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'''''The Babadook''''' is a 2014 Australian-Canadian [[psychological horror]] film, written and directed by [[Jennifer Kent]] as her [[List of directorial debuts|directorial debut]],<ref>http://www.abc.net.au/news/2014-10-11/sa-horror-film-the-babadook-may-make-a-profit-in-france-uk-us/5806648</ref> in which a woman and her son are tormented by an evil entity. The film stars [[Essie Davis]] and Noah Wiseman, while [[Daniel Henshall]], Hayley McElhinney, Barbara West, and Ben Winspear appear in supporting roles. ''The Babadook'' was produced by Causeway Films (Kristina Ceyton) and is based on the short film ''Monster'' (2005), also written and directed by Kent. The film was shown at the [[2014 Sundance Film Festival]] and received critical acclaim.<ref>{{cite news | url=http://www.filmink.com.au/news/two-aussie-features-selected-for-sundance/ | work=[[Filmink]] | first=Eden | last=Caceda | title=Two Aussie Features Selected For Sundance | date=9 December 2013}}</ref><ref>{{cite news | url=http://www.hollywoodreporter.com/review/babadook-sundance-review-673048 | work=[[The Hollywood Reporter]] | first=David | last=Rooney | title=''The Babadook'': Sundance Review | date=21 January 2014}}</ref> On [[Rotten Tomatoes]]' aggregation, it was ranked as the third most-praised film of the year.<ref>{{cite web|title=Best of 2014|url=http://www.rottentomatoes.com/top/bestofrt/?year=2014|website=Rotten Tomatoes|accessdate=15 August 2015}}</ref>
'''''The Babadook''''' is a 2014 Australian-Canadian [[psychological horror]] film, written and directed by [[Jennifer Kent]] as her [[List of directorial debuts|directorial debut]],<ref>http://www.abc.net.au/news/2014-10-11/sa-horror-film-the-babadook-may-make-a-profit-in-france-uk-us/5806648</ref> in which a woman and her son are tormented by an evil entity. The film stars [[Essie Davis]] and Noah Wiseman, while [[Daniel Henshall]], Hayley McElhinney, Barbara West, and Ben Winspear appear in supporting roles.
''The Babadook'' was produced by Causeway Films (Kristina Ceyton) and is based on the short film ''Monster'' (2005), also written and directed by Kent. The film was shown at the [[2014 Sundance Film Festival]] and received critical acclaim.<ref>{{cite news | url=http://www.filmink.com.au/news/two-aussie-features-selected-for-sundance/ | work=[[Filmink]] | first=Eden | last=Caceda | title=Two Aussie Features Selected For Sundance | date=9 December 2013}}</ref><ref>{{cite news | url=http://www.hollywoodreporter.com/review/babadook-sundance-review-673048 | work=[[The Hollywood Reporter]] | first=David | last=Rooney | title=''The Babadook'': Sundance Review | date=21 January 2014}}</ref> On [[Rotten Tomatoes]]' aggregation, it was ranked as the third most-praised film of the year.<ref>{{cite web|title=Best of 2014|url=http://www.rottentomatoes.com/top/bestofrt/?year=2014|website=Rotten Tomatoes|accessdate=15 August 2015}}</ref>


==Plot==
==Plot==

Revision as of 13:59, 30 November 2015

The Babadook
Theatrical release poster
Directed byJennifer Kent
Written byJennifer Kent
Produced byKristina Ceyton
Kristian Moliere
StarringEssie Davis
Noah Wiseman
Hayley McElhinney
Daniel Henshall
Barbara West
Ben Winspear
CinematographyRadek Ladczuk
Edited bySimon Njoo
Music byJed Kurzel
Production
company
Causeway Films
Distributed byEntertainment One
IFC Films
Icon Productions
Release dates
  • 17 January 2014 (2014-01-17) (Sundance)
  • 22 May 2014 (2014-05-22) (Australia)
Running time
94 minutes[1]
Countries
  • Australia, Canada
LanguageEnglish
Budget$2 million
Box office$6.7 million[2]

The Babadook is a 2014 Australian-Canadian psychological horror film, written and directed by Jennifer Kent as her directorial debut,[3] in which a woman and her son are tormented by an evil entity. The film stars Essie Davis and Noah Wiseman, while Daniel Henshall, Hayley McElhinney, Barbara West, and Ben Winspear appear in supporting roles.

The Babadook was produced by Causeway Films (Kristina Ceyton) and is based on the short film Monster (2005), also written and directed by Kent. The film was shown at the 2014 Sundance Film Festival and received critical acclaim.[4][5] On Rotten Tomatoes' aggregation, it was ranked as the third most-praised film of the year.[6]

Plot

Amelia, a troubled widow, has raised her six-year-old son Samuel alone, after her husband Oskar died in an accident driving Amelia to the hospital to give birth. Sam begins displaying erratic behavior: he rarely sleeps through the night and is preoccupied with an imaginary monster, which he has built weapons to fight. Amelia is forced to take her son out of school due to his behavioral problems.

One night, Sam asks his mother to read from a mysterious pop-up storybook he finds on his shelf. The story, Mister Babadook, is about a supernatural entity: once someone is made aware of its existence, the monster torments that person. Amelia is disturbed by the book's contents, while Sam becomes convinced that the Babadook is stalking them. After Sam repeatedly wakes up in the middle of the night and climbs into her bed, Amelia forces him to go to sleep using drugs prescribed by the doctor. After that, strange events begin occurring throughout the house: doors open and close on their own, Amelia finds glass in her food, and strange sounds are heard with no apparent source. Amelia attributes the events to Sam's behavior, but he insists that the Babadook is responsible. Amelia rips up the Mister Babadook book and disposes of it.

At his cousin Ruby’s birthday party, Ruby bullies Sam for not having a father; as a result, Sam pushes her out of her tree house and breaks her nose. Amelia’s sister, Claire, admits she cannot bear to be around Sam, and suspects that Amelia feels the same way. On the drive home, Sam has another vision of the Babadook and suffers a febrile seizure. Amelia convinces a doctor to prescribe sedatives for Sam to help him sleep, hoping that she will also be able to get some sleep as well. The following morning, Amelia finds the Mister Babadook storybook, reassembled, on the front step. New words inside the book taunt her, claiming that the more she denies the Babadook's existence, the stronger the monster will get, growing inside her. It contains new pop-ups of Amelia killing her dog, Samuel, and herself. Terrified, Amelia tries to convince the police that she is being harassed by a stalker, but when they ask for the storybook as evidence, she admits that she burned it. She realizes they can see chalk on her hands, implying she may have put the book back together herself. Amelia sees the Babadook behind the police and quickly leaves.

One night, Amelia sees a vision of her dead husband, who agrees to come back to her if only she gives him Sam. Amelia tries to flee but the Babadook enters into her room and possesses her. She breaks her dog's neck as the book had depicted earlier, and attempts to attack Sam, but he stabs Amelia in the leg and incapacitates her in the basement, telling her he'll always love her. When Amelia tries to strangle Sam, he lovingly caresses her face, giving her strength to fight the Babadook and eventually vomit up the entity. Sam then reiterates that "you can't get rid of the Babadook." Amelia confronts the Babadook, screaming that she'll kill it if it harms Sam. The Babadook collapses to the ground in defeat, then flies out the bedroom and locks itself in their basement.

Some time later, Amelia and Samuel have recovered from the experience. They gather earthworms in a bowl and Amelia takes it down to the basement, where the Babadook still lives. She places the bowl on the floor and the Babadook pulls it into his dark corner to consume them. Amelia goes out to the backyard with Sam to celebrate his birthday.

Cast

  • Essie Davis as Amelia Vanek
  • Noah Wiseman as Samuel Vanek
  • Daniel Henshall as Robbie
  • Hayley McElhinney as Claire
  • Barbara West as Gracie Roach
  • Benjamin Winspear as Oskar Vanek
  • Cathy Adamek as Prue
  • Craig Behenna as Warren
  • Adam Morgan as Sergeant
  • Peta Shannon as Mother #2
  • Hachi as Bugsy

Production

Development

Kent studied at the National Institute of Dramatic Art (NIDA)—where she learned acting alongside Davis—and graduated in 1991.[7] She then worked primarily as an actor in the film industry for over two decades. Kent eventually lost her passion for acting by the end of the 1990s and sent a written proposal to Danish filmmaker Lars von Trier, asking if she could assist on the film set of von Trier's 2003 drama film, Dogville, to learn from the director. Kent's proposal was accepted and she considers the experience her film school, citing the importance of stubbornness as the key lesson she learned.[8][9]

Prior to Babadook, Kent's first feature film, she had completed a short film, titled Monster, and an episode of the television series Two Twisted. Kent explained in May 2014 that the origins of Babadook can be found in Monster, which she calls "baby Babadook".[10]

The writing of the screenplay began in around 2009 and Kent has stated that she sought to tell a story about facing up to the darkness with ourselves, the "fear of going mad" and an exploration of parenting from a "real perspective". In regard to parenting, Kent further explained in October 2014: "Now, I’m not saying we all want to go and kill our kids, but a lot of women struggle. And it is a very taboo subject, to say that motherhood is anything but a perfect experience for women."[8] In terms of the characters, Kent said that it was important that both characters are loving and lovable, so that "we [audience] really feel for them"—Kent wanted to portray human relationships in a positive light.[8] In total, Kent completed five drafts of the script.[11]

Kent drew from her experience on the set of Dogville for the assembling of her production team, as she observed that von Trier was surrounded by a well-known "family of people". Therefore, Kent sought her own "family of collaborators to work with for the long term." Unable to find all of the suitable people within the Australian film industry, Kent hired Polish director of photography (DOP) Radek Ladczuk, for whom Babadook was his first-ever English-language film, and American illustrator Alexander Juhasz.[10] In terms of film influences, Kent cited 1960s, '70s and '80s horror—including The Thing, Halloween, Les Yeux Sans Visage, The Texas Chainsaw Massacre, Carnival of Souls, and The Shining—as well as Vampyr, Nosferatu and Let The Right One In.[12]

Although the process was challenging and she was forced to reduce their total budget,[13] producer Kristina Ceyton managed to secure funding of around A$2.5 million from government bodies Screen Australia and the SAFC; however, they still required an additional budget for the construction of the film sets. To attain the funds for the sets, Kent and Causeway Films producer Kristina Ceyton launched a Kickstarter crowdfunding campaign in June 2012, with a target of US$30,000. Their funding goal was reached on 27 September 2012 through pledges from 259 backers raising $30,071.[14][15]

Filming

The film was primarily shot in Adelaide, South Australia, with most of the interior shots filmed on a soundstage in the Australian city—as the funding was from the South Australian state government, this was a requirement that Kent needed to meet.[7] However, Kent explained to the Den Of Geek website that she is not patriotic and didn't want the film to be "particularly Australian"

I wanted to create a myth in a domestic setting. And even though it happened to be in some strange suburb in Australia somewhere, it could have been anywhere. I guess part of that is creating a world that wasn't particularly Australian ... I'm very happy, actually, that it doesn't feel particularly Australian.

Director Jennifer Kent on her desire to avoid the cliched "Australian feel" of the film[8]

To contribute to the universality of the film's appearance, a Victorian terrace-style house was specifically built for the film, as there are very few houses designed in such a style in Adelaide.[8] A script reading was not done due to Noah Wiseman's age at the time—six years old—and Kent focused on bonding, playing games, and lots of time spent with the actors in which they became more familiar with one another. Pre-production occurred in Adelaide and lasted three weeks and, during this time, Kent conveyed a "kiddie" version of the narrative to Wiseman.[11]

Kent originally wanted to film solely in black-and-white, as she wanted to create a "heightened feel" that is still believable. She was also influenced by pre-1950s B-grade horror films, as it was "very theatrical", in addition to being "visually beautiful and terrifying". Kent later lost interest in the black-and-white idea and worked closely with production designer Alex Holmes and Radek to create a "very cool", "very claustrophobic" interior environment with "meticulously designed" sets.[8][10] The film's final colour scheme was achieved without the use of gels on the camera lenses or any alterations during the post-filming stage.[9] Kent cited filmmakers David Lynch and Roman Polanski as key influences during the filming stage.[11]

Kent described the filming process as "stressful" because of Wiseman's age. Kent explained "So I really had to be focused. We needed double the time we had." Wiseman's mother was on set and a "very protective, loving environment" was created.[8] Kent explained after the release of the film that Wiseman was protected throughout the entire project: "During the reverse shots where Amelia was abusing Sam verbally, we had Essie [Davis] yell at an adult stand-in on his knees. I didn't want to destroy a childhood to make this film—that wouldn't be fair."[11] Kent's friendship with Davis was a boon during filming and Kent praised her former classmate in the media: "To her credit, she's [Davis] very receptive, likes to be directed and is a joy to work with."[10]

In terms of the Babadook monster and the scary effects of the film, Kent was adamant from the outset of production that a low-fi and handmade approach would be used. She cites the influence of Georges Méliès, Jean Epstein’s The Fall of the House of Usher and Häxan.[13] Kent used stop-motion effects for the monster and a large amount of smoothening was completed in post-production. Kent explained to the Empire publication: "There’s been some criticism of the lo-fi approach of the effects, and that makes me laugh because it was always intentional. I wanted the film to be all in camera."[12]

Release

The film's global premiere was in January 2014 at the Sundance Film Festival. The film then received a limited theatrical release in Australia in May 2014,[11] followed by a screening in April 2014 at the Stanley Film Festival.[16]

In Singapore, the film was released on 25 September 2014.[7] The film opened in the United Kingdom for general release on 17 October 2014, and in the United States on 28 November 2014.[11]

The U.S. Blu-ray and DVD was released on 14 April 2015, and the special edition was also available on that date.[17][18] The special edition features Kent's short film, Monster, and the comic novel, Creating The Book, by Juhasz.[19] The UK Blu-ray Disc features the short documentary films "Illustrating Evil: Creating the Book", "There’s No Place Like Home: Creating the House" and "Special Effects: The Stabbing Scene".[20]

Reception

Box office

The Babadook opened in Australia on 22 May 2014 in just 13 cinemas on a limited release, eventually grossing a total of only $258,000.[21] The film fared much better internationally than it did in its native country. In North America, The Babadook opened on a limited release basis in three theaters and grossed US$30,007, with an average of $10,002 per theater. The film ranked in the 42nd position at the box office, and, as of 1 February 2015, has grossed $950,792 in the U.S. and $6 million internationally. To date, the film's worldwide box office takings are $6.95 million which compares favourably with the estimated production budget of $2 million.[22] It was subsequently released in France, where it opened at number 11 at the French box office.

Critical response

The Babadook received critical acclaim and holds a "Certified Fresh" score of 98% on Rotten Tomatoes based on 169 reviews with an average rating of 8.3 out of 10. The critical consensus states: "The Babadook relies on real horror rather than cheap jump scares—and boasts a heartfelt, genuinely moving story to boot."[23] The film also has a score of 86 out of 100 on Metacritic based on 34 critics, indicating "universal acclaim".[24]

Dan Schindel from Movie Mezzanine said that "The Babadook is the best genre creature creation since the big black wolf-dog aliens from Attack the Block."[25] After seeing the film at the 2014 Stanley Film Festival, Flay Otters wrote on the HorrorMovies.ca fan site: "This is a film that mixes strong-minded storytelling with a clear dedication to craft ... It is mature and patient and it is, without a doubt, one of the best horror films this year."[26]

On 30 November 2014, William Friedkin, director of The Exorcist (1973) stated on his Twitter profile, "Psycho, Alien, Diabolique, and now THE BABADOOK."[27] Friedkin also added, "I've never seen a more terrifying film. It will scare the hell out of you as it did me."[28] Prominent British film critic Mark Kermode named The Babadook his favourite film of 2014.[29]

Symbolism

Writing for the Daily Beast, Tim Teeman contends that grief is the "real monster" in The Babadook, and that the film is "about the aftermath of death; how its remnants destroy long after the dead body has been buried or burned". Teeman writes that he was "gripped" by the "metaphorical imperative" of Kent's film, with the Babadook monster representing "the shape of grief: all-enveloping, shape-shifting, black". Teeman states that the film's ending "underscored the thrum of grief and loss at the movie’s heart", and concludes that it informs the audience that grief has its place and the best that humans can do is "marshal it".[30]

Egyptian national film critic Wael Khairy wrote in his "Film Analysis" on 22 November 2014 that The Babadook "taps into something real, a real human fear".[31] Khairy argues that what the Babadook "stands for is up for debate", but writes:

The malevolent Babadook is basically a physicalized form of the mother’s trauma ... I believe, the Babadook embodies the destructive power of grief. Throughout the film, we see the mother insist nobody bring up her husband’s name. She basically lives in denial. Amelia has repressed grief for years, refusing to surrender to it.[31]

Khairy concluded that the film is "based on something very real" and "feels unusually beautiful and even therapeutic."[31]

Accolades

Award Category Subject Result
AACTA Awards
(4th) 		Best Film1[32] Kristina Ceyton
Kristian Molière 		Won
Best Direction Jennifer Kent Won
Best Original Screenplay Won
Best Actress Essie Davis Nominated
Best Editing Simon Njoo Nominated
Best Production Design Alex Holmes Nominated
AACTA International Awards[33]
(4th) 		Best Actress Essie Davis Nominated
Critics' Choice Award Best Young Actor Noah Wiseman Nominated
Detroit Film Critics Society Awards Best Actress Essie Davis Nominated
Best Breakthrough Jennifer Kent Nominated
Empire Awards
(20th) 		Best Female Newcomer Essie Davis Nominated
Best Horror The Babadook Won
New York Film Critics Circle Awards Best First Feature Kristina Ceyton
Kristian Molière 		Won
Online Film Critics Society Awards Best Actress Essie Davis Nominated
San Francisco Film Critics Circle Award Best Actress Nominated
Saturn Awards
(41st) 		Best Horror Film Kristina Ceyton
Kristian Molière 		Nominated
Best Actress Essie Davis Nominated
Best Performance by a Younger Actor Noah Wiseman Nominated

1 Shared award with The Water Diviner

References

  1. ^ "The Babadook". British Board of Film Classification. 14 October 2014. Retrieved 5 January 2015.
  2. ^ "The Babadook". Box Office Mojo. IMDb.com, Inc. 28 November 2014. Retrieved 9 August 2015.
  3. ^ http://www.abc.net.au/news/2014-10-11/sa-horror-film-the-babadook-may-make-a-profit-in-france-uk-us/5806648
  4. ^ Caceda, Eden (9 December 2013). "Two Aussie Features Selected For Sundance". Filmink.
  5. ^ Rooney, David (21 January 2014). "The Babadook: Sundance Review". The Hollywood Reporter.
  6. ^ "Best of 2014". Rotten Tomatoes. Retrieved 15 August 2015.
  7. ^ a b c John Lui (24 September 2014). "Director Jennifer Kent's debut feature The Babadook is a horror movie without gore or cheap screams". The Strait Times. Retrieved 21 November 2014.
  8. ^ a b c d e f g Ryan Lamble (13 October 2014). "Jennifer Kent interview: directing The Babadook". Den Of Geek. Dennis Publishing Limited. Retrieved 21 November 2014.
  9. ^ a b Paul MacInnes (18 October 2014). "The Babadook: 'I wanted to talk about the need to face darkness in ourselves'". The Guardian. Retrieved 21 November 2014.
  10. ^ a b c d Sandy George (21 May 2014). "How Jennifer Kent made The Babadook". SBS. SBS. Retrieved 21 November 2014.
  11. ^ a b c d e f Ethan Alter (14 November 2014). "Parental descent: Jennifer Kent's 'The Babadook' is a spooky tale of a mother in crisis". Film Journal International. Film Journal International. Retrieved 21 November 2014.
  12. ^ a b Helen O'Hara (2014). "The Scariest Film Of The Year? Jennifer Kent On The Babadook". Empire. Bauer Consumer Media Ltd. Retrieved 21 November 2014.
  13. ^ a b Gary Collinson (13 November 2014). "Interview with Jennifer Kent, director of The Babadoo". Flickering Myth. Flickering Myth. Retrieved 21 November 2014.
  14. ^ Jennifer Kent, Kristina Ceyton (June 2012). "Realise the vision of The Babadook". Kickstarter. Kickstarter, Inc. Retrieved 21 November 2014.
  15. ^ Jennifer Kent, Kristina Ceyton (June 2012). "The Babadook - Profile". Kickstarter. Kickstarter, Inc. Retrieved 21 November 2014.
  16. ^ Shipra Gupta (3 April 2014). "Stanley Film Festival Announces Full Lineup". Indiewire. Indiewire.com. Retrieved 21 November 2014.
  17. ^ John Lui (24 September 2014). "Scream Factory and IFC Midnight Teaming for The Babadook Home Video Release". The Strait Times. Retrieved 21 November 2014.
  18. ^ John Lui (24 September 2014). "'The Babadook' Comes Knockin' On Scream Factory's Door". The Strait Times. Retrieved 21 November 2014.
  19. ^ John Lui (24 September 2014). "'The Babadook' Gets Special Edition Release!". The Strait Times. Retrieved 21 November 2014.
  20. ^ John Lui (24 September 2014). "'The Babadook' Gets Special Edition Release!". The Strait Times. Retrieved 21 November 2014.
  21. ^ "Why was 'The Babadook' kept from Australians". The New Daily. 3 December 2014. Retrieved 12 May 2015.
  22. ^ "The Babadook". Box Office Mojo. IMDb.com, Inc. 1 February 2015. Retrieved 8 February 2015.
  23. ^ "The Babadook". Rotten Tomatoes. Retrieved 31 July 2015.
  24. ^ "The Babadook". Metacritic. Retrieved 14 December 2014.
  25. ^ Schindel, Dan (22 January 2014). "Sundance Review: The Babadook Scares and Surprises". Movie Mezzanine. Retrieved 8 March 2014.
  26. ^ Flay Otters (26 April 2014). "The Babadook Movie Review [Stanley Film Festival]". HorrorMovies.ca. HorrorMovies.ca. Retrieved 21 November 2014.
  27. ^ "6:29 PM - 30 Nov 2014". William Friedkin on Twitter. Twitter. 30 November 2014. Retrieved 1 December 2014.
  28. ^ "6:14 PM - 30 Nov 2014". William Friedkin on Twitter. Twitter. 30 November 2014. Retrieved 1 December 2014.
  29. ^ "30 Dec 2014". Youtube. 30 December 2014. Retrieved 30 December 2014.
  30. ^ Tim Teeman (19 December 2014). "Grief: The Real Monster in The Babadook". The Daily Beast. The Daily Beast Company Ltd. Retrieved 6 February 2015.
  31. ^ a b c Wael Khairy (22 November 2014). "Film Analysis: "The Babadook"". The Cinephile Fix. Wordpress. Retrieved 6 February 2015.
  32. ^ The Babadook Strikes Gold at Australian Academy Awards
  33. ^ Hawker, Philippa; Boyle, Finlay (7 January 2014). "AACTA international nominations 2015: The Babadook a surprise inclusion". The Sydney Morning Herald. Fairfax Media. Retrieved 7 January 2014.
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