The Manchurian Candidate (1962 film)

This article is about the original 1962 film. For the 2004 remake, see The Manchurian Candidate (2004 film).

The Manchurian Candidate
File:The Manchurian Candidate 1962 movie.jpg Theatrical release poster
Directed by	John Frankenheimer
Screenplay by	George Axelrod
Produced by	George Axelrod John Frankenheimer
Starring	Frank Sinatra Laurence Harvey Janet Leigh Angela Lansbury Henry Silva James Gregory
Narrated by	Paul Frees
Cinematography	Lionel Lindon
Edited by	Ferris Webster
Music by	David Amram
Distributed by	United Artists
Release date	October 24, 1962 (1962-10-24)
Running time	126 minutes
Country	United States
Language	English
Budget	$2.2 million
Box office	$7.7 million (domestic)

The Manchurian Candidate is a 1962 American black-and-white Cold War neo noir suspense thriller, produced by George Axelrod and John Frankenheimer, directed by John Frankenheimer, and starring Frank Sinatra, Laurence Harvey, and Janet Leigh, co-starring are Angela Lansbury, Henry Silva, and James Gregory. The screenplay by George Axelrod is based on the 1959 novel by Richard Condon.

The Manchurian Candidate concerns the brainwashing of the son of a prominent right-wing political family, who has become an unwitting assassin in an international communist conspiracy. The film was released in the United States on October 24, 1962, at the height of the Cuban Missile Crisis. It was well-received and was nominated for two Academy Awards.

The Manchurian Candidate was selected in 1994 for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot

During the Korean War, the Soviets capture a U. S. platoon and take them to Manchuria in Communist China. Some days later, all but two of the soldiers return to U. S. lines and Staff Sergeant Raymond Shaw is credited with saving their lives in combat. Upon the recommendation of the platoon's commander, Captain Bennett Marco, Raymond is awarded the Medal of Honor for his reported heroism. When asked to describe him, Marco and the other soldiers automatically respond, "Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I've ever known in my life." Deep down, however, they know that Shaw is a cold, sad, unsympathetic loner.

Following his return to America, Marco, who has since been promoted to Major, suffers from a recurring nightmare in which a hypnotized Shaw blithely and brutally murders the two missing soldiers before the assembled military brass of Communist nations, during a practical demonstration of a revolutionary brainwashing technique. Marco wants to investigate, but has no solid evidence to back his claims and thus receives no support from Army Intelligence. However, Marco learns that another soldier from the platoon, Allen Melvin, has had the same nightmare. When Melvin and Marco separately identify some of the men in the dream as leading figures in communist governments, Army Intelligence agrees to help Marco investigate.

Sgt. Shaw (Harvey, left) meets Major Marco (Sinatra, right), after having jumped into a lake in Central Park, New York

Meanwhile, Shaw's mother, Mrs. Eleanor Iselin, drives the political career of her husband and Shaw's stepfather, Senator John Yerkes Iselin, a McCarthy-like demagogue who is widely dismissed as a fool. Senator Iselin finds a newfound political profile when he claims that varying numbers of communists work within the Department of Defense. However, unknown to Raymond, Mrs. Iselin herself is actually a Communist agent with a plan intended to secure the presidency under Communist influence.

Mrs. Iselin is the American "operator" responsible for controlling Raymond, who was conditioned in Manchuria to be an unwitting assassin whose actions are triggered by a Queen of Diamonds playing card. When he sees it, he will blindly obey the next suggestion or order given to him and never have any memories of his actions. It is revealed that Shaw's heroism was a false memory implanted in the platoon during their conditioning, and that the actions for which Shaw was awarded his Medal of Honor never took place. Shaw's conditioning is reinforced by a North Korean agent who supervises him under the pretext of acting as his cook and houseboy. When Marco visits Shaw's apartment, he becomes suspicious of the Korean and they engage in a fight using karate techniques.

Raymond briefly finds happiness when he rekindles a youthful romance with Jocelyn Jordan, the daughter of Senator Thomas Jordan (John McGiver), one of his stepfather's political rivals. Mrs. Iselin had previously broken up the relationship, but now facilitates the couple's reunion as part of her scheme to garner Jordan's support for her husband's bid for Vice President. Jocelyn, wearing a Queen of Diamonds costume, inadvertently hypnotizes Raymond at a costume party and elopes with him. Although pleased with the match, Jordan makes it clear that he will block Senator Iselin's nomination. Mrs. Iselin triggers Raymond and sends him to kill Jordan; he also shoots Jocelyn when she happens upon the scene. Raymond has no knowledge of his actions and is grief-stricken when he learns of the murders.

After discovering the card's role in Raymond's conditioning, Marco uses a forced deck to get the full story. He then verbally drills into Raymond the suggestion or affirmation that the Queen of Diamonds no longer has any power over him. Mrs. Iselin primes her son to assassinate their party's presidential nominee at the nomination convention so that Senator Iselin, as the vice-presidential candidate, will become the nominee by default and be elected with emergency powers that, in Mrs. Iselin's words, "will make martial law seem like anarchy." Mrs. Iselin tells Raymond that she did not know that he was to be selected by the Communists, but vows that once in power she will "grind them into the dirt" in revenge.

With Marco's attempt to free Raymond from his conditioning appearing to have failed, Raymond enters Madison Square Garden disguised as a priest and takes position to carry out the assassination. Marco and his supervisor, Colonel Milt, arrive at the convention to stop him. As the nominee (Robert Riordan) makes his speech, Raymond, instead of assassinating him, shoots his stepfather before shooting his mother with the sniper rifle she gave him. He then commits suicide in front of Marco while wearing his Medal of Honor. Marco, in the film's final scene, voices a putative Medal of Honor citation for Raymond's genuine act of heroism.

Cast

• Frank Sinatra as Maj. Bennett Marco
• Laurence Harvey as Raymond Shaw
• Janet Leigh as Eugenie Rose Cheyney
• Angela Lansbury as Mrs. Iselin
• Henry Silva as Chunjin
• James Gregory as Sen. John Yerkes Iselin
• Leslie Parrish as Jocelyn Jordan
• John McGiver as Sen. Thomas Jordan
• Khigh Dheigh as Dr. Yen Lo
• James Edwards as Cpl. Allen Melvin
• Douglas Henderson as Col. Milt
• Albert Paulsen as Zilkov
• Barry Kelley as Secretary of Defense
• Lloyd Corrigan as Holborn Gaines
• Madame Spivy as Female Berezovo
• Reggie Nalder as Dmitri

Production

For the role of Mrs. Iselin, Sinatra had considered Lucille Ball, but Frankenheimer, who had worked with Lansbury in All Fall Down, suggested her for the part and insisted that Sinatra watch the film before making any decisions. (Although Lansbury played Raymond Shaw's mother, she was in fact only three years older than actor Laurence Harvey.)

An early scene where Raymond, recently decorated with the Medal of Honor, argues with his parents was filmed in Sinatra's own private plane.

Janet Leigh plays Marco's love interest. A bizarre conversation on a train between her character and Marco has been interpreted by some, notably film critic Roger Ebert, as implying that Leigh's character, Eugenie Rose Cheyney, is working for the Communists to activate Marco's brainwashing, much as the Queen of Diamonds activates Shaw's. It is a jarring, fascinating and strange conversation between people who have only just met, which some people, including Ebert, suspect may be an exchange of passwords. Others saw it as intelligent and sexy pick-up banter between two intelligent and sexy people. During their conversation, Leigh's character provides Sinatra with her address in Manhattan, 53 West 54th Street, Apartment 3B, and her telephone number, Eldorado 5-9970 (in the book, her telephone number is Eldorado 9-2632). Frankenheimer himself maintained that he had no idea whether or not "Rosie" was supposed to be an agent of any sort; he merely lifted the train conversation straight from the Condon novel, in which there is no such implication. The rest of the film does not elaborate on Rosie's part, and later scenes suggest that she is simply a romantic foil for Marco.

In a short biographical commercial of her mother Janet Leigh filmed for Turner Classic Movies, Jamie Lee Curtis has stated that Leigh's then husband Tony Curtis served her with divorce papers the morning before the train scene was filmed. The dialogue includes her asking Sinatra's character "Are you married?" He replies "No... You?", to which she responds with a quick "No", followed by a long, pensive stare.

During the fight scene between Frank Sinatra and Henry Silva, Sinatra broke his hand during a movement where he smashed through a table. This resulted in problems with his hand/fingers for several years and is said to be one of the reasons why he pulled out of a starring role in Dirty Harry, having to undertake surgery to alleviate pains.

The interrogation sequence where Raymond and Marco confront each other in the hotel room opposite the convention is from a rough cut. When first filmed, Sinatra was out of focus, and when they tried to re-shoot the scene he was simply not as effective as he had been in the first take, a common factor in Sinatra's film performances. Frustrated, Frankenheimer decided in the end to simply use the original out-of-focus takes. Critics praised him for showing Marco from Raymond's distorted point of view.

In the novel Mrs. Iselin uses her son's brainwashing to have sex with him before the dramatic climax. Concerned that censors would not allow even a reference to such a taboo subject in a mainstream motion picture of the time, the filmmakers instead opted for Mrs. Iselin to simply kiss Raymond on the lips to imply her incestuous attraction to him.

For the scene in the convention hall prior to the assassination, Frankenheimer was at a loss as to how Marco would pinpoint Raymond Shaw's sniper's nest. Eventually, he decided on a method similar to Alfred Hitchcock's Foreign Correspondent (1940). Frankenheimer noted that what would be plagiarism in the 1960s would now be looked upon as an homage.

Frankenheimer also acknowledged the climax's connection with Hitchcock's The Man Who Knew Too Much (1934 and 1956) by naming the Presidential candidate "Benjamin Arthur". Arthur Benjamin was the composer of the Storm Clouds Cantata used in both versions of Hitchcock's film.

Releases

According to rumor, Sinatra removed the film from distribution after the John F. Kennedy assassination on November 22, 1963. Michael Schlesinger, who was responsible for the film's 1988 reissue by MGM/UA, denies the rumor. According to him, the film's apparent withdrawal was not due to the assassination, but due to lack of public interest by 1963. The film became the premiere offering of The CBS Thursday Night Movie on the evening of September 16, 1965, and was rerun in April 1974 on NBC Saturday Night at the Movies. Sinatra's representatives acquired rights to the film in 1972 after the initial contract with United Artists expired. After a successful showing at the New York Film Festival in 1987 renewed public interest in the film, the studio reacquired the rights and it became again available for theater and video releases.

Reception

Critical response

The Manchurian Candidate has a 98% rating at the review aggregator website Rotten Tomatoes, based on 49 reviews, which summarizes it as "a classic blend of satire and political thriller that was uncomfortably prescient in its own time". Film critic Roger Ebert ranked The Manchurian Candidate as an exemplary "Great Film", declaring that it is "inventive and frisky, takes enormous chances with the audience, and plays not like a 'classic' but as a work as alive and smart as when it was first released".

Awards and honors

Lansbury was nominated for an Academy Award as Best Supporting Actress, and Ferris Webster was nominated for Best Film Editing. In addition Lansbury was named Best Supporting Actress by the National Board of Review and won the Golden Globe for Best Supporting Actress.

The film was No. 67 on the AFI's "100 Years...100 Movies" when that list was compiled in 1998, but in 2007 a new version of that list was made which excluded The Manchurian Candidate. It was also No. 17 on AFI's "AFI's 100 Years...100 Thrills" lists. In 1994 The Manchurian Candidate was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

In April 2007 Angela Lansbury's character was selected by Newsweek as one of the ten greatest villains in cinema history.

American Film Institute recognition

• AFI's 100 Years...100 Movies—#67
• AFI's 100 Years...100 Thrills—#17
• AFI's 100 Years...100 Heroes and Villains:
  • Mrs. Eleanor Iselin—No. 21 Villain

DVD commentary

On the DVD audio commentary, the director stated his belief that it contained the first-ever karate fight in an American motion picture. This is true inasmuch as this was the first fight scene in an American film in which a karateka, a studied karate practitioner, faced off against another karateka; however, the MGM film Bad Day at Black Rock (1955) featured a fight scene between a conventional fighter, played by Ernest Borgnine, and a karate expert, played by Spencer Tracy.

See also

• List of American films of 1962
• Assassinations in fiction
• Conspiracy thriller
• Hypnosis in fiction
• Spy film

External links

• The Manchurian Candidate at IMDb
• The Manchurian Candidate at the TCM Movie Database
• The Manchurian Candidate at Rotten Tomatoes
• The Manchurian Candidate at Metacritic
• Storyline and key dialogue excerpts
• McCarthyism and the Movies