Mari Carmen Díaz de Mendoza: Difference between revisions
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==Personal== |
==Personal== |
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Mari Carmen Díaz de Mendoza was married to José Beltrán de Heredia, a professor of civil law. He died in 1992, however. |
Mari Carmen Díaz de Mendoza was married to José Beltrán de Heredia, a professor of civil law. He died in 1992, however. |
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De regreso en el María Guerrero a finales de 1957, estrena El cuervo, de Alfonso Sastre y en 1958, que fue un año especialmente prolífico, encabezó los repartos de Alta fidelidad, de Edgar Neville, Tránsito de madrugada, de Santiago Moncada Las manos son inocentes, de José López Rubio, La casa de té de la luna de agosto (1958), de John Patrick y Vida moderna, de Álvaro de Laiglesia. Todas ellas formando pareja artística con Ángel Picazo. Un año después, tras interpretar la versión teatral de La vida en un hilo, de Edgar Neville, se retiró de los escenarios. |
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Casada con el catedrático de Derecho Civil José Beltrán de Heredia, enviudó en 1992. |
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==References== |
==References== |
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Revision as of 17:13, 11 January 2016
María Carmen Díaz de Mendoza Larrabeiti | |
|---|---|
 María Carmen Díaz de Mendoza Larrabeiti - with her parents | |
| Born | December 1, 1927 |
| Occupation | Theatre actress |
| Spouse | José Beltrán de Heredia |
| Partner(s) | Carlos Díaz de Mendoza Carmen Larrabeiti |
María Carmen Díaz de Mendoza Larrabeiti (born December 1927) is a Spanish theatre actress.[1]
Life
Mari Carmen Díaz de Mendoza was born in Madrid towards the end of 1927. Her parents, es and Carmen Larrabeiti, who were both actors, had married the previous year. He paternal grand parents were also highly successful in the world of theatre.[1] Although Mari Carmen made one or two film appearances, the focus of her own acting career was the theatre.
She embarked on her stage career in the 1940s at the Theatre of María Guerrero, originally purchased by her grandfather, the theatrical impresario Fernando Díaz de Mendoza y Aguado, back in 1908. In 1944 she appeared in a play based on Dostoyevsky's "Demons", playing opposite es.[2] Another early role was in the Spanish translation of "Time and the Conways" by J. B. Priestley, in which she appeared with Guillermo Marín and es.[3] A few months later she transferred to the Teatro Español, in June 1945 appearing in "Hamlet" with Marin and es.[4]
During the next few years she appeared in "Tres de madrugada" by Claudio de la Torre (1946), "Cuento de cuentos" by es (1947) and after setting up her own theatre company, in "Víspera de bodas" by Eduardo Manzanos (1948), in which Milagros Leal and es also appeared.
She was part of the production of En la ardiente oscuridad by Antonio Buero Vallejo, which had its triumphant premier in December 1950 at the Teatro María Guerrero. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "María Antonieta" (1952) and "El jefe" (1953) by es,[5] "Berkeley Square" (1952) by John L. Balderston and "Recién llegada" (1953), by Keith Winter.[6]
Later in the decade Díaz de Mendoza switched to Madrid's Teatro de la Comedia where she shared the stage with Alberto Closas in "¿De acuerdo, Susana?" (1955)[7] and appeared in "Mi adorado Juan" (1956) by Miguel Mihura,[8] with Ismael Merlo, as well as featuring with es in "En cualquier Puerta del Sol" (1956) by es and in "48 horas de felicidad" (1956) by es. In 1957 she was in La malquerida by Jacinto Benavente, a piece which had premiered 45 years earlier, with her grandmother heading up the cast.
Towards the end of 1957 she returned to the Theatre of María Guerrero for the premier of "El cuervo" by then the young Alfonso Sastre. 1958 was a particularly rich year for Díaz de Mendoza, which included appearances in "Alta fidelidad" by Edgar Neville, "Tránsito de madrugada" by es, "Las manos son inocentes" by José López Rubio, "The Teahouse of the August Moon" by John Patrick and "Vida moderna" by es. In each of these she starred opposite Ángel Picazo. A year later, after playing in a theatrical version of La vida en un hilo by Edgar Neville, she retired from the stage.
Personal
Mari Carmen Díaz de Mendoza was married to José Beltrán de Heredia, a professor of civil law. He died in 1992, however.
References
- ^ a b "Biografía de Mari Carmen Díaz". Telfo Networks S.L., Pontevedra (Biograpfias.es). Retrieved 10 January 2016.
- ^ "Ricardo Calvo y Mari Carmen Díaz de Mendoza". Diario ABC. 28 January 1944. Retrieved 10 January 2016.
- ^ "El Teatro Nacional y el monumento a María Guerrero". Diario ABC. 25 April 1945. Retrieved 10 January 2016.
- ^ "Noticias teatrales". Diario ABC. 30 June 1945. Retrieved 10 January 2016.
- ^ "Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"". Diario ABC. 6 March 1953. Retrieved 11 January 2016.
- ^ "Anoche se estrenó en el María Guerrero Recién llegada, de Keith Winter". Diario ABC. 14 May 1953. Retrieved 11 January 2016.
- ^ "Crítica del estreno de ¿De acuerdo, Susana?". Diario ABC. 10 April 1955. Retrieved 11 January 2016.
- ^ "Crítica del estreno de Mi adorado Juan". el Diario La Vanguardia. 12 January 1956. Retrieved 11 January 2016.
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