where he worked with artists including, Steven Fromholz[12] (from the redneck rock world in Austin, TX). The book, entitled "The Improbable Rise of Redneck Rock", first published in 1974, includes Chackler’s (Chalice Record’s) influence.
Chackler soon joined forces with Joe Isgro, and was named president of the CBS Label,[1][5] Private I, a record company distributed through Epic Records. While there, he was instrumental in acts that included Matthew Wilder and The Staple Singers.
Rap / Hip-Hop Music Scene
In 1986, Chackler moved to Miami, joining forces with Luther Campbell, where he helped create the ground-breaking rap label, Luke Skywalker, which later became Luke Atlantic Records. The label achieved multi-platinum status with the group, 2 Live Crew.[1][5] While at Luke/Atlantic, Chackler also executive-produced two video releases, the first in conjunction with "Wayne’s World" director, Penelope Spheeris, which was titled "Rap's Most Wanted". The second was titled, "Damned in the USA".
"Me So Horny" which was featured on 2 Live Crew’s album, "As Nasty As They Wanna Be" was a track that stirred attention when Tipper Gore and the Record Industry Association of America fought to censor music. The first of now hundreds of thousands of records labeled with the Parental Advisory Sticker, the album project made headlines in the press while the artists defended their lyrics as freedom of expression, all the way to the US Supreme Court.
Moreover, the track, "As Nasty as They Wanna Be : The Uncensored Story of Luther Campbell of the 2 Live Crew" became one of hip-hop’s first tell-all novels. Chackler’s influence to this group and the genre itself is referenced throughout the 244 pages.
Transition to all music genres
In early 1990s, Chacker moved back to Los Angeles and became president and chief operating officer of Avenue Records (Rhino)[1][13] – Warner Bros., and the label’s roster expanded to include Pop, Urban, R&B, Dance, Jazz and World Music, and Hip Hop. The American funk band, War, was one of those on this roster, and within 18 months of working with Avenue, War’s album, "Best of War and More", had certified gold status. Other titles under this label included "Runnin Away", performed by artist Lillie McCloud, known in the industry only as Nicole. "Runnin Away" held on Billboard Magazine’s dance charts for more than four months.
Chackler began International Entertainment Group, which was the home of two independent niche companies, Slipdisc Records (a division of Mercury Records) and nuGroove,[14] which was distributed by Sony/RED.[15] At the end of the 20th century, nuGroove was one of the main labels in the Smooth Jazz genre.[14] Artists included Michael Lington, who today is considered one of the leaders in the Smooth Jazz industry.[14] Down to the Bone’s debut album, "From Manhattan to Staten" became one of the top five records of the year-end charts for Smooth Jazz in 1997 and remains one of the biggest selling records of all time in the genre.[14] In 1997, nuGroove was nominated as "Best Label," by Radio & Records.
In the Spring of 1998, Chackler divested his interests in nuGroove so that he could focus solely on building Slipdisc. While aligned with Mercury, Slipdisc became one of the world’s premier rock labels – and continues to be known world-wide for its Industrial Rock brand.[1]
Return to the East Coast / New Media
The new century marked Chackler’s return to the East Coast. Moving his company back to his roots in Philadelphia, Chackler transitioned International Entertainment Group into a new venture, Zephyr Media Group.[16] Zephyr combined what was familiar in traditional music business with the power and reach of the internet.[1][17]
Rhythm and Groove Records[16][18] was formed in 2001 as the initial step by David Chackler. Almost immediately, it achieved several success in the "Rare Request Series of Compilations".[14] This includes albums by Fishbelly Black, XL, and Daryl Hall.[19][20]
In 2004, Chackler sold the rhythm and groove label to his partners and opened 215 Records. Hits with this label included, "Cream" by Soul Ballet.[21] Not long after launching 215, Chackler rejuvenated, he entered into a distribution agreement with Sony/RED,[15] which was one of the industry distributors in the United States at that time. The first release, "Slammin'" by Jay Soto, soared to number 1 on the Radio & Record’s Smooth Jazz Charts and remained there for 40 weeks.[1][14]
Chackler then signed Urban music legend Bob Baldwin to the label – and in a move that was a surprise to the industry, he re-signed Michael Lington to the label.[1] nuGroove artists rose with these artists and others including Darren Rahn’s single, "Talk of the Town," which was number one on the charts for three weeks in 2009. While busy with the reactivation of nuGroove, Chackler founded Digital Marketing Group (DMG). DMG’s mission was to maximize exposure for artists and labels by making music available direct to consumers, and provide marketing tools to labels and artists, through online and other new media marketing ideas. Using internet radio, social media sites, podcasting, fan sites, and other online groups, DMG represented clients including Time Life, Concord Music Group, EMI Digital, and Pangea Entertainment.[1]
Well Known and Emerging Artists Today
Chacker continues currently the industry, known behind the scenes for consulting, distribution, and production.[1][22][23][24] He currently works with artists from many different genres, including keyboardist Alan Hewitt, member Moody Blues, Jim Peterik, the founder of Survivor and Ides of March and grammy-winning rock legend, and the new sensation of #imEnough, The Mrs.
Film
Music and Production
In the early to mid-eighties while running Private I, Chackler began creating music for film.[23] This began when Gary Lemel, who at the time was head of music for Columbia Pictures,[5] asked Chackler to help him create new music for several features they were developing at the time. Private I\Epic was developed and magic was born.
Chackler first met film director Tom Holland (his current partner) when Lemel brought him in to develop the music and Soundtrack for what became the Fright Night movie. Chackler also served as the music supervisor for other films with Holland, including : Child's Play and Fatal Beauty, where LeVert's, "Casanova" was originally featured.
Chackler's extensive ear for music and talent provided the natural progression to creating Sounds of Film, Ltd.[1] which continues to provide music supervision and soundtrack services today. His work has provided services for over 50 film projects and/or motion pictures over the span of the last 30 years. Projects include the "Police Academy" series, "Original Ganstas", Tales from the Crypt series, Nightmare on Elmstreet 3 : Dream Warriors and Nightmare on Elmstreet 4 : The Dream Master.
During his tenure in Miami, Chackler met the owners of Greenwich Studios,[1][25] located there. Greenwich possessed a huge sound stage where the original "Flipper", was filmed. The studio was under-utilized during that period, and Chackler was brought in to apply his experience, to rebuild the business. He served as chief operating officer for Greenwich Films, where he developed and provided executive production services, as well as music supervision, on four feature films, including: South Beach, All American Murder. He also created a joint venture publishing opportunity with Sony Music, with a focus on highlighting all film music.[1]
Back in Los Angeles, Chackler served as co-producer on other films including, John Carpenter's Village of the Damned and "Original Gangstas".
Chackler received his first Independent Spirit Award nomination in the category of "Best Film Music"[26] by Independent Feature Project/West for his work in Hang'n with the Homeboys.
Dead Rabbit Films
Chackler and award-winning "horror" director Tom Holland have continued to work together throughout the years. Their work on many films as well as television series including Tom Holland's Twisted Tales have created a lifelong following. In 2009, he and Holland developed Dead Rabbit Films.[1][25]
Chackler has been featured in several books Hit Men, As Nasty as they Wanna Be, The Improbable Rise of Redneck Rock, and Stevie Nick's Visions, Dreams & Rumors.[1]
Chackler has served as a professor at the UCLA Extension[1] and speaking at a multitude of venues across the country.
References
- ^ a b c d e f g h i j k l m n o p q r s t u Article on David Chackler by Creative & Dreams Music Network, LLC
- ^ Keith Olsen biography by Lesley A. Thode
- ^ Description of "Rumours" (Fleetwood Mac's album) on Pitchfork.com
- ^ "Rumours" (Fleetwood Mac's album) on Last.fm
- ^ a b c d Interview by Trainwreck'd Society (January 2013)
- ^ Bryan Morrison biography on Telegraph.co.uk
- ^ David Chackler credited as officer in Front Wheel Music company on Bizapedia.com
- ^ Example of David Chackler and Robin Gibb collaboration on Moulin Rouge album - inTunes worldwide audio catalog
- ^ CBS Records official website
- ^ " A New Look For The WMOT Group " Billboard magazine extract (August 16, 1980) - Google Books
- ^ David Chackler credited as founder of WMOT Records on Rateyourmusic.com
- ^ Steven Fromholz interview by Folk Villager (May 13, 2014)
- ^ Avenue Records on Rateyourmusic.com
- ^ a b c d e f Welcome To The Future Of Smooth Jazz article on nuGroove Records website
- ^ a b Red Distribution official website
- ^ a b Article on Zephyr Media, Rhythm & Groove Records on PRNewswire.com
- ^ " Philadelphia-based Zephyr Media making big music without big budgets..." - Article on PRNewswire.com
- ^ " Oates Phunk finds home on Rhythm & Groove " Billboard magazine exctract (July 27, 2002) - Google Books
- ^ Rare Requests Volume 1 - Smooth Jazz - Tracklist on Last.fm
- ^ Rare Requests Volume 2 - Smooth Jazz - Tracklist on Discogs.com
- ^ Soul Ballet discography on Discogs.com
- ^ David Chackler on Discogs.com
- ^ a b David Chackler on Hollywood.com
- ^ David Chackler on TheNewYorkTimes.com
- ^ a b Tom Holland & Chackler form Dead Rabbit Films
- ^ David Chackler awards on Fandango.com
External links
- Article on David Chackler by Creative & Dreams Music Network, LLC
- Interview by Trainwreck'd Society (January 2013)
- Rhino Entertainment official website
- Darren Rahn official website
- Time Life official website
- Pangea Entertainment on ACA Entertainment.com