Atlântida Cinematográfica: Difference between revisions
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Largoplazo (talk | contribs) Translated from pt:Atlântida Cinematográfica rather than from the Spanish translation of the article that originally appeared here. Tagging as unsourced pending someone identifying (hopefully) English sources. |
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'''Atlântida Cinematográfica''' was a Brazilian film studio, founded 18 September 1941 in [[Rio de Janeiro]] by [[Moacir Fenelon]] and [[José Carlos Burle]]. |
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Atlantic Films es una compañía de cine brasileña fundada el 18 de septiembre de 1941 en Río de Janeiro por Moacir Fenelon (Moacyr Fenelon Miranda Henriques) y José Carlos Burle. Se produjo un total de 66 películas hasta 1962, cuando cesó sus actividades, habiéndose convertido en la más exitosa de plantas de producción de cine en [[Brasil]]. |
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It produced a total of 66 films before 1962, when it ceased operations, having become the most successful film production company in Brazil. |
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The studio's first film was ''Moleque Tião'', but its success came from the genre known as ''[[chanchada]]'', low-budget films with great popular appeal, such as ''Nem Sansão nem Dalila'', Carlos Manga's ''Matar ou Correr'', and Watson Macedo's ''Aviso aos navegantes'' featuring Anselmo Duarte. This genre dominated the market until the mid-1950s, promoting such artists as [[Grande Otelo]], [[Oscarito]], [[Zé Trindade]], [[Cyl Farney]], [[Eliana Macedo]], [[Julie Bardot]], and [[Fada Santoro]]. |
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== Astros de Atlantica == |
Revision as of 08:11, 31 March 2016
Atlântida Cinematográfica was a Brazilian film studio, founded 18 September 1941 in Rio de Janeiro by Moacir Fenelon and José Carlos Burle. It produced a total of 66 films before 1962, when it ceased operations, having become the most successful film production company in Brazil.
The studio's first film was Moleque Tião, but its success came from the genre known as chanchada, low-budget films with great popular appeal, such as Nem Sansão nem Dalila, Carlos Manga's Matar ou Correr, and Watson Macedo's Aviso aos navegantes featuring Anselmo Duarte. This genre dominated the market until the mid-1950s, promoting such artists as Grande Otelo, Oscarito, Zé Trindade, Cyl Farney, Eliana Macedo, Julie Bardot, and Fada Santoro.